I'm just a weird girl who likes to read about history, mythology and feminism.
207 posts
“Sometimes it’s good to be scared. It means you still have something to lose…”
— Meredith Grey
“Just be fucking honest about how you feel about people while you’re alive.”
— John Mayer
for the draft thing: when i start writing novels i always have a lot of beginning, a fair amount of backstory, a solid ending, and maybe one or two key events in between, but nothing in the middle. i'm never sure how to approach this and it usually kills a lot of my projects :/ not sure if this is a question you can answer easily but if there's any tips i'd love to hear it!
I’ve gathered a couple of resources that I believe may help you with this.
Coming Up With Scene Ideas
How To Engage The Reader
Pacing Appropriately
Balancing Detail & Development
Writing The Middle of Your Story
Powering Through The Zero-Draft Phase
Maintaining Writing Momentum
How To Prevent Getting Stuck
Writing Your Way Through The Plot Fog
Resources For Plot Development
Guide To Plot Development
How To Foreshadow
Novel Planning 101
Tackling Subplots
Things A Reader Needs From A Story
Planning A Scene In A Story
How To Fit Character Development Into Your Story
And some prompts in case you have trouble getting the creative juices flowing while you’re brainstorming...
Romantic Prompts
Angst Prompts
Dramatic Prompts
Suspenseful Prompts
Sad Prompts
20 Sentence Story Prompt
31 Days of Character Development : May 2018 Writing Challenge
31 Days of Plot Development : January 2019 Writing Challenge
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Masterlist | WIP Blog
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If you want to get serious about increasing your writing output, you need to know what your baseline is. For a few weeks make a note of when you start writing, when you stop writing, the number of words you wrote, and where you were. Then analyze the information. You’ll quickly get a sense of if you write better in the morning or at night. If you write better at home or somewhere else (I know this isn’t as easy to do because of covid right now). Then when you can, write at the time and place that make you the most productive.
“Before you ask why someone hates you, ask yourself why you even care.”
— Tiffany Alvord
I'm going to be blunt here: a lot of creative people tend self-sabotage by giving themselves goals that are (1) not healthy and (2) completely unrealistic. I know because that used to be me.
I like to lead by example, so I'm going to give you my easiest, quickest, most successful guide for how to set your goal; regardless of whether you want to write a novel, edit said novel, pick up drawing, or learn an instrument.
Ask yourself the following question:
"What is the least amount of time I can spend on this project every day?"
You read that right. Not "the most time" or "what you can spend on average." We're talking LEAST here. What is the least amount of time you can spend every day? Two hours? One hour? Twenty minutes? That's good, and that's enough.
Take it from someone who's been doing this for a while, who's made all the mistakes, and who's had to learn and re-learn this:
Consistency is Power.
The person who consistently works on their passions, every day, will not only grow faster, and finish more things, but also just be happier.
I know our human brain hates to wait; we want things to be ready yesterday, we want to see growth in a matter of minutes, but this is just not how life works. Being impatient only leads to burn out, take it from me. I learned that the (very) hard way.
So, again, ask yourself the question above and consider the LEAST amount of time you can spend on your craft every day.
Got it? Good. This is your goal. Now comes the hard part.
You may think that working on something only 50 minutes a day is not enough to actually get better, but that's actually how I practiced drawing. And you've all seen how far I've come. That's consistency, baby—but that isn't the only benefit of doing something every day!
The more you teach your brain to do something the less friction there is whenever you want to do said thing. It's just science. Writing can seem daunting, scary even, but the only way to change that is by consistently facing the blank page.
It gets easier. It'll never be automatic, you're never going to write a book in one sitting, but it is going to get less hard. Less harrowing. Some days you'll sit down and your allotted time will fly by.
It's wonderful.
That being said, the target is to work on your project everyday—because that'll help you make it into a habit faster—but don't stress out if you miss a day. Life happens. Whatever you do, try to miss as few days as possible. Keep a calendar, post about it on social media, tell people that you're challenging yourself. They'll take you more seriously.
Your creative projects shouldn't impede your life, they should be a part of your life. That is why we practice them daily, and we spend a healthy amount of time on them. If 2020 taught me anything, it is that you have to take care of yourself. We are a system, a machine with many components, and when you don't take care of one the whole suffers.
That's why it bears repeating.
The best creative goal is one that you can achieve consistently with ease, every day, so that it can function as a part of your life.
That's the trick right there. I can tell you from experience that I used to think my writing, and my art, where separate to the act of living. I did those things, and then I did the living. And I shouldn't have to tell you, but that was such a mistake.
And if you think it's not, remember that I don't give advice I don't follow myself. So far this year I've written AND edited two novels. All without burning myself, without rushing, and while taking the time to appreciate life.
Take that for what it's worth. 🐰🌻
There’s a fool proof way to determine whether your characters has been developed enough or not. Ask yourself:
If your answer is:
“No, my story wouldn’t work, because this character is intertwined into the story to such an extent that if I were to remove them, the story is feels incomplete, and certain storylines won’t work.”
You’ve got yourself a well developed character.
If you can’t remove a character without causing inconsistencies to the plot, you’ve got a character that is dimensional enough to work on their own.
Hence, by removing said character, you’re removing a fundamental piece of the puzzle, which in turn forces certain storylines to be incomplete.
Let’s say, that you could easily remove a certain character from your story, without the risk of screwing with any current storylines. Let’s even go as far as saying that you could replace said character with another character, and it still wouldn’t make a difference to the story.
In a scenario like this, your character has not been developed enough to stand their own ground. If you can give your character’s storyline to another character, or simply replace them with another, without noticing a difference in your story, you need to go back to the drawing board.
Your character is not fleshed out enough. They don’t bring personality to your story, because their departure from it is not noticeable.
For a character to be dimensional, or developed properly, their loss needs to recognized, and if they’re not part of the narrative, the story should feel incomplete, because a fundamental piece of the puzzle is missing.
“The prettier the garden, the dirtier the hands of the gardener.”
— B. E. Barnes
“Believe with your eyes, not with your ears.”
— Unknown
The best advice really is to just write. Write badly - purple prose, stilted conversations, rambling descriptions. Don’t delete it, pass go, take your $200, save all your garbage in a big folder. Look at how much you’ve made - it doesn’t matter if it isn’t perfect, isn’t polished, it was practice. Every time you write you learn a little more, and find another piece of your voice.
“Forget all the reasons why it wont work and believe the one reason why it will.”
— Unknown
“We can’t help everyone, but everyone can help someone.”
— Ronald Reagan
“Have you ever wondered which hurts the most: saying something and wishing you had not, or saying nothing, and wishing you had?”
— Unknown
“I can’t think of a better way to revenge someone who tried to break you, than to live and love life more without them.”
— Innocent Mwatsikesimbe
“You will always be too much of something for someone: too big, too loud, too soft, too edgy. If you round out your edges, you lose your edge.Apologize for mistakes. Apologize for unintentionally hurting someone — profusely. But don’t apologize for being who you are.”
— Danielle Laporte
“Don’t listen to yourself; listen to the advice that you give others.”
— Michael Lottner
“It’s amazing how much distance one truth can create between two people.”
— Colleen Hoover (via quotemadness)
“I do not think I’m easy to define. I have a wandering mind. And I’m not anything that you think I am.”
— Syd Barrett (via quotemadness)
“Start writing, no matter what. The water does not flow until the faucet is turned on.”
— Louis L'Amour (via quotemadness)
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Resources For Writing (Global) Period Pieces : High Middle Ages & Renaissance
Resources For Writing (Global) Period Pieces : 1600s
Resources For Writing (Global) Period Pieces : 1700s
Resources For Writing (Global) Period Pieces : 1800s
Resources For Writing (Global) Period Pieces : 1900-1939
Resources For Writing (Global) Period Pieces : 1940-1969
Resources For Writing (Global) Period Pieces : 1970-1999
Resources For Writing Royalty
Resources For Crime/Mystery/Thriller Writers
Resources For Writing Dystopian/Post-Apocalyptic Stories
Resources For Writing Sketchy Topics
Resources For Writing The Mafia
Resources For Writing Injuries
Resources For Fantasy/Mythology Writers
Resources For Writing Science Fiction
Resources For Romance Writers
Resources For Plot Development
Resources For Describing Physical Things
Resources For Describing Characters
Resources For Creating Characters
Resources For Worldbuilding
Resources For Describing Emotion
Masterlist | WIP Blog
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.
Shoutout to my $15+ patron, Douglas S.!