Kpop Is Like An Enigma The Further You Peel The Creative Layers Back Everything Is Black..then There's

Kris Jenner on qcv promoting her latest product

210414 jongin on ig live with bobbi brown

The Exo critique/ comparison continues more of a kpop/ western cultural overview though

for educational purposes only of course. So many links. I never did this if it doesn't work I'll just do something else..

I believe a lot of my issues with exo and struggling to appreciate their discography like I do other groups I listened to was the lack of personal touch as I once said. I don't believe I'm being negative or whatever but at this point you literally can't even give your opinion without being called weird Korean slang terms by ironically non korean people..who don't usually speak korean..super weird. I just am tired of it. I feel like there's worse things in the world than someone giving their honest opinion but understandable some people feel extremely attached to bands and shows. Which I kind of get somewhat. But like I always do I will try to give as much detail as possible it's my thing on here. Weird opinions central. None of my friends ever//ever ever really wanted to discuss kpop on a deeper level. I was going mad not being able to express myself to anyone cause nobody knows it that deeply. That sucks so for a lot of people it's a stress reliver and it's aesthetic. I completely understand. But to me there's a million people that give kpop praise, or even rude unhinged hate. I'm not that type of person. I try and be as honest as possible and then sometimes I make a funny. This is more for people who like history than people who like kpop. But some people who like kpop like history, theories and deep diving. So I just tag relevant things and if you don't like reading that much..you..don't have to..which is kinda obvious. Also if opinions not harming anyone makes you mad, that's fine, but just don't..freak out. Or do. Idk, it's a free world, but the main reason I talk so much is because I care. I want to live in a world where everyone can express themselves respectfully and intently. That will only happen if we start speaking on things nobody wants to speak on. I try and only talk about confirmed stuff that's free real estate on the internet. So it's not a just trust me bro situation. This is stuff anybody can dig into and if it's my opinion I will make that clear.

If I never branched out and read/watched random documentaries etc I wouldn't know any of this stuff either. Many people spend most of their time scrolling may as well teach something while I'm on here.

WARNING I TALK A LOT..so you already know before I keep going

To me I like to stretch back to this infamous quote because it ties in with what I was talking about with the motown inspirations and such

A Motown alum with many

Grammy's and a history with Quincy Jones, Michael Jackson to me was Lee Soo man's main inspirations for what he wants his S.m artists to be. The entire kpop industry is built off of that model. In the U.S the inspiration is great but I believe in Korea it's what the foundation is built off of almost entirely.

The want to create someone beyond a human being, with a devout fanbase and global success. The indie music industry is barely thought of or given much attention, the rap industry takes a backseat and the idol culture reins supreme.

But why?

I believe many misunderstand that although Micheal Jackson is the name used he himself is used as a stand in for the African American race.

The true inspiration is African American culture itself, the jazz, the rhythm and blues, the hip hop, popping and locking, B-boying. But nobody wants to say all that, it isn't Michael Jackson but he is a representative of the African American population so of course they use his name, because that's what everybody says.

Lsm's first artist was in fact a hip hop star, the large majority of 90s idols were reflections of artists like boys II men, who is a big blueprint for the white American boy band and later the K-pop boy band

They were clearly and unapologetically black people. The market allowed for glitz and glam and also for performers who were toned down.

With K-pop the market is extremely geared towards the Michael Jackson type of performance extremely theatrical and to this day that's where most of the focus is the performance and not really the vocals.

Lsm's first artist had a different experience than other k-pop idols later would. In the begining things were a bit more loose, still heavily western inspired but relaxed

To understand the way kpop is now you have to understand it's roots, not the superficial this song sounds like these other song, NO, the actual roots of how this industry even exists.

I could go into what was going on in America at the time while all this was happening but I might do a whole seperate thing on that. The asian american experience during the 80s and 90s had more to do with assimilating into white culture, while trying to distance itself from black culture almost entirely.

Meanwhile in Korea, things where changing in the opposite direction.

Now, stick with me, taking all of this into account looking at Exo's trainee process which for some members was right when the hip hop industry was at it's height/also the white boy singing black music craze was also very popular. From a business standpoint of course they want to promote a group that's hip hop inspired. After the incident with Hyun-jin it's clear they may have wanted to distance themself from the urban scene and cater to different audiences.

When Exo debuted they did have that style people were used to from edm, hard base, edm, electronic, not necessarily urban by any means. But they would have a turn in genre for their first full album which featured their first hip hop single Growl.

I consider it old school hip hop, but this is what Rolling Stone said about it

the original sounds like something that could easily be a Corbin Bleu song or something or a very young Chris Brown. This would be one of S.m's first real step back into the urban market with Exo, but it wouldn't be the last

They went full urban with Call Me Baby

and remade this demo to a more tame tune. I believe this is the first but not last sample of a black girlgroup they would use. This song has a sort of sample/reference with the 'say my name' which I believe is still dantaethekid's vocals. This using of the demo's singers vocals and remixing it was used one other time. But it's a blend. If you aren't aware of blending vocals, it's a smooth trick to use the original artist vocals and the new artists vocals to get something that sound like normal to the listener, but when you hear the singer sing it acapella something is missing.

S.m paid for all of this, so it's not stolen. That's not what this is about, it's more of a artistic overview and a behind of what went into creating Exo's themes, concepts and what made their music 'special'.

I had no idea Marz was the person who leaked a lot of the original versions, I knew about the older ones but hearing the demo's and now knowing a bit about the music industry...like hearing the original versions help so so much. Good on him.

I honestly thought black people were capping when they talked about what was going on in Kpop. Because, isn't black culture just uesd by everybody? Like they listen to music and their brain makes something similar. That's what I thought was happening...only partially. There is a whole world of information I didn't know about and I thought I knew a lot.

Now that the basis is out of the way, back to the creative process. I believe an integral part of music lasting has to be the emotional connection one has with the music. If an artist's music catalogue was taken away could they start over, if they didn't have songs made for them could they craft their own, or at least try? In a group that's easier, because members can rely on each other.

Using modern western examples, Justin Bieber certainly started out like many artists, he was handed exactly what he was going to sing. He had very little if any connection to his music at all.

Scooter Braun a former party organizer and the opposite of Lee soo man had connections that helped his young client get started in the music industry

unlike in Korea where many groups may never collab with another artist in their entire career. The west survives off of collabs and hit singles. It's a different system. Justin was helped by a Ludacris feature that gave his sound some validity. It helped him not seem like just a nerdy little kid singing about love.

He did not start off with hip hop and it took years before he developed into a sound he and his voice was comfortable with

But wait..there's another part we're missing. Justin wasn't a songwriter but he was a musician. Let me explain

He was not a composer yet, but he wasn't dead weight, he could play any instrument in a band and sing acapella at random. He even did so in one of his first youtube video's.

there's a lot and you can only put so many links on here but this is one of his busking performances

A common misconception when lumping all artists togther is saying they are all untalented or the label helped them sound like this or that. Anyone can get singing lessons, but if this kind of talent could just be put into anybody to sing like this acapella every parent in hollywood would be doing it. Every performer, disney kid would sound exactly like this. Justin was helped by the fact that he didn't need tremendous work on his voice. Only to maintain when he began touring and learning proper technique.

Sm vocal trainer Yoo Young Jin's first album Blues In Rhythm Single 1. and the demo's he does for sm clearly show his singing inspiration comes from Slow Jamz from the 1990. He helped out on Tell me what is love where D.O mimics his style. It becomes like a pattern when you see where they are pulling inspiration from. In terms of american style singing he is thought to have the best voice for rnb. That may not be his preferred style but with the vocal coach they gave him that's clearly what they wanted from him.

I never knew there was another person on this track and back in 2014 I didn't know about their individual vocal coaches and just assumed they were all trained equally. But it seems they gave vocalist specific teachers to improve their craft, screw the others I guess

Hearing it in 2024 it's clear the soul and feeling that existed in the 90s in Korea is..like it just doesn't exist anymore. Yoo youngjin is honestly amazing and I am wondering why he isn't like on Rain's level. Like, he's one of the best clearly. He recently left s.m I believe but he should make a fortune as a vocal coach wherever he goes though.

Good training is definitely important, but as a wise woman once said

Honestly there's nothing to explain it there are just some people that are like angels, there voices are out of this world. Yet, sometimes it's not that complex some people just have a knack for music, they create their own special sound and emotion it's incredibly personal they put their soul into what they do.

How s.m teaches...I really think it's similar to what this woman did. Like first time watching it but it's pretty obvious.

I'm not the most articulate person when it comes to singing, but it feels like they try to purposely use this style to create a flavor that may natural come when other artists are singing, but they do it purposely. Everyone in the company is kind of the same, the stop start, belting, quick talk. It leaves a sense of..how am I even sure what happened, no less what the quality of the vocals are. I like to listen to them cover songs in english because I'm able to tell what their natural rhythm is and not 'sm's rhythm for them' this is important because I like to know that outside of their job an artists likes music and sings music. Korean songs are find but I can tell they depend on vocal tricks they learn to get around actually having to master their voice completely like Yoo youngjin did. That takes mastery. Knowing every limit of your voice.

Not every singer can do this but most successful ones definitely can. Even talking should sound like singing. In general sm and extension Exo sing restrained and restricted even when belting so they hardly ever encounter those surprising vocal tone moments when an artist riffs freely.

I try to be fair yet also I want to use a small pool of artists, Exo is male musicians but I'm not talking in terms of vocal range but technique which anyone can learn.

In this one take Haley showcases a bit of her preferred vocal technique. She's able to belt, keep good breath control, project, and keep a consistent yet give emotion and go all the way with her lines without getting outside her vocal range. It takes self knowledge completely.

She actually has a wide range but rarely hits the notes Exo is known for hitting. It's her stability and projection and belting that stands out.

Also a lot of people say kpop is performance is choreography, which is true, but Rockers are known for running around jumping up and down during concerts, similar energy is being exerted. Not exact but very similar.

Early in Justin's career he was going through puberty. A very straining time for a singer because the voice gets deeper and you loose your original tone and possibly range. Many singers work very hard to maintain their voice if you ruin your voice that could be it for life.

In his early 20s honestly he still had a great voice but he also kind of treated his body poorly, more recently he's been trying to improve his health and get used to his older male range. His sound is different but the technique he learned still holds him. The biggest thing I want to show is the importance of being comfortable in your own range it's less about the falsetto's and belting and more a person mastering their own sound and voice.

That's what matters.

I personally in my opinion don't think s.m cares about this and only wants people to adhere to their vocal standard, this is bad for their overall health and will only lead to strained and bruised vocals. Impressing people is not worth declined quality in your natural singing voice.

I think many fans of singers are afraid of them showing their true voice, cracks and bruises and all. Personally for me it's the mark of a weathered person who's lived life. It's genuine, it leaves an impact on people.

apparently this was at drake's hockey party? I don't know a Canada thing, and he performed a private event, there were no official camera's so the person took the audio that was clear from some and tried their best to cut up and splice it like a seamless video. This is the song most people know him for, it's a completely different arrangement and a natural progression. His voice is rough, smooth, his belting is usually projecting a lot. That's the one thing even back in the day nobody could explain his chest voice, it's evident acapella and with the mic. He does lip sync at times but for the most part whenever he sings acapella it sounds the same or better because he has a crisp to his voice that gives it a unique 'texture'. It's like his voice is the instrument. The projection is crazy though particularly when he's outside. I don't want to put a lot of video's but I wish his talent would be studied more than the gossip. He's a very hurt person, but his talent is a wonder. It's unfair people are only appreciated after they are gone. His relationships, gossip and drama many times over shadow his God given abilities.

There's so many good vocal moments..but I have other stuff to talk about, he's just an example here.

I mainly mentioned him because he trained under the same people Exo's songs come from, but he was trained similar to how the oldies where trained..not in a gospel choir like Elvis but very very close

Justin sang worship songs on the street and mimicked mainly that sound as a child and other black artists, he copied them pretty much all day and night. Once you get into it...like it's a rabbit whole you won't believe. I'm just trying to fit a little bit of this circus into an article. Elvis basically was heavily inspired by the black Pentecostal church and in his movie in idk 2022 with Austin Butler you can see just how much black culture had an effect on him. Like people even me didn't understand. He allegedly really had a spiritual experience

there and it changed basically everything about him. Many didn't really like his style and they thought he was too much, too raunchy or whatever. So it took awhile for people to accept what he was doing.

There's a pattern hear somewhere, but it's a lot.

I'm mixing the history with the vocal analysis because it really does overlap, okay back to the black singers from back in the day. So as I was saying, black culture was having a renaissance away from the stereotypical stand up and snap boy groups of the past. Something new was burgeoning, the soulful sensual group that actually danced and walked around. There were so many black boy groups. This could have twelve parts if I go into every way the black entertainment industry has it's grasp on other music industries. And this is just the music, not even talking about the clothes, the hair, the slang, the walk the talk. It's not even making me upset anymore like this is anthropology at this point. So really we should be glad because I've yet to see so much absorption of black culture. Like it was under lockdown and was considered evil and dark for a long time but now it's like people can't get enough. It's honestly interesting.

So one group I always knew about but never went into was Hi-five who have this hit called the kissing game. A super schoolyard song that is like a black community staple. I never thought I'd analyze it or take a deeper look at it because I've been listening to it since childhood.

But looking back at this live performance that they looked like they just walked on stage and are just doing their thing. They seem so casual and calm like singing like that is just normal and anybody could do it. Two members passed away(rest in peace) it's just insane thinking about it. The black community doesn't even think twice about this kind of stuff it's like pretty much everybody has a cousin or two that sings just like this, or an aunt, uncle. It's like nothing. But in other races we praise something we wouldn't praise in our own race cause we'd expect better. Just something to think about.

Like lord, this precious talented child. Like it's funny cause he don't even take it serious and he's playing around. It's nothing to him, the notes he's hitting so many people have to try so hard. The deep bass to the belting, it's like I always wondered why black people belted like they did, I'm not even sure and I haven't found an answer as of yet.

I purposely chose him singing post puberty because him singing at like 11 literally isn't fair he literally sounds like an angel. From what I understand black boys have a long ribcage and large lung capacity, idk there's theories about it.

Also the audience is important ;a lot of acts mainly K-pop will never play anywhere they don't already have fans, the fans are already there. They will even fill the audiences with fans specifically for each filming session for a broadcast, so they can get the chants and avoid a dead crowd.

They were playing at the Apollo, which is a very tough crowd they boo a lot of people. Like black audiences can be notoriously rude so it's always a hit or miss even if people like you. Like idk if anybody ever got jumped but I wouldn't be surprised.

A big part of sm is their extensive trainee process which is supposed to produce global talent. I still wonder what actually is going on, like there are many cases where the people aren't ready or struggle dang near there whole careers to hold a not and dance properly. I really don't understand it. There is also varying things, on one hand some people train for a short time and debut young, so they aren't ready to sing properly and have to learn but then some train for too long of a time and it's treated like that hurt their talent instead of helped it. So there's hardly ever a person that debut's ready to sing, dance and perform with complete comfortability.

Even by the time they have a solo, their is usually little improvement and it may of been better if they debuted as a soloist and been allowed to grow if being in a group would inhibit their growth so much. Yet at the same time their soloist sometimes struggle as well to make a mark and go global.

The main goal of sm is to focus on fandom and pleasing the fans no matter what so they won't have to truly compete on a global level and will be able to fall back on fans support. Which leads to less cultural impact overall. An artist should be apart of everyday life, there music should be known and listened to passingly not because it's all there is. Variety is key, rock, hip hop, rap, pop being staples in American culture gives soul music credence cause people had choices. When the main acceptable thing is one genre and everyone feels inclined to like it to support the culture it leads to less good music. Variety means competition.

also I believe me using the younger but post pubescent versions of these boy groups are fair because I'm trying to get around Exo's vocal range.

It's not a young Justin completely and not an older Justin so I just used two different video's comparing growth.

I used Haley to cover the belting to compare the technique. I struggle putting into words completely so to give a basis I'm using musicians I actually listen to, in order to give a fair explanation on why I feel like for the kings of K pop operating on a global performance level they don't really hit for me. But not just that, also I just like talking about their impact and what made them a group, both good and bad. I really don't like stan culture, like I really don't. I feel like it took defending celebs way too far. I can't even find an honest review anymore. It's turned fans into babies who can't even articulate what they mean anymore. The brains are beyond fried and it's by choice. Simply to fit in and impress the next person.

I always question if I'm on the right path so I listened to Exo in the studio..I-- it's like average modern korean vocals.

Vocal teachers in Korea that actually want the kids to have vocal chords left after 35

Because forcing people to sing out of their range when you can instead let them mature, and marinate is so dumb. All to impress people and to keep up with 15 year old idols it's not smart.

A good example of proper technique is Bang Yedam, his parents are godtier stage parents, with their kid every step of the way. YG didn't make him, he can write good decent music on his own, he knows his worth. He was taught I'm supposing in a similar manner to the western artists. Very smart. He never went out of his range for a group and now he still has his voice and will continue to if he cares for it.

I remember watching this years ago, and I still to this day can't put into words everything I have stated Exo I suppose wasn't taught to do..but that's wrong. What I believe is similar to dance there's a breaking in process. You cannot just wake up one day and sing like Aretha Franklin or Mariah Carrey you must start from childhood and train your vocal chords. Also I'm assuming..it is something people may be born with. Training is apart of it but some have trained for close to almost 20 years and like I'm not finding what I find in the other artists even children/men/women from the Philippines can sing a Beyonce song randomly like I've studied a lot. It may be something unseen. Like who's gonna study this. Nobody really cares.

Anyway concerning Bang Yedam he hasn't sung many western songs post puberty but this cover of thinking bout you where he's barely raising his voice yet implements bass. He switches into chest voice effortlessly. Many mistake head voice for chest, if the neck veins are popping for someone slightly lowering there voice that's head voice. Chest kind of flows out. That's where the belting and heavy flow out of projection comes from. He has definitely at a very young age solidified his own voice

Like if you don't think this is impressive...lord it's like ..this is a talented child for real. Texture is so hard to come by, like he has real texture, he's aware of almost every facet and can bring out emotion like man there's some talented kids in this world. Like, studying the science of it makes it truly more enjoyable for me. The more Iearn it truly helps me understand more about God and how he works, like everybody is truly different and the best part is when a person does what they specifically are made to do. Forcing someone to become someone else, I hate that. Nobody should try to be anyone else but they encourage these kids to do it instead of figuring themselves out

These companies did not make their trainee's. The credit they are given is honestly blasphemous, it irks me. They helped them get famous but I blame any parent who didn't have their child taught outside these companies. They loose confidence, will struggle to become artists and will loose themselves in this industry.

No everyone isn't the same level of talent. With a lot of these people it's not their teaching, it's their knack for it plus genetics and anatomy. This is clear now, because if everyone were capable of singing just like this is kpop they would. His training helped but people have to stop taking away the self appreciation these people have. They are who they are because they were born with a specific set of skills.

I honestly don't think of western artists much when others berate the talent of others and lift some up. I always think about the precious children left behind because their looks aren't as up to par with the beauty standards, or their fanservice isn't as good.

It's sick to be honest. I understand people can like whatever they like but the lies are getting under my skin, false narratives. Certain talent suppressed. Over obsessed fans laughing at those who are actually more talented than their preferred person but they don't have clout or a huge fanbase so what do it matter. Meanwhile the company isn't even concerned with making good music. They just buy whatever sounds decent hire western producers to do most of the work the throw their staff on it to even it out so they seem self sufficient.

I actually feel better doing all this research cause I always go to the ends of the earth to figure out the truth. I wanted to do other things but this was on my heart for awhile.

I have more specific opinions on Exo but.. I don't know if people are ready for that, it's not rude at all but it's..I'm very blunt and do a lot of research so it's so true to me it would be nothing to say but a pain to explain. I will one day but I mainly just wanted to put non exo musicians here because sometimes you need a fresh perspective. Personally I can't imagine listening to kpop as much as most people do, I bet my perception would be messed up as well. I barely knew s.m had a sound or what techniques s.m used and how once you notice it you can hear the shortcomings of all of their singers, how badly they are straining themselves and how unhealthy it is.

I guess that will be another day when I feel like it. I barely do theories anymore like I used to because reality is way stranger than a theory. But this is just something I do for fun so it depends idk I kinda wanna look at some movies or comic books. It depends whatever is least stressful.

End of pt 2.

that one japanese girl who tried to k word her bf for cheating then waited in the lobby chilling til the cops came to pick her up

Stephanie played with so many people with this ship, she knew she had no intention of jacob ever having a chance, I was watching eclipse back in 2010 like maybe edward will leave again

“It’s just that, I know how you’re unhappy a lot. And, maybe it doesn’t help anything, but I wanted you to know that I’m always here. I won’t ever let you down– I promise that you can always count on me. Wow, that does sound corny. But you know that, right? That I would never, ever hurt you?” 

Isabella Swan & Jacob Black in The Twilight Saga (2008-2012)

sigh I need to get back into my weird theory bag this blog seems like it belongs to a normal person

they are sending pictures and have him write somber letters like he's actually in prison to build up suspense when in reality he could have been just did a live on instagram.... like on one hand I don't think he should spend every waking moment checking in yet at the same time I feel like at the very least he should be able to speak his mind. Let's be honest weverse is very controlled, and all of this has s.m written all over it. He's always been terrified about going against what the staff and managers want. So he's probably updating whether he wants to or not. I think especially since everybody is making career changing moves regarding s.m and kpop in general. He needs to start speaking up for himself, these people will use him until he literally can't go anymore. Everyone who filed a lawsuit is not lying, but with kai he genuinely thinks if he works hard enough and does everything they say them they will treat him right. The military thing showed that's literally not true, they only care about money, if they could replace him tomorrow they would. His loyalty to s.m is becoming his weakness I hope he can figure out how to brand himself and speak for himself. He must. S.m is brokedown and desperate they will sacrifice anybody for a quick check.

240314 Kai Weverse Update

"I’m thinking of you when Spring is coming. Don’t catch a cold on a warm spring day!" Translation

To all the exo ls that let this fly

like it's so crazy how nobody needs to work hard to expose s.m because they seem to do a great job of it themselves.

Really crazy work how the same manager got moved out the group and sent to china after all the photos and vids of the inappropriate behavior with the members. Like people do know he was like 13 when he joined the company correct, like all the sus moments with the members and the staff that knew them since childhood are crazy. Like insane. This is why I never wanna here any big happy family comments about him cause I just know it isn't true. If any parent had half an inch of care about their child they wouldn't put them in this situation but at the very least they would attempt to get them out. Tao and Kris's mom and dad fought for them to go free. I'm assuming Luhan same thing. Like given how young he was, like nah no way and then he was marketed for noona's as a teen. He was in charge of sexiness at 17.....nope nope nope. They are so slick trying to wait for him to turn 18 to let him outside and begin acting super erotic. Like he wasn't in the practice room for years with staff trying to perfect it. Living in a dorm with 30 other dudes for years as a child. Went through puberty surrounded by a bunch of grown adults without any supervision. I love how everyone loves his sexiness but fail to realize he adopted that persona when he was a child, but people are so concerned about the kids in kpop apparently not. He has no boundaries cause he was never given any. He literally thought this was normal.

And they are still trying to recruit kids and this time they are targeting third world countries, I really hope they know hell and prison are real places. On god if lsm doesn't leave these kids alone I hope

the powers that be give him the kitagawa treatment

bbc.com

Two more abusers at J-pop predator's company

The two individuals involved in sex abuse at Johnny Kitagawa's agency are still alive, BBC is told.

No parent should ever have their child at a dorm with a bunch of grown men, EVER I don't care what s.m promised him!

kai grabbing a fistful of the manager noona’s hair…

Social engineering and the kpop industry or Twin Theory

I’m not sure depends on how I’m feeling tommorrow. Definitely wanna start on one or the other by tommorrow. Twin theory is halfway done but I’m sure people will actually think I’m insane, but idc I’m bored and what’s the alternative talking about what everyone else is talking about no ty.

The Kingdom of Dreams and Madness (2013) dir. Mami Sunada