“I Do Not Think I’m Easy To Define. I Have A Wandering Mind. And I’m Not Anything That You Think

How to come up with a story title

By Writerthreads on Instagram

I’ve identified a few types of story titles, and I’ll briefly describe them below:

Common saying/phrase

Eg. When the Cows Come Home, Cruising for a Bruising

Usually, the saying might describe the events of the book or men’s something

Something with a character’s name

Eg. The Redemption of Fletcher Cheung (my old title), Harry Potter and the _______

Or literally the character’s name

Eg. Oliver Twist, Doctor Strange, Hansel and Gretel

A location

Eg. Schitt’s Creek, The Good Place, Brooklyn Nine-Nine, The Secret Garden

Choose an location where a part of the plot takes place. It would help if that location has a unique name (eg. Earhart High School would be boring).

A memorable line

Eg. The Stars are Burning (my WIP lol), To Kill a Mockingbird

Use a memorable or important line, or a version of it. Bonus points if it’s in the first or last sentence of the book!

Use an allusion

Eg. These Violent Delights, The Grapes of Wrath

An allusion is a reference to or a phrase taken from an external source. The title usually alludes to something in the plot or a main theme.

If all else fails...

Use an unusual word

Warning: this makes the title less memorable, imo

Use a song title or lyric

Warning: copyright?? Also it might be cliche.

Now that we’ve covered the main types of titles, let me give you some advice on book titles;

Long titles

They’re hard to remember and hard to type/say, which reduced visibility. Try to shorten the title if you can :)

Make it interesting

Eg. Gone With the Wind

Titles that use poetic language, vivid imagery, or a bit of mystery tend to be alluring to potential readers.

Use alliteration

Eg. The Count of Monte Cristo

Alliteration is especially popular because it’s punchy and sounds good lol.

Anyways, this is all I can think of! Comment below your book title(s) and anything I’ve missed.

“Speak only when your words are more beautiful than silence.”

— Imam Ali 

A Brief Guide to Writing British Nobles

>>By @writerthreads on Instagram

*note that different eras have different rules. This post is quite general, so research more specific details if you’re focusing on a certain period of time!

The following titles are under a Peerage, where peers were people who would hold one or more title(s) of duke, marquess, earl, viscount and baron. They swore an oath as a servent of the monarch in exchange for land or money.

Sovereign

The Sovereign holds the most power in the country, although they do not have the power they used to in England as there is a now the Prime Minister. But if we’re talking about the olden ages, they would be the King or Queen. Typically, the Queen would be married into the royal family, and be beside the King, unless the King only had daughters, in which, (depending on the era for women were not allowed to rule for a time period a few hundred years ago) they would then be Queen.

Duke/Duchess

A duke outranks the other noble titles, namely the earl, marquess, viscount and baron. There are two types of dukedoms: royal and non-royal. Royal dukedoms can only be inherited if one is a member of the royal family and are hereditary.

Most princes become dukes when they’re married and their wife will be referred to as a duchess. (If you were not a member of the royal family but your parents were the duke and duchess you’d still inherit that title.) Non-royal dukedoms are titles given to a person by a king or queen. A duke is a ruler of a duchy, which is basically a large area of land, a territory. A duke is typically addressed as “Your Grace”.

Marquees/Marchioness

This title outranks the rest except for the duke and sovereign. This title is quite rare nowadays. The Marchioness is the wife of the Marquees. Marquees were the owners of a march which was on the border of the country, which meant that they were responsible for defending against anyone who tried to intrude or attack England. (FYI: a Count would typically be the owner of a county, which was more inland)

Marquees and Marchioness are addressed as “My Lord” or “My Lady” in speech, and “Lord/Dear Mannerisms” in social writing, where the atmosphere is less formal.

Earl/Countess

Earls are ranked below the Marquess and above the Viscounts. They were royal governors and had the authority to rule lands and judge courts in their provinces. Along with that they’d collect taxes, earning a third of the total. Over the years, their power decreased and increased depending on who was ruling England, and nowadays, they do not hold much power in their hands.

The Countess would be the Earl’s wife, and by the general population, be referred to as “My Lady” while the Earl would be addressed as “My Lord”. His eldest son would be called the Viscount.

Viscount/Viscountess

In Great Britain, people would use Viscount as a title for the heir of an Earl of Marquess as courtesy, but other than that, (depending on the time period) they were not hereditary in fear of a rebellion, and instead, titles were given by the Monarch. They would also collect taxes from people.

They’re also referred to as “My Lady” and “My Lord”.

Baron/Baroness

The baron was a land-holding nobleman and is one of the lowest ranks of nobility, and the lowest in a peerage. In the Middle Ages, they ruled over large areas of land (fiefs) and would report to the king. They’d also maintain the country’s army. “Baron” quite literally means “man”, so they were “men of the king”.

The rank of Baron is often hereditary although the first Barons were given the titles by the monarchy. In formal settings, they’d be addressed as “The Right Honourable The Lord/Lady”, but in social settings, “Lord/Lady”.

Knight/Dame

A knighthood is a title given to a man for his service to the country, and would be referred to as “Sir”. This would give them the status of the knight, in which they would be expected to learn how to fight and serve his liege lord in the Code of Chivalry. Being a knight came with great benefits: they were often given a piece of land to govern, and would collect taxes from the people. Only men were typically knights, though the title Dame is given to the wife or daughter of a lord, or a woman of knighthood.

Knighthood is not hereditary.

Writing Theory: Controlling the Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.

“It is madness to hate all roses because you got scratched with one thorn.”

— Antoine de Saint-Exupére 

“And so it seems I must always write you letters that I can never send.”

— Sylvia Plath 

“Maybe this world is another planet’s hell.”

— Aldous Huxley 

Writing Masterpost

Character Help

MBTI Personality Test

MBTI Personality Descriptions

123 Character Flaws

Character Trait Cheat Sheet

List of Personality Traits

Character Virtues And Vices

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7 Rules For Picking Names

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Write Real People Generator

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55 Words to Describe Someone’s Voice

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Character Motivation

Writing Characters Of Colour

More On Writing Characters Of Colour

Describing A Character’s Skin Colour

All Characters Talk The Same

Character Description

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Character Development Questionnaire

30 Day Character Development Meme

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Character Development Through Hobbies

List Of Character Secrets - Part 1 - Part 2

Mysterious Characters

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European Characters

Creating Believable Characters

Writing A Character Who Has Lost Someone Important

Writing A Drunk Character

Writing Manipulative Characters

Writing Vampires

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Writing Natural Born Leaders

Writing Rebellious Characters

Writing Hitmen

Writing Indifferent Distance Characters

Writing Bitchy Characters

Writing Popular Characters

Writing Rich Characters

Writing Child Characters

Writing Villains

Villain Archetypes

Writing Stalkers

Avoiding LGBTQ Stereotypes

Writing Homosexuals as a Heterosexual

Writing Males as a Female

Writing Convincing Male Characters

Writing Characters Of The Opposite Sex

Revealing A Characters Gender

The Roles Of Characters

Creating Fictional Characters From Scratch

Creating A Strong, Weak Character

Writing Characters Using Conflict And Backstory

Writing A Character Based On Yourself

Switching Up A ‘Too-Perfect’ Character

Help I Have A Mary-Sue!

Dialogue

Dialogue Tips

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On Dialogue

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Alternatives To Said

Avoid Saying ‘Very…’

100 Ways To Say Good

Avoiding Unfortunate Implications

Begin A Novel

Finishing Your Novel

Creating Conflict

Show Not Tell

Words For Emotions Based On Severity

Getting Out Of The Comfort Zone

A Guide To Writing Sci-Fi

Naming The Story

The Right Point Of View

Essential Story Ingredients

Writing Fantasy Masterpost

Five Rules For Thrillers

Pacing Action Scenes

Writing Races

Using Gender Neutral Pronouns

Dos and Don’t of Writing

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How To Avoid Tense Change

Seven Steps To A Perfect Story

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The Snowflake Method

Beginning and End, But No Middle!

Prompts and Ideas

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Degrees of Emotion

List Of Phobias - Part 1 (A - L) - Part 2 (M -  Z)

Psychology In Writing

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How To Pick A Lock

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Every Type of Fight Scene

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Body Language Of Flirting

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Ballet Terms

Torture Guide (Trigger Warning)

Sibling Abuse (Trigger Warning)

Dream Sequences

Kleptomania

Psychiatric Hospital

Understanding issues, -isms and privilege

Guide to writing smut

Post-Apocalyptic Cliches To Avoid

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Coffitivity

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