I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.

I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.
I Feel Fiddleford Would Have To Make These Two Stop Fighting All The Time.

I feel Fiddleford would have to make these two stop fighting all the time.

More Posts from Veiledsanctum and Others

5 months ago

Here is my hot take of the day: f¡ddl3st4n is just repressed Stancest. Like, pretend all you want, but we damn know that the nerd x jock ship you want to see (and is way more canon) is another one, babe.

1 month ago

I love shipping characters who hate each other in canon.

I love shipping characters who have had exactly one (1) conversation in canon.

I love shipping characters who have never met in canon.

I love shipping characters from different pieces of media.

It starts off silly. The notion of the pairing is so weird, so unexpected and seemingly dumb that it makes me laugh a little, perk up, look into it and see if this is really a thing.

And then it becomes a joke. Haha, look at this ship I’m shipping ironically, isn’t it silly, it would obviously never work out in canon but I’m looking at it and producing content for it anyway because it’s fun.

But as time goes on, it starts filling my feed. I start thinking about it - really thinking about it. Why did someone put these characters together in the first place? How would they really interact? How did they end up together, and why would they stay together?

What started out as a joke becomes a diving-off point, an opportunity to really think about both characters. The dynamic isn’t canon, so it’s yours to shape. The dynamic isn’t canon, so now you must delve into each character on your own, figure out how you perceive and understand both of them, learn to see them in a different light. What started out as a joke encourages you to dig deeper, think harder, fall even more in love with those characters as you consider the potentials which lie outside of canon, but which ultimately trace their roots through the core of the characters themselves.

Because by their very nature, crackships and rarepairs are not based on plot, and they are not based on canon. They are so seemingly random and odd that they disrupt your typical view of these characters, making you think more deeply about them. The non-canon ships you embrace or reject can inform your perception of these characters on a deep level. They can make you cry just as easily as they make you laugh. They add so much flavor.

And they can also be really, really funny.

4 weeks ago

OK I REALLY LIKE HOW IT TURNED OUT-

OK I REALLY LIKE HOW IT TURNED OUT-

OK I REALLY LIKE HOW IT TURNED OUT-

OK I REALLY LIKE HOW IT TURNED OUT-

OK I REALLY LIKE HOW IT TURNED OUT-

OK I REALLY LIKE HOW IT TURNED OUT-
1 month ago
“Already Tired Of Trying To Recall When It All Fell Apart…I Just Want To Love You Well…I Just Want

“Already tired of trying to recall when it all fell apart…I just want to love you well…I just want to learn how to somehow, to be loved myself - Sleeping At Last

1 month ago

Hi there. I'm new to Stancest ( your art has helped me radicelise into it. )

Got any good fic recomendations for beginners?

omg HI HELLO HIII welcome new stancestie bestiee <333

heres some of my absolute faves of all time!!

Third Time's the Charm by Dejaboo (deja writes them so good man GODDDD)

Tune in to the Beat of My Heart - It’s Writing You a Love Song by sillylilguy900 (reading it made me feel like i was getting into stancest for the first time very banger and awesomesauce 👍)

Ringing in the New Year by fractured_hourglass (honestly everything by hourglass fucking SLAPS)

National Cherry Turnover Day by Sock_Lobster (this writer also made PEAKK)

Love Potion No. 10 (banger fic based on banger art)

bonus some of my fave authors (couldnt pick just one fic from them so look at them all NEOWW ‼️‼️‼️ )

cellard00rs

fractured_hourglass

sixerstanley

Shmisky

WettBlankett

5 months ago

im talking this over with a friend rn but its funny how i've never seen anyone headcanon that "oh dipper and mabel will go off and adventure together for the rest of their lives because all they need is each other!!" as a sort of cinematic parallel to the stans. like they all headcanon that both or at least one of those two are still going to end up with/marrying someone else (mostly pacifica) and their percieved happy endings is still kind of... subconciously defined by how they're capable of leading independent lives while still having a strong bond with each other. i have literally never seen a single headcanon where theyre just ultimately together for the rest of their lives where they dont need to be with anyone else except each other... unless its a pinecest shipper who's headcanoning it.

meanwhile the actual canon for stanford and stanley is... well.

5 months ago

When I think about the soft parts of the Stan twins’ personalities in canon and the way they’re buried in layers of toxic masculinity but in very distinct ways, it looks like Stan is more sensitive, while Ford is more sentimental; Stan is more outwardly aggressive, while Ford is straight up more violent.

Stan is definitely more easily brought to tears than Ford, as well as, in my opinion, more easily flustered. He cries about at least (if I’m not forgetting any) four times that we know in the show: at the funeral of the Stan statue, as he watches The Duchess Approves, when he temporarily wins the post of mayor of Gravity Falls, when he says goodbye to the children. (One time in his childhood flashback, too, but I’m giving him a pass because he was just a kid and I don’t fully trust Stan’s flashbacks for many reasons.) In the Lost Legends comics, he also cries twice as an adult: first of sadness, then because he was touched by the little boy’s pick of his book. (One time as a child, too, when he confesses to Ford about his wish to be appreciated by Filbrick, but that arguably doesn’t count.) The interesting thing is that, in the story, Soos comments that he knew those sobs, implying that he heard Stan cry often enough for him to be able to recognize them immediately. And the funny thing is that Stan never, ever admits that he’s crying: he got glitter in his eyes, or campaign confetti, or was simply cutting onions, among other flimsy excuses. To me, Stan is the textbook example of that tumblr post: “I don’t care, I say, caringly, as I care deeply.” No one really buys his facade 😭

Ford, on the other hand, seems to be considerably more stoic. Dipper observes in Journal 3 that Ford finally cries when he loses Stanley, and that it was the first time any of them ever saw Ford crying—just the need to point that out, the fact that everyone was surprised, says a lot. In TBoB, Ford cries after Bill’s utterly terrifying tormet reaches a breaking point. We know he does because he tells us himself that he “wept,” and is not ashamed of it.

The way I see it, a lot of Stan’s macho man masculinity is performative, and exaggerated, as well as his confidence. Stan has a very low confidence, but he acts as if it’s the contrary. Meanwhile, Ford’s egotistical confidence is not faked, it comes from within—I feel like he is so much more secure in his badassery, in his talents and abilities, in his masculinity, that it makes him just act more natural and casual about it. Of course, Ford is insecure too, and has a low self-esteem even as he has high confidence, but his insecurity is rooted in guilt and the feeling of being an outcast, never about his own competence.

Don’t get me wrong, though. Ford’s toxic masculinity is quieter than Stan’s, and very different, but just as present. It’s not performative at all, but second nature to him. It’s mostly about repressing his feelings and being, quote unquote, “distant from himself.” Very highlighted in Dipper and Mabel Vs. The Future, when he tells Dipper to simply not feel fear as if it’s the simplest, easiest thing a human being could achieve, as if you could just turn off that switch in your brain and make a conscious decision to ignore those damn pesky emotions. More than that, he acts as if that’s the right, rational, desirable thing to do.

I think that a lot of fans pay far too much attention to Ford’s nerdy, quiet side and end up assuming he can easily be fit into the softer, more responsible stereotype of a nerd. That is, more of a prude, more easily flustered, the kind of man who would be genuinely bothered by Stan’s swearing. That is not what we see in canon at all. When JK Simmons (Ford’s VA) asked Alex how he should sound, he was told to act “loud and brash”; in Journal 3, Ford tells us that he wanted to give himself up to Bill just to curse him right to his face; he consistently doesn’t shy away from weird or freaky or illegal things, but is casually and shamelessly attracted to them. (Not that I don’t think Ford would nag Stan about swearing. Ford is hypocritical like that.)

Which brings us to the aggressive vs violent comparison I used. Stan acts tough and makes threats, alright, but Ford actually means them. Stan might attempt to punch someone; Ford’s trigger-happy hand goes straight to his gun. His bounty poster in the multiverse warns that he is “armed and dangerous.” I wouldn’t want either of the Stan twins as my enemies, but Ford is the one I’d dread to find in a dark alley, so to speak. Beneath the veener of superficial calm and control, lies the truth that he’s (way) scarier than Stan and willing to go even crazier lenghts to get what he wants, be it a selfish, ambitious desire or the safety of his family.

Still, Ford is sentimental—melancholic, brooding, prone to nostalgia, with a penchant for drama. The way he writes about people in his journal is often very reflective and thoughtful, calling Stan the most selfless man he had ever met in any dimension, or Bill as (formely) the sun in his galaxy. A poetic soul, lover of flowery language.

That makes me think about their interactions post-Weirdmaggedon. I can easily imagine Ford suddenly saying some intense truth about the depth of his feelings for Stan in his most earnest tone and Stan predictably trying to play it off as a joke and ruining the mood but evidently (not secretly at all) melting inside. Don’t start acting all mushy, bro, Mabel isn’t even here 🙄 (😳) (he’s almost crying again and Ford knows it)


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3 months ago

I saw that ask you got and i just wanted to say that it's so funny to me when people are like "why would you ship stancest ew" acting like they didn't sail off into the sunset together after DECADES of Stan openly pining for Ford. If they weren't written as siblings they would hands down be the most popular ship of the show

There's a long answer, and then there's the tldr at the bottom marked in red text. Long answer: If they weren't siblings, you literally wouldn't be able to escape this ship. It would have been THE ship of tumblr after the finale had aired, considered the "healthy" ship and the good ending, would be considered canon even if they didn't kiss, and it would be the standard by which all the other ships are judged. You would have people writing essays about how they literally took off on a ship, guys! It's so obvious and a metaphor for marriage and and- But here's where I can extend a bit of empathy that perhaps they wouldn't give me, as well as look at things from the perspective as someone who has seen shipping culture their entire lives. First off- most people don't want to fuck their siblings. I know, shocker. Most people who ship Stancest probably do not want to fuck their siblings, but people who don't CERTAINLY do not want to. It's the most repulsive thought in the world to them. There is such thing as being in such a close platonic relationship that it's an impossible thought. I think a lot of people who want Stancest shippers to die or whatever find that kind of desire utterly repulsive, that and let's be real, 1nc3st in real life is rife with abuse. It isn't a healthy thought to get those wires crossed. People who do not like this ship are empathizing with either of the brothers and projecting their own repulsion onto them. But here's the other bit. I'm not shipping Stan and Ford because they're siblings. Most of my ships are not 1nc3stuous. I don't find that element hot or cute, and while I'm not here to harsh anyone's vibe, if that's the only reason you ship Stancest I really don't want to talk with you about these characters. People see ships as inherently sexual, as inherently sexualizing, as "you must only ship this because you want to see the characters fuck". And mind you, with Stancest I don't see it as a bad thing at all to draw them doing things or being attractive together, etc etc. Not at all, and I'd be a hypocrite for saying otherwise. My point is, that's where people's minds go, that's the assumption that they make. They find 1nc3st repulsive, and clearly the ONLY reason I would ship it is because I like sexualizing that and only that aspect about it. Basically, they assume I must LOVE 1nc3st in and of itself, because otherwise why would I ship brothers? Now here's where I go back to the first statement, because most people I've seen don't just ship them for that reason.

You ever seen that meme about "if they have chemistry, I can't make them NOT have chemistry"? That's why I'm here. EVERYTHING about how Stan and Ford are written is tailor made to be SHIPPED. Aside from literally bounding away on a ship, they have a closeness and codependency that most brothers in fiction do not. Alex himself has said they need each other, Ford in the third journal said he was going to spend the rest of his days making up to Stanley. Stanley has spent his entire life wanting NOTHING but his family, his brother by his side. He seems more bonded to his brother than to any one he's ever tried to date, and Ford likewise. I'm sorry, but these two are not getting a "healthy" ending. They aren't going to be with anyone else. There's no version of them in which they find separate partners after having a little adventure around the world for a year or two then just go off in separate ways. This is the most "childhood friends to lovers" story I've ever seen. These two are NOT healthy to begin with, why would anyone expect them to start when they're that old and that hurt by everything in their pasts? I don't believe it inherently has to be sexually 1nc3stuous, but it could be. Wires are already being crossed. It's rare for anyone to be loyal for 30 years to one person when they aren't in love, and Stan wanted to get his brother back so badly that he forgot his own goals and even threw away his own identity to get him back. His entire life was for Ford, and after Journal 3, it should be obvious that Ford's entire life is for Stan now, too. What I'm trying to say is, while this ship isn't the healthy ending, it is the BEST ending for either of them. I think people who wanted Stan to be able to deny going with Ford don't understand him or his character, or what his character NEEDS, same as Ford. And I think people who try to separate the bros for shipping purposes or who don't want to do 1nc3st or accidental emotional 1nc3st are not fully reading the same things, watching the same things that we are. If they weren't brothers, everyone else would see exactly what we're seeing. They would see this as the love story it is. TLDR: I understand why people won't ship this ship, and I try to be empathetic, but these two have been given the kind of story that would ping the lovers radar to anyone if they weren't brothers and I'm not going to ignore that just because they are.

5 months ago
Muse

Muse

5 months ago
'Swap AU' Proposal

'Swap AU' proposal

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