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Writing Thoughts - Blog Posts

1 month ago

me, shaking my main character oc: “THE PLOT! JUST TELL ME THE FUCKING PLOT!!”

my main character, covered in blood, grinning maniacally and saying nothing just like i created them to do


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2 months ago

*I’m a writer* i mutter as i type “what does it feel like to stab someone” into the google search bar


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2 months ago

Physically you can hurt only your characters. Emotionally you can hurt both your characters and your readers


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Anyone else start as a fanfic writer then started writing your own original ideas, and the best way to do it is to write your drafts like fanfiction of your own work? Like that's the only way I get stuff done.

I write a story with the characters I like, write an arc with facts about the world and characters as it becomes relevant, no real point to the scenes except me having fun with a scene I happen to be enjoying. I take a character I wanna have fun with, say "Go do that important thing so we have a plot while you show off how cool you are", then add random ideas that sound generic but fun to act as story beats. They went to a town, they got beat up by monsters, they discovered a super power, they make friends.

I take breaks between writing the story to obsess over other stuff, then come back when I have an epiphany in the shower a month later and quickly resolve the current arc in order to jump them into the next one. Like, there's still continuity, they mention "Hey we just went through something, wanna talk about your feelings?" "Not really man, wanna go on a quest for that Macguffin and uncover our deep-seated issues that way?" "Sure!" But the story follows a barely-connected story beat with side characters and new world building for the new adventure. And then this happens over and over.

Then I come back, one day.

I'm 600 pages into this Sysphian writing style of starting arcs that have barely any organization yet undeniable continuity and I think to myself, "Man, what if I just start the whole thing over now that I know where the story KINDA goes." So I start writing my second draft...like it's a fanfic of my original draft. I can do whatever the hell I want with these quirky facts about the characters, maybe translate one hobby into a backstory, take this tragic fact about the backstory and make it into an actual trait that defines how they react to situations, take these two characters that would TOTALLY get along and make them friends, I can take a character who should be getting introduced way later and just introduce them now!

And then it's...it's good? It's something I would genuinely read without cringing at??

It's got foreshadowing and interpersonal conflict and secret passions and even more secret traumas and it's humorous and the introduction of characters or quests actually seem to...make sense??? Like oh shit there's actually a REASON we want this thing, it's not a Macguffin anymore! Oh crap these two characters who were later revealed to be related can have a really interesting dynamic if I introduce them like they know from the beginning they're related instead of dropping it like the most casual thing ever in an arc 300 pages later??? These two characters are prominent figures so they would likely get along but have SO much sass between their one braincell. Ya know, this guy would be a really great guy for them to talk to in order to solve that weakness they have, but they wouldn't fix it because they don't get along. OH MY GOD I COULD SHIP THESE TWO AND IT WOULD BE PERFECT -

And what I get is a story where a lot of things have changed, mainly plot-wise, but the bare bones of the former story is still there. I think "Would this character know anything about this topic?" and then think "Well I made them an inventor with a backstory like this, so maybe they wouldn't know it directly, but they'd know a famous story about it" or "Yeah, that knowledge works with their backstory. Actually, if I take that thing I can expand it into this whole other thing. Wait, that means they would definitely know this other character. Oh, they would NOT get along with this character, how can I get THEM in the same room?"

Bonus, because my draft is so long, I feel the natural urge to be like "I wanna write the most exciting scene RIGHT NOW, how do I skip over all the fluff to get to the stuff I wanna WORK with" and so I've written a way more interesting hook that feels more natural jumping into the middle of their lives. I don't have to have the long-winded backstory from birth to the present, but now I can have them reference their backstory as more of a mystery to the characters they just meet - who are learning at the same time as the audience. I can think about how this character perceives that backstory and chooses to describe it, how another who was related might see it differently, and make it unclear who had the more accurate recounting since, ya know, I didn't actually write it beat for beat in this version!

The characters sometimes evolve into something completely different from my original telling - and I have NO IDEA how but I'll take it man! I had a shy and nice character get introduced as a more mysterious but knowledgeable and competent character because I had finally figured his personality out later on. He's still a tragic and kind person, but now he's being introduced to someone who doesn't know him and I get to see how yo he would be so much cooler if THIS was the side of him we saw FIRST. This is how he acts to strangers, rather than bearing his heart and true personality on the first go around because in the first draft I just wanted to get to the part where we're already going with his true version.

This is just how I write fanfiction. This character had this thing about them, but what if it was introduced like THIS?!

Basically I'm an AU OC writer at heart. Ask me to pull a story outta my ass and you'll get the equivalent of burnt toast, but ask me to write a fanfic of my own characters and I am a Master Chef in my natural habitat making a buffet. Why does my brain work like this? Am I the only one that does this?


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1 month ago

i hate how i can write drabbles and small tidbits for days, but once it comes to actually writing a full-fledged chapter for a fic it feels forced n ends up sounding like a sad song on a forgotten instrument.

~ m.n.

I Hate How I Can Write Drabbles And Small Tidbits For Days, But Once It Comes To Actually Writing A Full-fledged

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3 months ago

Words/Phrases You Probably Didn't Know About

hi hi ! hello dears, it's been a while but i've decided to put together a list of words or phrases that you most likely didn't know as well as their definitions !

have fun writing and please let me know if you wish for a pt. 2 !

~ m.n.

accismus (n) - pretending to be disinterested in something when you actually want it.

ala rasi - an Arabic phrase that roughly translates to "anything for you."

anomia (n) - a brain disorder that makes it hard to remember the names of people and objects.

balter (v) - to dance or tread clumsily.

clinomania (n) - the persistent desire to stay in bed, even when there are other responsibilities.

constult (v) - to act stupidly together.

defenestrate (v) - throw (someone) out of a window.

draconian (adj) - something that is excessively harsh and severe.

eglaf (n) - a word that has no meaning and can be used in place of any other word.

ephemeral (adj) – lasting for a very short time.

fabulist (n) - a liar, especially a person who invents elaborate, dishonest stories.

gheegle (n) - the urge to squeeze or pinch something very cute.

heterophemize (v) - unconscious use of words other than those intended; to say something different from what you meant to say.

irenic (adj) - aiming or aimed at peace; promoting peace.

jayus (n) - a joke that amuses because it is so unfunny or poorly told.

jouska (n) - the act of repeatedly playing out hypothetical conversations in one's head.

latibulate (v) - to hide or seek refuge, often in a corner, to protect oneself or find comfort.

lethologica (n) - the inability to remember a particular word or name.

moonglade (n) - the bright reflection of moonlight on a body of water.

morosis (n) - an obsolete medical term that means idiocy, stupidity, or fatuity. it can also refer to a decline in intelligence due to foolishness.

nedovtipa (n) - one who finds it difficult to take a hint.

nepenthe (n) - a potion used by the ancients to induce forgetfulness of pain or sorrow.

obganiate (v) - to annoy someone by repeating the same thing over and over.

phosphenes (n) - a ring or spot of light produced by pressure on the eyeball or direct stimulation of the visual system other than by light; the colors, "stars," you see when you rub your eyes.

pregret (v) - to feel regret for an action before it has happened.

shlimazl (n) - a person who is unlucky or inept, or bad luck itself.

smyster (v) - to smile to oneself while daydreaming.

snaccident (n) - accidentally eating a snack, especially an entire bag or box of junk food.

ultracrepidarian (n) - expressing opinions on matters outside the scope of one's knowledge or expertise.


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5 months ago
I Found This Image To Be Quite Inspirational, Thus I Wish To Share It. You Don't Have To Make Something

i found this image to be quite inspirational, thus i wish to share it. you don't have to make something phenomenal much less rather something exceptional. you must first put it out there and tweak things later because you cannot build off of something you put nothing into. some day you'll regret never putting yourself out there.

create beautiful, wonderful things.

~ m.n.


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1 year ago

The two scenes that inspired the rest of the trilogy in mine:

Golden eyes. A gracious heart. Beautiful blood. Blood. Blood. The sharp taste of blood in my mouth, my nose. I could feel the sticky blood on my hands. Slowly, agonizingly, I began to remember fragments of what I’d lost. Pain. Someone had a knife. Was it me? Blood. Fear.

Pain.

The worst pain I’d ever felt concentrated right in between my ribs. I resisted the urge to scream out, and somehow through the thick haze of agony and confusion, I could start to hear voices.

And

It was all a lie. A beautifully created lie, one that only could have been weaved by Athena or Arachne. And I’d believed every second of it. Of course I had, he had played into every single one of my insecurities, building me up before subtly, ruthlessly, tearing me back down again. After all, they say the higher you climb the harder you fall.

I feel like every writer has created whole stories before around just that one specific scene that they thought of and really wanted to write. Sometimes I wonder what those scenes were for my favourite stories.


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