taylorswift: Basic autumn lovers RISE 🍂🧣
Argumentative, antithetical Dream Girl
Hiii can you do the pronouns percentage with lover and folklore in? I've just seen the one with rep included but FOLKLORE IS SO GAY. Also you're doing gods work thank you so much 💕
Hi! I’ve updated the charts to include Folklore - there is actually already a post which includes the pronouns from Lover (here) if you’re interested to see what has and hasn’t changed.
As always, the songs not included in these charts are those from Taylor’s unreleased catalogue; those for which Taylor is credited as co-writer, but which were released by another artist (e.g. Kellie Pickler’s ‘Best Days of Your Life’); and her OSTs (Eyes Open, Safe and Sound, Sweeter Than Fiction, I Don’t Wanna Live Forever and Beautiful Ghosts).
The charts are organised as follows below.
Songs with unqualified “male” (pro)nouns — “he” functions as Taylor’s primary romantic interest:
Tim McGraw
Teardrops on My Guitar
Stay Beautiful
I'd Lie
Fifteen
Hey Stephen
Forever & Always
I’m Only Me When I’m With You – “Just a small-town boy and girl”
Today Was a Fairy-tale – ‘You were the prince/ I used to be a damsel in distress’
Dear John
Better Than Revenge
Superman
Red
I Knew You Were Trouble
The Moment I Knew
Girl at Home
Blank Space — “You're the King, baby, I'm your Queen”
Style
Shake It Off
Wildest Dreams
You Are in Love
…Ready for It
I Did Something Bad
King of my heart – “King of my heart, body and soul”
Call It What You Want
Better Man — “I wish you were a better man”
Cruel Summer – “He looks up grinning like a devil”
Lover – “I take this magnetic force of a man to be my lover”
I Think He Knows
Paper Rings – “Wrap your arms around me, baby boy”
London Boy
Songs with qualified “male” pronouns:
Tied Together with a Smile — not autobiographical.
Our Song — uses reversed perspective.
Love Story — uses reversed perspective.
The Way I Loved You – constructs an opposition between ‘he’ and the gender non-specific ‘you,’ who is the true romantic interest.
Haunted — constructs an opposition between ‘he’ and the gender non-specific ‘you,’ who is the true romantic interest.
Speak Now — uses reversed perspective.
Starlight — not autobiographical.
Begin Again — constructs an opposition between ‘he’ and the gender non-specific ‘you,’ who is the true romantic interest.
New Romantics — it is (arguably) unclear whether the single male pronoun refers to a romantic interest of Taylor’s own (or of her fellow new romantics).
Don’t Blame Me — Taylor’s primary romantic interest is the gender non-specific ‘you,’ however note: ‘I’ve been breakin' hearts a long time, and/toyin’ with them older guys.’
Gorgeous — constructs an opposition between ‘he’/ ‘a boyfriend’ and the gender non-specific ‘you,’ who is the true romantic interest.
Getaway Car —constructs an opposition between ‘he’ and the gender non-specific ‘you,’ who is the true romantic interest.
Miss Americana and the Heartbreak Prince – it is not only arguable that the ‘heartbreak prince’ is independently a gender-neutral epithet (as claimed by Halsey) but also that “me” and “the heartbreak prince” is the proper syntactic pair (“it’s you and me…Miss Americana and the Heartbreak Prince”)
Songs with “female” (pro)nouns:
A Place in This World — ‘girl’ is self-referential. The song’s subject is not romantic in nature.
Should've Said No — ‘her’ refers to the third party in Taylor’s relationship with a romantic interest whose gender is non-specific (you).
Mary's Song (Oh My My My)
Invisible — ‘she’ refers to Taylor’s rival for the affection of a romantic interest whose gender in non-specific (you).
The Other Side of the Door — ‘she’ refers to the third party in Taylor’s relationship with a romantic interest whose gender is non-specific (you).
White Horse — ‘she’ refers to the third party in Taylor’s relationship with a romantic interest whose gender is non-specific (you).
You Belong with Me — ‘she’ refers to the third party in Taylor’s relationship with a romantic interest whose gender is non-specific (you).
Mine — uses reversed perspective; ‘she’ is self-referential. Taylor’s romantic interest is gender non-specific (you).
How You Get the Girl — ‘her’ may refer either to Taylor herself or to her romantic interest.
This is what you came for
Babe — ‘her’ refers to the third party in Taylor’s relationship w/ a romantic interest whose gender is non-specific (you).
End Game — ‘girl’ occurs only in the featured parts. Taylor’s own romantic interest is gender non-specific (you).
The Man – “what’s it like to brag about…getting bitches and models.”
ME! – “baby girl when it comes to a lover.” Note that “you’re the kind of guy the ladies want” is implicitly contrasted with “and there’s a lot of cool chicks out there” which is the “one of these things” that “is not like the others, like a rainbow with all of the colours.” Taylor has further stated that ME! Is her first song about “baby chickens.”
The Last Great American Dynasty — “she” refers to Rebekah Harkness, the biographical subject.
Mad Woman — “she” is the wife of the subject “you,” rather than a romantic interest of the persona “I”.
Betty — uses reversed perspective, although the argument can also be made that actually “James” is a girl/Taylor herself.
Songs with gender-neutral pronouns:
Picture to Burn
Cold as You
The Outside
A Perfectly Good Heart
Jump Then Fall
Untouchable
Come in with the Rain
Superstar
Fearless
Breathe
Tell Me Why
You're Not Sorry
The Best Day — the lyrics are not romantic.
Change — the lyrics are not romantic.
Beautiful Eyes
I heart?
Sparks Fly
Back to December
Mean — the lyrics are not romantic.
The Story of Us
Never Grow Up — the lyrics are not romantic.
Enchanted
Innocent
Last Kiss
Long Live
Ours
If This Was a Movie
Crazier
Christmases When You Were Mine
Christmas Must Be Something More
State of Grace
Treacherous
All Too Well
22
I Almost Do
We Are Never Ever Getting Back Together
Stay Stay Stay
The Last Time
Holy Ground
Sad Beautiful Tragic
The Lucky One
Everything Has Changed
Come Back... Be Here
Welcome to New York – note, however: “you can want who you want, boys and boys and girls and girls.”
Out of the Woods
All You Had to Do Was Stay
I Wish You Would
Bad Blood
This Love
I Know Places
Clean
Wonderland
Look What You Made Me Do
So It Goes
Delicate
Dancing with Our Hands Tied
Dress
This is Why We Can’t Have Nice Things — the lyrics are not romantic.
New Year’s Day
I Forgot That You Existed
The Archer
Cornelia Street
Death by a Thousand Cuts
Soon You’ll Get Better – the lyrics are not romantic
False God
You Need to Calm Down – (i.) the lyrics are not romantic and (ii.) both “my gown” and “his gown” are subsumed by “our gowns.”
Afterglow
It’s Nice to Have a Friend
Daylight
Christmas Tree Farm
Only the Young – the lyrics are not romantic.
The 1
Cardigan
Exile — in lyrical terms, the love interest is gender neutral (“you”); the pronoun “he” describes this “you’s” new lover.
My Tears Ricochet
Mirrorball
Seven — the pronouns are gender neutral (“you”) but the love interest is, arguably, female coded. Thus “your braids like a pattern” and “pack your dolls and a sweater.”
August
This is me trying
Illicit Affairs — the love interest’s pronouns are gender neutral (“you”). However, they are arguably female coded. Thus, “leave the perfume on the shelf that you picked out just for him.”
Invisible String — the love interest’s pronouns are gender neutral (“you”). Note, however, “for the boys who broke my heart.”
Epiphany — the lyrics are not romantic
Peace
Hoax
The Lakes
I really want to believe Karlie & Taylor are still together, have a kid together etc. But what are your thoughts on Right Where You Left Me? It's clearly about Karlie, but it's not exactly the most positive bonus track from evermore that would confirm their relationship is, well...forevermore. Thoughts?
I do not really know this song so I will let others chime in. I am not a believer that evermore or folklore are specific narratives of her life. I believe those songs are sprinkled with a combination of true stories and fiction.
ok so I was re reading the seven husbands of evelyn hugo and on pg 184 monique asks evelyn “You thought she’d come back to you,” and evelyn says “I knew she’d come back to me,”
Back then, I still thought I had all the time I needed to do everything I wanted. That if I just played my cards right, I could have it all.”
“You thought she’d come back to you,” I say.
“I knew she’d come back to me,” Evelyn says. “And she knew it, too. We both knew our time wasn’t over.”
AJKADSGQSW
So it's JUST A COINCIDENCE that on December 4th, 2014 Taylor Swift and Karlie Kloss were seen making out at a "The 1975" concert during the song "Girls" where the lyrics include: "Bite your face to spite your nose." Where Taylor is seen, before the kissing, POINTING TO HER NOSE. And then she makes an album called, "Lover" where her 5th song called, "Archer" has the lyrics: "cut off my nose to spite my face." 👀👀👀👀👀 THAT'S JUST A COINCIDENCE?!?!?!
Note: idk if it's the actual handwriting of their names but i just saw this on twitter too**
Taylor Swift - the eyebrow raise™️
aside from all the things Taylor has shown us about not being straight, I wanna know if this has been discussed.
She's said that her track 5 songs are always very emotional. We know her star sign is the archer. In you need to calm down there's an easter egg for the song with Hayley Kyoko.
A lesbian woman is an archer.
I could discuss the fact that she's dressed in blue and how that can potentially go back to the Mean music video and the girl with a blue ribbon on her dress, whose storyline ends watching Taylor, and how that could be attributed to either gender identity or expression, along with a few more things, but that's for another time.
THATS SO LOUD
BUT
I also recently learned that if a flag is upside down, it's a symbol of danger and distress.
And Taylor's bi hair is upside down. So are the lyrics in invisible string - blue, purple, pink.
But with time, it'll happen. She'll be even louder.
ooh interesting about the flag tidbit i wonder if that’s why she did that 🤔
good notes all around anon!