A Thought Occurs: Ch109 Is A Reverse Murder-mystery. Just Not The Usual Way.

Harlan Ellison's 'The Deathbird'?! no way, but…. the kanji matches?!

I just found out Fyodor's cello piece from the 3rd season is called "Bird of death" and I find that interesting for a few reasons.

First of all, is it connected to Nikolai? They work together and -shipping aside - if they're actually friends, it would make sense for Fyodor to write a piece either for him or simply inspired by him. Not only are birds associated with Nikolai, but death as well since he was supposed to die by being cut in half. He also kills people, so if we combine all those things, they kind of make him a symbolic bird of death.

Secondly, it would make the cello scene have a slightly different atmosphere as Fyodor would be playing a piece he associates with his friend who's going to die after commiting a series of murders while a different murder is taking place. Also the situation would be even weirder for Katsura because it would mean he was kidnapped by a guy who didn't just play cello for him, but play a piece he associates with his friend. Of course Katsura would have no way of knowing, but still.

Thirdly, does that make Fyodor a bird of death? Because if it's not connected with Nikolai whatsoever, then it's most likely connected with Fyodor himself. It would make sense because he kills people as well, but would also accidentally make both Fyodor and Nikolai be associated with both birds and death (#matchingimagery).

Lastly, how much does studio Bones know?? I checked the dates of manga volume releases and Sunday tragedy chapters did come out back in 2017, so the team working on the anime would have enough time to integrate this title as an easter egg if they wanted to do that (as the 3rd season began in April 2019), but then again it seems like a random idea to allude to a character from a future arc that they weren't animating at the time. Either a member of the team was/is a fan of bsd or they're getting extra info on future events. Bones also seems to be making surprising decisions when adapting the material (such as putting Fyodor in Untold Origins), so I think it's possible they know something we don't.

But it's also possible that Bird of Death has a different meaning that I'm not aware of or it's all just a coincidence haha

Alright so part two of my explaining BSD french authors:

Arthur Rimbaud !

This is the boy. Looks young, right ? That's cause he's seventeen in this. (Funnily enough, he's exactly the same age as Verlaine's wife. Verlaine, though, is 27 at the time they meet. Yeah, I wasn't kidding when I said he was a piece of shit.)

Rimbaud is kind of THE poet of teenage rebellion. He was born in 1854, under Napoleon III to place him back in his historical context. He wrote quite a bit in opposition to Napoleon, actually.

His father is absent at first, and then not here at all later. He has... A complex and complicated relationship with his mother. He gave her a disrespectful nickname, she was seen hitting him several times (although at the time that's hardly surprising...), but at the same time when he asked her to go see him in London (at a time where the trip was very expensive, and she'd never left France in her life before that) she came, and his sister described him then as "the happiest I'd ever seen him". She's often seen as the source of his inner anger and rebellion.

What he hates for sure, though, was living in his house, with his family, and especially in his hometown, Charleville, which he despises.

He's especially known for having fled his house a lot, as in several times a year, for several days every time, walking during the day and sleeping on the road during the night. His most famous poem, "Ma bohème" (unstranslatable title because "bohème" is a french concept, but it basically means living your life day after day, in communion with nature and/or your dreams, often with an artistic dimension and no money whatsoever - also has travel connotations because it derives from "bohemian"), actually talks solely about that.

He wrote from his fifteenth to his nineteenth birthday, and was - still is - seen as a genius, being one of the most influential french poets ever despite having written for only four years. He was famous for being uncontrollable, and it translates back to his style : he took extremely traditional forms and changed their rules. (Which weirdly enough actually kinda fits with Rimbaud's ability ??)

If we ever have a Baudelaire in BSD, know that his character will probably look up to him, seeing as Rimbaud is usually seen as continuing Baudelaire's legacy of completely revolutionising french poetry. His two most famous books are "A Season in Hell" and "Illuminations", his last one. His literary movement is symbolism, invented by Baudelaire, characterized by melancholy and an attraction to the ethereal and mysterious. Rimbaud himself thinks that "the poet must search and describe the unknown" and, well, too bad if he sacrifices his sanity. He's also one of the first after Baudelaire to write prose poems.

He stopped writing, forever, at twenty, after the Verlaine fiasco. Actually, he wrote "Illuminations" directly after, then gave it to Verlaine so that he could get it published instead of doing it himself.

That's where his life gets really weird. He tries to learn seven different skills and languages while traveling everywhere, fails, his sister dies and he shaves his head for her funeral, is forced into the military to fight in Java, then deserts, gets hired on a boat on his way back and becomes a sailor, then tries to get hired in the American Navy, doesn't get any answer, goes in a circus then a factory, and all of that while traveling everywhere in the world in the space of about three years.

Nobody knows where he was for the nine months after that - and during all of this, everyone who knows him is hoping that he gets back to writing poetry - and then he goes home to help his brother with his farm before leaving, AGAIN. He walks from France to Italy, then gets in a boat to Alexandria, where he works in a construction project to manage the workers. This keeps going for about eleven more years, so I can't list everything this guy did : we'd need a whole ass novel.

He stays in Northern Africa for almost the rest of his life, although he travels quite a lot in that region and never stops moving. In France, he's still as famous as he was at 17, and several eulogies are written for him without his knowledge. We can also note that he does weapon trafficking, for a very short period, at some point. He writes to his family that he's "bored", of all things. He's described by the people he meets then as "smart, sarcastic, not very talkative, never talking about his past".

He then dies in Marseille, in his thirties, from cancer in his leg.

I'm gonna be honest : I don't like his BSD characterization. Rimbaud's a wild card, a chaotic teenager, as an author. I also ! Hate ! That he's Verlaine's mentor. But that'll be the next part, where I'll talk of IRL Rimbaud and Verlaine.

Previous and future parts are in the #IrlBSDFr tag.

uh, i am pretty sure the manga didn't have so many objects sticking out of it's panels

probably the only post I’ll ever make about that one anime called Bungo Stray Dogs

Originally this post was supposed to be a reply via reblog to this post, but it got a bit too sidetracked and I felt bad for hijacking OP’s post like this. 

Initially I was just going to say this through the comment section of the original post, but then I realized that I have way too many thoughts to fit into the small word limit of a tumblr comment.

Anyway, that’s why I’m posting a screenshot of the original post rather than just reblogging it. I don’t want to derail OP’s original points or hijack the post and go off topic.

@chaosgranted​ you’re right and you should say it. I’m just gonna elaborate on this topic a bit. Gonna scream into the Tumblr void with hopes that the void won’t scream back.

<long ((and mostly negative)) rant about Dazai, so. Read at your own discretion>

I know I already commented on OP’s post a hundred times, but this got me thinking about the subject and now I can’t stop. So lemme burden you all with my never ending stream of thoughts on this matter.

Before I get into this rant, I wanna clarify something. I do, in fact, like Dazai as a character. I think he’s very interesting. I enjoy when he shows up on screen. This isn’t something I’d say for most other characters, who I’m more neutral about.  

That being said. Pretty much everything about how the fandom portrays him and views him annoys me so, so much.

As OP states here, what he does (leaves Chuuya unconscious and vulnerable in the field after promising to bring him back) isn’t just harmful or mean, it’s borderline cruel. And if it was done by any character who the audience wasn’t obsessed with, that character would be burned at the stake.

Think about Shirase (who I love, but that’s its own thing). Some people like him, a bunch of people hate him, a bunch of people have no opinion on him because he’s not a major character in the anime. Regardless of his Light Novel counterpart, Anime Shirase is justified enough in his own right. Let’s be real, the Sheep (including Shirase) were acting in self defense when they betrayed and stabbed Chuuya. They genuinely believed that he was an immediate threat to their safety. They genuinely believed that if they didn’t kill him, he’d kill them, or sell their information to the mafia, who’d shortly thereafter kill them.

Unlike Dazai leaving Chuuya behind when he was at his most vulnerable state, the Sheep stabbing and betraying Chuuya is not only justifiable, but understandable— and can anyone truly say that they’d do any different if they were in their shoes? I know I can only speak for myself, but if I truly and genuinely believed that someone was about to kill me or kill my closest friends, I would do what it takes to protect both my friends and myself.

The Sheep are somewhat vilified by the fandom (in the rare moments when the fandom remembers they exist). If Dazai had done the same— if Dazai had tried to kill an innocent person because he truly and genuinely believed that that person was about to kill the ADA, not only would he be forgiven instantly (which he should be, as I previously mentioned that’s a perfectly reasonable thing to do), but there wouldn’t be even an ounce of discourse over whether or not he’s justified.

Now, I understand the concept of liking “problematic” characters. (Tbh no character is “problematic”, whether or not the character is a good person is irrelevant, if the character does “problematic” things then that’s literally just how they were written and also intentional and also says something about them as a character. It should be called “good writing”, not “a problematic character”.) I understand the concept of liking the antagonist, heck my whole blog used to be me justifying Edmund from King Lear. Of course I never said he was a good person (because OH MAN HE WASN’T), but I found him very intriguing and so I would rationalize his actions and try to see things from his POV.

The difference between liking or justifying an antagonist and what the bsd fandom does with Dazai is that Dazai isn’t an antagonist.

The closest Dazai comes to filling an antagonistic role is in flashback arcs, which is the only time when his actions aren’t chalked up to “haha Bandage man is doing his thing again!”. When Dazai manipulates the Sheep into betraying and stabbing Chuuya, it acknowledges that Dazai is filling a bit of an antagonistic role there. That scene isn’t played off a  a joke— there’s no comedic undertone in how it’s portrayed. As opposed to when he leaves Chuuya in the field and it goes “haha look at Bandage man always being so silly and goofy!”

The same goes for Dazai’s treatment of Akutagawa in The Dark Era arc. When he shoots at him, attempting to kill him with no knowledge that his ability can theoretically stop the bullets, it’s not played off as a joke. However, in the dungeon scene, Dazai says that his new subordinate is “far superior” to him, and the show plays it off as “haha Bandage man made Emo kid angry!”, even though what Dazai meant by “far superior” is that Atsushi got lucky enough to be taught by Present Day Dazai, and so he’s more mentally stable and more sure of himself than Akutagawa, who’s still very clearly getting over the trauma of being literally brainwashed mentored by Mafia Dazai. Ability wise, Atsushi and Akutagawa seem to have equally strong abilities. The only thing that Atsushi has that Akutagawa doesn’t is a semi-healthy mindset. And you know who’s responsible for both of their mindsets….? This statement ( “..far superior..”) is the equivalent of punching someone in the face and then calling them ugly for having a black eye.

But the show keeps playing off Dazai’s outright cruelty to the people around him as a literal joke. And “he’s on the good side now!!”, so, to quote a song we all wish we could forget, How bad can he possibly be?

I think the first real sign of Dazai’s, for lack of better terms, tendencies..,, is in the second episode. That was the point where I was like “Oh. So he’s an asshole.” In that episode, Atsushi states that although he’s grateful for Dazai’s help, he’s not interested in joining the ADA. Dazai tries to pressure him into joining but he politely refuses. Dazai then makes it seem like he’s about to get him an interview for a different job, when suddenly he drags him into a supposed bombing and seemingly forces him to put his life on the line for an organization that he wants nothing to do with.

Atsushi is a kid who can hardly stand up for himself. I’m surprised he even turned Dazai down in the first place, but that just goes to show how badly he wanted nothing to do with the Agency. After discovering that it was all a test set up from the start— a test which he passed, now making him qualified to join the ADA— he still remains unwilling to join. Now what does Dazai, our resident master manipulator, do? He makes sure to give Atsushi a friendly reminder that sure, he doesn’t have to join, but if he doesn’t he’ll surely either die of starvation on the streets or be captured by the cops for his horrible tiger crimes against humanity. At that point of the episode I was like “ah. A manipulative asshole. Lovely. I’d like to see him get punched in the face.” (And thanks to Kunikida he does get punched. Not often enough for my tastes, but whatever.)

If you’ve never watched BSD and are only learning about it from this post, you’re probably thinking “but Edette, this guy is clearly a horrible person. And I understand that people simp for him, but just how delusional do people have to be to pretend none of this ever happened?”

Well there’s a very simple answer to that, my friend.

The whole show plays off his.. ah, let’s call them “silly little shenanigans”.. as just that. Silly. Little. Shenanigans. It shows him being manipulative and using every innocent person he comes alone to advance his own goals in one way or another. But that’s all perfectly fine! Because the show says it’s actually really funny, so it must be, right?

As OP says. Chuuya trusted him. Chuuya listened to him when he told him to activate his ability which nearly kills him. Chuuya was willing to throw his life away, endure pain beyond anything anyone could imagine, all on the hope and trust that this person he shares so much history with will be there for him and protect him when he’s left in his most vulnerable state.

But Dazai uses corruption as a tool. He uses Chuuya as a pawn to win the battle. And if you want to argue that Chuuya’s not a pawn but a knight or queen or some other chess piece then fine. Nice chess analogy. You do realize that’s irrelevant, right? Either way, as he says himself in 15, he’s not a king. He’s not the piece that will be protected at all costs. And no matter what piece he is, he’s just a game piece, just like everyone else Dazai comes across, and Dazai is the player.

And after the battle is over? Well, his pawn is of no use to him anymore. So good job Chuuya, you did it, you won. Soukoku won. But only one half of Soukoku gets to enjoy the victory.

For the record, I do believe that Dazai cares about Chuuya beyond simply being intrigued by him. I do believe that he wouldn’t have folded his coat and left it where he could find it if the person he was fighting alongside was just anyone. But that’s not even close to the bare minimum of what Dazai should have done. This is just a testimony to what sort of person Dazai is. Even with someone who he arguably cares about, he still treats him this horribly.  

And

It’s

Played

Off

As

A

Joke.

[extra content in the replies]

Fukuchi's ideology (as explained in the last episode) is embarrassingly flawed. I want to grab the guy by his shoulders and shake it out of him because holy shit, it's so immature. I want to assume that either there's more to it, or that, perhaps, some impactful events in his life cemented that ideology as true, and now he views and rationalizes the rest of the world through that lens. Anyway, if that's all there is to it, disappointing for someone so smart, boo!

I'm stating this as someone who hasn't seen the rest of the season or read the manga leading up to the last episode, so maybe there actually is more to it. But my friends who have done so also agree with me.

Once in awhile, you can get one over on The Man. Finally, after all these years of toiling under his rule, doing his dirty work, begging for his praise, he has well and truly fucked up. And, it turns out, your entire life has been building up to the moment that you can milk him for all he's worth.

Have you ever seen a Dodge Caliber? They're getting sort of uncommon now, but when they were new, they were pretty hateful cars. Cheap, buzzy, surprisingly uneconomical, steering that felt like telling a funeral home operator how to sign a birthday card over the phone by long distance. And they fell apart all the time. Most cars get repaired, but these things got gleefully shovelled into the junkyard at the first chance the owners got.

Not all of them, though. This is a story about one very special Dodge Caliber. You see, my aunt needed a car. And my aunt is very nervous about owning a car. The skills of shitbox repair never made it into her genes, you see, possibly because she is not related to me by blood. So, in order to get that car, she went to the Dodge dealership, and she asked them: can you do a lifetime warranty, unlimited mileage, no questions asked, cover everything? And they said: for you, ma'am, we absolutely can charge you an obscene, eye-watering amount of money.

Once I found out about this, I was mad. And then I figured it out. You see, what my aunt did have was being insanely cheap. That's why she was a part of my degenerate family. She still is, even though my Uncle Larry exploded that one night at Arecibo. Unlimited mileage. There has never been a sweeter phrase uttered in the English language.

Now, whenever anyone we know needs to go for a long trip, we tell them: take the Caliber. Rack those miles up. Punish those stupid motherfuckers for writing such a terrible, open-ended contract. My aunt runs a taxi service consisting entirely of this vehicle, a fleet of drivers constantly rotating in and out, the thing rolling virtually 24/7. I love driving this car, because every single mile that ticks up on the odometer is more salty tears from the low-wattage pig who thought he was a big-time wheeler and dealer down at Old Time Country Dodge.

To their credit, they figured out the enormous error that they had made fairly quickly. When Aunt Hilda rolled in the thing, smoking and wheezing, for its sixth transmission replacement at eight-hundred-and-fifty-thousand kilometers, they offered to buy it from her and give her a brand new luxury SUV, just for being such a great customer. She laughed, and told them to get started overhauling the Caliber, and don't forget to take a look at the squeaking sound it started making in the back.

When things got real bad during the recession, they tried to go bankrupt, thinking that might get them out from having to maintain this economy car until the sun burns out. Ha! Death won't save you, my friend. My attorney Max picked that one up pro bono, despite hating warranty law, just for the pleasure of watching their attorney read the purchase contract. Her eyes got so big that they stuck that way. The paramedics had to use the jaws of life on her eyelids so she could blink again.

If you see me in the Caliber, make sure to honk. I probably won't stop to say hi, because we gotta keep this odometer rollin'. Rest assured, however, that I will honk back, maybe ten or fifteen times. Really get my money's worth out of that horn.

re: anime: well, Asagiri has been on board so everything that was added does provide extra data points.

re: Nikolai: ha, out respective brainrots got in the way. the focus on Nikolai w/ hand imo kind of signals the author gets a free setup to rewrite him into basically anything.

upside: dialogue (and the way the main panel is... "shot", hiding the mask) implies that now he has no reason for murderclown routine. alternatively: he's completely written out of the plot, either in Alcott-esque fashion (as pure satellite character), or permamently, as an used up plot device. Either way we forget.

downside: orrrr because it's not as upfront as Odasaku pulling Dazais bandages off, he can just double down on the mask. alternatively: the monkey paw curls and the genuine side is not to your taste.(or what happens is a synthesis of his face and mask, so to speak.)

So at this point i'm kind of afraid to ask: what result would you consider return to (better) form? keeping in mind that whatever research Asagiri did it pales in comparison to yours

re: re: scheduled Dostoy pivot: nonsense trust speech -> adapts strats and THIS being the rough CnP pivot (as opposed to Sigma :|)

can we form a coup against asagiri and make you the writer instead? genuinely... I am not taking the Fyodor immortal information well.. please help............................ ( ´，_ゝ` )

Oh, I would absolutely not do BSD well either. I just wish Asagiri had stuck to his roots more. He was a great comedy writer, and the beginning of the story was great for it. It's the action and Death Note stuff he can't seem to get mastery of. But for the immortal part: I'm not entirely sold that Fyodor's immortal, yet. It seems like yet another twists that will twist to reveal oh, shocker, he faked his memories to confuse Sigma/the ADA... or something. Could very well be immortal, but not 100% guaranteed.

Spoilers for the ending of the Mersault arc in Bungou stray dogs season 5.

3

2.

1.

.

Going back and reading the Mersault arc again.

My favourite little detail foreshadowing the twist at the end...is Chuuya's hands.

No I'm not kidding.

Chuuya's outfit has changed from what it usually is.

He's not wearing his gloves.

For most of the arc he's in, his hands remain in his pockets.

When fighting Rimbaud years ago Chuuya said to him:

"Wanna know why I've been keeping both my hands tucked away this whole time? It helps me stay rooted when I'm afraid I'm gonna lose myself."

It's why he takes his gloves off when he activates corruption.

But here Chuuya's hands are tucked away in his pockets, just like they were before he joined the Port Mafia.

He's still in there.

He hasn't lost himself.

The other thing I love is that while Chuuya's outfit has changed, he's still wearing his hat. The hat that Mori gave him when he joined.

It's a clear sign that he's still with the Port Mafia.

But Fyodor doesn't know Chuuya, he doesn't know the significance of his hat nor why keeping his hands tucked away mean.

Fyodor doesn't trust people.

That was his first mistake.

His second was thinking he could ever control Chuuya Nakahara.

In honor of the twins’ birthday, a redraw of one of my old Gravity Falls drawings 🤩

Golden Retriever: ✅ energetic and friendly ✅ good family dog; prone to separation anxiety ✅ also comes in cream color ergo: Fitzgerald is one

bungou stray dogs as dogs (from this post)