Not all character development is positive. Characters can, and in my opinion, should, develop both negative and positive traits throughout the course of their story. As the story goes, they shouldn’t be perfected, they’re people, not artpieces, and so there shouldn’t be a stage where they’ve improved/changed exclusively for the better, to the point where they have no negative traits at all.
Taking effect July 2022, the US Suicide Prevention Hotline will change from 800-273-8255 to the three digit code of 988. Especially with families and communities reeling from back to back tragedies, it is super important to share this information!
Repeat: Starting July 2022, the US Suicide Prevention Hotline will be 988
a quick visual guide to the enemies to lovers trope because a lot of y’all are confused
How to write a character falling in love is a topic that’s been explored a lot on writing blogs, so when I was recently asked how to write a character falling out of love I felt like it needed a full post. Thanks to natashawattswrites for the question!
A lot of us know what it feels like to be infatuated with someone and then look back on the event later in life and say to ourselves, “why did I ever like that person?” It can sometimes be easy to feel that way looking back on something, but when you’re in the moment it’s harder to explain. How to do you explain the process of falling out of love with someone? How can you let your readers know what your character is feeling? Hopefully these tips will help you.
Here are a few ways to write a character falling out of love:
They will become less interested in the other person
One big way to show that your character is falling out of love is that they start to lose interest in what the other person likes or does. Maybe they find that they like to be alone more often. Where they were once excited to hang out with other person, now they never have the urge to.
They might feel annoyed
Focus on your character’s emotions toward the other person. They might snap at their partner easily. They might get annoyed by things they say. These will all help reveal that they might not feel the same anymore.
There was an event that changed their feelings
A great way to have a character fall out of love is to write in a scene that would explain their changing feelings. Maybe they were cheated on. Maybe they’re suspicious. Maybe they just don’t feel like they connect on the same level.
They might hate the thought of being alone with the other person
One major clue that your feelings have changed for another person is if you hate the thought of having to hang out with them. This might seem like a no-brainer, but we often make excuses for these emotions like “I have a headache” or “I’m just grumpy today”—instead of figuring out why it’s happening so often
They find interest in another person
Another good way to show that your character wants to move on is if they start to become interested in someone else. This might reflect what they’re missing in their current relationship or partnership.
They feel guilty
Sometimes when people fall out of love, they feel extremely guilty about their changing feelings. They might feel like they need to give it another shot or something is wrong with how they’re feeling. Have your character analyze these feelings and try to come to terms with their relationship.
They might be afraid to lose comfort
Many people stay in a relationship that’s not quite working out because they’re afraid of being alone and losing the comfort they have in their current situation. Obviously this isn’t true for all relationships, especially abusive situations, but it can be a major factor for your character. Maybe they’re afraid to move on or they feel like they’re making a mistake.
They might feel relief when it’s all over
A character falling out of love won’t be a completely negative experience. Sometimes ridding ourselves of relationships that aren’t working is a huge relief. Consider these feelings when writing your character. They might be happy to move on and admit that they’re no longer in love (or maybe they weren’t ever in love).
-Kris Noel
How to write it
How to write romance
Love Language - Showing, not telling love
Honeymoon
Slow burn
Forbidden Romance (+ prompts)
Reasons for a break-up while still loving each other
How to create quick chemistry
How to write enemies to lovers (+ prompts)
How to write lovers to enemies to lovers
Arranged matrimony for royalty (+ prompts)
Date gone wrong
Academic rivals to lovers
Romantic Fall Date Ideas
How to write a polyamorous relationship
Prompt Lists
Romance Part I
Romance Part II
Bad ones, unrequited, break-up Part I
Bad ones, unrequited, break-up Part II
Two smart and also stupid people in love
Push and pull romantic prompts
Co-workers - Hate to love
Lovers to enemies
Jealousy + Things said during sex prompts
Moving in together
PLEASE REBLOG AND ADD ANY OTHERS YOU MIGHT KNOW OF <3 <3
WOOKIEEPEDIA. The source of anything and everything you want to know related to Star Wars. Good for fact-checking, character history, or simply killing time. There is also, of course, the official Star Wars Databank! STAR WARS GALAXY MAP. A fantastic project that maps the Star Wars galaxy as we know it. Consider donating ( if you can! ) to help keep the site up and running! Also check out W.R. van Hage’s map and the Star Wars Atlas Online Companion. TIMELINE. While hosted on Wookieepedia, this is nevertheless deserving of its own bullet point. This page provides an approximate timeline with dates of all canon material. You can also filter items, so that it displays only TV episodes, for example, or only books, or only movies! Find the Legends timeline here. STAR WARS SLANG AND PHRASES. A collection I’ve been keeping of phases, slang, idioms, insults, and more from the Star Wars universe. This also contains a glossary of frequently used terms, such as “refresher” in place of “restroom”. Please feel free to use/share!
STAR WARS NAME GENERATOR. This is a fun one AND a life saver. You can generate up to 100 Star Wars-sounding names ( first and last! ) with a click.
OTHER GENERATORS:
Spaceship names as well as spaceship type/models
Earth-like alien planets for any alien planet you don’t have info on
Random landscapes, see above
Technobabble generator for when you need a reason for a red alert
Alien plant/herb/flower name generator. Also: mineral/metal/gemstone names, material names, medication names, and descriptions of alien substances
Scifi tool names for gadgets and gizmos
OTHER WEBSITES:
Jeff Russell’s Starship Dimensions, Dirk Loechel’s Sci-fi Spaceship Size Comparisons, and other Star Wars Deckplans
Star Wars Post
Star Wars News Net
TheForce.net
break up your paragraphs. big paragraphs are scary, your readers will get scared
fuuuuck epithets. “the other man got up” “the taller woman sat down” “the blonde walked away” nahhh. call them by their names or rework the sentence. you can do so much better than this (exception: if the reader doesn’t know the character(s) you’re referring to yet, it’s a-okay to refer to them by an identifying trait)
blunette is not a thing
new speaker, new paragraph. please.
“said” is such a great word. use it. make sweet love to it. but don’t kill it
use “said” more than you use synonyms for it. that way the use of synonyms gets more exciting. getting a sudden description of how a character is saying something (screaming, mumbling, sighing) is more interesting that way.
if your summary says “I suck at summaries” or “story better than summary” you’re turning off the reader, my dude. your summary is supposed to be your hook. you gotta own it, just like you’re gonna own the story they’re about to read
follow long sentences w short ones and short ones w long ones. same goes for paragraphs
your writing is always better than you think it is. you just think it’s bad because the story’s always gonna be predicable to the one who’s writing it
i love u guys keep on trucking
this is too much pressure
title???? a TITLE????? is it not enough that i wrote the damn thing IS THAT NOT ENOUGH WORDS WRUNG FROM MY VERY FLESH AND BLOOD
the song lyrics have abandoned me, no number of parantheses and lower cased words can save me from this hell
/ˈmo͞onˌstrək/
adjective unable to think or act normally, especially because of being in love.
I think 90% of writers will agree that in their first drafts of their first pieces, they’d describe a character like “she had blonde hair and green eyes” and leave it at that. I’m guilty of it, I’ll admit. But why not have some great, specific descriptions that flesh out your characters and how others perceive them?!
A quick note about eyes: In all honesty, eye color isn’t always apparent. Eyes may look dark from a distance, and you only realize they’re a deep blue when you get closer. Don’t feel like you have to mention eye color right away. It can be something mentioned later, when your characters have a soulful heart to heart.
Btw, I threw this list together in about 10 minutes so I’m sure there are other things that could be added. Feel free to comment or message me, and I’ll add them to the master list.
Hair
Long
Short
Wavy
Curly
Frizzy
Straight
Choppy
Thick
Thin
Braided
Tied up
Loose
Wild
Face
Long
Narrow
Wide
Round
Oval
Eyes
Round
Narrow
Squinty
Deep-set
Small
Beady
Oval
Nose
Narrow
Pinched
Wide
Flat
Crooked
Hooked
Pointed
Large
Dainty
Cheeks
Rosy
Ashen
Ruddy
Freckled
Round
Gaunt
Pronounced (cheekbones)
Bronzed
Tanned
Dimpled
full
Chin
Sharp
Round
Cleft
Pointed
Jaw
Square
Round
Straight
Strong
Lips
Full
Plump
Thin
Pinched
Body (build, frame)
Slight
Willowy
Scrawny
Tall
Bulky
Average
Large
Stout
Curvy
Shapely
Straight
Bony
I also claimed stuff like this will help with characterization. I’ll give an example. For a body frame, “scrawny” and “willowy” mean kinda the same thing—someone with a thin, slight built. If your character is describing the girl they’ve had a crush on forever, they’d probably use a word like “slender” or “willowy,” because they’re fond of her. A longtime rival or enemy might stick to words with a negative connotation, like “scrawny” or “bony.” For someone they’ve just met, the terms will probably be more neutral. Consider how your narrator thinks of the person they’re describing, and how that’ll affect the words they use!
I’ll include some examples…?
Ignoring his warning, I stepped back towards Liam and the barely-contained Suni. She was pretty, now that I got a good look at her standing up. She was half a foot shorter than my own 5’6”, with shapely curves hinted at even with her loose clothing. Maybe a bit chubby by today’s toothpick thin standards, but more with muscle than fat. Strong cheekbones and full lips accented her long mahogany face, but it was her eyes that dominated her features. Sharp aqua eyes that were fixed on Kent. If looks could kill.
Kent was back at my side as the knight-armored man turned to face us. Although still young, he had to be at least ten years older than me, with a broad face and warm green topaz eyes staring down a surprisingly dainty nose. Deep, carrot-red hair framed his face. When he smiled, it was kind and genuine, and it dimpled his sun-kissed cheeks.
“Hey, girl,” she said, grinning in a way that showed she was trying to be in with the teen slang. She was blonde like my dad, but shorter and with a little more weight around her neck and cheeks, since she didn’t have to appear on national television all the time. There was also a sparkle to her eyes and an air of carelessness in her frazzled, tied back hair and the dimpled smile of her cheeks—features I’d never see from Dad (frazzled and smiling, I mean), who was always the perfect News Anchor Ethan Cresswell.
A HANDY CHART FOR THOSE OF YOU WONDERING WHAT THE FUCK IS UP WITH THESE. NOTE THAT THESE ARE ALL THE INFORMAL AND YOU IS THE FORMAL SO LIKE YOU WOULD ALWAYS ADDRESS YOUR SUPERIOR/ OLDER PERSON/ SOCIAL BETTER WITH YOU BUT WITH YOUR BUDS YOU CAN USE THESE.