The first set of duels all involve seeking a return to a comfortable stagnation or projection. The character has left a state that they wish to return to. The second set all involve seeking to reject the current surrounding world for one that matches their desires. The third set of duels is finally closest to the truth of what 'Revolutionizing the world' is - seeking to prove a change exists in the perception of the duelists - that a level of maturity has been reached and the duelist has grown up - but this change only occurs upon the duelist losing the duel. Without the loss all the third duel accomplishes is the completion of a Rotation on the Revolution. The duelists seek ‘adulthood’ in the belief that doing so will grant them the power to continue to exist unchanged even in new circumstances. Revolution has two meanings within the narrative - a break from stagnant conditions or states, and the completion of a cycle that returns to the start - like a carousel’s spin.
I think that the power to Revolutionize the World that all the characters fight for in Revolutionary Girl Utena is primarily a power to change oneself and break free of the eternal revolution offered by Ohtari and embodied by Akio. Part 1/2 - Mikage & the Black Rose Duelists, Saoinji, Miki, and Juri.
Nanami post link
Black Rose
Mikage in the Black Rose arc keeps trying to kill the Rose Bride and win the power of Dios, but he fails every time since every duelist he chooses is attempting to Reject the world and revolutionize it based upon changing other people. A miracle achieved though sacrificing other people - they pull their swords from others and bear the rose crests of others.
Mikage and the duelists are working on an entirely flawed premise - so each duel ends with another corpse in the crematorium and another chick that failed to break their shell and a return to status quo. Each person dueling is attempting to seek a revolution entirely defined by the perceptions or actions of others - Kaene wants Anthy’s judgement of her (perceived or not) gone. Wakaba wants others to look at her as special (especially Saionji). Kozue wants to protect Miki's innocence, but she also keeps wanting to taint it - her sweet love towards her sibling has turned curdled and she also wants to return to the 'Sunlit Garden'- so everyone who can taint it needs to go. Shiori wants to 'Win' over Juri because she can't believe in Juri's feelings in their clash with her abysmal self-worth and she can't accept her own feelings towards Juri. Tsuwabuki wants to be perceived as an adult and grow up already - though he isn't sure what it entails. Keiko wants to know Touga, and perhaps it is a plain desire common to most of Ohtori, but it’s not one that can be fulfilled while she is the lowest girl on the totem pole and Nanomi is in the way. Mikage himself seeks connection but the person he wants to connect to is terminally ill - so in the ultimate conclusion of this theme of rejecting the world he is seeking Eternity in these memories and reliving the past literally - he is a trapped ghost in a burned down building. The one person rejected is the Onion Prince boy whose basal confession is that he believes the problem is in him - not others.
Saionji
Saionji wants his status symbol back and to have something special that his 'friend' Touga doesn't have and Utena confronts him in revenge for her friend Wakaba first and revenge for Anthy's treatment once she is already committed - later episodes make it clear Wakaba still loves Saionji so it is doubtful that she would have wanted the duel in her honor. As Saoinji scoffingly points out - Utena is the archetypical prince protecting the honor of princesses here. Saionji's 'revolution' is related primarily to his status in the system - without Anthy as his rose bride he is no longer special - just an average upperclassman. His second duel is much the same because despite his belief that he has changed - he utterly fails to articulate 'how' and no other character can even notice how or if he is different. He still seeks to possess the Rose Bride as a status symbol of being 'an Adult' and gaining something that designates him as special - most specifically in regard to Touga. He is the only 2nd time duelist that comes without their own Rose Bride. He's not fighting with his own power/strength of will at all. He's repeating lines said by Touga in the first set of duels, Saioinji is an imitation of an imitation, and it's not very surprising he missed the memo on the change in duel format.
But he seems to have found the route start for the process of growing anyways after being beaten again. Refuting Touga in his desire to be like Akio and accurately pointing out the central premise of Ohtari. He repeats with Touga there is no such thing as True Friendship- but it is still evident that his relationship with Touga only improves again after they fail to complete their revolutions on Akio’s stage.
Miki
Miki wants to recapture his “sunlight garden” through Anthy. He is seeking a return to a state which was simple and joyful for him and believes if he can possess Anthy then he can return to that state. Of course, this simple state in his memory doesn't exist. He loses the duels both times because his illusion of how things were was shattered - first by realizing Anthy was cheering for Utena - she was not an empty vessel for his fantasy, second by realizing that both his sister and Anthy had elements of 'adulthood' - he thinks that he is ready to 'get dirty to get what he wants' in regards to maturing his relationship with Anthy and finally the stability and strength to make his place in the world secure. Both he and Kozue wants to have the strength to return to the Sunlight Garden, but only Kozue seems prepared to grab the power to hold the illusion together - in which case she chose an excellent model. Akio is a professional in the art of maintaining an illusion.
Miki ultimately seeks to return to simpler times because he feels estranged in the present - a chick without a home.
The problem is that his Sunlight Garden is a fragile thing since it is only a facade. Kozue seeks to grant her brother the power of 'Revolution' and take him to the 'world of adulthood' but his sword is still a 'child's sword'. Realizing that he can't return to the past he sought the ability to create a comfortable present - but he can't follow-through with the 'adulthood' embodied by Akio and complete his revolution on the carousel. Perhaps his Revolution requires him to stop trying to fit himself to the dichotomy of either a powerful prince ‘who takes what he want’ or an innocent and pure child ‘who has what’s his taken’ since no such thing as a 'pure prince' who exists without subjecting others or getting subjugated. Perhaps hope exists, he does know a friend or two who also don't fit comfortably into the defined archetypes of princess or prince.
Juri
I understand Juri's issue in regard to her personal coffin - but I'm not actually sure the motivations behind her duels with Utena or what she is hoping to achieve. Juri's issue is that she doesn't believe in miracles (Shiori returning her feelings) but she really wants to believe in miracles (She can't give up her feelings for Shiori anyways). Her issue with miracles is "Believe in miracles and they will know your feelings" In this context, her duel with Utena is triggered by Utena telling how her Rose Crest links her to her 'Prince'. The parallel between miracles is the power to bring about connections - Juri challenges Utena to show her proof that her miracle - she will be led to her prince through her ring - is real while the camera focuses straight on Juri's locket - linking the two symbols. Juri believes there is no hope of her feelings or her being accepted if she communicates them to Shiori.
If she wins, she can continue to deny miracles exist while secretly hoping they exist - being engaged to the Rose Bride who is said to grant miracles - quietly locked into believing her feelings can’t be expressed. Losing - she still refuses to say out loud she believes in miracles - but it is still clear she is less hostile to the idea they can happen.
Juri's second duel starts with coercion - her anguish on seeing Shiori's humiliation and obsession with Ruka/Juri is outweighing her anguish on the uncrossable distance between Juri's feelings and Shiori despite their reciprocity. Ruka seems to love Juri and knows Juri loves Shiori and that Shiori can't and won't reciprocate with her issues, Juri loves Shiori but will neither reach out nor give up, Shiori loves Juri but refuses to believe that she is worthy so she must make Juri hate her. Juri and Ruka seem to share the idea - it's fine if they hate me as long as they are free from this toxic debasement that they are trapped in. Juri's growth hinges on accepting she shouldn't sacrifice herself for the sake of Shiori's miracle - love doesn't justify abuse. It is only by losing Shiori’s locket and letting her feelings (and fears) lay bare that Juri can break away in a new direction from the interruption into her cycle instead of a repeat of her past misfortune with Shiori.
It seems that Ruka succeeds in his goal of letting Juri move on from her obsession with Shiori - though to what degree he intended anything is ambiguous since he goes and dies afterwards. Juri can accept letting Shiori leave her locket and accept it doesn’t need to require her suffering to love Shiori. Unrequited (or believed to be) love can be left to grow wistful - instead of a constant thorn in the heart. Juri has been given a direction to go for when she is ready to Revolutionize her world. She can still love Shiori, but she can't keep letting the rose parasite use its venom.
Any Kevin with aspergers head cannons????
Mr. Infodump.
You get him started on something he’s invested in, he can talk for hours.
Unfortunately, the majority of the Foxes just… do not give a shit.
So, he actually spends most of his Bee time just talking about his interests.
Bee let’s him talk about whatever he wants, it’s his hour.
Sometimes, he’ll rant about Neil or the other Foxes for the entire time, and ends up with a really dry throat afterwards.
He loves his alone time; watching Exy, listening to music, reading.
Sometimes goes mute due to anxiety, and the Foxes interpret it as him giving them the silent treatment…
Doesn’t like conflict, as a rule. He’ll have fights with Neil all the time, but only because Neil is so aggravating when he’s wrong. That’s also why he fought with Seth, a lot.
Other people are just… so stressful?? It’s easier to be alone.
He’d really like to actually be friends with people, though. He wishes Neil was more understanding of his point of view, instead of dismissing him as a coward.
He really wants to be friends with Dan, too, but he also kind of hates her for casting him out.
It’s complicated. He has very complicated emotions towards other people. Sometimes, he can’t tell if he’s being over dramatic or if someone else really is that bad.
He loves calling Thea or Jeremy, because they’re always willing to talk Exy.
He stims! He stims all the time. He loves to bounce his leg or click his fingers. When no one’s around, he shakes a hand or both up and down like a jazz hands motion.
He can’t bounce his leg in the Maserati because it shakes the whole car.
I like the idea of Neil being Autistic, because it’s actually really common for us to not get a long all the time, because your different needs and opinions clash. Trust me, both my brother and I have Asperger’s and we drive each other insane with it.
In this house we love and support Nicholas Hemmick
lets be honest here, no matter how many compliments kevin has gotten in his life, he never ever gets used to them, especially if they’re about anything other than exy or his looks. anytime anyone compliments how smart he is or says something nice about his outfit or personality or whatever, he turns as red as a goddamn tomato and you know it. and the cutest thing is he’d like ?? try to hide it ??? but he’s blushing. i know it you know it oprah winfrey knows it obama knows it the aliens know it. we all know it.
Some of you have never thought about Nicky’s PTSD from his time in conversion therapy, and it shows.
homez18 replied to your post “Bravo to your Katsuki is not allowed to be weak (if he is he dies)…”
Eh. The slidhe villain attack made sense considering there legit wasmt anything those heroes could have done to save him. Except for all Might who didn’t want to exert himself until another kid was about to die
List of things the 6+ adult fully fledged pro-heroes could’ve done in the 10-30 minutes they were fucking around while a 14 year old was being murdered in front of them:
Kamui Woods grabs Katsuki by the wrists (so he can’t explode his way out), Backdraft blasts the sludge villain off with bursts of water. It wouldn’t have been perfect, but it could’ve seriously helped. Especially when he’s already been fighting for ages and they don’t have any better options.
Literally any of the heroes could’ve done what Deku did, but on a much larger and more effective scale. They could’ve attacked the eyes of the sludge villain and used their damn hands to scoop as much of the guy off as possible. Again, might not work perfectly, but better than standing there and not doing fucking anything while a 14 year old is fighting for his life.
Mt. Lady said she couldn’t help because it was ‘a single lane road’ and she couldn’t get down it. Fucking fine, have literally any one of the assholes standing around doing nothing move Katsuki or tell Katsuki to move out into the wide open space next to her so she can help! She could very easily scrape large parts of the sludge villain off of Katsuki, with minimal risk to her since she’s too large for the sludge villain to take over.
Death Arms could’ve fucking tried knocking the sludge villain off. Maybe he can’t do all of it like All-Might could, but again, anything is better than nothing and could be the difference between life or death if it buys Katsuki enough time for someone else to get there.
Even barring all the physical actions the heroes could’ve taken, at bare fucking minimum, they could’ve at least tried to talk to Katsuki. He could hear them. They could’ve offered him reassurance / advice / let him know help was on the way. Literally anything but leaving him all on his own.
Deku by all means shouldn’t have gotten involved, as he was a child and it was not his job to try to save Katsuki. That being said, he still did more to save him than literally any of the non-All-Might heroes on the scene.
Speaking of All-Might, while I understand he has his limits on what he can do, he also started this entire damn thing. The Sludge Villain was just stealing a purse, which isn’t great but isn’t life threatening, when All-Might decided to go after him. He escalated the situation, took responsibility for it despite knowing he was near his limits, and then fucked up. While Izuku shouldn’t have grabbed onto him / startled him, All-Might also totally failed to keep track of the villain he’d apprehended. He started this entire thing, and Katsuki was literally a 14 year old about to die in front of him because of it. That should’ve been enough for him to risk doing something on it’s own.
I also promise you if it’d been literally any other 14 year old (ie, just like we saw with Izuku) All-Might wouldn’t have hesitated to save them.
Can you imagine All-Might standing there while a 14 year old Kirishima was being strangled to death in front of him? What about a 14 year old Mina? Even if Mina or Kirishima was kinda fighting back, but still being suffocated, can you honestly see and justify All-Might / all the other involved heroes, just standing back and not trying to do something while these children are murdered in front of them?
tl;dr: The heroes had options and they actively chose to be useless. They weren’t helpless, they were complacent in forcing a 14 year old to fight for his life with no assistance.
This fandom needs more love for Nicky, cuz we all know he’d have more for us
a few years after neil and andrew go pro and the minyard-josten rivalry is put to rest, they decide to come out
the rivalry was fun while it lasted but really, andrew and neil just want to be able to be together without having to pretend that they hate it each other (because they don’t, quite the opposite actually)
so they hold a press conference with a trusted reporter (one neil can actually get along with. there’s only minimal banter) and they reveal to the public that they’re in a relationship, have been since college actually
and there’s a lot of backlash
a lot of bad backlash
it sparks a discussion that not only affects neil and andrew, but affects every single lgbtqia+ player in the league
should homosexuality be allowed in sports?
exy isn’t as bad as football, but it’s still not great for lgbt players. especially players who are out and planning (or are, in andrew and neil’s case) to go pro
neil is FUMING. andrew is a bit disappointed, but mostly irritated. he wanted to be left alone but now he can’t go anywhere without a microphone being shoved into his face
andrew and neil are hounded by press for weeks. when they play, slurs are hurled at them like grenades
they’re not allowed to give interviews after games anymore (reporters don’t care about the game, and put neil josten in front of a camera when he’s already on edge and pissed off and you will dearly regret it. andrew simply flips off every camera he sees, which is also not good)
neil gets benched for two games after punching a reporter in the face after they said something compeletly insensitive
there is even talk circulating about not letting andrew or neil play at all, at least for the rest of the season
it’s really, really bad
kevin told them this would happen. it’s easier to be straight while playing exy. kevin knows this, and he told andrew and neil that this would happen
but they’re his friends, his teammates, his family
and he can’t stand by and listen to the horrible things said to them or let them be kicked out of the league
andrew is the best goalie to ever exist and neil is a phenomenal striker. barring them from exy simply because they are in love just isn’t right
and it’s time for kevin to face some things about himself as well
so when kevin is asked to hold a press conference with all the big-name exy associates, he has never felt so nervous since college when he told the world the truth about his broken hand and who his father really is
kevin walks into the room, lined with reporters and people responsible for every pro team in america. cameras start flashing immediately
this is kevin day, olympic champion kevin day, son of exy kevin day
he’s easily the most influential person in that room. queen
kevin walks through the room of reporters and cameras and ignores all the questions thrown his way like a queen ignores the people below him
“kevin, kevin day, what are your thoughts on teammates minyard and josten coming out? do you support them?”
“do you think they should be allowed to continue playing?”
“answer the question, mr. day.”
and kevin signals out one, single reporter. the man perks up because he, out of all the reporters in the room, has caught the attention of this exy legend
this is live, broadcasted across the entire country, the entire world, even, and everyone is on the edge of their seats because kevin day is about to speak
“kevin day, should lgbt exy players be barred from the game?”
kevin leans in close to the microphone, his eyes never wavering from the camera trained on his face and says:
“i’m bisexual.”
I know this has been said before, but can we all appreciate the gem that is Luke Mullen? This kid was minding his own business thinking he was just going to be this minor character, probably not around for much in terms of storytelling.
Imagine being a young actor with no expectations for a role—one of his first, and as that role progressed being asked to be a part of something so huge. First off, what Terri(and Luke) have done with TJ is amazing, regardless of his sexuality(namely TJ being such a complex and sensitive human). Seriously, this kid is the king of subtle but impactful facial expressions.
But secondly, assuming Tyrus ends up being a thing, he’s taken it in such stride. You hear stories of so many actors(Gavin Macintosh and Hayden Byerly[and to a lesser extent Kalama Epstein] come to mind most immediately for obvious reasons) being asked to take a part of these historic roles, and not only having to carry the weight of what those roles mean, but being comfortable enough with themselves to portray these characters with the gravity they deserve. Not to mention the actors themselves are so young playing characters that are even younger, it speaks to their maturity. Obviously we are at a place in society now where variances in sexuality is more accepted and portraying varying sexualities is not as big a deal, but still. At the end of the day, it’s a huge weight, knowing how much these representations, in such young characters, mean to people.
Luke obviously can’t address it publicly yet, but I wonder what was going through his mind when he was informed that this was where TJ’s character was headed. Being such a young actor(both in age and experience) and not only being asked to play an LGBT character, but to be a part of such a young historic coupling is a huge deal and he and Josh have carried that weight so incredibly and so respectfully. People praise Josh all the time and he deserves it, but seriously, Luke is a gem too. Especially considering how little he’s allowed to talk about it.
Also, on a less serious note, TJ now has 3 lookbacks. I’m shook.