Be Contemporary. Have Impact. Strive For It. Be Of The World. Move It. Be Bold, Don’t Hold Back. Then

Be contemporary. Have impact. Strive for it. Be of the world. Move it. Be bold, don’t hold back. Then the moment you think you’ve been bold, be bolder. We are all alive today, ever so briefly here now, not then, not ago, not in some dreamworld of a hypothetical future. Whatever you do, you must make it contemporary. Make it matter now. You must give us a new path to tread, even if it carries the footfalls of old soles. You must not be immune to the weird urgency of today.

Wisdom from Ian Bogost’s commencement address at the University of Iowa, a fine addition to this ongoing archive of timeless advice. Pair with Greil Marcus’s fantastic 2013 School of Visual Arts commencement address.

(↬ austinkleon)

More Posts from Prasannachoudhary and Others

10 years ago
IMG_0333 By Pooja Pant On Flickr.

IMG_0333 by Pooja Pant on Flickr.

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Ladies Of The Zenana (Womens Quarters) On A Terrace At Night - 17th Century Rajput Painting

Ladies of the Zenana (Womens Quarters) on a Terrace at Night - 17th Century Rajput Painting

Artist : Ruknuddin

Ruknuddin was active at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh. Ruknuddin was a master of color and patterns. In this work, the exquisitely rendered folds of Vishnu’s robe, the semitransparent fabrics of the women presenting gifts to the divine couple, and the subtle shading of the faces are obviously reminiscent of Mughal painting. Beautiful women, even in a secular context, were among Ruknuddin’s favorite subjects. If one compares such pictures from the 1660s and 1670s as a group, one is particularly struck by the porcelain-like treatment of the faces that recurs in works of this period. Ruknuddin accompanied the rulers of Bikaner on their military campaigns to the Deccan, which were conducted as part of their contractural service to the Mughal court. He is associated with a number of portraits painted there in a distinctly Mughal manner, reflecting his exposure to further currents of influence. (via)

10 years ago

Chanel Dupree - "Delusions" (NPS 2014)

11 years ago

The Drax Files 14: Immersiveness and creativity

Reblogged from Living in the Modem World:

[youtube=http://www.youtube.com/watch?v=3P7xykJkgSI&w=625&h=352]

Second Life has always been a powerful medium for artistic expression, whether it be 2D (through the creation of photographs and machinima  taken…

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9 years ago

Debt is a Product of Power Relations

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12 years ago

When you step away from the prepackaged structure of traditional education, you’ll discover that there are many more ways to learn outside school than within.

Don’t Go Back to School (via explore-blog)

12 years ago
This Is The One And Only Original Manuscript Of Charles Dickens’ A Christmas Carol. The Morgan Library

This is the one and only original manuscript of Charles Dickens’ A Christmas Carol. The Morgan Library and Museum displays Charles Dickens’s original manuscript of A Christmas Carol in Pierpont Morgan’s historic Library until January 13, 2013. Dickens wrote his iconic tale in a six-week flurry of activity, beginning in October 1843 and ending in time for Christmas publication. He had the manuscript bound in red morocco as a gift for his solicitor, Thomas Mitton. The manuscript then passed through several owners before Pierpont Morgan acquired it in the 1890s. 

It reveals Dickens’s method of composition, allowing us to glimpse the author at work. he began writing the story in October 1843, completing it in only six weeks. His apparently contiguous pace of writing and revision was urgent but moldly confident. The interlinear revisions increase the story’s vividness: text is struck out with a continuous looping movement of the pen and replaced with more active verbs and fewer words to achieve greater concision. Dickens sent this manuscript to the printer in early December, and the book was published in time for the Christmas market. [The Morgan, 2012] (photo: yyz2nyc)

11 years ago
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation
The Empire Of Ancient Ghana The Empire Of Ancient Ghana Created By The Mende (Soninke) With Human Habitation

The Empire of ancient Ghana The empire of ancient Ghana created by the Mende (Soninke) with human habitation dating back to at least around 4,000 BC.

Ancient Ghana was located in what is now southeastern Mauritania and western Mali. Today the area around Dar Tichitt in southern Mauritania has been the subject of much archaeological attention, revealing successive layers of settlement near what still were small lakes as late as 1200 BCE. At this time people there built circular compounds, 60-100 feet in diameter, near the beaches of the lakes. (‘Compound’ is the name given to a housing type, still common today, in which several members of related families share space within a wall.) These compounds were arranged into large villages located about 12 miles from each other. Inhabitants fished, herded cattle and planted some millet, which they stored in pottery vessels. This was the last era of reasonable moisture in this part of the Sahara. By 1000 BCE the villages, still made up of compounds, had been relocated to hilltop positions, and were walled. Cattle were still herded, more millet was grown, but there were no more lakes for fishing. From 700-300 BCE the villages decreased in size and farming was reduced at the expense of pastoralism.

Architecturally, the villages of Dar Tichitt resemble those of the modern northern Mande (Soninke), who live in the savanna 300-400 miles to the south. These ancient villagers were not only farmers, but were engaged in trade connected with the salt and copper mines which developed to the north. Horse drawn vehicles passed through the Tichitt valley, bringing trading opportunities, ideas, and opening up the inhabitants to raids from their more nomadic northern neighbors. Development of the social and political organization necessary to handle commerce and defense must have been a factor in the subsequent development of Ghana, the first great Sudanic empire, in this part of West Africa.

It is very plausible to think that the people of antiquity in Ancient Ghana may be connected to the Ancient peoples who lived in the Sahara before it turned into dessert. Additionally Habitation of the region where the Ghana empire existed is much older than Western academics are aware of.

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prasannachoudhary - Wandering Mind
Wandering Mind

'Naitaavad enaa, paro anyad asti' (There is not merely this, but a transcendent other). Rgveda. X, 31.8.

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