would Jouno scarejumping everyone in a Light Snow car bolster the point? that noone remembers gun children would kind of mean the fluff action is performed properly - enjoyable in the moment only to be forgotten as a mostly irrelevant point.
to salvage the setup: real selective killing would be in the past, and enough fuckups/pressure would have him be progressively more extremist about it. People do make reads on how BSD is absurdist at it's core - which would mean no plans perfectly coming together*. Plus, while he appears to be opportunistic about how genocide is carried out (DA, DoA), the primary plan seems to be the Book - and anyone with the book can retcon everything they did in the past. That said - and wouldn't it be funny if neither of us read Dazai's Entrance Exam - part of it is probably to signal Dostoy is way WAY further gone than that particular obstacle.
the post seems like noticing a novel Franchise Original Sin: sometimes it's character driven drama and sometimes it's just cool shit with abilities, and the bits of Meursault you dislike are an extension of the latter? Death Note jungle gym & dumb nonsense chatter to lower tension for Action Flick Shit elsewhere, if i remember properly?
*would all of this be a problem if Dazai fucked up badly in the main manga? earlier, hopefully?
At what point does a character become so evil that they're just irredeemable? Because I can ignore the Meursault arc by setting my story before it, remove Fyodor from some of the more catastrophic decisions made by the DOA and Guild, which at least bring him back down to some sort of relatability but... how can you redeem a man who manipulated a little girl into blowing herself up? Who put guns in the hands of children? It's so... evil. I can write Fyodor as a previously mostly good person, who took a horribly dark spiral into a delusional genocide mission. It's hard, but I can, so long as he doesn't succeed very far. Even killing Karma, while still an evil action, is questionable, debatable, to the reader. Because you can understand why Fyodor did it: he saw ending Karma's life as the only way to save him from a lifetime of torment and sin. And the reader can question how much they agree with that decision. And that's fine; I like that. But the little girl? It's the same principle, in theory: Fyodor could justify it to himself by saying that he wanted to save her from the sin surrounding her, to send her to God before she had the chance to sin. But that's where it breaks down. Because it becomes such a flimsy excuse, trying to mask such a massive evil.
Maybe I'd take out the kids with guns. That's too much, unless I'm missing something. Have the long walk through the tunnels with Atsushi and Kunikida be tense instead, them peering around every corner, ready for a harrowing fight. Kunikida's gun held tight, Atsushi tensed and ready to tiger out. Both peering through the darkness, only to reach a clearing in which stood a tiny little girl, hands clutched in front of her, scared, with some strange kind of necklace. And then in the next horrifying moment they realise: it's not a necklace, but grenades. Then the scene plays out from there. Not only would this be more impactful as a scene (in my opinion), it'd also characterise Fyodor in a different, much more interesting and nuanced way (in my opinion).
Because in that situation, it's only the little girl he's justifying to himself. And it's a bad justification, clearly paper-thin, but he believes it. And that makes the underlying horror and twist of Fyodor's character all the better--now that you've trimmed the fluff, that one point speaks so much more. You've emphasised that Fyodor's the type of person who's willing to manipulate a little girl into blowing herself up, but you've also shown that he put deliberate thought and care into that decision. It was to break Kunikida, but it was also to save her, to end her life before she fell into sin. And you would remember, because of how impactful the scene would be (whereas I'd bet a lot of people don't even remember Fyodor had gun children).
I think that's a problem the entirety of BSD (or maybe just manga in general) has. There's too much fluff action. It waters down the truly impactful scenes and breaks down the interest in characters like Fyodor. Because when he's killing very selectively, not only can you show how he rationalises those deaths for the sake of his plans and have that not be broken by continuity, but you get so much more out of those deaths. And if nothing else changed, and Fyodor was the only antagonist who didn't kill wantonly, imagine how different that would make him feel. His plans by their very nature would be new, interesting, contrasting. An antagonist who uses precise and measured deaths, just a pinpoint here, to achieve a much bigger effect on the characters than even the destruction of Yokohama by the Guild, would be something both new and far more terrifying.
And it would show how well Fyodor understood the ADA, that with just one death he could shake them so much--and how little they knew him in return would be very worrying. Imagine how much better his conversations with Dazai--the discussion of saving people would have so much meaning if Fyodor wasn't a hypocrite who killed people for no reason. If Dazai says that people are worth saving, and Fyodor agrees, even though they've entirely different meanings behind those words, and the meaning is actually there- imagine the subtext, the intrigue, the actual good writing that could come of that. God, I really wish it was so.
Harlan Ellison's 'The Deathbird'?! no way, but…. the kanji matches?!
I just found out Fyodor's cello piece from the 3rd season is called "Bird of death" and I find that interesting for a few reasons.
First of all, is it connected to Nikolai? They work together and -shipping aside - if they're actually friends, it would make sense for Fyodor to write a piece either for him or simply inspired by him. Not only are birds associated with Nikolai, but death as well since he was supposed to die by being cut in half. He also kills people, so if we combine all those things, they kind of make him a symbolic bird of death.
Secondly, it would make the cello scene have a slightly different atmosphere as Fyodor would be playing a piece he associates with his friend who's going to die after commiting a series of murders while a different murder is taking place. Also the situation would be even weirder for Katsura because it would mean he was kidnapped by a guy who didn't just play cello for him, but play a piece he associates with his friend. Of course Katsura would have no way of knowing, but still.
Thirdly, does that make Fyodor a bird of death? Because if it's not connected with Nikolai whatsoever, then it's most likely connected with Fyodor himself. It would make sense because he kills people as well, but would also accidentally make both Fyodor and Nikolai be associated with both birds and death (#matchingimagery).
Lastly, how much does studio Bones know?? I checked the dates of manga volume releases and Sunday tragedy chapters did come out back in 2017, so the team working on the anime would have enough time to integrate this title as an easter egg if they wanted to do that (as the 3rd season began in April 2019), but then again it seems like a random idea to allude to a character from a future arc that they weren't animating at the time. Either a member of the team was/is a fan of bsd or they're getting extra info on future events. Bones also seems to be making surprising decisions when adapting the material (such as putting Fyodor in Untold Origins), so I think it's possible they know something we don't.
But it's also possible that Bird of Death has a different meaning that I'm not aware of or it's all just a coincidence haha
Vladimir Nabokov predicted emoticons in an 1969 interview and little recently has excited me as much as this tidbit.
(p.114, Strong Opinions, Nabokov)
yess so much space for Deep Ideas. how about… Akutagawa is fine, because he was ordered to prep himself for combat - but Tachihara being kept away from it, didn't have that order and thus just idled, so when (assuming Fuku didn't want the plan capstone to be as in anime; too much wiggling in the manga) Dracula stops working Tachihara is stuck like that. This would have Implications about Jouno's situation - let's say Asagiri's impenetrable plot armor kicks in, Tecchou + Kenji just contrivance his location out before Aya jumps off the tower. Here, we got options:
Tecchou moves him to Yosano at Hunting Dog speeds
due to Fukuchi quite liking Hunting Dogs, he's already in a location that's just good enough to stabilize him, so back to your boi Tachihara
Given the context, what about status of HG as an unit? wouldn't Fukuchi throw a lot of suspicion on the group? Obv they're not getting decommissioned, but either (or both, lel) on thin ice, or just… most of their bodymods removed (in preparation of), breaking the unit apart. The former could be used to create tension with Mori's requests, the latter via 'well now you're full-time mafia! It's a good thing you like it here, yes?'
Tachihara Meta below the cut-- heh, cut. Get it?
So I think his eyes were healed up when he was turned and he'll be fine.
But oh my god, the angst of the blinding not going away is so interesting to me. As much as i think a blindness arc would be so interesting, would there be any reason for magic vampiric healing to not fix his eyes? Idk, maybe a loophole or something.
I think Fukuchi blinds him so callously, not even turning around, because he knows that it will be healed. I think Fukuchi actually cared for the hunting dogs. They were under his command and he was responsible for them. Even if Tachi did turn on him, it was because Fukuchi was being evil on purpose to push humanity to his goal.
Anyway, back to Tachihara. I want to find a way to facilitate this cuz I want him to talk to Jouno and learn how to cope with this loss. Maybe find a way to use his metal ability to sense metal in the environment and "see" through his ability.
And imagine if he decides to go to Yosano for help, cuz he can't stand never being able to see the world again. Never being able to see the people be cares about. And she helps of course. And they talk and he learns more about how his brother died and how Yosano tried to stop that madness but was forced into a corner by none other than Mori. I think Tachihara would feel differently about staying in the mafia if he knew that Mori was the true culprit.
Maybe his injury was healed and his body is healthy but his mind is shutting down his vision out of mental trauma. He has to go to therapy to process his fucked up life and regain his eyesight. What a journey.
Ah fuck I'm writing this, ill call it an AU if I need to, if canon doesn't follow this thread.
TIL: the phrase "who watches the watchmen" originates from 2nd century AD.
You ain't solving it today.
That said, it is that time again when i start pontificating on how to make the internet P2P. Somehow. For resilience.
A lot of folks are responding to the whole Reddit situation by calling for the return of decentralised forums, and I think it's important to remember that, contrary to certain popular narratives, the reason early 2000s forum culture has fallen by the wayside is not because people are Just Lazy. Certainly, ease of use is part of it, but a much larger part of it is how vulnerable self-hosted forums are.
Basically, the problem is that even the largest and most carefully managed self-hosted forums can be rendered unusable more or less indefinitely by a single sufficiently determined hostile actor. This can take the form of both attacks on the forum's social infrastructure (i.e., via sock-puppet accounts, botting, organised "raids", etc.) and attacks on its technical infrastructure (i.e., via hacking, DDoS, etc.). In either case, a self-hosted forum has effectively no defence, and the majority of decentralised forum communities survive only by virtue of their relative obscurity; once a self-hosted forum manages to attract the attention of That One Guy who's willing to devote his life to shitting the place up over some microscopic slight, it's effectively game over.
Right now, there are essentially only two mitigation strategies:
Gathering huge numbers of communities under a single, massively centralised technical infrastructure that's simply too large and robust for any one hostile actor to bring down; and
Hardening the community's social infrastructure either by going private and invite only (i.e., the Discord approach), or by making use of a vast centralised pool of volunteer labour to aggressively enforce community standards (i.e., the Reddit approach).
To be clear, these are not intractable problems; other solutions may well exist. However, any proposed plan for bringing decentralised public forums back needs to address them; if you're going in operating under the assumption that forums have become marginalised simply because corporations are evil and people are lazy, you're just setting yourself up to learn the hard way why self-hosted forums no longer seem to be capable of growing beyond a certain point.
Miron Białoszewski, Namuzowywanie -> Musing up
Oh Muse! Inspirouse
i just for you endinfying from unwritinging
do tell me ing o se
Anyway reblog to make sure all the investors know that, according to u/spez AKA Steve Huffman, the CEO of the fucking company, Reddit is, and I quote, "not profitable." Their IPO is supposedly planned for later this year. Have fun with that, Steve!
#polblr would be uninhabitable if we ever got a real canon anime Adam Mickiewicz or Juliusz Słowacki#but I'm not sure how much sense would it be to put them in bsd tbh#I did draw it once but it's more of a realm of 'wouldn't it be fucked up if...'#personaly I'd go with Tuwim#wouldn't say no to a bsd Gombrowicz too#he'd be fun and quite in line with bsd themes I think three bards feat Norwid and Wyspiański as a whole-ass faction? Gombrowicz to snark at them? There is 0 reason for them to be in BSD proper unless the plot somehow moves directly to Europe. That said, wiki mentions Micky met Goethe - an opportunity for a gaiden-esque story with some vague Buraiha-but-with-travelling-Natsume parallels
everyone has those authors that you would be so unhinged about if they were introduced in bsd right?
mine are: emily dickinson (it might be too late for her but I’m in denial), franz kafka, and any german author but especially goethe (c’mon asagiri give us the rest of the transcendents) and schiller. I’m not able to describe how unhinged I would be if any of them get introduced
Now that the manga has finally caught up to the anime, I shall say that I am still pretty convinced Fyodor will pull a Jesus and be fine.
That said, I hella loved this chapter. The themes, man. Essentially Fukuchi is inviting Fukuzawa to become God, though I would NOT be surprised to see a certain new character show up considering this entire chapter is basically Fukuchi and Fukuzawa trading paraphrased quotes from A Certain Novel.
It's a battle of free will vs peace, and how we walk that line as individuals and societies... war is futile and hell, and pointless because what even is a state anyways besides some arbitrary idea we've all agreed to for... reasons, and yet if you remove the ability for war and conflict as a whole, you don't really have humanity but instead mind-controlled slaves.
War is not a polite recreation, but the vilest thing in life, and we ought to realize this and not make a game of it... as it stands now it's the favorite pastime of the idle and frivolous.”
Every action of theirs, that seems to them an act of their own freewill is in the historical sense not free at all but is bound up with the whole course of history and preordained from all eternity... Man lives consciously for himself, but serves as an unconscious instrument for the achievement of historical, universally human goals.
It's true that people are born where they are born, and caught up in the stories that are grander than they are. Everyone likes to imagine what they know and what they experience and what they want and believe is True, but is it? Or is it merely a product of how they've grown? Is it a product of the centuries and millennia of people before us who create wars and conflicts and use us in them?
Yes, humans are used as unconscious instruments. But is that all they are? All they should be? Fukuchi seems to think yes. If they're currently used as instruments of war, then why not use them. as instruments of peace?
Fukuzawa, however, thinks otherwise.
It's an existential question humanity has been wrestling over since human beings have existed, and it won't be answered anytime soon because there is no neat answer. It's the paradox of human nature and human existence.
He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree.
Dictatorships are known, obviously, for suppressing free will and free expression.
Now, in War and Peace, Tolstoy's answer is love. And God, who is Love. But love first and foremost since Tolstoy himself wasn't super religious when writing it (later on he was though).
Seize the moments of happiness, love and be loved! That is the only reality in the world, all else is folly. It is the one thing we are interested in here.
Yet, if you remove the ability to choose love or violence, then:
A man having no freedom cannot be conceived of except as deprived of life.
And it's pretty clear what lesson Fukuchi has to learn:
Life is everything. Life is God. Everything shifts and moves, and this movement is God. And while there is life, there is delight in the self-awareness of the divinity. To love life is to love God. The hardest and most blissful thing is to love this life in one's suffering, in the guiltlessness of suffering.
Life sucks. War is hell. It makes life feel like it's not worth living. But without free will, you are not alive at all.
For if we allow that human life is always guided by reason, we destroy the premise that life is possible at all.
Anyways, even if Leo Tolstoy does not appear as an actual character with the supreme ability of "War and Peace," well, he sure is influencing this arc a lot.
LET'S GO WE FINALLY GOT HIS NAME!!!
I know it has some deep meanings but it's funny his name is just literally cicada
Also the ep47 name is Lament of My Wingless Body,i wonder if it was hinting us his name.To think asagiri had already named him but just decide to tell us on a random day lol.It can be about the episode but i don't remember details about it.
oooo this is cool!! i didn’t know he was given a name, thanks for the info :D
the episode name could mean many things. i haven’t put too much thought into it until now actually.
id assume a wingless body would be a metaphor for possibly someone not being able to escape something? kind of an opposite to the phrase "spread your wings" as a way to motivate someone to move/change?
in lament of a wingless body could be grieving the time she couldn’t escape? in reference to yosano grieving the past (possibly grieving shunzen here)?
or lament of a wingless body could be her grieving shunzen(which you said means cicada), like you had said! i like this idea a lot actually
OP you might be onto something.
However, i'm reading the pocket as a flap, which would naturally droop downwards, but is held up by multiple snaps (for ease of access). If bombs are just held up by that flap, it would put a lot of weight on both armpit stitch and snaps, so both would tear near-immediately. Instead, i'm thinking of rubber bands keeping the loosely-pinned (you made a great point there) grenades inside while enabling their weight to be tied to his arms, using however many connection points necessary.
I started typing with the idea of a white zipper instead of a flap to hide possible bulging, and to hide opening by making it look like a stitch, but now i'm not so sure… With snaps if needed you could probably just slide anything sticking out between them to pull it apart… Does that mean Kaiji would have multiple coats, depending how much stealth is needed?
also, all of this weight basically demands a lot of core strength not to fuck up his spine long-term, and as for 'good at dodgeball'… We're both thinking of Rock Lee from Naruto, aren't we.
just realised i never posted my kajii coat design here. anyways here it is!
i tried to make it make sense, but honestly i think a more realistic explanation is that he just has a pocket dimension in his coat /j