This week’s writing tip comes from the legendary Alice Walker.
Remember, self-care is as important to the writing process as it is to life.
Girl power shouldn’t be about proving that women can do things the same or better than men even if they are women! Girl power should be about women being equal to men and not diminished for being a girl.
Avoid having the male characters get surprised that she’s a women, avoid them saying things like “She’s a woman, but she’s strong!” or “Holy shit she’s a woman!?” or “Don’t be too tough on the woman!”. Those kinds of behaviors make it seem that it is surprising for a female person to be strong and/or independant. Equality is women getting treated the same as the men, not having people be surprised that she can do all those martial arts while being a woman! Wether the character is male, female, or non-binary, they should be treated socially equal regardless of their gender!
“My sister told me a soul mate is not the person who makes you the happiest but the one who makes you feel the most, who conducts your heart to bang the loudest, who can drag you giggling with forgiveness from the cellar they locked you in. It has always been you.”
— Sierra Demulder
By Writerthreads on Instagram
I’ve identified a few types of story titles, and I’ll briefly describe them below:
Eg. When the Cows Come Home, Cruising for a Bruising
Usually, the saying might describe the events of the book or men’s something
Eg. The Redemption of Fletcher Cheung (my old title), Harry Potter and the _______
Eg. Oliver Twist, Doctor Strange, Hansel and Gretel
Eg. Schitt’s Creek, The Good Place, Brooklyn Nine-Nine, The Secret Garden
Choose an location where a part of the plot takes place. It would help if that location has a unique name (eg. Earhart High School would be boring).
Eg. The Stars are Burning (my WIP lol), To Kill a Mockingbird
Use a memorable or important line, or a version of it. Bonus points if it’s in the first or last sentence of the book!
Eg. These Violent Delights, The Grapes of Wrath
An allusion is a reference to or a phrase taken from an external source. The title usually alludes to something in the plot or a main theme.
Warning: this makes the title less memorable, imo
Warning: copyright?? Also it might be cliche.
Now that we’ve covered the main types of titles, let me give you some advice on book titles;
They’re hard to remember and hard to type/say, which reduced visibility. Try to shorten the title if you can :)
Eg. Gone With the Wind
Titles that use poetic language, vivid imagery, or a bit of mystery tend to be alluring to potential readers.
Eg. The Count of Monte Cristo
Alliteration is especially popular because it’s punchy and sounds good lol.
Anyways, this is all I can think of! Comment below your book title(s) and anything I’ve missed.
“If they don’t know you personally, don’t take it personal.”
— Khleo Thomas
“I am tired of knowing nothing and being reminded of it all the time.”
— F. Scott Fitzgerald
There’s a fool proof way to determine whether your characters has been developed enough or not. Ask yourself:
If your answer is:
“No, my story wouldn’t work, because this character is intertwined into the story to such an extent that if I were to remove them, the story is feels incomplete, and certain storylines won’t work.”
You’ve got yourself a well developed character.
If you can’t remove a character without causing inconsistencies to the plot, you’ve got a character that is dimensional enough to work on their own.
Hence, by removing said character, you’re removing a fundamental piece of the puzzle, which in turn forces certain storylines to be incomplete.
Let’s say, that you could easily remove a certain character from your story, without the risk of screwing with any current storylines. Let’s even go as far as saying that you could replace said character with another character, and it still wouldn’t make a difference to the story.
In a scenario like this, your character has not been developed enough to stand their own ground. If you can give your character’s storyline to another character, or simply replace them with another, without noticing a difference in your story, you need to go back to the drawing board.
Your character is not fleshed out enough. They don’t bring personality to your story, because their departure from it is not noticeable.
For a character to be dimensional, or developed properly, their loss needs to recognized, and if they’re not part of the narrative, the story should feel incomplete, because a fundamental piece of the puzzle is missing.
Don’t introduce your main antagonist too early in your story. Start with a herald of danger before the main danger. Introduce a minion before you introduce the actual antagonist.
“You get a strange feeling when you’re about to leave a place. Like you’ll not only miss the people you love but you’ll miss the person you are now at this time and this place, because you’ll never be this way ever again.”
— Azar Nafisi
“Here’s the thing: The book that will most change your life is the book you write.”
— Seth Godin
I'm just a weird girl who likes to read about history, mythology and feminism.
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