Stars Of Chaos 杀破狼 Vol 1, Notes 3

Hi! I just wanna say I think that your sharing notes on mdzs books are absolutely freaking cool!!!!! When I'll finally get my hands on the books can I copy your notes, please??

(Ps sorry for my english)

Please copy them! That’s what they’re for ♥️

Stars of Chaos 杀破狼

Volume 3, Notes 5/5, Pages 358 - end

The "Imperial Censorate" here is 御史台, which is the department, not the person. Chang Geng would never slap another person in full view of the court; but he would not hesitate to admistratively slap another department if he felt it was justified.

So. The classic punishment for adultery was to be put in a pig cage and thrown into the river to drown. I don't know how I know this little bit of trivia, seeing as I was raised in the west and my only contact to Chinese culture was my very conservative Chinese mother; but I know this. Adulterers get drowned.

谋事在人，成事在天。 Plotting depends the person, success depends on the heavens. I just wanted you to know that it's symmetrical in Chinese, even though it doesn't translate that way.

The "tactlessly" here is a translation of 不长眼色， which I think could be explained better as "not reading the room" or "not taking hints."

It's not that Ge Chen is tactless so much as he is clueless to the tension between Gu Yun and Chang Geng.

In the online Chinese version that I read, the line is "Zixi! Don't go!" which explains why Chang Geng is reaching out to grab him in a panic -- he thinks Gu Yun is leaving him.

Page 382

Top: The Chinese here is "看看我说话!" which can be translated as either

-- "Look at me while I am talking to you," (though that feels weird) or -- "Look at me and speak - respond to me,"

...both of which are a little different from what is actually written in English. The "look at me when you speak" translation threw me for a second because Chang Geng isn't speaking and hasn't said anything for a while.

Bottom: Liangjiang is 两江 which is Two Rivers. (The north side and the south side of the river?)

This section is actually so pretty:

“天时地利、花前月下、水到渠成”

The perfect time (天时) and place (地利); in front of the flowers (花前) and under the moon (月下); when success is assured (where water flows (水到) a canal will inevitably form (渠成)).

Carriage Door. The carriage door opened, and out came Shen Yi. He had hitched a ride with Miss Chen so that he could leave his home unnoticed.

(When I read the English, I thought that the door was the courtyard door and got really confused.)

----

And that's it for Volume 3!

I love 杀破狼 <3

My DanMei Literary Adventure Masterpost

Stars of Chaos - All Notes Links

On HanGuang-Jun’s peerless beauty

Let us all take a moment to appreciate Lan Wangji’s beauty as described in the novel.

Since he was young, he has always been regarded as a model cultivator alongside his brother. He is famous for his talents, his manners, and his handsome face. He’s generally described to have a pristine face with graceful and elegant features and light eyes almost like colored glass. He has a slender yet muscular figure and he stands tall at 188 cm (from MXTX’s footnote in Chapter 115). However, he is described to have a straight face; at times, even described to look like he was always mourning. His aura is likened to smooth moonlight and other times, to snow and ice. He is second only to his brother Lan Xichen in the (unofficial) list of most handsome cultivators of their generation due to his stern and aloof personality around most people.

Here is a compilation of official art used for the novel and audio drama (since they are done by the same artists) along with descriptions from the novel as narrated not only by Wei Wuxian throughout the entire time he has known Lan Wangji, but also by random people from the cultivation society and even by the average noncultivator humans. Also used some screencaps from the donghua, manhua, and live action since there have yet to be any illustrations for some.

Lan Wangji at 15

Illustration for the Official Vietnamese translation set by Changyang 

Chapter 13: Refinement Wei WuXian made the sound of an oh and asked, “Is he a lad who looks quite pretty?”

Jiang Cheng sneered, “Is there anyone who looks ugly in the GusuLan Sect? His sect doesn’t even accept disciples with unclean features. If you can, find me one who has an average face.”

Wei WuXian emphasized, “Very pretty.” He pointed at his head, “White from top to bottom, wearing a forehead ribbon, and carrying a silver sword on his back. He looked rather handsome, but with his straight face, he looked like he was mourning.”

When Wei WuXian turned his head, he could see the side of Lan WangJi’s face. His lashes were long, appearing to be extremely delicate and elegant. His posture was also very upright, looking straight ahead.

Cover art of Season 1 Episode 5 of audio drama by A-Xin

Chapter 125: Lotus Seedpod Extra (Yunmeng Side) He then turned to Jiang YanLi. “Shijie, do you know Lan WangJi?”

Jiang YanLi said, “I do. He’s the Second Young Master Lan who is said to be very handsome and talented, isn’t he? Is he really that handsome?”

Wei WuXian, “He’s very handsome!”

Jiang YanLi, “Compared to you?”

Wei WuXian thought it over and replied, “Maybe more handsome than me, just the slightest bit.”

Wei WuXian raised two of his fingers, a tiny distance in between them. Jiang YanLi smiled as she cleaned up the plate. “Then he must be really handsome. Making new friends is a good thing, you can now go out to play with each other when you’re free.”

Chapter 125: Lotus Seedpod Extra (Gusu Side)

In this disorderly and bustling town, the entirety of his being truly couldn’t fit in, with the way he seemed untouched by a speck of dust and the fact that he was carrying a sword. The stall vendors, farmers, and bystanders rarely saw someone from such high class.

Lan Wangji at 17

Cover art for season 2 episode 11 of audio drama by Qianerbai

Chapter 55: Courage The glow of the firelight reflected against Lan WangJi’s face as though he was made of warm jade. It illuminated, with utmost clarity, the tearstreaks that ran down his cheek, as well.

Lan Wangji at 20

Cover art for Season 3 Episode 2 of the audio drama by Changyang 

Chapter 69: Departure Lan XiChen and Lan WangJi sat in an upright posture on two snowy steeds as they led the GusuLan Sect’s riding formation slowly forward. The two both wore swords at their waists and arrows on their backs. White robes and forehead ribbons flying in the air, they seemed to be deities themselves. Their snow white boots were so immaculate that it could even be cleaner than the other peoples’ clothes. The Two Jades of Lan truly were a flawless pair of jade, almost as though they were carved out of ice. As soon as they entered, even the air seemed to have become refreshing.

Cover art of Season 3 Episode 3 of audio drama by Changyang

Chapter 71: Departure From there, a white-robed man wearing a forehead ribbon slowly approached, carrying with him a sword and a zither.

The man’s features were of unparalleled grace, but frost and snow seemed to surround his figure. Before he had even drawn nearer, the cultivators quieted on their own, meeting his eyes in respect. The more well-known ones bravened up and went forth to salute him, “HanGuang-Jun.”

Lan Wangji in his 30s (present timeline)

Illustration from the MV of audio drama ending song 人间纵我, illustrated by Changyang

Chapter 7: Arrogance He had an aura of smooth moonlight. The seven-stringed zither that he carried on his back was narrower than most. Its body was black, made using wood of soft color.

The man wore a forehead ribbon with cloud patterns. His skin was fair, features both refined and elegant, as if he was a piece of polished jade. The color of his eyes was especially light, like they were made of colored glass, causing his gaze to be overly distant. His expression held the traces of frost and snow, stern to the degree of being stiff, unwavering even as he saw Wei WuXian’s ridiculous face.

There wasn’t a single spec of dust or wrinkled spot on him, from his head to his feet. It was impossible to find any fault with his appearance. Even so, two capitalized words jumped into Wei WuXian’s mind.

Mourning clothes!

Mourning clothes, indeed. Although all of the clans in the cultivation world used extravagant words to describe the GusuLan Sect’s uniform as the best-looking uniform and Lan WangJi as an incomparable beauty who only appeared once in a blue moon, nothing could help the bitter facial expression that made him look as though his wife had passed away.

[..]

Lan WangJi was silent, staring straight ahead, standing motionlessly in front of Jiang Cheng. Jiang Cheng was already exceptionally handsome, but as they stood face to face with each other, he still seemed a few degrees inferior.

Cover for audio drama extra “Lan Wangji - Accompanying you to sleep”

Chapter 65: Tenderness Lan WangJi was reading a book, his head down. A paper lantern was on the corner of the desk. Against the soft light of the fire, his face was even more like a piece of fine jade. Even his indifferent expression and his light eyes seemed to have been glazed a shade warmer. He was so beautiful that it seemed unreal. Caught by the moment, Wei WuXian was somehow entranced. Involuntarily, he inched closer.

Chapter 122: Gatecrashing (Extra) While he was sitting on Lan WangJi’s legs, he said, “HanGuang-Jun, your face truly is a total scam. Everyone thinks of you as someone with a clear mind who harbors no lust, a noble and chaste figure. I feel so wronged.”

Illustration for the audio drama season 3 poster by Changyang 

Chapter 87: Loyalty Lan WangJi’s figure was slender. He seemed to be quite the scholarly young master, but his power wasn’t to be disregarded. Not only was his arm strength shocking, his lower body was steady too. But, after all, it was a grown man who jumped from the tree, so although he caught Wei WuXian, he staggered slightly, walking a step backward. Immediately, however, he steadied himself.

Chapter 92: Longing The owner, “Really! No wonder. I was thinking you two good-looking figures must’ve come from a watery and spiritual place like the Jiangnan* region, Young Masters.”

Lan WangJi seemed as if he heard nothing. Wei WuXian laughed, “I can’t compare to him. He’s much more handsome than I am.”

The owner had quite a good mouth. She grinned, “He’s handsome, you’re cute. It’s different, but both are pretty! Oh, right.”

Would like to note that the physical appearance of a person with high cultivation is preserved at its prime. (Wen RuoHan’s level of cultivation was extremely high, so of course his corporal body was also perfectly maintained in its prime. –from Chapter 49: Guile)

Lan Wangji’s 33 scars and the Wen Sect brand mark

Screencap from MDZS donghua season 2

Screencap from MDZS manhua

Chapter 11: Refinement The person in the spring was quite tall. His skin was fair and his hair was black, wet and gathered to one side. The lines which outlined his waist and back were smooth, graceful yet holding strength. In simpler terms, he was a beauty.

However, Wei WuXian was definitely not stunned and unable to avert his gaze because he was looking at a bathing beauty. No matter how beautiful he was, he wouldn’t actually be attracted to men.

Really, it was the things on the person’s back that made him unable to avert his gaze.

There were dozens of intersecting scars.

[]

At the moment, the person in the spring turned around. Beneath his collarbone and near his heart, there was a clear sear.

Chapter 94: Longing The distinct Adam’s Apple, fair-colored skin, and smooth, aesthetic muscles flashed before his eyes so clearly that he didn’t even dare look at them straight, eyes averting slightly. He swallowed unconsciously, somehow feeling a bit parched. Wei WuXian clenched his teeth.

Lan Wangji and Lan Xichen, the top 2 most handsome cultivators of their generation

GIF from audio drama season 1 trailer illustrated by Higga

Chapter 11: Refinement Each place brought up the same kind of people. The GusuLan Sect had always been known for nurturing a lot of handsome men, especially the two jades of the clan’s current generation. Even though the two were not twins, they looked extremely similar to each other, which made it difficult to tell who was the superior one. Yet, although their appearances were similar, their personalities were not. Lan XiChen was gentle and benevolent, while Lan WangJi was overly aloof and stern, keeping everyone at an arm’s length and being the opposite of amiable. This was why, in the list of the bestlooking young masters in the cultivation world, the former ranked first, and the latter ranked second.

LASTLY

Lan Wangji’s rare smile

GIFs from 陈情令 / The Untamed, Wang Yibo as Lan Wangji

Chapter 100: Hatred But Wei WuXian immediately looked up. He very clearly saw beside Lan WangJi’s lips the transient glimpse of a soft smile that resembled sunlight reflected over snow. This time, not only Su She, even Lan XiChen and Jin Ling paused in astonishment.

Chapter 126: Yunmeng Hearing his words, Lan Wangji smiled faintly. The clear and bright light of the cold moon shining upon the lake was dimmed by this smile.

In the space of a moment, Wei Wuxian was left dazzled and felt light-headed. Involuntarily, that smiling expression also spread to his own face.

(All translations taken from Exiled Rebels Scanlations)

hello there, hope you're having a nice day <3

so i've been reading a lot of fics lately, uk for sanity's sake, and i've noticed that in most of them, lwj doesn't use contractions (eg., says do not instead of don't)?? and i think he doesn't in the novel either but i don't remember lol so i can't be sure but anyway that made me curious - does chinese have contractions as well? does he not use it bc it's informal?

hello there! I’m doing all right, i started to answer this ask while waiting for a jingyeast loaf to come out of the oven 😊 many thanks to @bookofstars for helping me look over/edit/correct this post!! :D

anyways! the answer to your questions are complicated (of course it is when is anything simple with me), so let’s see if I can break it down--you’re asking a) whether chinese has contractions, b) if it does, how does they change the tone of the sentence--is it similar to english or no?, and c) how does this all end up with lan wangji pretty much never using contractions in english fic/translation?

I’m gonna start by talking about how formality is (generally) expressed in each language, and hopefully, by the end of this post, all the questions will have been answered in one way or another. so: chinese and english express variations in formality/register differently, oftentimes in ways that run contrary to one another. I am, as always, neither a linguist nor an expert in chinese and english uhhh sociological grammar? for lack of a better word. I’m speaking from my own experience and knowledge :D

so with a character like lan wangji, it makes perfect sense in english to write his dialogue without contractions, as contractions are considered informal or colloquial. I don’t know if this has changed in recent years, but I was always taught in school to never use contractions in my academic papers.

However! not using contractions necessarily extends the length of the sentence: “do not” takes longer to say than “don’t”, “cannot” is longer than “can’t” etc. in english, formality is often correlated with sentence length: the longest way you can say something ends up sounding the most formal. for a very simplified example, take this progression from least formal to absurdly formal:

whatcha doin’?

what’re you doing?

what are you doing? [standard colloquial]

may I ask what you are doing?

might I inquire as to what you are doing?

excuse me, but might I inquire as to what you are doing?

pardon my intrusion, but might I inquire as to what you are doing?

please pardon my intrusion, but might inquire as to the nature of your current actions?

this is obviously a somewhat overwrought example, but you get the point. oftentimes, the longer, more complex, more indirect sentence constructions indicate a greater formality, often because there is a simultaneous decreasing of certainty. downplaying the speaker’s certainty can show deference (or weakness) in english, while certainty tends to show authority/confidence (or aggression/rudeness).

different words also carry different implications of formality—in the example, I switched “excuse me” to “pardon me” during one of the step ups. pardon (to me at least) feels like a more formal word than “excuse”. Similarly, “inquire” is more formal than “ask” etc. I suspect that at least some of what makes one word seem more formal than one of its synonyms has to do with etymology. many of english’s most formal/academic words come from latin (which also tends to have longer words generally!), while our personal/colloquial words tend to have germanic origins (inquire [latin] vs ask [germanic]).

you’ll also notice that changing a more direct sentence structure (“may I ask what”) to a more indirect one (“might I inquire as to”) also jumps a register. a lot of english is like this — you can complicate simple direct sentences by switching the way you use the verbs/how many auxiliaries you use etc.

THE POINT IS: with regards to english, more formal sentence structures are often (not always) longer and more indirect than informal ones. this leads us to a problem with a character like lan wangji.

lan wangji is canonically very taciturn. if he can express his meaning in two words rather than three, then he will. and chinese allows for this—in extreme ways. if you haven’t already read @hunxi-guilai’s post on linguistic register (in CQL only, but it’s applicable across the board), I would start there because haha! I certainly do Not have a degree in Classical Chinese lit and she does a great job. :D

you can see from the examples that hunxi chose that often, longer sentences tend to be more informal in chinese (not always, which I’ll circle back to at the end lol). Colloquial chinese makes use of helping particles to indicate tone and meaning, as is shown in wei wuxian’s dialogue. and, as hunxi explained, those particles are largely absent from lan wangji’s speech pattern. chinese isn’t built of “words” in the way English is—each character is less a word and more a morpheme—and the language allows for a lot of information to be encoded in one character. a single character can often stand for a phrase within a sentence without sacrificing either meaning or formality. lan wangji makes ample use of this in order to express himself in the fewest syllables possible.

so this obviously leads to an incongruity when trying to translate his dialogue or capture his voice in English: shorter sentences are usually more direct by nature, and directness/certainty is often construed as rudeness -- but it might seem strange to see lan wangji’s dialogue full of longer sentences while the narration explicitly says that he uses very short sentences. so what happens is that many english fic writers extrapolated this into creating an english speech pattern for lan wangji that reads oddly. they’ll have lan wangji speak in grammatically incoherent fragments that distill his intended thought because they’re trying to recreate his succinctness. unfortunately, English doesn’t have as much freedom as Chinese does in this way, and it results in lan wangji sounding as if he has some kind of linguistic impediment and/or as if he’s being unspeakably rude in certain situations. In reality, lan wangji’s speech is perfectly polite for a young member of the gentry (though he’s still terribly rude in other ways lol). he speaks in full, and honestly, quite eloquent sentences.

hunxi’s post already has a lot of examples, but I figure I’ll do one as well focused on the specifics of this post.

I’m going to use this exchange from chapter 63 between the twin jades because I think it’s a pretty simple way to illustrate what I’m talking about:

蓝曦臣道：“你亲眼所见？”

蓝忘机道：“他亲眼所见。”

蓝曦臣道：“你相信他？”

蓝忘机道：“信。”

[...] 蓝曦臣道：“那么金光瑶呢？”

蓝忘机道：“不可信。”

my translation:

Lan Xichen said, “You saw it with your own eyes?”

Lan Wangji said, “He saw it with his own eyes.”

Lan Xichen said, “You believe him?”

Lan Wangji said, “I believe him.”

[...] Lan Xichen said, “Then what about Jin Guangyao?”

Lan Wangji said, “He cannot be believed.”

you can see how much longer the (pretty literal) english translations are! every single line of dialogue is expanded because things that can be omitted in chinese cannot be omitted in english without losing grammatical coherency. i‘ll break a few of them down:

Lan Xichen’s first line:

你 (you) 亲眼 (with one’s own eyes) 所 (literary auxiliary) 见 (met/saw)？

idk but i love this line a lot lmao. it just has such an elegant feel to me, probably because I am an uncultured rube. anyways, you see here that he expressed his full thought in five characters.

if I were to rewrite this sentence into something much less formal/much more modern, I might have it become something like this:

你是自己看见的吗？

你 (you) 是 (to be) 自己 (oneself) 看见 (see) 的 (auxiliary) 吗 (interrogative particle)？

i suspect that this construction might even be somewhat childish? I’ve replaced every single formal part of the sentence with a more colloquial one. instead of 亲眼 i’ve used 自己, instead of 所见 i’ve used 看见的 and then also added an interrogative particle at the end for good measure (吗). To translate this, I would probably go with “Did you see it yourself?”

contained in this is also an example of how one character can represent a whole concept that can also be represented with two characters: 见 vs 看见. in this example, both mean “to see”. we’ll see it again in the next example as well:

in response to lan xichen’s, “you believe him?” --> 你 (you) 相信 (believe) 他 (him)? lan wangji answers with, “信” (believe).

chinese does not do yes or no questions in the same way that english does. there is no catch-all for yes or no, though there are general affirmative (是／有) and negative (不／没) characters. there are other affirmative/negative characters, but these are the ones that I believe are the most common and also the ones that you may see in response to yes or no questions on their own. (don’t quote me on that lol)

regardless, the way you respond to a yes or no question is often by repeating the verb phrase either in affirmative or negative. so here, when lan xichen asks if lan wangji believes wei wuxian, lan wangji responds “believe”. once again, you can see that one character can stand in for a concept that may also be expressed in two characters: 信 takes the place of 相信. lan wangji could have responded with “相信” just as well, but, true to his character, he didn’t because he didn’t need to. this is still a complete sentence. lan wangji has discarded the subject (I), the object (him), and also half the verb (相), and lost no meaning whatsoever. you can’t do this in english!

and onto the last exchange:

lan xichen: 那么 (then) 金光瑶 (jin guangyao) 呢 (what about)？

lan wangji: 不可 (cannot) 信 (believe)

you can actually see the contrast between the two brothers’ speech patterns even in this. lan xichen’s question is not quite as pared down as it could be. if it were wangji’s line instead, I would expect it to read simply “金光瑶呢？” which would just be “what about jin guangyao?” 那么 isn’t necessary to convey the core thought -- it’s just as how “then what about” is different than “what about”, but “then” is not necessary to the central question. if we wanted to keep the “then” aspect, you could still cut out 么 and it would be the same meaning as well.

a FINAL example of how something can be cut down just because I think examples are helpful:

“I don’t know” is usually given as 我不知道. (this is what nie huaisang says lol) It contains subject (我) and full verb (知道). you can pare this straight down to just 不知 and it would mean the same thing in the correct context. i think most of the characters do this at least once? it sounds more literary -- i don’t know that i would ever use it in everyday speech, but the fact remains that it’s a possibility. both could be translated as “I do not know” and it would be accurate.

ANYWAYS, getting all the way back to one of your original questions: does chinese have contractions? and the answer is like... kind of...?? but not really. there’s certainly slang/dialect variants that can be used in ways that are reminiscent of english contractions. the example I’m thinking of is the character 啥 (sha2) which can be used as slang in place of 什么 (shen2 me). (which means “what”)

so for a standard sentence of, 你在做什么? (what are you doing), you could shorten down to just 做啥? and the second construction is less formal than the first, but they mean the same thing.

other slang i can think of off the top of my head: 干嘛 (gan4 ma2) is also informal slang for “what are you doing”. and i think this is a regional thing, but you can also use 搞 (gao3) and 整 (zheng3) to mean “do” as well.

so in the same way that you can replace 什么 with 啥, you can replace 做 as well to get constructions like 搞啥 (gao3 sha2) and 整啥 (zheng3 sha2).

these are all different ways to say “what are you doing” lmao, and in this case, shorter is not, in fact, more formal.

woo! we made it to the end! I hope it was informative and helpful to you anon. :D

this is where I would normally throw my ko-fi, but instead, I’m actually going to link you to this fundraising post for an old fandom friend of mine. her house burned down mid-september and they could still use help if anyone can spare it! if this post would have moved you to buy me a ko-fi, please send that money to her family instead. :) rbs are also appreciated on the post itself. (* ´▽` *)

anyways, here’s the loaf jingyeast made :3 it was very tasty.

It’s always affirming to discover that your obsession is an actual academic discipline.

Articles/books about Danmei (Chinese BL)

Hello!!! I made a folder for sharing articles and books about danmei and related topics

There's a lot of academic research into danmei, so I thought it'd be interesting to share to the western danmei fandom so people can know more about danmei's context and history!

I will be adding PDFs semi-regularly, but if anyone wants me to add any specific articles or books to the folder you can reply with the name and author, and I'll try my best !!

They're all really interesting, so if you want, check out the titles or abstracts to see if you'd be curious! 💕💕💕

(link in reblogged version! )

“If I can play a monkey and shoot illogical dramas, how difficult can these problems be?”

Words to live by 🥰

I love you, 朱一龙！

Zhu Yilong: No time to swell

EN translation of Zhu Yilong's Esquire Sept 2018 Cover Issue Feature Interview by wenella

朱一龙：我来不及膨胀

Zhu Yilong: No time to swell

ESQ: When did you realise that you became popular?

Zhu Yilong: I was filming (note: My True Friend) so I didn't feel anything... But when I went to record Happy Camp in Changsha, I was shocked to see so many people at the airport. Even the police was mobilised.

ESQ: Your fans praise you for maintaining the integrity of your acting despite a bad script. How did you do it? What do you think of imperfect dramas?

Zhu Yilong: I managed to develop pretty good tolerance over the years. If the script isn't great or is illogical, I will sort out the character's development and his lines to make it better. If not, it will be impossible to act.

ESQ: How do you feel about your previous acting experiences?

Zhu Yilong: How many good dramas are produced in a year now? Good dramas that excite audiences, that are praised by the industry, that feature excellent actors & directors? Probably one drama a year? With such limited good productions, it is hard for actors to land themselves in good roles. In fact, even though many actors are constantly acting in new shows, they rarely get the chance to play a role that they they really want. Well, one can choose to say, "I will not act if it isn’t a role that I like." But if you don’t act, who will approach you with roles in the future? If I didn’t accumulate a decade of acting experiences after graduating, how can I be sure that I will do well when I receive a a good script? Hypothetically, I could have taken up my role in Guardian even as a fresh graduate, but the result would definitely be different.

ESQ: Probably a tricky question; what motivated you to create your role as Savage in Hunting Savage (2011)?

Zhu Yilong: I was quite resistant initially. I thought, a savage? How do I play a savage? When I first started, I felt that I had to sort out the character's story. I was on very good terms with the director and we came to a consensus: let's just have fun. And we did.

ESQ: What did you learn from this experience?

Zhu Yilong: That all actors need experiences like this. It will help to build your resilience. After filming Hunting Savage, I found it easier to face other problems. I mean, what problems? If I can play a monkey and shoot illogical dramas, how difficult can these problems be? Therefore, whenever I encounter any problems with my scripts now, it isn't as devastating as before. I am able to resolve the issues. I have a better mindset and I do not shy away from any difficulties or challenges.

ESQ: Can you share if there were any dramas or roles played by you that were integral in shaping your acting style and approach?

Zhu Yilong: There are three shows. "Family Banquet," "Love for Three Lifetimes," and "The Story of Minglan."

Let’s start with Family Banquet. Feng Douzi’s personality is really different from mine. He is a bad student and all he wants to do is to make money. He sells houses, gets into illegal pyramid schemes; well, he is basically a rascal. I was only a year out of college when I played this character.

Looking back, I was glad that I did it. I can’t possibly do aloof and cool roles all the time. When I acted as Chi Rui in Love for Three Lifetimes, I wasn’t confident as I had very few lines. At that time, audiences often criticized actors for being expressionless. I mean, everyone loves animated and vivid performances, but Chi Rui was written as an aloof, icy, and expressionless character; what could I do about it?

ESQ: So it became a test of your emotional scenes......

Zhu Yilong: Yes, but audiences probably weren't able to understand this. I was very worried during the filming and kept discussing my scenes with the director. In the end, I didn't express Chi Rui's emotions through his facial expressions, but internalized them instead. I took his love & hatred to extremes and differentiated them.

ESQ: How did "The Story of Minglan" impact you?

Zhu Yilong: I tried to do something different in The Story of Minglan; that is, I did not design anything for my character. In the past, I had to be sure of the character’s logic and development before the filming and hence, I'd prepare extensively for my role. This was to ensure that my acting was consistent & logical. But Qi Heng had very limited scenes and the director had full control over the drama's pace. It was hard for me to tell what the eventual result would be like, so I couldn't follow my instinct.

ESQ: So what did you do this time?

Zhu Yilong: I didn't prepare much. When I first joined the set, I kept discussing my role with the director. I asked Director Zhang Kaizhou, "So what do you think of Qiheng?" I trusted him a lot. Director Zhang was very insightful and had a totally different personality from Qi Heng. Thus, he was able to look at this character more objectively. I adjusted my acting according to his demands. And as the filming progressed, I kept reminding myself to be more open-minded.

ESQ: What do you think of the relationship between an actor and good looks?

Zhu Yilong: Firstly, I don't think they contradict one another. There is no correlation between good looks and acting skills. Some genres require actors to look good. If not, it would be hard for the audience to accept them as the character. In film and tv, being good-looking can help an actor enhance the character's charisma, but this is also dependent on how the actor uses his good looks. He can’t behave in a way that impresses on audiences that all he does is to try and look good.

ESQ: You acted in a theatrical adaptation of “Devils on the Doorstep” (Dir. Jiang Wen, 2000) in college?

Zhu Yilong: Yes! I played Er Bozi (Second Neck) and all my lines were in Tangshan dialect. “I have a mouth just like my mum’s; it can’t keep secrets.” The previous version was played by Huang Bo. Several students from my cohort are particularly fond of director Jiang Wen, so we produced a new version.

ESQ: You're different from Jiang Wen. He's more flamboyant than you.

Zhu Yilong: Actually, we are pretty similar. I think flamboyance stems from one’s confidence. If you are like Jiang Wen and made a successful film such as In the Heat of the Sun (1995), you should express yourself confidently; your ideas are probably right as whatever that you say is based on the success of the work. However, if you insist on flaunting despite not having what it takes or if you think that being ignorant is cool, it is impossible for you to gain the recognition of others.

ESQ: Have you ever taken risks in your acting?

Zhu Yilong: I've always taken risks, but not without fear. I think I was a bit more daring when I first started filming. I thought that no one would watch those late-night movies on TV anyway, so I experimented with different acting styles.

ESQ: You’ve picked up some acting techniques by now, such as swallowing fake blood before puking or playing lame by stuffing a rock in your shoe. Why don't you try a smarter method instead? For example., you can get a sense of how it feels to be lame for a few days and you remove the stone from your shoe during the actual filming.

Zhu Yilong: I don't think there are any short cuts to acting. I can definitely try the smarter method. However, after reading the interviews and biographies of foreign actors, I realised that I haven't been able to immerse myself in my role as much as they did. This is something that I hope to achieve. (The former method) may be more harmful for my body, but I feel that it is more meaningful as I get to immerse myself in the character during the filming. If not, what is the point of acting? Using short cuts and techniques? What’s the point?

ESQ: You've played a lot of roles that are very different from yourself. Looking back, do you feel surprised by your performance? Do you feel a sense of accomplishment?

Zhu Yilong: To be honest, those roles aren’t great. I think the characters are rather superficial. Actors can express a range of emotions and play a variety of roles, but it takes a lot more to make a character deep. No actor can play one role today and another role the next day. Every role is contingent on one's experiences; you need to invest time to experience a character’s life.

ESQ: Have you been this sober since you were a kid?

Zhu Yilong: I don't know. In retrospect, it might have something to do with my dad. My dad loves to talk to me about life & values. When I was 13 years old, my dad dragged me into the snow on New Year's Eve and told me that "people need to decide how to lead their entire life." My dad is a loving father; he has never scolded or hit me. Whenever my dad was in a good mood, he’d come to pick me up from school and took me to play games. My mum would chase after us and drag me back home. She’s pretty strict.

ESQ: Your parents treat you very differently.

Zhu Yilong: Yes, I looked better when I was a child. I had curly hair and big eyes. My mum loved to tie my hair into a ponytail, apply red nail polish on my nails, and dress me in skirts or dresses. My dad, who used to practice Sanda, was very upset with my mum over this. He threw me into a Sanda training team as a way of developing my masculinity. Looking back, parental education has a direct impact on a child's development.

ESQ: You said you want life to be simpler, but characters you play to be more complicated. Why?

Zhu Yilong: Because I’m lazy (laughs). Life is so complicated every day. There are so many things to think about, it is tiring. I like a simple life; to keep interactions with people simple. To keep things simple. As for my roles, I like them to be more complicated & layered. I don’t want to play a role that will allow people to predict what will happen to him in the last episode just based on the first.

ESQ: Some people say that your generation of actors debuted at the wrong time.

Zhu Yilong: When we just graduated, the main characters on TV were played by actors such as Sun Honglei and Zhang Jiayi. We could only play their son or younger brother. We didn't have opportunities to play more sophisticated characters as we weren’t senior enough.

And when we finally made it into our 30s to play the roles that we want, audiences seem to prefer very young actors. It is as though we have missed out on something.

ESQ: Do you feel upset?

Zhu Yilong: Not really, I don't think too much about this. I'm neither a young fresh meat nor a veteran actor. If I can't play the role I want, I'll just try something else. I mean, I've played a monkey before, there is nothing that I can’t act, right?

Post translation note: It warms my heart to read a 2018 article and realise how Zhu Yilong has grown closer to his acting goals since then. This interview was probably done in Aug 2018 after Guardian concluded. I like it because it focused a lot on getting Zhu Yilong to express his views on the craft of acting, rather than to answer the usual (and meaningless) questions regarding “high traffic stars” or “idol vs. actor.” Happy reading. If you want to re-translate this thread into another language, pls DM me for permission and credit + share the link to the original post. Thanks!

posting on twitter feels like throwing something you worked on for hours, days, weeks into a river, hoping it'll get swept out to sea for many people to experience, only for it to immediately crash into some rocks and explode. its gone now. if no one sees it in the 0.00003 seconds it exists on their timelines, no one ever will

posting on tumblr is like carefully placing your work in the middle of a dark abandoned factory, and slowly a bunch of weird little goblins manifest from the shadows and touch your work all over with their little raccoon hands and share it with each other. sometimes they find your thing again many years later and excitedly share it again

the weird goblins are much more enjoyable

Common Anime Words Glossary

Glossary of common anime words and their meanings in Japanese explained.

I want to read every entry on this site! I just found it today, and it explained the BETSUNI i’ve been hearing so much in video games and couldn’t figure out!!!

I expect a LOT of phrases this site goes through would help clarify confusion I’ve been having. It’s a nice site.

MDZS Volume 4 Annotations

Part 6, pages 210 - 234

More anti-slang, and a couple more clarifications.

More under the cut

Ok, so. This is weird, not because it’s incorrect, but because it is correct (but I don’t like using the word “strumpet” here).

The direct translation of “满身风尘” is “whole body wind dust,” implying that you’ve been outside for quite some time and are probably tired and dirty, most probably because of travel -- travel fatigue. Makes sense.

But 风尘 also refers to when women are driven to prostitution, likely because society is unstable or dangerous (like in times of war)(or just when times are hard). 风尘女 is another way to say “prostitute.”

So now I’m not sure whether MXTX was trying to say “besides the fact that the woman looked travel-worn,…”; or if she was saying “besides the fact that the woman looked like a prostitute (who hadn’t worked in 11 years?)(and is in normal clothes?)(and isn’t trying to beguile any new customers, either?),…”; or if she’s just conveniently using a word/phrase that means both at the same time in Chinese.

I don’t know why the translators chose “boy.” The Chinese is 少年, which is pretty obviously “youth” or “young person” or even “teenager,” but is definitely not a child.

Stars of Chaos 杀破狼

Vol 2, Notes 3, pages 63 - 87

Another ten pages of notes!

Like I've posted before, Priest has more plot than I have reading comprehension, but, after a few rereads, I think I know what's going on.

In case you are in my same boat but you can't read my handwriting: Fu Zhicheng was originally a bandit, so the emperor at the time (the previous one) was worried (with good cause); but Fu Zhicheng was still given command because there was no other option at the time -- no one else was strong enough to hold the area.

土地公. Soil God. Local god.

I learn all my Chinese Mythology and Religion via trying to understand Priest novels.

静虚 Silent Empty. It's a very good name for a Daoist monk.

穿一条裤子 Wear one pair of pants. Isn't that super evocative? :)

And yet another place where I feel that the original paragraph break would have been very helpful for reader comprehension.

"Consolatory" = to console him on the loss of his mother.

It's the same poem referenced on page 54.

In the version I first read, the implication was that the wooden bird was there the entire time, and you only noticed it as it was flying away.

望穿秋水 look, penetrate, autumn water ( autumn water = "trad. description of girl's beautiful eyes" according to mdbg.net).

Nice way to describe looking at/for something really intently, yah?

Yet another sentence that was not in the (pirated) online version that I read. It doesn't really matter, I know, but I lived in that book for a year, so, well. It wasn't there before.

Another possibly different version, plus different ways to translate 冷笑 (if that is what was in the newer edit given to the translators).

In the version I read, there is no mention of facial expressions; Chang Geng just acts.

If Priest added a 冷笑 (I think that phrase has been used with Chang Geng before), then I would translate that as a Bitter Smile or a Cold Smile rather than as a sneer, since, in my head, only yucky villains sneer, and Chang Geng is a super elegant handsome symmetrical graceful mastermind who sadly but frequently lifts the corners of his mouth without any warmth reaching his eyes.

绊马索 trip horse rope.

Top:

男鬼 male ghost/monster/zombie (some type of supernatural being, derogatory)

...pulverizing the double layer of iron. Those mech-suits are Thick.

Bottom:

远在天边，近在眼前。 Far as the side of the sky, close as in front of the eyes. <3

And that's another ten! Just 44 more to go... :)

My DanMei Literary Adventure Masterpost

Stars of Chaos - All Notes Links