"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
I refuse to let anyone give up writing because they get discouraged. Be it because their story doesn't get enough notes, or because they think they're no good. Because that's completely up to perception. I look at my writing and think, "that's not too great." Especially when I compare it to certain others’, honestly. But that just tells me that I need to strive to be better. I need to strive to improve my writing style.
Don't!! Trust me, shit happens. I cannot tell you how many times I've lost things I was writing because of bullshit. Be it computer crashes, hardware glitches that destroyed all my files, or the entire fucking document becoming corrupt for no damn reason.
Honestly?I've probably lost years of work in total due to bullshit. And yeah, it was discouraging! Sometimes, it made me take entire breaks from writing, ultimately leading to me losing interest in the project because I lost interest in the fandom. But in the end, I always came back to writing. And you know what I find? What I write the second time is sometimes better that the first.
Once I rewrote something entirely because the file got corrupted. Well, I managed to restore the data, and reread it. I'll admit that there were some aspects that I forgot to put back in, but ultimately, I decided that the second writing was written better, had better word choice, and better story flow.
You should write for your audience, yes, but you shouldn’t write something because people like it. Write because it’s fun! Write in order to improve! Writing is one of those things that always, always, always improves the more you do it, even if you're just rewriting the same thing.
But if you’re writing something that is uninspiring to you, it’s bound to come out lackluster to you, the creator, even if it doesn’t come off that way to your audience.
And if something doesn’t get too many notes, don’t get discouraged! Keep on writing! Write because it’s fun, not because it’s expected. Unless of course you have a school project, but I’m talking about fictional writing here.
Don’t let unfortunate circumstances or a measly four notes on your chapter discourage you from writing what you want. Because you will always improve your works! Make yourself better! Make that image in your brain better. Sometimes an artist must step away from the canvas to find more colors for their painting.
Is mercy a sign of weakness in your eyes?
What is your primary motivation or value that drives your actions?
Are there any principles you refuse to compromise on, even in your pursuit of power?
Do you believe lying is justified if it serves your goals?
How do you manipulate others to achieve your ends?
Would you betray an ally to further your plans?
Do you believe in justice, or do you see it as a tool to manipulate others?
Would you sacrifice yourself for a cause or ambition?
Would you destroy something beautiful or innocent to achieve your goals?
If you had to choose between your ambition and the life of someone you care about, what would you do?
Do you feel any responsibility towards society, or do you act solely for your gain?
How do you justify your actions to yourself and others?
Can you forgive someone who has wronged you, or do you seek revenge?
How long do you hold grudges, and what actions might provoke them?
Do you respect any form of authority, or do you see yourself as the ultimate power?
These questions can help you delve into the psyche of your villain.
Gazing into each other’s eyes with a soft smile.
Holding hands and gently squeezing.
Brushing a strand of hair behind the ear.
Speaking in a tender, affectionate tone.
Sharing inside jokes and laughing together.
Leaning in close to whisper sweet words.
Giving a lingering, gentle kiss on the forehead.
Wrapping arms around each other in a warm embrace.
Blushing when receiving a compliment.
Touching foreheads and closing eyes.
Smiling uncontrollably when thinking of the other person.
Caressing the cheek or back of the hand.
Playfully teasing each other with a grin.
Preparing a favorite meal or surprise.
Writing heartfelt notes or letters.
Holding each other close while watching a movie.
Taking care of each other when sick or tired.
Sharing dreams and hopes for the future.
Listening attentively and showing genuine interest.
Expressing gratitude for each other’s presence.
Good tips for writing anything, not just role-plays!!
Common grammatical errors and how to correct them!
your vs. you’re
your: belonging to you. For instance “Is this your bag?”
you’re: an abbreviation of you are. For instance “You’re so nice.”
they’re vs. their vs. there
they’re: an abbreviation of they are. For instance “They’re coming this way.”
their: belonging to a group of people or person of unspecified gender. For instance “This is their classroom.”
there: referring to a place. For instance “Will you follow me over there?”
The word “independent” contains no a’s. Commas can change the whole meaning of a phrase. For instance: Let’s eat grandma! vs. Let’s eat, grandma! A good rule of thumb for comma usage (although not perfect) is to read the sentence aloud. If you find yourself pausing between words, that’s a good indication a comma should be there.
Capitalization Proper nouns should be capitalized. This includes names of people, places, and things. However, other nouns will not need it. For instance: you would capitalize “Susan”, ”New York”, and “Eiffel Tower” because those are proper names, but things like “that girl”, “this city”, and “the structure” wouldn’t need it. The first word of a sentence should also be capitalized!
I hope this helps all of you wonderful writers! Have a lovely day and enjoy your RPing! <3
Some words to use when writing things:
winking
clenching
pulsing
fluttering
contracting
twitching
sucking
quivering
pulsating
throbbing
beating
thumping
thudding
pounding
humming
palpitate
vibrate
grinding
crushing
hammering
lashing
knocking
driving
thrusting
pushing
force
injecting
filling
dilate
stretching
lingering
expanding
bouncing
reaming
elongate
enlarge
unfolding
yielding
sternly
firmly
tightly
harshly
thoroughly
consistently
precision
accuracy
carefully
demanding
strictly
restriction
meticulously
scrupulously
rigorously
rim
edge
lip
circle
band
encircling
enclosing
surrounding
piercing
curl
lock
twist
coil
spiral
whorl
dip
wet
soak
madly
wildly
noisily
rowdily
rambunctiously
decadent
degenerate
immoral
indulgent
accept
take
invite
nook
indentation
niche
depression
indent
depress
delay
tossing
writhing
flailing
squirming
rolling
wriggling
wiggling
thrashing
struggling
grappling
striving
straining
Clenched fists and knuckles turning white.
Eyes narrowing to slits, brows furrowed.
Jaw muscles tensing visibly.
Speaking through gritted teeth.
Taking deep, sharp breaths.
Pacing back and forth, unable to stay still.
Pointing a finger accusingly.
Voice raising to a shout or a growl.
Kicking or punching nearby objects.
Lips pressed together in a thin line.
Rapid, agitated movements.
Slamming doors or throwing objects.
Standing with arms crossed tightly.
Glaring intensely without blinking.
Face turning red or flushed.
Breathing heavily and erratically.
Snapping at others for minor things.
Shaking with barely contained rage.
Muttering or growling under their breath.
Eyes blazing with fury.
Seven years after, I see you again 😚
Relationships, especially in beginner writer’s works, have a tendency to feel forced. Even in some popular and famous works of fiction, the relationship doesn’t feel natural. It seems like a boring afterthought which the writer added in at the last minute. Far too often, I find myself completely indifferent to a character’s romantic life. A good romance in a story will give the reader a bit of second-hand infatuation. They’ll root for the relationship, beg for it. If the romance is well written, you can make a reader smile and blush just by reading a few sentences. When done properly, it can even compensate for a weak and cliché plot.
But first, decide whether the romance is needed. If you’re adding a character to the plot simply for the sake of being a love interest, it’s probably not a needed romance. You can still add it, of course, but it will be much harder to keep your story focused on the central plot.
Step One Make sure the characters have chemistry.
The characters should compliment each other’s personalities. If he’s loud, stubborn, and aggressively opinionated, a more tranquil and soft-spoken love interest would suit him well. Two headstrong people wouldn’t be likely to have a lasting relationship in real life, unless they (impossibly) agreed upon every subject. But, there should be some similarities. While opposites do attract, polar opposites will not and the whole relationship will feel forced. The characters should have something in common. It could be morals, a parallel backstory, the same motivations, whatever. As long as there’s a reason for them to be drawn to each other, there’s potential.
Step Two Slow burn ships are fantastic.
Don’t make your characters fall in love right off the bat. There can be attraction, of course, but genuine feelings of true love don’t happen instantly. Your characters should become closer as people, feel at ease around each other, and truly know the other before they fall head-over-heels. The readers will crave the relationship far more, like dangling a treat right in front of a dog’s nose, but keep pulling it away. Teasing is a beautiful thing.
Find ways of showing (NOT TELLING) the characters are falling for each other. Have them stand up for one another, be protective. Have them break their own normal routine for the other. For example, a callous, guarded character could lower their walls for a moment if their love interest needs emotional support. These scenes can be awkward for the character changing their typical behavior and that discomfort can demonstrate how much they care for the other, altering their own selves for the other’s benefit.
Howeve, make sure that you combine these cute emotional moments with distance. Make the characters deny their true feelings or even distance themselves from their love interest upon discovering their feelings. The more the characters long for each other, the more the reader will long for them to be together. Build barriers between them for your characters to have to work to knock down. Keep them close, but maintain that distance until the moment is right.
Step Three “_____” translates to “I love you”
The first example of I think of when I think of this is The Princess Bride, where the male protagonist tells his soulmate “as you wish” when he really means “I love you.”
This falls under the category of show, don’t tell. Hearing a character say “I love you” has become so boring. Unless it’s done in a surprising confession or unique way, it’s boring and stale.
Come up with a phrase that you can repeat in moments throughout the story until it has a meaning of love for the characters and both know exactly what the other means when it’s spoken.
Step Four Taking a break can help create tension.
You know you loved someone if you leave them and feel awful. Apply this into the writing. Your characters can break up, then get back together in a joyous reunion.
Step Five Not every couple has a happy ending.
Sometimes, things don’t always work out for different reasons. An ending that leaves readers craving more can be a good move.
If you write a strong character, let them fail.
If you write a selfless hero, let them get mad at people.
If you write a cold-heated villain, let them cry.
If you write a brokenhearted victim, let them smile again.
If you write a bold leader, let them seek guidance.
If you write a confident genius, let them be wrong, or get stumped once in a while.
If you write a fighter or a warrior, let them lose a battle, but let them win the war.
If you write a character who loses everything, let them find something.
If you write a reluctant hero, give them a reason to join the fight.
If you write a gentle-hearted character who never stops smiling, let that smile fade and tears fall in shadows.
If you write a no one, make them a someone.
If you write a sibling, let them fight and bicker, but know that at the end of the day they’ll always have each other’s back.
If you write a character, make them more than just a character; give them depth, give them flaws and secrets, and give them life.
Have a character wrestle with guilt over a past mistake.
Introduce a scenario where a character must choose between two equally important things.
Show a character struggling with their own identity or sense of self.
Have a character battle their own fears or phobias.
Introduce a moral dilemma that challenges the character’s values.
Show a character torn between loyalty to their friends and their personal ambitions.
Reveal a character’s internal struggle with jealousy or envy.
Have a character grapple with feelings of inadequacy or imposter syndrome.
Show a character dealing with the aftermath of a traumatic event.
Have a character question their own sanity or reality.