Latest Posts by justanothergirlsblog - Page 3

“Here’s the thing: The book that will most change your life is the book you write.”

— Seth Godin

“Be thankful for all the difficult people in your life, and learn from them. They have shown you exactly who you do not want to be.”

— Unknown 

How to come up with a story title

By Writerthreads on Instagram

I’ve identified a few types of story titles, and I’ll briefly describe them below:

Common saying/phrase

Eg. When the Cows Come Home, Cruising for a Bruising

Usually, the saying might describe the events of the book or men’s something

Something with a character’s name

Eg. The Redemption of Fletcher Cheung (my old title), Harry Potter and the _______

Or literally the character’s name

Eg. Oliver Twist, Doctor Strange, Hansel and Gretel

A location

Eg. Schitt’s Creek, The Good Place, Brooklyn Nine-Nine, The Secret Garden

Choose an location where a part of the plot takes place. It would help if that location has a unique name (eg. Earhart High School would be boring).

A memorable line

Eg. The Stars are Burning (my WIP lol), To Kill a Mockingbird

Use a memorable or important line, or a version of it. Bonus points if it’s in the first or last sentence of the book!

Use an allusion

Eg. These Violent Delights, The Grapes of Wrath

An allusion is a reference to or a phrase taken from an external source. The title usually alludes to something in the plot or a main theme.

If all else fails...

Use an unusual word

Warning: this makes the title less memorable, imo

Use a song title or lyric

Warning: copyright?? Also it might be cliche.

Now that we’ve covered the main types of titles, let me give you some advice on book titles;

Long titles

They’re hard to remember and hard to type/say, which reduced visibility. Try to shorten the title if you can :)

Make it interesting

Eg. Gone With the Wind

Titles that use poetic language, vivid imagery, or a bit of mystery tend to be alluring to potential readers.

Use alliteration

Eg. The Count of Monte Cristo

Alliteration is especially popular because it’s punchy and sounds good lol.

Anyways, this is all I can think of! Comment below your book title(s) and anything I’ve missed.

“To avoid criticism, do nothing, say nothing, be nothing.”

— Elbert Hubbard

“Invest in yourself. You can afford it. Trust me.”

— Rashon Carraway 

“No matter how you feel. Get up, dress up, show up and never give up.”

— Unknown 

“It is madness to hate all roses because you got scratched with one thorn.”

— Antoine de Saint-Exupére 

“You hear but are you listening? You exist but are you living? You look but do you see?”

— Unknown 

Character development doesn't refer to character improvement in a moral or ethical respect. It refers to broadening the audience's understanding of that character, giving the character a deeper background, clearer motivations, a unique voice.

Developing a character is about making them seem more like a real person, and real people are flawed. Real people make mistakes. They repeat mistakes. They do things other people don't agree with. Real people are more than just 'good' or 'bad' and character development is about showing all of those other aspects of them.

Their interests and hobbies. The song that gets stuck in their head. The fact that their vacuum broke 3 months ago and they haven't gotten it fixed yet. All of those details help build out the character and develop them more.

And yes, characters change as stories progress but that doesn't mean they get 'better' in a strict moral sense. It means that their experiences change the way they interact in the world you've written for them. Just like real people do.

“I’m better than you think. I’m even better than I think I am.”

— Dave Eggers 

“Speak only when your words are more beautiful than silence.”

— Imam Ali 

“I love it when I see old couples together, because it makes me believe that true love does exist.”

— Unknown 

“If you don’t go after what you want you’ll never have it. If you don’t ask, the answer is always no. If you don’t step forward, you’re always in the same place.”

— Nora Roberts 

“We build too many walls and not enough bridges.”

— Isaac Newton 

Slashing Your Word Count

A guide for over-writers. 

So there I was, sitting in front of my 120,000 word YA Fantasy manuscript having a breakdown. Why? you ask. Well, because I want to be traditionally published and no one will buy a YA debut that long. 

Why not? This answer would a post on its own. Or a 24 minute video. Luckily Alexa Donne has already done that work and you can watch it here. 

Now I’m going to summarise all the advice I was given that had lead to me doing a brutally cut down draft in two sections, the big cuts, macro level, and the small cuts, micro level. 

Micro Level Cuts

Reduce each description by 1 or 2 words - @coffee_loving_artist

Reduce dialogue. Single spoken words can carry more emotional weight than elongated lines. 

Cut down on dialogue and action tags. If it’s clear who is speaking, don’t use anything! - @parisandherbooks

Cut repeated sentences. It’s not as dramatic as you think it is. 

Simplify convoluted sentences - @jade_d_brown

Cut words like very, quite, sort of, kind of, it was, there was, that, now, then, suddenly and any crutch words you have - @just.a_simple_writer

Change passive language - @laurenkayzles

Macros Level Cuts

Chop off the beginning and the end of long scenes. 

Cut info dumps

Never get lost in internal monologue. Keep it to a small para at most. 

Cut fluff scenes - @teen_writing_101 & @cakeyboy 

It doesn’t take 1000 words to make a small point – condense it!!

Cut unnecessary dialogue or chit chat 

Merge scenes that feel repetitive 

Cut the prologue 

Cut the epilogue 

(Remember that those can go back in after your book has been bought) 

If you’re desperate, delete a POV - @thewritingfirebird

Ask your Beta’s which subplots/characters could go - @howwhyandsowhat 

[If reposting to instagram please credit @isabellestonebooks]

“If they don’t know you personally, don’t take it personal.”

— Khleo Thomas 

“Forgive yourself for accepting less than you deserved - but don’t do it again.”

— Unknown 

“Good books don’t give up all their secrets at once.”

— Stephen King 

“Easy reading is damn hard writing.”

— Nathaniel Hawthorne

“Have you ever just looked at someone while they’re doing something small like driving or laughing and just smile bc u like them so much.”

— Unknown 

“We do not remember days. We remember moments.”

— Cesare Pavese 

“Your life is a puzzle, dont waste your time trying to place people where they don’t fit.”

— Wiz Khalifa 

“Progress is made by lazy men looking for easier ways to do things.”

— Robert A. Heinlein 

“Everyone you meet is fighting a battle you know nothing about. Be kind. Always.”

— Unknown 

“Please be stronger than your past. The future may still give you a chance.”

— George Michael 

Writing Theory: Controlling the Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.