Y’all I Read A Lot Of Scripts. And The One Note I Give Over And Over And Over And Over To The Point

A female dragonborn paladin with the noble background is the ultimate switch: she can be the knight, the princess or the dragon, as circumstances require.

I haven’t drawn the Elf Squad in a million years, what’s up

drew some kids today at the stream!  as usual, I am apparently only interested in STRONG ORANGE LIGHTING.  also, I didn’t realize it until halfway through, but I definitely borrowed the color scheme for Ashivon’s from some of @monoflaxart’s gorgeous fanart!! >O>

Alternative explanations for why your fantasy setting has powerful magic items just lying around where any random schmuck can pick them up:

Up until a couple hundred years ago, the world’s magical background radiation level was much lower than it is today. Most of magic items were once minor lucky charms and simple household conveniences; being designed to function in what’s now considered a low-magic environment, their effects have not only increased considerably in power, but have also become warped in unexpected and frequently ironic ways.

It’s impossible to create a magic item on purpose. Random objects just become magical, and nobody really knows why. Living things are never affected, and the phenomenon seems to favour manufactured objects over natural ones, though it’s unknown whether this is a real trend, or a reflection of the fact that people rarely “use” natural objects in ways that are likely to trigger any powers they might possess.

Magic items are actually the larval form of monsters. They spend the first part of their life cycle sessile, feeding off of the heroic destinies of the adventurers who carry them. When those adventurers eventually TPK, it triggers the next stage of the items’ development; shortly thereafter, the items “hatch” into a new colony of monsters and spawn the next generation of magic items, continuing the cycle.

There exists a possible future where the forces of Order and Chaos fuck up so badly that the world is torn apart and smeared across its own past. The wreckage of that future are/have been/will be raining down over the entire span of history leading up to it. Being indestructible, magic items comprise the bulk of the debris, but sometimes creatures, buildings or chunks of terrain make it through, which is where dungeons come from.

The world’s supply of magic items is actually very limited, but is constantly being manipulated by the gods to place them in the paths of people who will make best use of them – where “best use” is defined roughly as “hey, you know what would be hilarious?”. The random magic item tables the GM rolls on aren’t a game-mechanical conceit, but a completely literal modelling of the gods’ decision-making process.

There are no such thing as magic items. Sometimes ordinary objects just do things when adventurers pick them up. Almost no-one knows this.

why are star wars planets more boring than earth and our solar system like sure we’ve seen desert, snow, diff types of forest, beach, lava, rain, but like… 

rainbow mountains (peru)

red soil (canada/PEI)

rings (saturn’s if they were on earth) 

bioluminescent waves

northern lights (canada)

salt flats (bolivia, where they filmed crait but did NOTHING COOL WITH IT except red dust?? like??? come ON)

and cool fauna like the touch me not or like, you know, the venus flytrap.. and don’t get me started on BUGS like… we have bugs cooler than sw aliens

BASICALLY like???? come on star wars you had one (1) job where are the cool alien species

“When i die, bury me with a headstone etched with cryptic text that heavily implies my grave is cursed or that i’m a vampire. just to give future generations something to have fun with, you know?”

-mollymauk

I know I’ve been going on about the Chain tag recently (but seriously if you don’t want to see it why are you even following me) but here’s another thing I really think makes the Helltroopers that have been made seem like they fit really well. Even the pure spellcasters we’ve made feel like they would be right at home as just another body for a shield wall; it seems like it is obvious to everyone so far that the magical talent of the common Helltroopers is still situational or limited, and all of them are soldiers first.  Maybe I’m wrong, but it’s just really cool to me how it feels as though every single Helltrooper this community has developed is a soldier to some degree, like the Chain has magicians, sure, but they don’t have battle mages, they have soldiers with magical talent.

domestication syndrome is one of the coolest findings from recent genetics

The Demonslaying Greatsword

Painted the Moon Elf calling forth Exile from whatever Abyss it has been forged in.

Side note, how tf do artists juggle commissions, multiple social networks, personal work, life in general, social life, and even a day job on top? Like damn, I barely can keep up and I’m not even doing all of the above…

my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them. 

“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.

“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.

the tellers pass each other eyes for now it has started and they are delighted.

my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.

the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.

my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband  “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”

She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”

“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings. 

the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.

the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.

the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks to be sure i spoke to only him and no one more, for fear a man might snatch me. tell me, who else has a man so involved, in this day and age?

the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.

the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.

it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spent so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.

i follow her instructions. quick, quiet, complete.

the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.

the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold

but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.

my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.

like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.

i hold her, and she holds me, and our future is a love like a dream unburied.