Esther Scroll, Ancona, early 18th century
Handwritten text, unfinished decorated cut-away parchment Parchment, 8 membranes, 39 text columns, 23x458 cm Carved wooden roller Gift of Mrs. Erna Ascoli in memory of her husband U. Nahon Museum of Italian Jewish Art ON 0495
This scroll is a beautiful example of the particular style of decoration that flourished in the Italian towns of Ancona and Lugo in the eighteenth and early nineteenth centuries. Artists in these towns specialized in a laborious technique whereby the parchment was cut away to create an intricately patterned frame for the text that reminds us of the beautiful lace used in fashions of that period. This elaborate technique was employed to adorn megillot, ketubbot and a variety of Judaica objects. Only a few such Italian cut-out parchment scrolls remain today.
MARK Z. DANIELEWSKI
House of Leaves (2000);
photos by G. Ngayu, or @monstertalent
Sainte-Chapelle, Paris, France | noepierre
James Turrell at the National Gallery of Australia
There’s this Carrie Fisher quote, “Take your broken heart. Turn it into art.”
Embroidery is one of two things i find consistently therapeutic: the more difficult one. I can cook in most moods, but I can’t reach for needle and thread when I’m at my lowest. So this was sitting in my head for months before I cajoled Sis into sketching it out for me.
Every stitch in it feels like another step towards some luminous numinous state of victory over my depression and anxiety. Small steps, of course, with a great deal of backsliding and self-loathing in the mix, but steps nonetheless, traced out in pinks and reds and maroon. I’m still here, and I’m healing, and even on days when my world and vision are greyed out, I’m still here.