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More notes on MDZS vol 4! A few anti-slang, and then a lot of clarifications of sentences or words that I felt were strange or misleading or not as precise as they could be.
More below the cut!
杀破狼 Stars of Chaos:
This book has more plot than I have Chinese reading comprehension, but I think I see it now.
Chapter 52 is where Chang Geng asserts his superior intellect and problem-solving skills (because his vision isn’t clouded by pesky things like emotions for people who aren’t Gu Yun); and Chapter 53 is where he/Priest lays out Chang Geng’s evil master plan to bring peace and prosperity to the nation so that maybe he can convince Gu Yun to take a vacation.
No details or anything; just “this is the problem and that is what must be done.”
Please can you explain the difference of meaning between hanfu and huafu ? Sorry if you already got the question
Hi, thanks for the question, and sorry for taking ages to reply! (hanfu photo via)
The term “hanfu” (traditional Chinese: 漢服, simplified Chinese: 汉服) literally means “Han clothing”, and refers to the traditional clothing of the Han Chinese people. “Han” (漢/汉) here refers to the Han Chinese ethnic group (not the Han dynasty), and “fu” (服) means “clothing”. As I explained in this post, the modern meaning of “hanfu” is defined by the hanfu revival movement and community. As such, there is a lot of gatekeeping by the community around what is or isn’t hanfu (based on historical circumstances, cultural influences, tailoring & construction, etc). This isn’t a bad thing - in fact, I think gatekeeping to a certain extent is helpful and necessary when it comes to reviving and defining historical/traditional clothing. However, this also led to the need for a similarly short, catchy term that would include all Chinese clothing that didn’t fit the modern definition of hanfu -- enter huafu.
The term “huafu” (traditional Chinese: 華服, simplified Chinese: 华服) as it is used today has a broader definition than hanfu. “Hua” (華/华) refers to the Chinese people (中华民族/zhonghua minzu), and again “fu” (服) means “clothing”. It is an umbrella term for all clothing that is related to Chinese history and/or culture. Thus all hanfu is huafu, but not all huafu is hanfu. Below are examples of Chinese clothing that are generally not considered hanfu by the hanfu community for various reasons, but are considered huafu:
1. Most fashions that originated during the Qing dynasty (1644–1911), especially late Qing, including the Qing aoqun & aoku for women, and the Qing changshan and magua for men. I wrote about whether Qing dynasty clothing can be considered hanfu here. Tangzhuang, which is an updated form of the Qing magua popularized in 2001, can also fit into this category. Below - garments in the style of Han women’s clothing during the Qing dynasty (清汉女装) from 秦綿衣莊 (1, 2).
2. Fashions that originated during the Republican era/minguo (1912-1949), including the minguo aoqun & aoku and qipao/cheongsam for women, and the minguo changshan for men (the male equivalent of the women’s qipao). I wrote about why qipao isn’t considered hanfu here. Below - minguo aoqun (left) & qipao (right) from 嬉姷.
Below - Xiangsheng (crosstalk) performers Zhang Yunlei (left) & Guo Qilin (right) in minguo-style men’s changshan (x). Changshan is also known as changpao and dagua.
3. Qungua/裙褂 and xiuhefu/秀禾服, two types of Chinese wedding garments for brides that are commonly worn today. Qungua originated in the 18th century during the Qing dynasty, and xiuhefu is a modern recreation of Qing wedding dress popularized in 2001 (x). Below - left: qungua (x), right: xiuhefu (x).
4. Modified hanfu (改良汉服/gailiang hanfu) and hanyuansu/汉元素 (hanfu-inspired fashion), which do not fit in the orthodox view of hanfu. Hanfu mixed with sartorial elements of other cultures also fit into this category (e.g. hanfu lolita). From the very start of the hanfu movement, there’s been debate between hanfu “traditionalists” and “reformists”, with most members being somewhere in the middle, and this discussion continues today. Below - hanyuansu outfits from 川黛 (left) and 远山乔 (right).
5. Performance costumes, such as Chinese opera costumes (戏服/xifu) and Chinese dance costumes. These costumes may or may not be considered hanfu depending on the specific style. Dance costumes, in particular, may have non-traditional alterations to make the garment easier to dance in. Dunhuang-style feitian (apsara) costumes, which I wrote about here, can also fit into this category. Below - left: Chinese opera costume (x), right: Chinese dance costume (x).
6. Period drama costumes and fantasy costumes in popular media (live-action & animation, games, etc.), commonly referred to as guzhuang/古装 (lit. “ancient costumes”). Chinese period drama costumes are of course based on hanfu, and may be considered hanfu if they are historically accurate enough. However, as I wrote about here, a lot of the time there are stylistic inaccuracies (some accidental, some intentional) that have become popularized and standardized over time (though this does seem to be improving in recent years). This is especially prevalent in the wuxia and xianxia genres. Similarly, animated shows & games often have characters dressed in “fantasy hanfu” that are essentially hanfu with stylistic modifications. Below - left: Princess Taiping in historical cdrama 大明宫词/Palace of Desire (x), right: Wei Wuxian and Lan Wangji in wuxia/xianxia cdrama 陈情令/The Untamed (x).
7. Any clothing in general that purposefully utilizes Chinese style elements (embroidery, fabrics, patterns, motifs, etc). Chinese fashion brand Heaven Gaia is a well-known example of this. Below - Chinese-inspired designs by Heaven Gaia (x).
8. Technically, the clothing of China’s ethnic minorities also fit under the broad definition of huafu, but it’s rarely ever used in this way.
From personal observation, the term “huafu” is mainly used in the following situations:
1. Some large-scale events to promote Chinese clothing, such as the annual “华服日/Huafu Day”, will use “huafu” in their name for inclusivity.
2. For the same reason as above, Chinese clothing including hanfu will often be referred to as “huafu” on network television programs (ex: variety shows).
3. A few Chinese clothing shops on Taobao use “huafu” in their shop name. Two examples:
明镜华服/Mingjing Huafu - sells hanfu & hanyuansu.
花神妙华服/Huashenmiao Huafu - sells Qing dynasty-style clothing.
With the exception of the above, “huafu” is still very rarely used, especially compared to “hanfu”. It has such a broad definition that it’s just not needed in situations for which a more precise term already exists. However, I do think it’s useful as a short catch-all term for Chinese clothing that isn’t limited to the currently accepted definition of hanfu.
If anyone wants to add on or correct something, please feel free to do so! ^^
Hope this helps!
Here is Part 4 of my annotations of First Edition MDZS, Volume 1, pages 210 - 263.
More little clarifications :)
The Appendix has a “Time” section, but I always forget what each time period is called, so I wrote the times in here.
下不为例 is an awesome phrase. Nearly-literally, it means “this is not setting an example for the future.” Formally speaking, I’d translate it as “Don’t take this as precedent.” Here, I felt that “Just this once” conveys the feeling of the message best.
(“There will be no next time” is what I threaten my children with when they severely mess up, which is not the case here.)
More under the cut.
Please don’t refer to bone-bits as crumbs. I eat cookie crumbs with a spoon. I smoosh bread crumbs together and pop them in my mouth like little biscuits. I live off brownie crumbs for breakfast.
No bone crumbs, please.
Qin Shen Shen is a singing duo formed in 2019, in the 1st season of a Chinese music competition show called “Wo Men De Ge” aka “Our Song”. It’s made of Zhou Shen and Li Keqin, two experienced solo singers who met for the 1st time on the show. “Qin Shen Shen” is their team name.
1) Zhou Shen:
A singer from mainland China, mostly known for singing OSTs of C-dramas and movies, including CQL (Xue Yang’s theme) and DMBJ ChongQi.
28 years old. (5 yrs old, when together with Li Keqin)
Famous for his naturally high-pitched voice, similar to a soprano or mezzo-soprano.
Wants to lower people’s expectations, but keeps blowing people’s minds, so he’s stuck in a vicious circle of growing expectations and one-upping his past self.
Most famous song is called “Big Fish”.
Self-professed insecure.
Talks a lot.
2) Li Keqin:
A veteran singer from Hong Kong, who debuted 30+ years ago.
53 years old but is secretly 8 (3 yrs old, when with Zhou Shen)
Is known for having such great vocal stability when singing live that he earned himself the nickname: “CD-Qin”.
Will make mistakes in Mandarin but look really cute doing it
Famous songs include “Half-Moon Serenade” and “Great Auditorium Concert Hall”.
Is a good sport. Is good at sports.
*is stressed* *pretends to stay calm* *slays* *rinse and repeat*
“Match made in heaven” is the moniker given to them the 1st time they sang together. That stuck for a reason. Li Keqin and Zhou Shen are a “1+1= greater than 2″. In theory, they’re worlds apart, but combining them sets off sparks. Whether it’s their understanding of how a song should be sung, their skills, or their style in singing duets: all match. On top of that, their voices’ timbre are weirdly complementary. Li Keqin’s baritone fits under Zhou Shen’s floating pitch like an anchor grounding them. Zhou Shen’s sound brings both voices to greater heights. The exponential added value they bring each other as a duo is just a rare find in any circle. In short: You’re in for a musical FEAST.
Chemistry. Chemistry. Chemistry. Complementary in some ways, similar in others, how they magically fit like a glove right off the bat is itself a wonder. Zhou Shen’s “prepare-for-the-worst” attitude goes hand-in-hand with Li Keqin’s apparent optimism. When one throws, the other’s there to receive. Sometimes they complete each other’s sentences, other times they’re like night and day…In all cases, what a team.
Laughs!! So many laughs! When they’re not singing, Qin Shen Shen is a full-time comedy duo. Throwing each other under the bus is a skill they acquired in 0 time and make use of daily. And if they’re not the ones throwing the jokes, they sure are receiving well. Dorks.
Cuteness overload. Both are just incredibly likeable and cute individuals onscreen. (yes both) Unbelievable. You have to see it to believe it.
A heartwarming dynamic. At the end of the day, QSS is a duo formed for a competition on TV. But even with the most cynical eyes, what you see is a dynamic between 2 very different singers of different generations, who have to get to know each other enough to collaborate in a short time, within a dynamic that fits. And it works! Boy do they make it work!!
If you’re short on time, some of their songs to pick from: “Under Mount Fuji”, “All the Lovers in the World”, or “Wild Wolf Disco”.
If nothing else, give their audio clip a chance: Clean vers of “Under Mount Fuji” without audience reactions, and a compilation of clean audios to cherry-pick from.
If you decided you want to see more of them, they’re a regular on “Wo Men De Ge/Our Song” S1: Ep. 1 with Eng subs. (More info on the show here)
Give the “match made in heaven” duo a try!! They don’t disappoint!
Behold, my Dictionary Collection.
(Not Including the dictionary that I actually normally use, or the online dictionaries that I live by.) (I gotta get myself a multi-volume Cantonese dictionary like my mom’s someday. And she has the coolest 成语词典 Idiom Dictionary, too!)
Ok I don't know how official this is...if it's like that "leak" of WangXian's drunk kiss or just a really really good fanart, but these're SUPPOSEDLY the missing panels from WangXian's Phoenix Mountain kiss in chap 185 of the manhua that were chopped due to good old censorship.
It's so weird cuz I just read another danmei manhua that had their kiss intact and they even kinda showed a nonexplicit handjob, so if these are indeed official, I wish they wouldn't be so hard on MDZS.
~
credit to weibo in last image above.