And Be Careful Of Tears Blurring Your Vision Whilst Driving

And be careful of tears blurring your vision whilst driving

Finally started listening to Malevolent and first of all holy SHIT is the eye control thing a great way to have an in-universe reason to give the listener visual details, and secondly, is this series going to be Toxicly Gay or am I a dumb idiot queer who hears a British man being tormented and goes 'oooo they'll be SO unhealthy for each other~'

No major spoilers or anything (as of writing this I've only finished episode two) but do feel free to do to me what I do to new TMA fans, aka vaguely implying shit that the new listener will squint at for being ominous, then return later going 'YOU BITCH YOU DIDN'T WARN ME!! FUCK!!'

More Posts from Mymalevolenthyperfixationpit and Others

Malevolent

Malevolent

Some normal fanart for John in yellow

Tw high pitched loud noise? Is that a thing?

This is probably a bad time to post due to the actions of a certain Jalexander/derogatory//affectionate (and everyone involved. I’m sure they too are giggling and foot-kicking)

BUT I wanted to know what The Song sounds like on the violin and y’all. It’s so melodramatic. I’m out of practice(read I have not practiced in years) so it’s uhh a little janky. But the potential is there. It really gives Sherlock angst-playing at a window about The Woman.


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I relistened to episode 27 earlier, and now that I've had time to actually process it, I want to examine that final desicion in a bit more detail.

Let's start with some facts about the monster:

It is intelligent ("It's not a mindless being like the one we fought in the Dreamlands, John, it's intelligent.")

It knows that its victims can free themselves using obsidian ("to know when to be silent, to guard obsidan so more of its meals won't leave.")

It knows where the only source of obsidian is

It knows John and Arthur have returned to the mines ("It senses you.")

It knows that they're in contact with the person they met in the shack, who I'm going to nickname Cave Buddy (CB).

We can safely assume that the monster has drawn the following conclusions: John and Arthur would only return to the mines to rescue the others, and that CB, having already freed themself, can tell them how to do that. Meaning that the monster knows that John and Arthur will be heading to the lair to retrieve the obsidian. So its most obvious course of action is to go there and wait, which is exactly what it fucking did.

Now some facts about the Cave Buddy:

They have survived down here for a long, long time ("They look pained as thay talk, as if they haven't spoken in a long time."), and have managed to evade the monster for that entire time

At one point the monster got close enough to attach a tendril, and CB still managed to get free ("Cut it out"). So it's been demonstrated that they are not completely helpless

They are small enough to fit through narrow passages and nimble enough to climb into the rafters, and they can do both of those things too quietly for John and Arthur to hear. They are highly mobile and stealthy

They have willingly stayed in the mines for a long time, at great risk to their own safety, because they want to free the others ("You haven't left because you want to help them.")

Their tendril has already been cut free, and presumably another one cannot be attached. Meaning that the monster won't bother trying to subdue them and will simply kill them on sight (which it did.) CB knows this.

It can be assumed that any decision CB makes takes all of this into account.

Everything I've listed is information that CB, the monster, John, and Arthur all either already know or have the capacity to deduce. And they're aware that the others know it, too.

So in light of all that, walking into the monster's lair without someone drawing it out first is effectively suicide. John and Arthur should have know damn well that the thing was gaurenteed to be in there because, as Arthur said, it knows to guard obsidian. Someone needed to distract it, and CB's superior mobility meant that they had a way better shot than John and Arthur.

Having CB serve as a distraction is not only the logical choice but also the compassionate one, because it gives them the best chance at achieving a goal they've had for a long, long time. It's dangerous, yes, but their continued presence in the mines and the fact that they literally fucking offered to do it proves that they are just damn fine with that risk.

Basically, CB was not a child or a pet in need of protection, they were a rational being who was trying to achieve a goal and who knew full well what they were getting into. Choosing not to have them provide a distraction was a poor decision.


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I’m surprised Malam has any time to slumber considering the child mortality rate of the middle ages.

Also, if Faroe had been “with them” this whole time, that dead toddler has seen some shit.


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Stoathur.

Stoathur.

i have nothing else to say, and nothing in my defense. Arthur as a stoat. or weasel? i don't know at this point.

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[ID: A digital illustration of Arthur Lester, as an anthropomorphized stoat. His fur is scraggly and unkempt, most of his fur a rich brown while the fur of his chin and his throat is a light tan. His suit is a darker shade of brown than his fur, and his shirt, tie, and pocket square are off-white. He wears a pair of glasses. The expression on his face is tired as he stares at the viewer, his eyes a glowing yellow. /end ID]

Do you ever think about how unsettling Arthur must look at this point? He’s this pale, emaciated, grimy(he splashed around in dirty bath water *once* in 5 months) guy in ill fitting clothes who looks like he took a spin in a rock tumbler. One of his hands looks diseased and the tip of the pinky is just blackened bone. Worst of all, there’s something wrong with his eyes but you can’t put your finger on what.


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Is it ever explicitly stated that John strangled Parker with Arthur's body? Or is that just common interpretation due to the fact that there's no blood meaning he wasn't exactly dismembered like Emily?

Because don't get me wrong, the idea of being very physically killed with the hands of your best friend is deliciously angsty.

But also... The only thing that we know about Parker's death is that he called out Arthur's name before whatever happened, happened. Who's to say that John didn't just magically liquify his organs inside his body? Who's to say that the power of John transferring himself into Arthur's body didn't melt his mind until he literally forgot how to breathe or something?

I'm just saying that as much as I love a bit of angst I think the much more eldritch kinda gory options are really fun to think about, because until stated otherwise there's almost endless possibilities, even eldritch murder methods our minds literally couldn't comprehend.


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so who has Arthur's eyelids? either answer is funny.

1. John does. John is canonically aware and active while Arthur's asleep/unconscious. So who wants to take a shift in the coma ward with the otherwise unresponsive patient whose eyes are open and keep following you around the room?

2. Arthur does. If John pisses him off too much, he can at his discretion say "okay well now NOBODY gets to use the eyes" and close them.


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arthur lester shivering like a feral chihuahua and covered in blood


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