Esther Scroll, Ancona, early 18th century
Handwritten text, unfinished decorated cut-away parchment Parchment, 8 membranes, 39 text columns, 23x458 cm Carved wooden roller Gift of Mrs. Erna Ascoli in memory of her husband U. Nahon Museum of Italian Jewish Art ON 0495
This scroll is a beautiful example of the particular style of decoration that flourished in the Italian towns of Ancona and Lugo in the eighteenth and early nineteenth centuries. Artists in these towns specialized in a laborious technique whereby the parchment was cut away to create an intricately patterned frame for the text that reminds us of the beautiful lace used in fashions of that period. This elaborate technique was employed to adorn megillot, ketubbot and a variety of Judaica objects. Only a few such Italian cut-out parchment scrolls remain today.
A silk textile curtain sewed into this 13th-century bible to protect the delicate gold leaf illumination of the Stoning of Jeremiah.
This beautiful edition of Byron’s The Prisoner of Chillon was published in 1865 and illuminated by William and George Audsley, a pair of Scottish architects. Each page features a full medieval-style chromolithograph complete with shining silver and gold accents. The Audsley brothers were especially known for their Gothic Revival style, so I suppose it’s only natural that they would produce such intricate, vivid borders.
Colección Textil el espanto y el encanto de las superficies que aprendimos a sentir poesía bordada a mano sobre lienzo con hilo mouliné en distintos formatos y tamaños según la pieza
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Esther Scroll; dedicated in honor of Ezra Somekh; Kolkata, India; 19th–20th Century.
Esther scrolls in elaborate cases, recounting the Purim story of the salvation of the Jews in the Persian Empire, were often given as betrothal gifts and passed on from one generation to the next as veritable family heirlooms. This scroll from Kolkata invokes the biblical blessing of Joseph to protect the groom, Ezra Somekh.
Jeffrey Earp
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