New York, By Louis Draper

Faith Ringgold, Black Light Series #10: Flag for the Moon: Die Nigger, 1969

Sept 2. #64bitsandmalachite

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Religion and its reflective properties

Henry Taylor, The Times They Ain’t A Changin’, Fast Enough, 2017

How do you know I’m real? I’m not real; I’m just like you. You don’t exist in this society; if you did, your people wouldn’t be seeking equal rights. You’re not real; if you were, you’d have some status among the nations of the world. So we’re both myths. I do not come to you as the reality, I come to you as the myth because that’s what black people are, myths… I’m actually a present sent to you by your ancestors.

Sun Ra, Space is the Place (1974)  (via lordsofsoundandlesserthings)

Liniker - Zero

Isuama Ibo. Isu tribe. ‘Okorosie’ masquerade. Masks called ‘Nwanyioma’ and ‘Akatakpuru’ 1931 Vintage Nigerian photos

Fatoumata Diabaté: “Sutiki, la nuit est à nous”.

Started in Bamako, Mali, in 2004, Fatoumata Diabaté birthed this project out of an idea to capture how young African women express themselves through their choices of contemporary clothing. Diabaté aims to continue this project across several cities both in Africa and around the world.

Born in 1980 in Bamako, Mali, Fatoumata Diabaté received her initial experience at the Promo Femmes audio visual training centre before joining the Photography Training Centre (Centre de formation en photographie – CFP) in Bamako between 2002 and 2004. She continued her education with a one month internship at the vocational learning centre (Centre d enseignement professionnel) in Vevey, Switzerland and has participated in numerous workshops both in Mali and abroad.

She has participated in several group exhibitions (Bamako Encounters 2005, 2009 and 2011; Kornhaus Museum of Bern in Switzerland, etc.) and had several solo exhibitions (Festival of Visages francophones de Cahors, France; the Malians of Montreuil, outside the walls of the quai Branly museum, etc.)

She has reported for World Press Photo, Oxfam, Rolex. In December 2005, she received the Africa in creation prize of the French Association for Artistic Action (AFAA) for her work entitled Tuareg, in gestures and movements. In 2011 she was awarded the Blachère Foundation prize for her work entitled The Animal in Man; the prize was an atelier in Arles and an exhibition at the Blachère Foundation. She is currently developing an art project about soutiki youth (The night is ours).

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Shamans using sites like Facebook for black magic, says Malaysian official

A communications officer with a government ministry has reportedly warned people against posting pictures of themselves on social media, lest they be used in black magic rituals.