Writing Prompts:

Showing 'Confusion' in Writing

Furrowing brows deeply.

Tilting head to one side.

Eyes squinting as if trying to see something clearly.

Biting the inner cheek in thought.

Scratching or rubbing the back of the head.

Asking, “What do you mean?” repeatedly.

Frowning and pursing lips.

Looking around as if searching for clues.

Running fingers through hair in frustration.

Sighing and shaking head slowly.

Muttering under breath, trying to make sense of things.

Rubbing temples as if to ward off a headache.

Staring blankly into space.

Crossing and uncrossing arms, unsure of what to do.

Shuffling feet awkwardly.

Pulling at their collar or fidgeting with clothing.

Glancing at others for confirmation or help.

Blinking rapidly, trying to process information.

Clenching and unclenching fists.

Taking a deep breath and slowly exhaling.

Writing Fights That Are More Than Just Punches

REAL fights aren’t about the dishes in the sink. They’re about what the dishes represent. Neglect. Disrespect. One more little way you made me feel like I don’t matter.

When characters explode, make sure it’s a culmination, not a random Tuesday outburst. Sow those seeds way earlier. Every ignored text. Every moment one character flinched but didn’t speak. Let it simmer like a pot left on the stove too long — and then blow the lid off.

“You left your socks on the floor again!” Translation: You stopped caring about making me feel wanted.

╰ The “Fight Like Yourself” Principle Your shy, conflict-avoidant character isn’t going to suddenly monologue like a Shakespeare villain. They’re going to stutter. Misfire. Maybe say something stupid and instantly regret it. Your cocky, snarky character? They’ll joke until they’re cornered — and then bite. HARD.

Write fights in a way that honors your characters’ personalities even when they’re falling apart. Actually, especially when they’re falling apart.

The sarcastic one cracks a joke that lands wrong. And when the other person flinches, really flinches, the jokester looks like they just slapped themselves in the face.

╰ The "Weaponized Vulnerability" Strike Want a fight that stings? Let one character use something the other trusted them with, something private, something raw as a weapon. It’s dirty. It’s low. It feels like betrayal because it is.

“You know why nobody sticks around, right? Even your mom didn’t.” (The one thing they confessed one night, drunk and shaking. Now thrown back like a grenade.)

╰ The “No Winner, Only Wreckage” Outcome A good fight doesn’t end clean. Nobody walks away feeling like they "won." They walk away wrecked. Lonely. Furious. Guilty. Sometimes victorious in the worst possible way. If both characters don’t feel like they lost something by the end of it, time to dig deeper.

One character storms out thinking, I showed them. But on the way home, they realize their hands won’t stop shaking. And the empty seat beside them has never felt so heavy.

╰ The “Body Language Screams Louder Than Words” Method Fights aren’t just yelling. It’s clenching fists that don’t throw punches. It’s pacing like a caged animal. It’s backing into a corner you don’t even realize you’re in. Describe the tension bleeding out of their bodies.

The vein in his temple throbs. She’s standing stiff as a lamppost, arms folded so tight she might snap her own bones. The air between them buzzes with too many things left unsaid.

╰ Some Types of Fights to Play With...

The Blow-Up Over Nothing: Petty argument becomes nuclear meltdown because of all the built-up resentment.

The Long-Slow Death: Cold silences. Sharp comments. No shouting — just a slow suffocation.

The Misfire: They’re mad at someone else, but they unleash it on the wrong person. (And regret it instantly.)

The Final Straw: One wrong move, one broken promise too many, and snap — years of loyalty gone in a second.

A good fight scene shouldn’t just bruise skin. It should bruise souls.

Make your characters shatter themselves a little bit. Make the reader beg them to fix it and wonder if they ever truly can.

Cut Adjectives From Your Draft

Choosing a noun well will allow you to cut adjectives. This tightens your sentences and clarifies the meaning:

a young tree -> sapling

a single-storey house -> a bungalow

a young female horse -> a filly

her long thick hair -> her mane

a prudish person -> a prude.

his bald scalp -> his pate

an unpleasant smell -> a stench

a small child -> a toddler

a brown-haired woman -> a brunette

Of course, the choice of noun depends on context, but if you can use one word, why use two?

Writing style. If you have a lush writing style, you would use more adjectives compared to a terse one. However, more than three adjectives in a sentence will slow down the story.

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tip for adhd writers:

everyone will tell you to outline, to anaylze every personality trait of your characters and plan every plot point, but the truth? don’t. not only does it waste precious spurts of motivation, but it makes it less enjoyable. and what happens when adhders don’t enjoy something? we lack the motivation and focus needed for it.

i used to write, 24/7, and i developed my characters with vague ideas until they became fleshed out in the story without any extra manipulation and extensive notes. looking back on my old writing, these were the best characters I have ever written.

and then i stopped, and i spent months mapping out my characters to an exact t because I thought it would be better, but when i went to write, it was really hard. it seemed more like a chore. and because i had already planned their attitudes and perceptions, it was almost impossible for me to change anything without worrying about my endless sheets of character analysis.

just write. seriously. you can learn about your characters as the story goes. and then you can edit after. then you can add details and take things out while still having the fun story you enjoyed from the start.

How to Use an Ellipsis Properly in Fiction

Ever wonder why some ellipses seem to have three dots and others have four? Some have spaces between each dot and some don’t? Why sometimes you capitalize after an ellipsis and other times you lowercase?

To be honest, I don’t think most of us were taught properly how to use an ellipsis.  I know I wasn’t. I see a lot of writers who don’t understand all the rules of ellipses either.

Some of you may be wondering what an “ellipsis” is. It’s a fancy name for the three dots or “periods” you see in writing ( … ). The word “ellipsis” is Greek for “omission,” which is what it does. It shows that something has been omitted or left out.

Now with research papers, this might be obvious. Maybe you are quoting a source and don’t want to quote every single word of it, so you use an ellipsis to show that you left some stuff out. Like this:

Full quote:

“You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.” - Dr. Suess

Quote with omission:

“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess

In fiction, we usually aren’t quoting sources. But the ellipsis works in similar ways, it conveys that something is omitted. This might be something directly omitted. Mamma Mia uses this method well:

July seventeenth, what a night. Sam rowed me over to the little island. We danced on the beach, and we kissed on the beach, and …

The ellipsis is used to imply they got intimate, but that part is “omitted.”

Other times things are omitted because they are incomplete–maybe an incomplete line of dialogue such as when a character trails off.

“I started to go to the school, but …” she trailed off.

Or an incomplete thought.

Would she actually want … ? she wondered. 

Or maybe something is “omitted” for the sake of something else, like a character trying to censor or tone down his word choice.

“Sarah is really very … fanciful, isn’t she?” David said. 

In pauses like this, the ellipsis may convey thinking. It’s completely fine to use them that way.

In rare occasions, an ellipsis might be used to indirectly convey the passing of time.

She ate … she drank … and she went shopping.

And you may occasionally see them used other ways stylistically, but these are the main situations.

In a sense, though, in all these examples, something is omitted, whether it’s directly, or indirectly, like an incomplete or changing thought, or actions in between.

When used smartly, ellipses can be powerful in fiction because they convey more than what is on the page, and that is vital to good storytelling.

Too often, however, newer writers just throw them in because they like the feel and sound of them or the long pause, or even in some cases … because they are lazy. Make sure if you use them, they have a point.

Now let’s get to the technicalities. Years ago, I used to be confused that sometimes ellipses seemed to be three dots and other times four, and I didn’t know when to use which. Ellipses are three dots. However, if it comes after a complete sentence, you still use a period.

I was so hungry… . chicken, cereal, tofu, pasta–all of it sounded good.

 If it follows an incomplete sentence, you don’t use a period.

“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess

If the words after the ellipsis are the start of a new sentence, you capitalize them.

 "They treated me like … Want to go to dinner?“ she asked suddenly.

 If not, you don’t.

When it comes to spacing before and after an ellipsis, handle it how you would a regular word.

Sarah was really very[space]…[space]fanciful. 

“I started to go to the school, but[space] …[no space]” she trailed off.

One exception to this is if there is a question mark following.

Would she actually want[space]…[space]? she wondered.

According to The Chicago Manual of Style, ellipses should have a space between each dot.

Would she actually want[space].[space].[space].[space]? she wondered.

 However, in APA style, there are no spaces between dots.

Would she actually want … ? she wondered.

Fiction typically follows The Chicago Manual of Style, but you may still see the ellipsis with no spaces, especially since word processors sometimes reformat ellipses automatically. So while technically they should have spaces between each dot, you probably aren’t going to get reprimanded if you don’t. Even The Chicago Manual of Style notes that some places will be fine with the no-space ellipsis. I use spaces because that’s how I was corrected by a mentor once.

One more thing: Ellipses do not signify an interruption.

WRONG:

“I wish …”

“Shut up!” Mike interrupted.

 Use em dashes for that.

Correct:

“I wish–”

“Shut up!” Mike interrupted.

Dashes are another subject.

But hopefully now you know how to handle ellipses!

PLEASE, PLEASE STOP SCROLLING.

BOOST, BOOST, BOOST! Especially if you don’t live in the U.S., because that’s all you can do to help us.

If you DO live here, this post has 5 things you can do; feel free to skip to the bullet points.

I’m sure you’re sick of seeing this, but we are in the final stages of the Net Neutrality repeal. I know long posts about this can be overwhelming, so at least just pick a bullet point and do it! HOPE IS NOT LOST YET. 

WE STILL HAVE ONE LAST CHANCE — Until April 27th

There’s a CRA (Congressional Review Act) vote to get Net Neutrality back, and it may still win. THIS IS BECAUSE OF US!!! Enough people in congress listened to our calls, emails, and tweets, so a CRA has been called for to try and stop Ajit Pai. 

Long posts about this can be overwhelming, so I’ll keep it simple and just list some quick and easy options below for how you can help save it. WE’VE ALREADY MADE PROGRESS, KEEP GOING! WE’RE SO CLOSE! I’m lucky enough to have the ability to do these, so I’m doing all of them, even though it’s hard for me. Do it for the people who can’t. Do it for those who will LOSE THEIR JOBS or their educations or their friends or their support. Do it for the kids too young to use a phone. Do it for the families who might be put out of homes. Do it for everyone.

WE NEED ONE MORE SENATE VOTE. DO AT LEAST ONE OF THESE 5 THINGS IF YOU’RE PHYSICALLY CAPABLE

[Info and Resources for Action]

FIRST OFF, if you don’t know what to say, here are some basic templates as well as my own that have had an effect in the past.

For your Senator’s contact info (phone/email/twitter/etc): http://act.commoncause.org/site/PageServer?pagename=sunlight_advocacy_list_page

[Action to Take]

KEY: bold = most important, *** = quickest/easiest to do

Here you can write anything and they’ll email it around: https://www.battleforthenet.com/

*** OR just scroll down and click a Senator to tweet them.

*** Just type your zip code here, and it’ll email/tweet your Senators! https://www.publicknowledge.org/act-now/tell-congress-to-use-the-cra-to-save-net-neutrality/#anchor

Text RESIST to 50409 (reply Senate, then copy any of the templates or write your own) — it’ll automatically email/fax it

*** Reblog, Retweet, and tell people as much as possible! But that alone isn’t enough. Get your friends/family/classmates to do these, too!!!

If you can do this last one, if you’re at all able, do it. 

Call the Capitol at 202-224-3121. Just say where you’re from and they’ll transfer you to your senator’s office. Here’s a template for what to say: 

“Hello, I’m [name], and I’m a constituent of Senator [name]. I’m calling to urge them to vote in support of net neutrality, as it is very important to the general public. I am watching their actions on net neutrality, and it will influence my vote in coming years. Thank you!”

(This also works as a great template for tweets/emails to your Senators)

Side Note: You can go here to see how many calls each of your Sen/Reps have already received: https://www.battleforthenet.com/scoreboard/ – it’s cool to see that a lot of calls CAN AND HAVE change(d) the vote!

THIS IS 2018 — WE CAN VOTE THEM OUT THIS YEAR AND THEY KNOW IT. USE THAT LEVERAGE. 

Writing Description Notes: Drinking

Updated 17th July 2024 More description notes

She shoved the cup to her lips and felt the warm sensation tickle her throat.

John sipped the cool drink, feeling it refresh him on a hot day.

Jane brought the cup to her lips, and the warm drink felt like a cozy hug.

The smell of the hot beverage surrounded them, promising comfort and relaxation.

John closed his eyes for a moment, enjoying the rich taste as a little indulgence.

John held his warm mug between his hands, enjoying the simple pleasure on a chilly evening.

The strong smell of fresh coffee filled the air, waking up their senses.

The first sip made John feel satisfied, a brief escape into the joy of a good drink.

Showing 'Anticipation' in Writing

Fingers tapping rhythmically on a surface.

Shifting weight from one foot to the other.

Checking the time frequently.

Eyes darting to the door or window expectantly.

Taking deep, excited breaths.

Biting the lower lip in nervous excitement.

Rubbing hands together eagerly.

Whispering, “I can’t wait” to themselves or others.

Fidgeting with objects, like twisting a ring or playing with a pen.

Heart pounding with eagerness.

Perking up at any noise that might signal the anticipated event.

Smiling slightly, as if imagining the future moment.

Knees bouncing up and down while seated.

Glancing at their phone or watch repeatedly.

Clutching a piece of clothing or accessory tightly.

Standing on tiptoe to get a better view.

Ears straining to catch any sound.

Swallowing nervously, throat dry with excitement.

Humming or softly singing to pass the time.

Practicing a speech or action they are looking forward to.

Writing Advice: it doesn’t matter if an idea has been done before. It’s never been done by you. So long as you do it well, and in your own way, it’s a wonderful contribution.

How to Write Betrayal

Betrayal is a powerful plot element that is represented in countless stories. The gravity of betrayal brings a profound depth to character dynamics, plots, and themes alike, making it an indispensable tool for writers to explore emotions, conflicts, and the complexities of human nature. Let’s explore some quick tips on how to write betrayal!

Behaviour

Secretive actions

Dishonesty

Becoming emotionally distant

A sudden change in routine

Pushing people away

Nervous or fidgety movement

Frequent lying or making up stories

Unexpected aggression or irritability

Unjustified mood swings or emotional outbursts

Increasingly defensive

Interactions

Disturbed interpersonal relationships

Frequent misunderstandings or fights

Withholding information

Avoiding personal discussions

Insincerity in conversations

Frequently cancelling or missing plans

A sudden shift in relationship dynamics

Quick to deflect or place blame

Frequent subject changes

Gradual emotional detachment

Body Language

Avoiding direct eye contact

Defensive stance and crossed arms

Covering mouth or touching face

Shuffling or restless movements

Forcing smiles or laughter

Constantly looking around or at the ground

Stiff, tense posture

Heavy breathing or frequent sighing

Avoiding touch or skin contact

Exaggerated gestures

Attitude

A lack of concern or empathy

Increasingly personal and hurtful arguments

Erratic or unpredictable reactions

Self-centeredness

Insincerity

Dismissive or negative attitude

Callous disregard for other's feelings

A negative or pessimistic outlook

Inability to handle criticism

Withdrawal from relationships

Positive Story Outcomes

In the wake of a betrayal, a story can manifest various positive outcomes that add depth to the plot and its characters. Relationships can be strengthened, showing their resilience. Characters may discover newfound self-reliance and learn valuable lessons about trust and forgiveness, leading to an increase in empathy and understanding, personal growth, and the reinforcement of personal values. These experiences can encourage a clearer understanding of personal boundaries, prompt self-reflection, introspection, and the development of healthier coping mechanisms. Ultimately, these positive outcomes can bring about improved communication and honesty, forming the silver lining in the cloud of betrayal.

Negative Story Outcomes

The aftershocks of betrayal can reverberate throughout your story. This might include an irreparable fracture of trust and damage to relationships. Betrayal can trigger psychological trauma, leading to an increase in suspicion and insecurity. Feelings of inadequacy or self-blame may surface, and characters can experience a heightened sense of isolation. The fear of forming new relationships or trusting others can become overwhelming. There may also be an escalation of conflict or violence and the reinforcement of negative behaviours or patterns. Damaged self-esteem or self-worth may be another repercussion, and this can encourage destructive coping mechanisms.

Helpful Synonyms

Treachery

Deception

Double-crossing

Duplicity

Backstabbing

Two-faced

Disloyalty

Unfaithfulness

Infidelity

Falseness

Perfidy

Treason

Fraud

Deceit

Slander

Misrepresentation

Falsification

Chicanery

Double-dealing