a quick visual guide to the enemies to lovers trope because a lot of y’all are confused
astral (adj.) of, connected with, or resembling the stars. elysian (adj.) relating to or characteristic of heaven or paradise; peaceful and perfect. crepuscular (adj.) of, resembling, or relating to twilight. sempiternal (adj.) eternal and unchanging; everlasting. syzygy (n.) an alignment of three celestial objects, as the sun, the earth, and either the moon or a planet. empyrean (adj.) belonging to or deriving from heaven. sidereal (adj.) pertaining to the distant stars. paradisaic (adj.) of or belonging to heaven or god. lambent (adj.) (of light or fire) glowing, gleaming, or flickering with a soft radiance.
1. Absent: preoccupied 2. Agonized: as if in pain or tormented 3. Alluring: attractive, in the sense of arousing desire 4. Appealing: attractive, in the sense of encouraging goodwill and/or interest 5. Beatific: see blissful 6. Bilious: ill-natured 7. Black: angry or sad, or see hostile 8. Bleak: see grim and hopeless 9. Blinking: surprise, or lack of concern 10. Blissful: showing a state of happiness or divine contentment 11. Blithe: carefree, lighthearted, or heedlessly indifferent 12. Brooding: see anxious and gloomy 13. Bug eyed: frightened or surprised 14. Chagrined: humiliated or disappointed 15. Cheeky: cocky, insolent 16. Cheerless: sad 17. Choleric: hot-tempered, irate 18. Coy: flirtily playful, or evasive 19. Crestfallen: see despondent 20. Darkly: with depressed or malevolent feelings 21. Deadpan: expressionless, to conceal emotion or heighten humor 22. Dejected: see despondent 23. Derisive: see sardonic 24. Despondent: depressed or discouraged 25. Doleful: sad or afflicted 26. Dour: stern or obstinate; see also despondent 27. Downcast: see despondent 28. Dreamy: distracted by daydreaming or fantasizing 29. Ecstatic: delighted or entranced 30. Etched: see fixed 31. Faint: cowardly, weak, or barely perceptible 32. Fixed: concentrated or immobile 33. Furtive: stealthy 34. Gazing: staring intently 35. Glancing: staring briefly as if curious but evasive 36. Glaring: see hostile 37. Glazed: expressionless due to fatigue or confusion 38. Gloomy: see despondent and sullen 39. Glowering: annoyed or angry 40. Glowing: see radiant 41. Grim: see despondent; also, fatalistic or pessimistic 42. Grave: serious, expressing emotion due to loss or sadness 43. Haunted: frightened, worried, or guilty 44. Hopeless: depressed by a lack of encouragement or optimism 45. Hostile: aggressively angry, intimidating, or resistant 46. Hunted: tense as if worried about pursuit 47. Impassive: see deadpan 48. Inscrutable: mysterious, unreadable 49. Jeering: insulting or mocking 50. Languid: lazy or weak 51. Leering: see meaningful; also, sexually suggestive 52. Meaningful: to convey an implicit connotation or shared secret 53. Mild: easygoing 54. Mischievous: annoyingly or maliciously playful 55. Moody: see sullen 56. Pained: affected with discomfort or pain 57. Pallid: see wan 58. Peering: with curiosity or suspicion 59. Peeved: annoyed 60. Petulant: see cheeky and peeved 61. Pitying: sympathetic 62. Pleading: seeking apology or assistance 63. Pouting: see sullen 64. Quizzical: questioning or confused 65. Radiant: bright, happy 66. Roguish: see mischievous 67. Sanguine: bloodthirsty, confident 68. Sardonic: mocking 69. Scornful: contemptuous or mocking 70. Scowling: displeased or threatening 71. Searching: curious or suspicious 72. Set: see fixed 73. Shamefaced: ashamed or bashful 74. Slack-jawed: dumbfounded or surprised 75. Sly: cunning; see also furtive and mischievous 76. Snarling: surly 77. Sneering: see scornful 78. Somber: see grave 79. Sour: unpleasant 80. Stolid: inexpressive 81. Straight-faced: see deadpan 82. Sulky: see sullen 83. Sullen: resentful 84. Taunting: see jeering 85. Taut: high-strung 86. Tense: see taut 87. Tight: see pained and taut 88. Unblinking: see fixed 89. Vacant: blank or stupid looking 90. Veiled: see inscrutable 91. Wan: pale, sickly; see also faint 92. Wary: cautious or cunning 93. Wide eyed: frightened or surprised 94. Wild eyed: excited, frightened, or stressful 95. Wistful: yearning or sadly thoughtful 96. Withering: devastating; see also wrathful 97. Woeful: full of grief or lamentation 98. Wolfish: see leering and mischievous 99. Wrathful: indignant or vengeful 100. Wry: twisted or crooked to express cleverness or a dark or ironic feeling
break up your paragraphs. big paragraphs are scary, your readers will get scared
fuuuuck epithets. “the other man got up” “the taller woman sat down” “the blonde walked away” nahhh. call them by their names or rework the sentence. you can do so much better than this (exception: if the reader doesn’t know the character(s) you’re referring to yet, it’s a-okay to refer to them by an identifying trait)
blunette is not a thing
new speaker, new paragraph. please.
“said” is such a great word. use it. make sweet love to it. but don’t kill it
use “said” more than you use synonyms for it. that way the use of synonyms gets more exciting. getting a sudden description of how a character is saying something (screaming, mumbling, sighing) is more interesting that way.
if your summary says “I suck at summaries” or “story better than summary” you’re turning off the reader, my dude. your summary is supposed to be your hook. you gotta own it, just like you’re gonna own the story they’re about to read
follow long sentences w short ones and short ones w long ones. same goes for paragraphs
your writing is always better than you think it is. you just think it’s bad because the story’s always gonna be predicable to the one who’s writing it
i love u guys keep on trucking
Not all character development is positive. Characters can, and in my opinion, should, develop both negative and positive traits throughout the course of their story. As the story goes, they shouldn’t be perfected, they’re people, not artpieces, and so there shouldn’t be a stage where they’ve improved/changed exclusively for the better, to the point where they have no negative traits at all.
These basic plots are from the Tennessee Screenwriting Association, but I thought it would be useful to share them with you all. Many writers believe that there are only so many “basic plots” that make up a story, 20 of them to be exact, and that it all depends on how you develop these plots. This is the same idea that there are only so many story arcs, and that all of our stories fit into a certain category. This is not to say you can’t create something that is uniquely yours, because you can mess with these elements, but when cut something down to the bare bones—nothing is really original. These recognizable story forms work and that’s why they’re used over and over again. Here are the 20 basic plots—
1. QUEST – the protagonist is searching for something (person, place, thing, or idea) and is on a journey to find it.
2. ADVENTURE – the protagonist searches for their fortune, but has to leave home to do it.
3. PURSUIT - hide-and-seek plot, one group or person chasing another.
4. RESCUE - the protagonist is searching for someone or something that needs to be saved—this usually involves protagonist, victim, and antagonist.
5. ESCAPE – the protagonist wants to escape some sort of situation, on a quest to get away.
6. REVENGE - retaliation against someone else for wrong-doings.
7. THE RIDDLE - the protagonist’s search to find the hidden meaning of something.
8. RIVALRY - the protagonist is competing for same object or goal as another person.
9. UNDERDOG – the protagonist has a great disadvantage and faces overwhelming odds while trying to reach his or her goals.
10. TEMPTATION – the protagonist is tempted into doing something that is unwise, wrong or immoral.
11. METAMORPHOSIS - the physical characteristics of the protagonist actually changes from one form to another.
12. TRANSFORMATION - the protagonist journeys through a stage of life that moves them from one significant character state to another.
13. MATURATION - the protagonist faces a problem that causes them to learn from it and mature into adulthood.
14. LOVE - the protagonist overcomes the obstacles that prevent him or her from engaging in true love.
15. FORBIDDEN LOVE – the protagonist overcomes obstacles that prevent him or her from true love, but sometimes find the outcome too high a price to live with.
16. SACRIFICE - the protagonist is motivated by a higher purpose such as love, honor, and charity or for the sake of humanity.
17. DISCOVERY - the protagonist, having to overcome a life-changing event, discovers a deeper meaning of life that changes their outlook.
18. WRETCHED EXCESS - the protagonist pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences.
19. ASCENSION – this rags-to-riches plot deals with the rise of the protagonist due to a dominating character trait that helps them to succeed.
20. DECISION – this riches-to-rags plot deals with the fall of the protagonist due to dominating character trait that eventually destroys their success.
It’s easy to see that some stories can fit into a few of these categories and you can build your story up around several of these basic plots. Generally, a story will fit into one category more than another. There are many references on basic plots, and not all writers have the same opinions on it, so it helps to research them yourself. I just thought this might give you a little motivation or help you structure your story better.
-Kris Noel
You probably heard this a lot but your writing is so amazing it's literally god tier omg 💖 If you don't mind answering, do you have any writing tips? I really wanna improve my writing and try to be as good as you. (keyword: try)
oh god uh
so here’s a little list of stuff I PERSONALLY do, but please remember everybody writes differently and that’s a GOOD THING so this might not work for everybody
1. Skip around
Sometimes you just get a SCENE, like one specific scene in your head that you want to write. Write it out, and if it doesn’t end up working in the fic, copy and paste it into a different document and keep it, because it’s very possible (and LIKELY) that you’ll use it later in the story. It’s a way of pre-planning if you’re not one of those authors that likes to plan a strict outline at the very beginning, at least you’ll have a general roadmap based off scenes you’re imagining and have already partially written. I have a close friend who works for a publishing company and she always told me to start as close to the end as possible when you’re writing. It’ll not only encourage you to have a fluid, overarching plot line already thought out, but if you put all your effort and energy into writing an impeccable beginning, your story will gradually lose that spark as you go on.
2. Take a solid break between writing and editing
If you can swing it, try not to look at your story for a few days after you’ve finished writing the first draft. If you wait, the words will hit differently and it’ll allow you to edit as if you have a fresh set of eyes. Sometimes that isn’t possible, especially if you’re like me and procrastinate hardcore, but that also leads into my next tip
3. Write when you’re tired, edit when you’re awake
You’d be surprised at how fluidly the words will come when you’re not awake enough to focus on them. Seriously. Writer’s block can hit, and that SUCKS, but I’ve noticed a lot of that can just be due to you being overcritical of your work WHILE you’re writing it. You can totally be a writer AND an editor, but you can’t do both at the same time. It’ll hinder your creativity and stunt your progress, and it’s a hard mindset to escape. That’s why I usually write really late at night, sleep, and then edit the next day.
4. Actually write
This is an important one, kinda self-explanatory. It’s also usually the one people struggle with the most. Writing is hard. It’s HARD. It takes brainpower and determination to do, it doesn’t just come naturally. STORYTELLING is a natural human instinct, coming up with ideas and sharing them with friends, but actually taking the time to write it DOWN and make it COHERENT and COMPLETE is something altogether different. It’s exhausting and sometimes you just don’t want to do it. Do it anyways. Think about the end goal, not the effort it’ll take to get there. Keep writing, keep adding a sentence or paragraph or page every single day, and the more progress you make, the easier it’ll become. Lastly,
5. Set deadlines
This one is a little bit of a catch 22 and I don’t recommend it for everyone. This is only if you struggle with perfectionism and feel like you’ve spent literal MONTHS to YEARS on a single piece of work because it’s just not there yet. If you’ve had a document that you’ve been working on for a long ass time and you haven’t published it, set a deadline for posting. ANNOUNCE the deadline, even if you don’t have many followers who are paying attention. It might be a little anxiety inducing to set a date for yourself without having it finished, but it will force you to drop that perfectionist streak that’s stunting your work and buckle down instead. Again, THIS IS NOT FOR EVERYONE. I just personally was one of those fanfic authors that had 22 unfinished google docs and zero of them published after years of writing. I started setting deadlines for myself, and now I actually get to share my stuff with yall instead of hiding it away and being too critical about it. Deadlines. Deadlines suck, but they encourage productivity in some individuals, and I happen to be one of them.
Try some of these things out, see if they help any!! 🧡🧡
my dad–also a writer–came to visit, and i mentioned that the best thing to come out of the layoff is that i’m writing again. he asked what i was writing about, and i said what i always do: “oh, just fanfic,” which is code for “let’s not look at this too deeply because i’m basically just making action figures kiss in text form” and “this awkward follow-up question is exactly why i don’t call myself a writer in public.”
he said, “you have to stop doing that.”
“i know, i know,” because it’s even more embarrassing to be embarrassed about writing fanfic, considering how many posts i’ve reblogged in its defense.
but i misunderstood his original question: “fanfic is just the genre. i asked what you’re writing about.”
i did the conversational equivalent of a spinning wheel cursor for at least a minute. i started peeling back the setting and the characters, the fic challenge and the specific episode the story jumps off from, and it was one of those slow-dawning light bulb moments. “i’m writing about loneliness, and who we are in the absence of purpose.”
as, i imagine, are a lot of people right now, who probably also don’t realize they’re writing an existential diary in the guise of getting television characters to fuck.
“that’s what you’re writing. the rest is just how you get there, and how you get it out into the world. was richard iii really about richard the third? would shakespeare have gotten as many people to see it if it wasn’t a story they knew?”
so, my friends: what are you writing about?
1. Apps that help you focus
Cold Turkey (for Windows) and Concentrate (for MAC) allow you to block websites that distract you from your tasks, which in our case is writing our novel. You choose how long certain websites are going to be blocked. Cold Turkey is actually so genius that you can’t reset your settings, which means you can’t cheat.
2. For Poets
Poetreat helps you to find the right words depending on the rhyming theme you choose. Welcome to the future!
3. Evernote
I’ve already talked about this app but it’s really perfect, which is why I’m repeating myself. It’s like a virtual notebook that helps you to organize your whole life and your stories.
4. Get Encouraged
Ever heard of Help Me Write? It’s very simple: you add your writing ideas and your audience will help you decide if you should pursue that idea by saying if they’d like to read that.
5. For Radicals
Write or Die is an evil little app that will punish you if you don’t achieve your goal. You set how many words you want to write and choose what kind of ‘punishment’ you want, should you not succeed.
6. Get Help - literally
Poetica is a community of writers who are willing to put their work up for editing by anyone who is a member. Unfortunately it’s not open to everyone yet, but you can subscribe to their mailing list and wait. I think it’s worth it!
7. Organize Your Brainstorming
Scapple , Scrivener and Index Card are apps that help you structuring your work in order for you to get to the end of your first draft.
8. Name Generator
If you’re like me, you’re obsessed with names. I choose names carefully because I believe that names influence the story a lot (this might be silly, but I can’t help myself). I used to stare into nothing for ten minutes trying to come up with good names for side characters and then started a 30 minute Google search and then all of a sudden I was on tumblr and…yes, exactly. I lost track of what I was actually doing: writing. So this name generator that I found really helped me.
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What are your favorite apps and websites? Please share them with us!
So apparently last year the National Park Service in the US dropped an over 1200 page study of LGBTQ American History as part of their Who We Are program which includes studies on African-American history, Latino history, and Indigenous history.
Like. This is awesome. But also it feels very surreal that maybe one of the most comprehensive examinations of LGBTQ history in America (it covers sports! art! race! historical sites! health! cities!) was just casually done by the parks service.