Reactions To Tragedy

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

One of the best tips for writing descriptions of pain is actually a snippet I remember from a story where a character is given a host of colored pencils and asked to draw an egg.

The character says that there’s no white pencil.  But you don’t need a white pencil to draw a white egg.  We already know the egg is white.  What we need to draw is the luminance of the yellow lamp and the reflection of the blue cloth and the shadows and the shading.

We know a broken bone hurts.  We know a knife wound hurts.  We know grief hurts.  Show us what else it does.

You don’t need to describe the character in pain.  You need to describe how the pain affects the character - how they’re unable to move, how they’re sweating, how they’re cold, how their muscles ache and their fingers tremble and their eyes prickle.

Draw around the egg.  Write around the pain.  And we will all be able to see the finished product.

A list of phobias that your OC (original character) can have

Arachnophobia: Fear of spiders.

Acrophobia: Fear of heights.

Claustrophobia: Fear of confined or crowded spaces.

Ophidiophobia: Fear of snakes.

Cynophobia: Fear of dogs.

Trypophobia: Fear of clusters of small holes or bumps.

Social Anxiety Disorder (SAD): Fear of social situations and interactions.

Glossophobia: Fear of public speaking.

Hemophobia: Fear of blood.

Nyctophobia: Fear of darkness or night.

Thanatophobia: Fear of death or dying.

Mysophobia: Fear of germs or dirt.

Entomophobia: Fear of insects.

Aquaphobia: Fear of water.

Astraphobia: Fear of thunder and lightning.

Dentophobia: Fear of dentists or dental procedures.

Selenophobia: Fear of the moon.

Taphophobia: Fear of being buried alive or of cemeteries.

Xenophobia: Fear of strangers or foreigners.

Atychiphobia: Fear of failure or not being good enough.

Consider which phobia fits well with your OC's personality, background, and the story you want to tell. You can also explore how their phobia influences their behavior, relationships, and journey throughout the novel.

Here are some scientific facts about blood loss for all you psychopaths writers out there.

Showing 'Anger' in Writing

Clenched fists and knuckles turning white.

Eyes narrowing to slits, brows furrowed.

Jaw muscles tensing visibly.

Speaking through gritted teeth.

Taking deep, sharp breaths.

Pacing back and forth, unable to stay still.

Pointing a finger accusingly.

Voice raising to a shout or a growl.

Kicking or punching nearby objects.

Lips pressed together in a thin line.

Rapid, agitated movements.

Slamming doors or throwing objects.

Standing with arms crossed tightly.

Glaring intensely without blinking.

Face turning red or flushed.

Breathing heavily and erratically.

Snapping at others for minor things.

Shaking with barely contained rage.

Muttering or growling under their breath.

Eyes blazing with fury.

Using the “rule of 3” works when it comes to showing your character’s emotional response.  Source

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

Writing Trust Issues Tension

One keeps asking, “Are you sure?” and “What about…?” because they just can’t believe the other person.

Every little thing the other person says or does is met with suspicion, like, “Why are you really doing this?”

They start to open up, then stop, because they’re not sure if they can trust the other person yet.

One keeps asking for reassurance, like, “You wouldn’t lie to me, right?” but it’s clear they’re not convinced.

A tiny mistake or secret gets blown way out of proportion because the trust was already shaky.

diferent ways to describe the fear of something?

Different Ways to Describe Fear

Symptoms of Fear:

accelerated breathing

accelerated heart rate

goosebumps

sweating

sleep disturbance

butterflies in stomach

dizziness

Body Language Responses to Fear:

hunching shoulders

shrinking away

wide eyes

shaking / trembling

freezing

wrapping arms around themselves

shaking hands

Writing Prompts:

-> feel free to edit and adjust pronouns as you see fit.

She pressed a trembling hand to her chest as if that would do anything to slow her racing heart.

His eyes were crazed, darting around to look at the shadows of the room.

Their limbs felt like jelly, afraid that they would collapse at any moment.

She was utterly frozen. Her body cut all communication with her mind, and no matter how much her brain screamed for her to run she was immobilized in terror.

He had a tight knot forming in his stomach.

They couldn't breathe. They were totally suffocated by fear and it felt like a heavy weight was pressing down on their chest.

Dread clouded her thinking. She walked around like she was in a daze, relying solely on muscle memory to get her down the hallway.

His hands were trembling so badly that he couldn't do anything and his terror made it impossible to focus.

Their throat was dry. No matter how many times they swallowed it did nothing to relieve the uncomfortable feeling.

The salty taste of fear lingered on her lips.

His muscles screamed at him to leave, but he couldn't bring himself to move. He stared forwards hauntingly.

They ran. They ran faster than their legs had ever carried them, adrenaline taking over all of their senses. It felt like they were being chased, but there was no way for them to know for certain. They were too afraid to turn around.

It felt like her heart was about to burst from her ribcage.

10 Non-Lethal Injuries to Add Pain to Your Writing

While lethal injuries often take center stage, non-lethal injuries can create lasting effects on characters, shaping their journeys in unique ways. If you need a simple way to make your characters feel pain during a scene, here are some ideas: 

Sprained Ankle

A common injury that can severely limit mobility, forcing characters to adapt their plans and experience frustration as they navigate their environment.

Rib Contusion

A painful bruise on the ribs can make breathing difficult and create tension, especially during action scenes, where every breath becomes a reminder of vulnerability.

Concussion

This brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment and creating a sense of unpredictability in their actions.

Fractured Finger

A broken finger can complicate tasks that require fine motor skills, causing frustration and emphasizing a character’s dependence on their hands.

Road Rash

The raw, painful skin resulting from a fall can symbolize struggle and endurance, highlighting a character's resilience in the face of physical hardship.

Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation.

Deep Laceration

A cut that requires stitches can evoke visceral imagery and tension, especially if the character has to navigate their surroundings while in pain.

Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma, serving as a physical reminder of a character’s past mistakes or battles.

Pulled Muscle

This can create ongoing pain and restrict movement, providing an opportunity for characters to experience frustration or the need to lean on others for support.

Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted, highlighting their struggle to adapt and overcome.

Looking For More Writing Tips And Tricks? 

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