my arch nemesis cynthia is, of course, at the bank, because we both were sent like clockwork to pick up the checks of our husbands. she is wearing a lovely long green gown, which i know was on behalf of me, because, as my husband will tell you, our house abhors green and glamour. already the tellers look at each other under their little hats, for they love our tirades, i’m sure, although not more than i hate them.
“oh, is that your knitting?” my arch nemesis cynthia peers her eyes at my hands. “is it some kind of… sock?” everyone knows she and i used to be close before we were married and our husbands, smartly so, have introduced us to the idea of true vengeance.
“it is a scarf,” i say. i want to tell her that when the time comes and the world gets cold it will go over my mouth and i will breathe warm air and it will fill my lungs and i will be able to run around with my love even in the dark night. “it is not,” i say, “over surprising that you should be caught unawares of a scarf,” i say, “as i’m sure enjoying winter festivities are too beneath the handsome qualities your husband prefers.” pompous ass.
the tellers pass each other eyes for now it has started and they are delighted.
my arch nemesis cynthia thrusts out her hand. a white bottle. “rat poison,” she says. “i would expect the whole town knows about your little problem.” stage whisper. “such a shame, my dear.” then she rustles her long green skirts - which i know she wore on behalf of me - and she shimmies herself out of the room like royalty. oh, she floats everywhere she goes, beautiful black hair behind her. the bottle in my palm is cold. i will devise how to get her back starting first thing tomorrow.
the week, as always, is a long week, for there is much to make and do and knit and be. my husband comes home and i love him for who he is; for he never comes home without checking the state of the house up and down. he is the kind who loves his home so completely and sets each room like a stage for a great band to come playing. i am too ashamed to tell him why so many of the rats go missing, only make him a stew the next morning to celebrate. his favorite, although not mine, i’m afraid. plenty left over.
my arch nemesis today - of course - in a green the color of rotting. a bruise is uncarefully covered on her cheekbone, so striking against all of her dainty. her husband would say it was for her ungraceful nature, and i know mine would agree. i strike first, already delighted by my master plan, shoving over our best picnic basket tied with a bow. “i made you and yours a stew,” i say, “for beneath all that you carry” all that horrible wealth of your husband “it seems you’re getting rather skinny.” i can’t resist one last comment. “i am worried you’re about to waste to nothing.”
She plucks it out of my hand. “yes, if it weren’t for you and your husband’s dwindling wealth,” her sarcasm is biting, “i’m sure i will be nothing in, oh, 5 weeks time.” she arches a brow. “so long from now.”
“i am counting the days,” i tell her. her lips purse. the tellers behind me make a choked titter. perhaps, by their estimation, i have won this round quite completely. i go home to my husband smiling. he asks where i have been and i tell him i’ve been at the bank, but he checks anyway because i like to get up to tricks and he doesn’t like to fall for it. it is a good game we play. at night, when he is asleep, i am so in love that i must convince myself to pull the covers over my nose and practice breathing. how silly to wake him up for a young girl’s feelings.
the first week of five: she gives me a solid, ugly ring that requires three knuckles to hold. “i feel so badly for your status, and i must remember to practice charity,” she says. “it such a small thing, but do be careful amongst all that thin pine furnishing of your house, which dents so easily.” my husband appears at the bank’s front door. just checking. so lovely to be picked up by him. at night, in a rage, i try it - beneath the table bends easily. i scuff out the scratch with walnut before my husband can see. i pull the covers over my face in bed and breathe.
the second week: i wear her ugly ring and give her more stew, this time hearty with meat. her dress is a meadow. my heart each time it sees her collapses on itself. she hands me clothes for my husband, since his wealth continues to go missing, and the charity of her heart is so loving. i am so ashamed i bury them far by the old tree, where all my shames go hiding. again, the covers. it, by now, helps me sleep. i have gotten so good at it that i can simply shimmy my shoulders to be perfectly toasty and buried.
the third week: she asks how comes my knitting. i tell her it’s nearly complete. she asks how comes my husband, whom she must know has been ill recently, and who is doing quite badly. i go home to him, shaking. even sick he is a good housekeeper, who comes home examining for dust and dinge so i do not fall behind on my chores. who checks to be sure i spoke to only him and no one more, for fear a man might snatch me. tell me, who else has a man so involved, in this day and age?
the fourth week she is envy green. i shove a whole heaping of stew at her, for now her husband has gotten it. i say it will return him to spirits, she laughs, a sudden, beautiful sound, even in the quiet of a bank. everyone stares. maybe it is the stress that is making her quite improper. i feel the same way. so much is happening and it always seems she knows. she says she heard he has left me nothing in the will, which everyone already knows. she says she doubts either of us can dig upwards from the hole we’re both in. i look at the bruise on her nose. i tell her to mind her own husband, and be careful where she goes.
the fifth week: so final. her, garishly lime green. and i in black, to pick up a check that hardly seems the effort. it will be enough to cover my husband’s funeral. she smiles at me and hands me a silver bottle. she says quietly: now that i am destitute, there is one thing for it all, and everyone would understand quite completely. it would be quiet, and quick, and complete.
it is the night of the new moon, so dark no man can see in it. i receive notice her husband has died, and i am sorry to say i find a terrible joy in it. the air has changed cold. i have left a note asking to be buried in my scarf, the last thing i have made on this earth. i go through each perfect room, but there is nothing else to take with me, for the house has always been his and his alone, and now aches to be gone of him. i would not serve as a good tender for it. having spent so many nights watched carefully, the silly girlish freedom i’d gain would surely set the house ablaze.
i follow her instructions. quick, quiet, complete.
the horrible rustling is what does it. like a million green skirts. and then it is dark, and i am in my own coffin, eerie with pine. my head hurts but i must be quick and quiet. they have listened and buried me with my scarf. i shimmy my shoulders just-so and get it over my face. bring my arms up, ugly ring heavy, and begin to hit as hard as i can, over and over, the thin wood of my husband’s favorite furniture, the cretin. it would be pine, of course - he left me no money to be buried in any nicer recourse.
the wood splits so horribly, and then it is very hard to breathe, harder than under the covers, and i have to remind myself to be patient and continue to dig upwards, while my throat closes and my heart beats so loudly and the whole thing is so heavy it is a universe. the shifting of gravedirt is loud, and loud, and i feel i will be turned into a worm, and i fear everyone has forgotten about me, or i have gotten the timing wrong, or i will really die down here in the dirt and the cold
but then her hand, and my hand, and we are both digging towards each other, and she lifts me so easily from the ground like a plucked turnip and holds me against her, us both panting and muddied. we can only stay like this for so long, here in my pauper grave, and then we are both running to the old tree where we met, and unburying a second thing; my lovely box of shame, and men’s clothes, and all of my husband’s dwindling fortune i have slowly been squirrelling away.
my love and angel cynthia, who has black hair like a curtain and a mind so fast i sometimes am in frank awe at it, who is, even now and dirty and raw: even now the only sun in my life.
like this, i a man in an almost-dawn, and us cleaned by the river, and her smiling so widely, and only a faint bruise on her, and our pasts behind us in ugly garish colors. and her delicate hand and beautiful nose and when i finally get to kiss her it feels like green feels; my favorite color, all warm and nature and sunny grace and grass and lying awake so filled with love it makes you shake.
i hold her, and she holds me, and our future is a love like a dream unburied.
Helltrooper Breeze
“I go where the wind takes me. And for now, she keeps me with you.”
Breeze is a CG half elf druid of the land (forest probably). She joined up with the Chain of Acheron when they were contracted in Farrow. She was grateful for their change of heart in attacking her people and joined after learning of their travels from some of the rank and file members. Breeze is guided by her wanderlust more than anything, as well as her need to explore and learn. She feels as though she has much to learn about life, so joining the Chain was a way of learning about how the world works outside of the small community she grew up in.
She actually planned to leave the Chain in Blackbottom, she had already said her goodbyes for the most part before they arrived there, but promised to stay for one more drink before she went on her way. And then Ajax happened and it all went to shit. I imagine she ran to find the Chain as soon as she saw the floating city, and would have helped in the evacuation of Blackbottom in any way she could. She’s also probably joining some other Chain soldiers on the journey to Capital.
I’m an absolute sucker for found family tropes and Breeze is absolutely the type to be ride or die for people who care about her. I imagine that people gave her the nickname Breeze once they saw how little she actually plans and just *does things*, as though going along with wherever the breeze takes her. No one really believes she’ll actually stay with the Chain for that long, but she’s here for now and she’s loyal enough. She’s young and easily excitable, and while she has little life experience, she’s fairly insightful and knows people. Also probably knows more things about berries than how cities work (we love a feral druid in this house okay). She’s a bit of a hoarder too, but of like, leaves, flowers and pinecones. Keeps all she can in a little notebook she has.
Tl:dr she’s an air sign for sure, would have a aesthetic blog if she could, tumblr witch vibes, has eaten leaves to make people think she’s feral so they leave her alone and would 1000% die for the Chain of Acheron because this is her family damn it! She belongs, for once in her life, in this rag tag mercenary company, and she’s not about to let that go anymore. Even if she has to fist fight Ajax, she will do it to protect her family.
idk if uquizzes are still a thing that anyone cares about, but my love for quizzes will never die, so i’m back with another one! i made a dnd class quiz focused more around personality and mindset and less about what abilities you’d like to have in the game.
also, if anyone is interested in a subclass quiz for any of the classes, let me know! i’m totally down to make those, i just don’t know which class to start with haha
link to the quiz in reblog
I’ve seen a lot of hate recently on certain words used by the aromantic community to describe their experiences, so I feel that some clarification needs to be made.
The term aplatonic does not mean someone who doesn’t want friends. It does not mean someone who doesn’t have friends, or someone who is antisocial. It is not ‘uwu I don’t have any friends I’m so queeeeeer’. No, stop spreading that information. Aplatonic is simply a descriptor used by some aro people to explain that they do not experience squishes nor desire to be in qpps/qprs. (Squishes are essentially friend-crushes, it’s the aromantic equivalent of a crush, except there is not romantic attraction involved. QPRs or QPPs are queer/quasi platonic partnerships/relationships: essentially non-romantic domestic life partners)
Because of the confusing way these are often explained and because of the -platonic suffix, people unfamiliar with these terms automatically jump to “so friends?” Lemme stop you right there buddy. No, people in qpps are not 'just friends’. It is a term used to essentially describe non-romantic life partners. People in qps sometimes live together, get married, raise children together, etc. It is not 'just being best friends’. It is not trying to make friendships seem unimportant or secondary.
Many aro people do desire to be in long term relationships. They still do not experience romantic attraction (hence being aromantic). Many aro people experience squishes. However, many do not. In order to simplify this, the word aplatonic was created so that people who do not experience this can more accurately describe their experiences in the aro community with as few words as possible. There’s a lot of focus in the aro community on having qpp/qprs, so there was absolutely a necessity for this word.
Aplatonic is a word also often used by neurodivergent aroaces who struggle with forming relationships of any kind with people, and tumblr’s quick jump to make fun of it is frankly kind of ableist.
That one post that was being spread around where the anon was asking if aplatonic people are LGBT+ was not someone asking if people who don’t want friends are LGBT+. Rather it was asking if an aroace person is in a domestic partnership with someone of the same gender as them, and they are considered LGBT+, shouldn’t all aromantic asexuals be considered LGBT+ as well because their attraction(s) are the same? (And yes, I know that in that case the partners would be seen as gay from society, even though they are aroace, but I digress) At least that was my interpretation of the ask.
The -platonic suffix is not meant to be used like the -romantic and -sexual suffixes used in the ace/aro split attraction model. The whole discourse honestly has confused a lot of people about what the split attraction model is and it’s really irking me. People gotta stop acting like 100% cis straight people are going to suddenly start identifying as aplatonic. It’s specifically an aro word to describe the ways in which aro people experience attraction. It is not an identity by itself, no one is claiming it to be. It is a descriptor of aromanticism. Anyway, people outside of the aro community need to stop policing aro words and stop taking the parts that make up a word at face value.
Medusa with the Head of Perseus, Luciano Garbati, 2008
Concept: Star Trek style quasi-utopian deep space drama, except all of the ship’s non-human crew members are really obviously based on particular sci-fi horror tropes.
The chief physician is an amorphous mass of tentacles and teeth that’s infested the entire medical bay, transforming it into a quivering nightmare of meat and viscera. It speaks with a conspicuously posh accent; the human crew members affectionately call it “Doc”.
The head of security is a lurking, probably humanoid something-or-other that’s mostly imperceptible in the visual spectrum, save as a faintly shimmering distortion in the air. Her lack of visibility is treated as a running gag, with the most frequent bits involving a. other crew members not realising she’s in the room until she speaks up, and b. her making reference to various unlikely anatomic features which, of course, the audience cannot see.
The ship’s computer is a blatantly rampant AI that speaks in a chorus of voices. It tends to talk in cryptic, pseudo-religious metaphors which contrast to humorous effect with the mundanity of the topic at hand, and sometimes wanders off on rambling philosophical tangents that require whoever it’s speaking with to remind it to get to the point. You can tell when it’s paying attention to a particular part of the ship because the lighting turns blood red.
The lead science officer is just a huge fucking spider.
(The captain is an apparently ordinary – albeit extremely photogenic – human. We don’t find out what their real deal is until the season finale; what’s revealed firmly establishes them as the freakiest one of the lot!)
a character design i came up with
ikea released introductions on how to build different furniture forts
C1 F2 R2 Z1
just hops this time
C1 How do they sit in a chair
– normal except completely sideways (arm rests prevent this)
F2 What is her ideal party
– She doesn’t really like parties
R2 Would they be a strict or laid back parent
– Strict but I guess it depends what about
Z1 What is their favorite animal
– real big just sloppy dogs like st bernards or newfoundland or neapolitan mastiff
@hubbleablubble we all love you and this is insane Chain OCs on stream I’m still smiling. We made it lads we worldwide now. Hawthorn, Paisley, Hops, Mint and Footpad the lads. @fisyx @xynnos @zarozinia
What people think writing is like: careful planning and thought out plotlines
What writing is actually like: being possessed by an idea that you are constantly arguing with