Outis Base EGO Sin Analysis

Outis Base EGO Sin Analysis

Right, I made this blog specifically to analyze her sins… and promptly forgot to do that!

For the meanings of each sin, I’ll be largely referring to this post from @lu-is-not-ok​ (its a very good post, do check it out!)

I originally meant to do her base ID and EGO in the same post, but, the EGO alone goes on for a while. (I’ll probably write up the base ID tomorrow)

Keep reading

More Posts from Analytical-machine and Others

1 year ago

mmm we could still be like "Dostoy had a shot perfectly lined up, and instead of offing Dazai right there merely uses it to force cannibalism arc to go brr", and then course-correct with 'because Reasons Dazai is crucial to whatever plan to erase ability users is being cooked', and THEN course-correct with 'not that easy to abduct', and then course-correct with...

the point is: you are reading a manga. The authorial intent is to keep Dazai alive and to showcase that normies can do stuff too. (the latter was mentioned in interviews, but you can work it out asking 'why is this the author-approved outcome, what themes/ideas does it reinforce'). How exactly this happens is razzle dazzle and willing suspension of disbelief, most likely induced by the plot being engaging in the moment.

Wouldn't be surprised is that for all our whining we're sticking around due to logic underpinning these two decisions.

also notice Fukuchi didn't Amenogozen Aya to pieces either and use the 10s window to cover to cutting down Bram. Because otherwise a) Aya would have no agency in the plot, see above b) we wouldn't get zonked by Tachihara vs Fukuchi (which happened to enable more character building and to slowly raise threat level. Without the slowdown the readerbase would go "this is OP bullshit" even harder. As is, the bootstrap paradox is framed more as a logical extension of what was already known - we just didn't sit down and try to break it Jojo-style)

You know who would've been a perfect person to be in prison with Fyodor? Ranpo.

Give Ranpo an earpiece, use Ango's influence, and Ranpo can easily communicated in Morse code or something. It doesn't need to be that secret because Ranpo can figure out Fyodor's plans just by looking at him.

Because that puts Dazai on the outside. Everyone's still using Ranpo's genius, but now they have No Longer Human, and that changes everything.

Time-traveling sword? Nullified, Fukichi loses. Vampires? All Dazai needs to do is touch the sword in Bram. One Order? Dazai destroys it. Dazai just needs to touch the Page and it's gone. Seriously, Dazai's ability was so perfect for all of the problems in the series and he just wasted away in prison playing mind games with Fyodor. I love Ranpo, but he doesn't have a fighting ability, and he literally stayed in one room the whole time anyways.


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1 year ago

are we going to notice that in the last chap Fukuzawa got hazy eyes as he was assuming direct control over a shitton of people despite his opinions on the matter of people controling others? No? Okay.


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1 year ago

Once more, all makes (some) sense, just like that. You mentioned Burrowing Heaven hides the sky the sky with it's branches, but being Carmen, it's also the Light. To indulge in one's desires with no regards to reality/others -> to be Stuck in (one's) Heaven!! Plus, closing one's eyes (=ignoring reality, focusing on yourself) is what gives Carmen-looking tattoo (brand.. Mark, even.) but 'heaven through the eys of others' in this case would be the lack of self-awareness that comes from ignoring the external + because the exteral keeps intruding, it's not heaven from the PoV of the one stuck in it! Which would kind of take a shot at explaining why there is a hole in SiH: it ain't gonna be filled, and seems like it's the doing of not-burrowing, as opposed to grey dude. it looking like a branch (of the burrowing heaven), but also humanoid -> seeks to invade the heart (emotions/exploit immature outlook), not the eyes (reason/resignation to reality). And to look at it, is to look/give attention to the world around! …it's an abnormality about distortions, specifically this sort of mid-point between 'normie' and 'abnormality' seen in Leviathan (Spotty), and (maybe? haven't finished LoR yet kek) Reverbation Ensemble? It would also attempt explaining why the gift is Pride-coded. It lacks cute wordplay of Prejudice, and we're already operating on the assumption the game doesn't do any semblance of a color wheel, so: it is pride, because to close one's eyes in this context is to gain advantages from it (some kind of distortion/clarity of self-image), while ignoring drawbacks (some kind of distortion ;^) and also arresting one's development/growth by ignoring anything that would trigger it)

Face the Sin, Save the Ego: these stable distortions are not effloresced EGO (which btw, blooming flower imagery (awaiting pollination of external ideas?) vs light/distortions-as fruit of Carmen('s work))

this implies prodding Stuck in Heaven prompts us to theorize the plot to get the abno's deal. Let's go, and try not to rehash any other theory too much, lel. …what is the core Driving Question of Limbus Company? the nature of Dante, in small scale. In the grand scheme of things - the sudden mass death event. It hasn't been retconned out yet, right? can't seem to find a sauce.

The Golden Boughs (bough: large branch of a tree) are being gathered. A single one eases various coherent distortions to manifest (Kromer, possibly Dongrang), so a large enough amount of them would prompt whoever to have a stable distortion with minimal prompting. (thanks @lu-is-not-ok) …but that doesn't quite cover the novel threat of stable distortions having nonsense abno abilities (Pluto from LoR), combined with being clever in how they're using them - to play the long game. …or in a way that amplifies the heart of most issues presented by the social critique these games are (selfishness?).

bonus: something something all trailers and the 'opening' use the same part of "In Hell We Live, Lament" which i assume is the deal is similar to LoR, in that cherrypicked bits are of particular relevance to the plot. Had a theory coherency check mid-rant and failed kek.

tl;dr this implies we're sleeping on a lot of tree/growth imagery

once more, for the people in the background: Lu, how is your brain so wrinkly.

Stuck in Heaven (ego gift: Late-bloomer's Tattoo) has been grinding my gears for a while now. It has an idea - and a clear one at that - but i can't figure out what it *is*. Wiki has the event transcript. Pls send help

Alright, back to my proper analyses, and... *cracks knuckles* Oh this one's gonna be fun. I want to say that since this one won't need to get into E.G.O analysis, then this post will be a bit shorter than my other full-length analyses...

But. You know how it is with me. For all I know this one might end up ridiculously long anyway. Also, uh, spoilers for Lobotomy Corporation and Library of Ruina ahead.

So, before we can talk about Stuck in Heaven, we need to talk about the other Abnormality it's directly related to - The Burrowing Heaven.

The Burrowing Heaven debuted in Lobotomy Corporation, but later made a return in Library of Ruina as one of the Abnormality Battles. For the sake of completion, I will be taking a look at both of its appearances in the series.

Stuck In Heaven (ego Gift: Late-bloomer's Tattoo) Has Been Grinding My Gears For A While Now. It Has

In its original appearance, Burrowing Heaven takes on the form of a tree-like entity, made up of a fleshy material, with branches that seperate into wing-like shapes and many eyes.

Its main mechanics in Lobotomy Corporation is that the Abnormality needs to be on-screen to prevent it from breaching and teleporting away once it does breach. This mechanic is reflected in a lot of flavor text about it, most directly in the description of its E.G.O Gear, which includes the sentence "Just contain it in your sight."

Burrowing Heaven's story further expands on this idea. The Abnormality is repeatedly said to "live inside your eyes/gaze", to feed on the attention and focus others give it by looking at it. However, the moment one looks away for too long, it begins to stretch the stalks of its wings for two reasons - one, to gather corpses as food for the fruit it bears; two, to reach towards the sky and sun, as if to cover it up.

Religious imagery and symbolism is used all over for this Abnormality. From the act of stretching its limbs being compared to praying to an old-forgotten god, to its wings reaching the skies being compared to an angel, to the action of it growing its thorns and burrowing being described as for the purpose of "reaching heaven inside one's vision".

Now, there's a very interesting part of Burrowing Heaven's story in LobCorp that I want to point out. Usually, when those stories are said in first person, it's either through the use of "we" (to reflect the company/employees writing those down as a whole), or with the passage being specified as either some testimony or log or otherwise being quoted.

However... That's not the case here. For Burrowing Heaven, there is a whole section in its story written in first person, with no clear note of it being quoted from something else. Allow me to paste the segment in its entirety.

"That's what a gaze is. Attention. An invisible string that connects us.  Sole focus.  Do not come here, as there is no place for you to rest.  But you see, I could only bear fruit when I stood inside your sight. Is this what you wanted to see?  When your tears dry up at last, tell me your answer."

Interesting, isn't it?

However, we're not done yet. There is still the context of its appearance in Library of Ruina, so let's look at that, shall we?

In Library of Ruina, Burrowing Heaven's Abno Battle is placed on the Floor of Religion, aka Hokma's Floor, alongside Price of Silence, Blue Star, and WhiteNight.

Narratively, this Library Floor explores the faith and dedication that Carmen's group put into her and Ayin, especially from Hokma's perspective, who unconditionally put his trust into Ayin back when he was known as Benjamin. Thus, all of the Abnormalities fought on this symbolically represent Carmen's unwavering dedication to gathering like-minded people to make her dream come true, and the devotion those who followed felt towards her and her goals.

When it comes to the Burrowing Heaven, there is some more info we can gather from its Abno Battle in this game, starting off with its new appearance:

Stuck In Heaven (ego Gift: Late-bloomer's Tattoo) Has Been Grinding My Gears For A While Now. It Has

As you can see, the previously tree-like form has been replaced with one that very clearly represent a human's central nervous system, brain and spinal cord included. The bloody wings and eyes still remain though.

...Now. Those who have played Lobotomy Corporation might recognize what Burrowing Heaven is meant to represent in this form. And for those who haven't, allow me to show you something.

This is what became of Carmen after her death:

Stuck In Heaven (ego Gift: Late-bloomer's Tattoo) Has Been Grinding My Gears For A While Now. It Has

A disembodied central nervous system, with its nerves spread out in an almost wing-like fashion.

While most of the flavor text here repeats what we know about the Abno from LobCorp, there are a few unique pieces of text I want to shine a spotlight on right here.

"The desire for the unreachable will only grow bigger. And to pursue it… is to tread a path riddled with thorns."

"Basking in everyone’s gaze and attention… It will finally come to fruition and spread its wings."

"The one who spread their wings sacrificed everything they had, and yet…"

"Just close your eyes. That’s right, you’re doing good…"

"If we ever open our eyes again, will we get to see the fruit of our labor in that gaze?"

...In case you were wondering why I was being so scant on the interpretation part of this analysis, this is why. This connection is what changes Burrowing Heaven from a nebulous concept to a direct parallel.

Burrowing Heaven, at its core, is a reflection of Carmen. More specifically, Carmen's dream, and the way she and her followers acted to reach her goals. How, to pursue it, they had to single-mindedly focus on that goal, to make many sacrifices for the sake of reaching what seemed unreachable.

It could also represent how Carmen's seeming demise and the following tragedies happened because nobody paid attention to the warning signs, nobody focused on Carmen when she was at her lowest. And yet, those very tragedies are what led to even more attention being put on making progress towards that goal, towards Carmen's wings spreading out and reaching ever closer towards the heaven she so desired.

The gaze being put on her may have put her deep underground, in the vat where her nervous system became a source of Cogito... but it also eventually led to the breathtaking sight that was the Light. And now that there is no more gaze left on her, her wings can spread everywhere, blocking out the sun with her own Light.

When you think about it, isn't that how Distortions take place under Carmen's influence? Just close your eyes and ignore the world around you. Let your desires guide you. Just like Carmen is encouraging you to do, patiently. That's right, you're doing good, following what she says.

...Okay that's all fine and good, but what the fuck does all this mean for Stuck in Heaven? Let's get to that.

From just a cursory look at its physical description, Stuck in Heaven appears to be the next step of progression in this Heaven line of Abnormalities. From the tree-like form of the LobCorp Burrowing Heaven, to the brainstem in Library of Ruina, to Stuck in Heaven taking the form of growths directly growing over a person.

Interestingly enough, the Mirror Dungeon event describes Stuck in Heaven as having "the appearance" of a branch, yet being human. Curious.

This is also where a difference is established between Stuck in Heaven and Burrowing Heaven, with the event text directly referencing the Abnormality that Stuck in Heaven is related to.

"Heaven sometimes burrows; other times, it makes a home in the heart. Once taken root, that heaven will only be visible through the eyes of others."

Immediately, this tells us one major thing - Stuck in Heaven does not burrow like Burrowing Heaven, it does not need to feed on the attention people give through vision. Rather, the thing it aims to take root in is the heart.

The text you get from taking the [Close your eyes.] option explains why Stuck in Heaven does that. When it takes root in one's heart, closing one's eyes is not enough to get it out of one's gaze, as the sight it sought out is that coming from the heart itself.

I believe this is also why actually trying to [Return the gaze.] with one's eyes does nothing. With Burrowing Heaven, which actively sought out one's eye vision, one can find many references to it being alive and actively watching its observer back. However, trying to do so with Stuck in Heaven results in it ignoring the observer. The heaven Stuck in Heaven is looking for is not in the eyes, but past them. "Behind me", as the text puts it.

Now... all of that might not have much meaning without further context. After all, what's all this looking with one's eyes and looking with one's heart stuff about?

And this. Is where we get to The Little Prince.

Yeah, remember how Demian seems to be representing the titular Little Prince himself, through him directly quoting the kid?

Yeah, that's not the only thing Limbus Company borrows from that book. In fact, from what I've gathered, The Little Prince might just be one of, if not the most important books when it comes to the themes Limbus Company is setting itself up to explore.

And the main theme that Limbus Company borrows from that book is the theme of seeing with the eyes vs seeing with the heart. It is all over this narrative. The constant focus on perception and what everyone is percieving through their senses. The equal focus on the heart, of how subjective reality is when looking at the reflections of one's heart, yet how one has to follow the heart to reach the unreachable. I mean, for fuck's sake, the word Limbus can refer to both a part of the eye and a part of the heart!

Most importantly, I think it's also the key to understanding Stuck in Heaven a bit better. In The Little Prince, a clear divide is established between the Little Prince, who uses his imagination to understand his reality, and "the grown-ups", who focus solely on the physical world.

Stuck in Heaven's E.G.O Gift is named Late-Bloomer's Tattoo. A late-bloomer is someone who takes a long time to develop one's skills or grow up. For Stuck in Heaven to be able to leave its mark (or Tattoo) on someone, to take root in their heart, one has to not be a grown-up yet, to still be able to see the world with one's heart rather than one's eyes.

So... What does it all mean?

I'll be honest, I don't fucking know! I don't even know if Stuck in Heaven even still has connections to Carmen the way Burrowing Heaven does!

What I can say however, is that Stuck in Heaven is likely extremely interconnected with the main plot and themes of Limbus Company, the same way Burrowing Heaven was for Lobotomy Corporation and Library of Ruina.

Does it represent the goals of Limbus Company itself? Faust? The Golden Boughs? The fucking Mark of Cain?

The reality of it all is... we just aren't far enough along in the story yet to be sure. The way it connects to one of the bigger themes of Limbus Company, alongside it being directly related to the Abnormality that was so directly paralleling the end-game reveals about Carmen in LobCorp, means that we likely just don't have enough of the puzzle pieces yet to see the full picture of what Stuck in Heaven truly represents.

I'm sure as we head closer towards Limbus Company's endgame, the true meaning of Stuck in Heaven will become much, much clearer to us. But, until then, all we can do is wait and see what comes next. It's definitely a subject I'll want to revisit later on, once we get a better grasp on the overarching plot and will be able to start properly connecting the pieces.

Sorry that I couldn't give a more definite answer as to what Stuck in Heaven's exact meaning is, but from all the analysis I've done I genuinely think this is the best answer I can give. That it's a direct parallel to something within the main plot of Limbus Company that we have yet to learn, similarly to how Burrowing Heaven is a direct parallel to Carmen and the path taken to reach her goals.


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2 years ago

not what you hoped for OP but it made me realise having a PoV switch right now would be 200% psych and could happen. As in: 'in the narrow room' subpart ends, as we hop to elsewhere and do plot there (Lucy team? Kenji & Tecchou? Mori movement? Atsushi getting to Fukuchi & co, even tho i keep making that call and it keeps proving wrong?) and another subpart, then in 3rd subpart resolve Meursault decisively. Thanks, i hate it.

re: topic (but still not quite): it's been grinding my gears that noone is calling this, but: regardless of DoA resolution, the optics/situation for ability users is terrible. Globally. For the average person this is a broken masquerade scenario - vampires EVERYWHERE in a way that cannot be covered up or handwaved away. If they get to know the details, it would be caused by an ability user (1) being wielded by another ability user (2) using an anomalous object created by another ability user (3!!!). Given that previously ability users weren't public knowledge, populace's 1st contact would be of "they are an existential threat". This makes them convinient scapegoats for both the actual chaos and other assorted problems, real or imagined. At this point 'removing nations'(yes i know it's a coverup, but let's be real: if it worked you could bootstrap any objective with it.) would be merely an assurance that an aggregate database of ability users would be created - which with sufficently bad PR is a very scary proposition, indeed.

as a sidenote, i've once thought myself into an interesting spot: let's take the "What is the opposite of crime?" bit from No Longer Human seriously for a moment; a 'crime' is whatever either law or society deems undesirable action. Because society is made out of smaller societies, and each will have norms that differ slightly (or even conflict with the law/norms of other societies), any given action could be declared a 'crime' by any of the above. Therefore, crime = action. Therefore, the opposite to crime would be inaction. Every living being acts (commits actions?) by the virtue of being alive (breathing, eating, sleeping). Therefore, only inanimate objects do not commit crimes. Now that we have logic'd ourselves to "The sin crime is breathing", the question remains: Do corpses count on the grounds of being alive at some point? Within these parameters, it's actually another question: Are crimes forgivable? Since multiple things can all be called 'crime', despite different severity, the answer would be a binary yes/no.

At which point, the thread splits into two:

1) From a character backstory perspective: assuming he learnt of his ability by killing family memeber(s) accidentally, who exactly could give him forgiveness for it? assuming he does not regret a kill (both in the sense of "can't logic your way out of lack of fucks to give, chief" and "doesn't go into hysterics as seen in other people"), dogma would not give him forgiveness either. Therefore, the answer is: no.

2) From what i vaguely remember of C&P, the entire thing is a setup to do a redemption arc. For a redemption to happen (as opposed to what TvT poetically calls Heel-Face Door Slam), there has to be an underlying assumption - on both the repenter's and the judge's ends - that a crime can be forgiven, with enough work. For Dostoyevsky - you know, the terrorist? - to line up with both C&P and Dostoyevsky - you know, the writer? - or rather, what hazy picture i have of his body of work. For a change to happen, the implicit assumption has to, as well. Therefore, the answer is: no. (as of right now, circa ch107)

…i recall randomly going "wouldn't it be really lulzy if the endgame was NGE's Instrumentality?" but between writing out the above step-by-step, and DoA's objective having to be something to shook Atsushi outside of black-and-white thinking backed by DoA being a treat to ADA… and it's infuriatingly self-defending against that quote you have provided; "define: death"

If we hinge on ability user != ability, and 'ability as an analogy for having thoughts deep/insistent enough to write them down and publish', it circles back to the above, tho without an in-universe explanation. …when is an ability not tied to a user? When it's a singularity. This is the part where once again i suddenly remember i haven't read a single LN and just absorb spoilers like a sea sponge, but: is there some mention (in Stormbringer?) that singularities do not change? In the sense of 'do not adapt to stimuli'? If yes, it would not be a complete sweep as elaborated above, but would still line up with "not acting" in a way. If we tie this to the whole 'god likes order' we breach straight into an entire memeplex of "perfect order = no change" (see also: Shin Megami Tensei's law - aka christian god and angels - factions)

Everyone is in full conspiracy mode since (a little before) the last chapter with the Fyodor ability theories and I'm loving that. That got me thinking:

What was Fyodor's objective again?

Disclaimer, I fully rely on translations, but I cross-checked with two of them so...

Everyone Is In Full Conspiracy Mode Since (a Little Before) The Last Chapter With The Fyodor Ability
Everyone Is In Full Conspiracy Mode Since (a Little Before) The Last Chapter With The Fyodor Ability

special thanks to @ticklinglady for finding these pages!

"... a world free of sin and skill users."

1. A world free of sin

He says he wants to spill the blood of the sinners like 3 times but doesn't really give an explanation of who, what or why.

His definition of "sin" is quite vague, but could be the usual catholic/christian stuff. The one time he identified a specific behaviour as a sin was when the Agency and Port Mafia were killing each other "even though they knew they were being set up to do so" (though he also said Ace breathing and thinking was a crime and said killing Karma was freeing him).

In the Dead Apple novelization (not written, but edited by Asagiri, who came up with the original idea for the movie and gave a whole speech on Fyodor to the writing team), Fyodor does make a speech about the post-dragon red fog surrounding the Earth, transforming it into a "dead apple" by essentially killing everyone and "washing away the original sin of man". The apple motif was a sort of poetic irony.

Everyone Is In Full Conspiracy Mode Since (a Little Before) The Last Chapter With The Fyodor Ability

According to the novelization, this was his true objective at the time and he never mentions the Book, not even in the epilogue, as opposed to doing so in the movie.

This scenario is kind of a contradiction, since the fog would have erased everyone except ability users, though most would have suffered at the hands of their abilities before dying. Said abilities would have then been kept in a collection maintained by Shibusawa, an ability singularity himself, which brings us to...

2. A world free of ability users

I went through the manga and never did find an instance of Fyodor speaking ill of abilities, only ability users. That doesn't mean there is a difference to him in the first place, but it's interesting.

The Dead Apple scenario is to be taken with a grain of salt, but killing everyone doesn't seem to be a problem for him (he kills nearly everyone he interacts with anyway), and this implies that to him every single human is sinful beyond redemption and can only be saved through death. Why he is singling out ability users in that case? seems redundant.

Other instances of him talking about his objective included talking about "the will of the hand of God and Demon", doing this "for the sake of a better world", and saying the death he gives is a form of salvation by severing the influence of sins from the soul. He also talks a big game about God and his intentions (order and stuff), and Dazai likes to point and laugh at him when he does so.

As a bonus, in Dead Apple, Fyodor answered Dazai's question of why he accepted to join forces with him by saying it was "simply to see the world as it ought to be" (and because he wanted entertainment, with Dazai turning out to be that entertainment, as Fyodor was in fact using him the whole time for his own agenda).

Everyone Is In Full Conspiracy Mode Since (a Little Before) The Last Chapter With The Fyodor Ability

now go and apply that knowledge to your theories


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1 year ago

nikolai and strong wind -> there is a helicopter outside (and well he's outside too) pleased into displeased -> didn't know the world is ending? YOSANO WHO CAN GAME THE GAME? dostoy way too amused, and talking to someone -> sigma, letting him go? which would match with nikolai being pleased sigma didn't die/has real intel, but also: that he's joining ADA? ALSO ALSO ALSO HE HAS ANSWERSSSSSS (wait i forgot. did fukuchi seriously break apart the most OP combo on the board? instead of having the superior other fuku die to exsanguination?)

season 5 ep 11 preview is out ohmygoddd Fukuzawa is aliveee guyss!!! But they haven't shown anything related to soukoku...? WTH?? there's not even a glimpse of either chuuya or Dazai or what is gonna happen to them....well Nikolai is back so ig Sigma is saved...?

BUT WHAT ABOUT OUR SOUKOKU!???!!!!? THEY CAN'T DO THIS, WE'VE BEEN SUFFERING FOR A ENTIRE WEEK, THEY CAN'T JUST NOT SHOW ANYTHING REGARDING SOUKOKU AND LEAVE US ON A CLIFFHANGER TO SUFFER MOREE!!!

omg please atleast just show that Dazai is alive, god please!!


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2 years ago

>#poison is unfair to the reader because it requires them a knowledge of chemistry And i still find the "oh i can stop my heart on command" bit ridiculous. It doesn't work that way, as control over it is part of autonomic nervous system/too mission-critical for manual control, so to speak. In other words: within BSD universe it's perfectly legit, and this 'legitness' is a tool that can be fired at maximum drama. But i like your version better~

I don’t think that Dazai and Fyodor are really poisoned. Dazai would probably know about a poison that could kill  him in 30 minutes but didn’t seem to know it, it wasn’t said that it was a poison made by a gifted, and there was no chemical name or even street name given. Not to mention the fact that it has an antidote and is an injection, and would take thirty minutes before killing them with seemingly no symptoms until then. Injections normally work really fast, or at least puts people in pain quickly before killing them. Poisons with antidotes are really rare. And the most important part of this theory?

We don’t know how long Dazai has actually been poisoned for.

When the time stopping gifted is killed, Dazai says the signals just stopped. He was continuously receiving signals with time pausing. For all we know, he’s  been poisoned longer than thirty minutes by now, and is still experiencing no symptoms. He and Fyodor have effectively been poisoned for different lengths of time, and Dazai doesn’t seem worse off. I think that they’re not poisoned, and they both know it.

Now what would Nikolai’s plan be with this?

Well, the antidote being the real poison feels like the exact kind of chaotic bullshit he would pull.


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10 months ago

in light of the trailer for the new captain america movie dropping, a reminder that bds has asked people to boycott this film specifically due to marvel's refusal to remove the character of sabra.


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11 years ago

The stereotype of the ugly, unfuckable feminist exists for a reason – because it’s still the last, best line of defence against any woman who is a little too loud, a little too political. Just tell her that if she goes on as she is, nobody will love her. Correct me if I’m wrong, but I’ve always believed that part of the point of feminist politics – part of the point of any sort of radical politics – is that some principles are more important than being universally adored, particularly by the sort of men who would prefer women to smile quietly and grow our hair out

If you’re a feminist you’ll be called a man-hater. You don’t need rebranding (via nothingman)


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1 year ago

they must really have feared fyodor's power

Ever think - most of that last bit in Muersault didn't need to happen? Because if Chuuya is never a vampire and Dazai knows that, then once Chuuya's THERE, the rest is a pantomime. Chuuya had more than enough power to hail bullets into Fyodor the moment Gogol's 'game' began.

So why didn't they?

I think they had to be really afraid of Fyodor's power. All they know is that it works by touch, and it's lethal. Chuuya's power also requires him to touch things to exert control over them. They must've been afraid that the powers would cancel each other out if used directly that way, which would introduce too many unknowns to 'can we kill fyodor now'.

I think that's why they saved the finishing blow for "when we have control of the vampires". Because then, if it was an always-on kind of power like Dazai's, whatever it was would activate when the Random Vampire Mook attacked.

Of course, they couldn't KNOW they'd get control of the vampires, but really, if they didn't they were screwed anyway? So I guess they figured eh, in that event we leave Chuuya around as some kind of secret double agent and wait for the next clear shot. Or something.


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analytical-machine - Eadem mutata resurgo
Eadem mutata resurgo

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