Hi! Umm Pls Pls PLS If You Have The Time, Do A Thingy On Arms When You Get The Chance, They Are So Hard

I’m not an expert but I like hands a lot so hopefully some of this was helpful!

apparently ppl don’t know about waifu2x??? despite its… concerning name it’s literally the most convenient website i’ve ever come across as an artist

it allows you to resize artwork without it becoming pixellated. this is a MASSIVE help if you, for example, make lineart too small or something. it works best with things that 1. have no textures 2. have smooth lines 3. have cel shading, but it still works really damn well for things that don’t fit that profile

here’s an example:

normal size

2x in paint

2x in waifu2x

so like, there’s that. go wild

should i be trying to master like each feature before i try drawing a face? like should i be able to draw eyes really well, then move to the nose, mouth etc? i dont know when i should be moving on to the next step. right now, mouths are a frustrating thing but i also try to draw the whole face because proportions practice, so its all very over whelming and then i get discouraged cause drawing lips is so hard and putting everything to make a face is hard ;-;

I think if you’re having trouble with a feature you should definitely do some studies of it! I practiced the face all at once so I don’t really think there are any rules to this haha. The downside to trying to master one feature at a time is, like you said, not being sure when to move on. You might end up drawing amazing eyes but the rest of the face will always be a little off because you haven’t put enough time into studying the other features. I’m sure you’ve also come across artists who draw nice heads and it all falls apart when they try to draw a fullbody. Personally I’d just tackle the face all at once, take time to study the separate features but try not to neglect any of them and don’t think you can’t draw a face because you aren’t a master of a particular feature! You can do it * V * Here are some quick notes on lips, I hope they help a little.

Hayao Miyazaki (宮崎駿) sketches showing how to animate running featured in the June, 1980 issue of “月刊アニメーション” magazine.

have fun w/ this

I realise that this is the shittiest tutorial in the world, but I hope it makes sense at least. I mean my coloring is pretty crappy to begin with, so it’s not such a complicated prossess as just a repetitive one.

But I hope it’s at least helpful to someone ^^ Feel free to ask me questions if you’ve got ‘em.

Just when you thought you knew everything about boobs… NSFW?

My darling friend Chizzi mentioned that there are a lot of booby tutorials out there are just predrawn boobs with the artist going HEY LOOK! HERE ARE SOME BOOBS! but not many that actually talk about the anatomical structure, and where to put the lines.  I was like, “Hey, I can probably whip something up.“  And so I spent my thanksgiving making this.

Proportions probably aren’t exact, but I did my best.  I also didn’t explore the various body types, but perhaps I could do a separate tutorial someday.  I hope you find this tutorial useful :)

All photo references used in the tutorial were found on The Drawing Script.  Credits to each photo belong to their respective owners.

More cloth fold reference, This time for an unbuttoned, untucked shirt! Enjoy! Again - dont use this for anatomy - the proportions are all messed up because of the camera proximity!

can you give a run down on skintones?

PART ONE: COLOR SELECTION. 

In painting skin tones, a lot of the time I see people choose colors that are over-saturated or unbalanced. There isn’t really an exact art to this that I can explain—you just need to get a feel for what saturation balance you need for that particular skintone. Here are some examples of what I usually pick.

As you can see, I used different base colors (orange, reddish, yellow) for the skin shades in all three examples. The reason for this is because all skin tones have a different base color besides just Light, Medium, and dark. Some people divide them into categories of “warm” and “cool.” Pantone has some really good examples and references for this.

PART TWO: COLOR VARIATION.

Another big part about drawing and painting skin tones that a lot of people forget is how skin thickness affects color variation. The presence of bone, blood, and muscle underneath the skin affects its colors. This is especially noticeable on the face.

The colors here are a little exaggerated to show my point, but with a little adjusting and blending…

Voila! Subtle, but more realistic.

PART THREE: DETAILS.

Our skin is the largest organ on our body, and as our body’s first line of defense against the outside world, it’ll be covered with tiny details and imperfections. Things like sunburns, tans, freckles, scars, and facial hair all add character to your subject matter. Here are some examples!

TANS: Everyone tans differently, depending on your ethnicity and skin tone. Fair skinned folks tend to burn more than tan, which means you’ll need a more startling, eye-catching red.If you have a skin type that tends to tan more, the color will be more brown than red. For black skin tones, the tan is less red. (And while we’re on the subject: black people DO tan, so it’s important for you to put on sunscreen and be careful in the sun, too.)

Those are the areas that the sun tends to hit the most—and things like goggles, hats, and masks can change the shape of that area.

FRECKLES AND MOLES: Freckles are also products of the sun. Some people have freckles that stay year-round, while others have freckles that fade in the winter and return in the summer. Moles are skin cells that grow in a cluster instead of being spread throughout the skin. When exposed to the sun, they tend to darken. (Another note on skin health: if you have any oddly-shaped/colored moles, moles that have changed color, size, or shape, or anything of the sort, please check with your doctor!)

Freckles like to cluster around each other, sort of like stars, and they vary greatly in size. You can have a few freckles in one place, or a lot of freckles in multiple places. Most commonly freckled areas are your face, shoulders and neck, back, and forearms. 

FACIAL HAIR: Facial hair also affects the colors of the face. For simplicity’s sake we’ll be using black hair, as it is the most noticeable. Facial hair usually grows in these areas, and can make the skin look blueish/grayish because of the darker hairs beneath the skin. If your hair is red, this also very noticeable. 

END NOTE.

There you go! That’s about all I can think of at the moment for skin tones. As always, references and practice are your best friend (and so is this neat little trick that pheberoni has.) Good luck with your arting!

Tuesday Tips - Types of Shots (And What they Say.) Part 1 Camera angles and proximity really do convey a lot of information to your audience. Knowingly or unknowingly, your choices affect the viewers. What do you want them to feel or think at a specific moment? Norm