“Fantasy Is About Making A Metaphor Concrete.”

This week’s writing tip comes from the legendary Alice Walker. 

Remember, self-care is as important to the writing process as it is to life.

“Either write something worth reading or do something worth writing.”

— Benjamin Franklin 

“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.”

— Federico García Lorca, (via quotemadness)

“You will always be too much of something for someone: too big, too loud, too soft, too edgy. If you round out your edges, you lose your edge.Apologize for mistakes. Apologize for unintentionally hurting someone — profusely. But don’t apologize for being who you are.”

— Danielle Laporte 

“Our truest response to the irrationality of the world is to paint or sing or write, for only in such response do we find truth.”

— Madeleine L’Engle

“Missing you comes in waves and tonight I am drowning.”

— Unknown 

How do you introduce an antagonist into a story? I'm stuck. They are important to the plot.

Introducing the antagonist…

The antagonist should be introduced in a memorable way that is useful to the story. However, first appearances and introductions can be different thing, and introducing them as a character versus introducing them as the antagonist can be two separate events entirely.

When you’re introducing the antagonist, you should keep in mind what the reader knows, and what they have yet to learn. Sure, maybe they know this person is the main character’s roommate, and they’re finding out that this roommate has helped their significant other cheat on them, but they don’t know that the roommate has held a grudge since high school which informed the decision to help them cheat. The antagonist’s introduction should be a strategic disclosure of key information. 

The introduction should also be memorable enough to evoke its own details in future scenes regarding the character. Perhaps what they say or do in their introduction should come up later. Their introduction should act as a bookend to their arc throughout the novel, so keep the ending in mind as you write their beginning. You must also be mindful that this is probably the first (or a new first) impression of that character on the reader, so you want to set the tone for their presence in the story and offer some preliminary character development for the reader to build on as the plot progresses. 

Here are some other resources you may find helpful:

Resources For Describing Characters

How To Fit Character Development Into Your Story

Making Characters Unpredictable

Writing Good Villains

Giving Characters Distinct Voices in Dialogue

Gradually Revealing Character’s Past

Tips on Introducing Characters

Creating Villains

How To Write A Good Plot Twist

How To Foreshadow

Tackling Subplots

Tips On Dialogue

Writing Intense Scenes

Tips on Writing Flashbacks

Describing emotion through action

A Guide To Tension & Suspense

Foreshadowing The Villain

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Masterlist | WIP Blog

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Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

“Without goals and plans to reach them, you are like a ship that has set sail with no destination.”

— Fitzhugh Dodson