These basic plots are from the Tennessee Screenwriting Association, but I thought it would be useful to share them with you all. Many writers believe that there are only so many “basic plots” that make up a story, 20 of them to be exact, and that it all depends on how you develop these plots. This is the same idea that there are only so many story arcs, and that all of our stories fit into a certain category. This is not to say you can’t create something that is uniquely yours, because you can mess with these elements, but when cut something down to the bare bones—nothing is really original. These recognizable story forms work and that’s why they’re used over and over again. Here are the 20 basic plots—
1. QUEST – the protagonist is searching for something (person, place, thing, or idea) and is on a journey to find it.
2. ADVENTURE – the protagonist searches for their fortune, but has to leave home to do it.
3. PURSUIT - hide-and-seek plot, one group or person chasing another.
4. RESCUE - the protagonist is searching for someone or something that needs to be saved—this usually involves protagonist, victim, and antagonist.
5. ESCAPE – the protagonist wants to escape some sort of situation, on a quest to get away.
6. REVENGE - retaliation against someone else for wrong-doings.
7. THE RIDDLE - the protagonist’s search to find the hidden meaning of something.
8. RIVALRY - the protagonist is competing for same object or goal as another person.
9. UNDERDOG – the protagonist has a great disadvantage and faces overwhelming odds while trying to reach his or her goals.
10. TEMPTATION – the protagonist is tempted into doing something that is unwise, wrong or immoral.
11. METAMORPHOSIS - the physical characteristics of the protagonist actually changes from one form to another.
12. TRANSFORMATION - the protagonist journeys through a stage of life that moves them from one significant character state to another.
13. MATURATION - the protagonist faces a problem that causes them to learn from it and mature into adulthood.
14. LOVE - the protagonist overcomes the obstacles that prevent him or her from engaging in true love.
15. FORBIDDEN LOVE – the protagonist overcomes obstacles that prevent him or her from true love, but sometimes find the outcome too high a price to live with.
16. SACRIFICE - the protagonist is motivated by a higher purpose such as love, honor, and charity or for the sake of humanity.
17. DISCOVERY - the protagonist, having to overcome a life-changing event, discovers a deeper meaning of life that changes their outlook.
18. WRETCHED EXCESS - the protagonist pushes the limits of acceptable behavior to the extreme and is forced to deal with the consequences.
19. ASCENSION – this rags-to-riches plot deals with the rise of the protagonist due to a dominating character trait that helps them to succeed.
20. DECISION – this riches-to-rags plot deals with the fall of the protagonist due to dominating character trait that eventually destroys their success.
It’s easy to see that some stories can fit into a few of these categories and you can build your story up around several of these basic plots. Generally, a story will fit into one category more than another. There are many references on basic plots, and not all writers have the same opinions on it, so it helps to research them yourself. I just thought this might give you a little motivation or help you structure your story better.
-Kris Noel
I have a tendency to switch between tenses because I write some present-tense stories and I wonder if you have any tips to combat that. - srngdrgn
The first bit of advice I have for you is to focus more on writing now and then worry about your tense use in the revising stage. When re-reading your work, use a highlighter to mark all the places in which you strayed for your desired tense. Then you have visual representation of how much you need to re-work (which isn’t usually that difficult to do) and you may find yourself adding extra plot devices in.
How to Avoid Tense Change in Fiction Writing [there’s advice from Stephen King in here]
How to Avoid Tense Switches
I think the best thing for you to do is be aware while you’re writing. It’s not a huge deal if you mix up tenses so long as you’re prepared to go back and fix it in the editing and revising stages.
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Can you give pointers on how to write smut properly?
The Ultimate Guide to Writing Smut Fic is a great resource! I’ll try giving some of my own, too, tho!
#1 Tip: The key to writing smut is be yourself & have fun!
OK, that’s a joke, but it’s true. Write smut that you enjoy. If you are turned on by what you’re writing, it’s good. Smut is tricky because everyone has different preferences.
For example, some people will hate Dom/sub, while others go out of their way looking for it. Stuff like dubcon, noncon, omorashi, etc. will be more divisive, but even vanilla blowjobs will turn some readers off. So just accept that you can’t please everyone and write for yourself!
Do you call a penis: a cock? shaft? manhood? member? What about lady parts? Some readers will click that back button the minute they see “pussy,” while others won’t read smut that uses any other term.
Some word choices are safer than others. Generally speaking, no one enjoys clinical terms like “penis” or “vagina.” And no one objects to “him” or “her” (i.e. “He entered her”).
If in doubt, the vaguer you are, the less likely it is to turn someone off. I am fond of overusing “warmth” and “heat” for everything (i.e. “He entered her warm depths”). Plus, what is a “heat” anyway? When I write gender-neutral smut, the POV character is always getting their heat or sex stroked, and their entrance penetrated. Vague terms are quite useful!
Here’s a little “smut thesaurus” I made of terms I use or at least don’t find objectionable. Again, you never know what someone might find cringey, and some of them I consider borderline, but there’s nothing on the list that’s universally seen as bad. Like “orbs” for eyes.
Not all porn is as porny as other porn! Take for example, the same blowjob:
She took him in her mouth, bobbing up and down in his lap.
Or...
Her lips parted around his thick, veiny cock, tasting the salt of his precum on her tongue. Sliding down his shaft until her nose was buried in his dark hairs and his crown struck the back of her throat, she... etc!!
If you’re not sure how to start, it’s OK to do lighter smut that doesn’t get quite so explicit! A lot of people prefer smut that’s more focused on the emotions and less on the graphic details. I definitely started out writing cleaner smut.
Your word choices will also affect the filthiness/tone of a fic. Not everyone wants cocks and cunts everywhere! I’d recommend saving your naughtiest words for your naughtiest, most graphic fics, and fluffier language for fluffier, cleaner fics.
If you can’t just churn out sexy scenarios on demand...
Read other smutfics/romance novels. I have a whole “smut thesaurus” google doc that I add to every time I see some phrasing that I like. Do not plagiarize entire sentences word for word. But when I see my favorite author use “laving” I’m like... yes. That is a good word for licking. Let me add that to my list of licking words.
Fantasize. Not to get TMI but if you’re stuck on a smut scene... you know. Consider getting the ol’ vibrator out. Or have sex with someone if that’s an option. Cuddle a pillow. Stop stressing over the keyboard and just imagine what would feel good. THEN WRITE IT DOWN SUPER QUICK BEFORE YOU FORGET. I’m always taking notes on my phone.
Porn. Just. Straight-up watch some porn. You’re still responsible for the emotional component, but you’re allowed to steal all of the physical acts from a porn video if you want.
Character development and a strong emotional basis are what separates smut fic from porn. The physical act of two people mashing their body parts together in different configurations loses its interest after awhile. For me anyway. I need a STORY!
Why are they having sex? How do they feel about the sex they’re having? Tell me how the sex is an expression of how much they care about each other! Or show me how their sexual connection is what makes them start to fall in love! Show me they’re afraid they’re not good enough, but the way their lover moans their name fills them with such a warm, trembling feeling! Tell me how reassured they are when their partner holds their hand! Or how safe they feel with their solid weight pressing them down into the mattress. Or how wild and arousing it is to be with such a fiendish villain! How powerful it feels to have an arrogant, wealthy man begging for you on his knees! How all your insecurity slips away when you give up all control to a trusted partner. How amazing it feels to be that partner, and be trusted. Slow, comforting “you had a bad day and I’m taking care of you” sex where they comb their fingers through your hair. Awkward first times!
There are so many different feelings to be explored with sex!
(Ex. Trope-and-Tales devastated me with a smut scene where the arrogant jerk guy desperately wanted affection and kept trying to have sensual, loving sex, but she was angry at him and wanted rough hate-sex, and it was disappointing for both of them and heartbreaking. I’m still not over it. I’ll never be over it. So, you know. Kudos to what you can convey with sex.)
So really, if you put the emotions front and center, you can’t go wrong. Smut is like any other part of writing... just with more body parts mashing together.
Okay I'm not sure if you've posted something like this before but how do I go about designing a character that I have the foundation of in my head but nothing else? Where do I start? How do I keep momentum going?
Hmm. I think I have the perfect set of resources for you:
Giving Characters Bad Traits
Having Trouble Connecting To Your Characters?
Writing People Of Color
Writing Children
Useful Writing Resources
Useful Writing Resources II
Resources For Describing Characters
Resources For Creating Characters
Ways To Fit Character Development Into your Story
Writing Good Villains
Interview As Your Character
31 Days Of Character Development: Wordsnstuff May Writing Challenge
Let me know if it helps, and if there’s still some things you need some extra input on!
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1. Absent: preoccupied 2. Agonized: as if in pain or tormented 3. Alluring: attractive, in the sense of arousing desire 4. Appealing: attractive, in the sense of encouraging goodwill and/or interest 5. Beatific: see blissful 6. Bilious: ill-natured 7. Black: angry or sad, or see hostile 8. Bleak: see grim and hopeless 9. Blinking: surprise, or lack of concern 10. Blissful: showing a state of happiness or divine contentment 11. Blithe: carefree, lighthearted, or heedlessly indifferent 12. Brooding: see anxious and gloomy 13. Bug eyed: frightened or surprised 14. Chagrined: humiliated or disappointed 15. Cheeky: cocky, insolent 16. Cheerless: sad 17. Choleric: hot-tempered, irate 18. Coy: flirtily playful, or evasive 19. Crestfallen: see despondent 20. Darkly: with depressed or malevolent feelings 21. Deadpan: expressionless, to conceal emotion or heighten humor 22. Dejected: see despondent 23. Derisive: see sardonic 24. Despondent: depressed or discouraged 25. Doleful: sad or afflicted 26. Dour: stern or obstinate; see also despondent 27. Downcast: see despondent 28. Dreamy: distracted by daydreaming or fantasizing 29. Ecstatic: delighted or entranced 30. Etched: see fixed 31. Faint: cowardly, weak, or barely perceptible 32. Fixed: concentrated or immobile 33. Furtive: stealthy 34. Gazing: staring intently 35. Glancing: staring briefly as if curious but evasive 36. Glaring: see hostile 37. Glazed: expressionless due to fatigue or confusion 38. Gloomy: see despondent and sullen 39. Glowering: annoyed or angry 40. Glowing: see radiant 41. Grim: see despondent; also, fatalistic or pessimistic 42. Grave: serious, expressing emotion due to loss or sadness 43. Haunted: frightened, worried, or guilty 44. Hopeless: depressed by a lack of encouragement or optimism 45. Hostile: aggressively angry, intimidating, or resistant 46. Hunted: tense as if worried about pursuit 47. Impassive: see deadpan 48. Inscrutable: mysterious, unreadable 49. Jeering: insulting or mocking 50. Languid: lazy or weak 51. Leering: see meaningful; also, sexually suggestive 52. Meaningful: to convey an implicit connotation or shared secret 53. Mild: easygoing 54. Mischievous: annoyingly or maliciously playful 55. Moody: see sullen 56. Pained: affected with discomfort or pain 57. Pallid: see wan 58. Peering: with curiosity or suspicion 59. Peeved: annoyed 60. Petulant: see cheeky and peeved 61. Pitying: sympathetic 62. Pleading: seeking apology or assistance 63. Pouting: see sullen 64. Quizzical: questioning or confused 65. Radiant: bright, happy 66. Roguish: see mischievous 67. Sanguine: bloodthirsty, confident 68. Sardonic: mocking 69. Scornful: contemptuous or mocking 70. Scowling: displeased or threatening 71. Searching: curious or suspicious 72. Set: see fixed 73. Shamefaced: ashamed or bashful 74. Slack-jawed: dumbfounded or surprised 75. Sly: cunning; see also furtive and mischievous 76. Snarling: surly 77. Sneering: see scornful 78. Somber: see grave 79. Sour: unpleasant 80. Stolid: inexpressive 81. Straight-faced: see deadpan 82. Sulky: see sullen 83. Sullen: resentful 84. Taunting: see jeering 85. Taut: high-strung 86. Tense: see taut 87. Tight: see pained and taut 88. Unblinking: see fixed 89. Vacant: blank or stupid looking 90. Veiled: see inscrutable 91. Wan: pale, sickly; see also faint 92. Wary: cautious or cunning 93. Wide eyed: frightened or surprised 94. Wild eyed: excited, frightened, or stressful 95. Wistful: yearning or sadly thoughtful 96. Withering: devastating; see also wrathful 97. Woeful: full of grief or lamentation 98. Wolfish: see leering and mischievous 99. Wrathful: indignant or vengeful 100. Wry: twisted or crooked to express cleverness or a dark or ironic feeling
Type I
100k of pining, accidental hands touching, sex dreams that end with passionate smut in the last chapter.
Type II
They raw each other in the first part of chapter 1, then spend 100k in denial, misunderstanding, and self-doubt
I was sitting on the computer last night trying to be productive and actually write something. My first sentence included the character listening to a voice through an intercom and my first thought was, “What kind of voice is it?"
So, naturally, I found myself googling the different ways to describe a voice. I present to you my findings! I hope you all find it useful.
astral (adj.) of, connected with, or resembling the stars. paradisaic (adj.) of or belonging to heaven or god. empyrean (adj.) belonging to or deriving from heaven. seraphic (adj.) characteristic of or resembling an angel. sublime (adj.) of such excellence, grandeur, or beauty as to inspire great admiration or awe. svelte (adj.) slender, graceful and elegant. (describing a person)