im talking this over with a friend rn but its funny how i've never seen anyone headcanon that "oh dipper and mabel will go off and adventure together for the rest of their lives because all they need is each other!!" as a sort of cinematic parallel to the stans. like they all headcanon that both or at least one of those two are still going to end up with/marrying someone else (mostly pacifica) and their percieved happy endings is still kind of... subconciously defined by how they're capable of leading independent lives while still having a strong bond with each other. i have literally never seen a single headcanon where theyre just ultimately together for the rest of their lives where they dont need to be with anyone else except each other... unless its a pinecest shipper who's headcanoning it.
meanwhile the actual canon for stanford and stanley is... well.
L'P VWLOO RQ BRXU PLQG
Something about them being kids and doing kids stuff is so important to me, I love season fun (one)
abt your post saying that a popular gf artist drew stancest, do you happen to have those images... *bats eyelashes*
(not the original anon btw)
here you go! (warning: lotta nsfw/suggestive)
^huge fan of this one in particular. it’s so cute
someone is a bit too freaky
reread 'there is a light that never goes out' on ao3 and i cried so hard i threw up. just girly things
(all fiddauthor shippers need to read it its the best fiddauthor fic in the universe point blank period)
Random Doodles
shes got that coping skills thing figured out
ship discourse is unserious but the "who would treat fiddleford better" arguments on tumblr are crazy to me because have we all forgotten nuance? anyways here's a relationship analysis:
fiddauthor has its own unhealthy aspects because ford not only tunnel-visioned on his research to the point of dismissing fiddleford, he was also being actively isolated by his abuser (bill), who was turning the two against each other. and, at the same time, fiddleford was actively lying to ford about the memory gun, then used it on ford, a complete violation of trust. in alex hirsch's own words, fiddleford was like a yes-man to ford (until he wasnt), to the detriment of both of them.
but also they found solace in each other, as two outcasts with similar interests. even if ford could be dismissive at times with his gifts, its so clear that he valued fiddleford as his one friend, that they found so much enjoyment in each other's company in both college and in gravity falls. and ignoring that is doing them both a disservice! none of the hurt they inflicted on each other was done out of malice; they were being slowly broken down by the environment around them.
fiddlestan is more difficult to dissect for obvious reasons but comparing stan's past failed relationships to a hypothetical one with fiddleford is a moot point. we're working with a vastly different scenario here. stan would need fiddleford to stay in his desperation to save ford, and fiddleford could be easily guilt-tripped despite his trauma. would stan be an asshole to fiddleford? yeah, he would probably grow impatient with fiddleford's anxiety, and they would have very clashing personalities and interests, along with bad trust issues. fiddleford would be very reliant on the memory gun at this point, and they both would be at their mental lowest: it would not be an easy or healthy relationship.
but at the same time, it's not difficult to see how two very broken people could find solace in each other, especially due to a shared grief. its a unique situation that only they could understand, so of course it would make sense that fiddleford's desire to fix vs stan's abandonment issues would lead to something, for better or for worse. at the end of the day, they both understand the broken bonds of family and they both want to feel needed. it's not farfetched to speculate that they'd find comfort in each other.
anyways. i love these three very flawed, very hurt, and very human individuals. i think they're capable of causing each other a lot of pain. they do cause each other a lot of pain. but also they grow and they heal, and it pains me to see people reduce them to their singular actions. (but also the jokes are funny so yknow...i get it carry on)
old habits die hard
So anyways I think the worst part about Emma May is that she was so so loved. Fidds almost destroyed a city because she left him. Can you imagine loving someone that much? To the point of wanton destruction? She just couldn’t give him what he truly wanted so she lost her place in his list of priorities. He got carried away in Ford’s dazzling world and forgot that she was a person who needed companionship and attention, that she wasn’t just a concept to yearn for from a distance. Fiddleford forgot that she was a person a PERSON and all we see is this negative space, a garage in Palo Alto, an imprint left in their marriage bed, half a face on his desk, this forensic scattering left in her son’s existence and a crazed lunatic missing a Family, a Wife. She once existed. And he dug such a deep well of sadness within her that she quite literally disappeared completely from the narrative. Something something there’s a particularly cruel pain left by the selfishness of kindhearted men. Emma May, was it worth it?