Violet is teeny and frail the way that so many ya female protaginists are. But the difference is that the story recognizes her weaknesses and addresses them. Everyone can see she is breakable but what makes her scary is that she's fully willing to break herself to get what she wants. She isn't just anger in a cute tiny package she is rage shoved into a glass bottle with a crack running up the side. She doesn't just fight through pain, she functions in pain constantly. She's brutal and resilient and so willing to throw herself on a knife just to give others a better chance at survival.
advice from doctors for EDS: avoid exercise!
advice from doctors for POTS: exercise!!
the lyric “feeling like the very last drops of an ink pen” never fails to knock the breath out of me. you’re running out of energy, you feel ALMOST empty but somehow, after releasing so much of your despair into the world, the last of your burden feels the most significant, but there won’t be any comfort even when you unload the burden because you’re spent and you feel useless and it’s like you can’t speak anymore because you ran out of words but what’s worse is that you couldn’t write any more even if you wanted to. these last few drops are momentous because there’s finally an end to your dwelling but there’s no relief. this is the last of you.
FunkyMBTI
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I've got into SwordAF recently, and I had to animate this after watching episode 5. 👀 (SPOILERS IN VIDEO!)
Xaden: So you sister was casually poisioning everyone
Brennan: *being extremly proud of her*
I’ve seen a lot of posts about how “no one mourns the Wicked” is actually about Galinda, but I’ve been listening to it again, and I gotta say, I think the song is actually about the Wizard with rather dark implications.
Don’t get me wrong, I’m sure Galinda thinks and believes it’s about her. But Galinda became good in the end, she was Elphaba’s friend, Elphaba and Fiyero miss her, and Galinda has friends in Oz, the musical ends with one of Elphaba’s flying monkeys getting the ability to talk to her and Galinda can help them now. She’s mourning Elphaba, and she might be alone in that, but in other respects, she isn’t alone or dead or wicked or forgotten.
The same cannot be said of the Wizard. “The Wicked’s lives are lonely” is very much about him. Even at the height of his power, he had to isolate himself so that no one could see he was a fraud. When Elphaba threatened him, he became paranoid and spent his days in isolation and fear. Whereas Galinda, even at her worst and limited power, has always been well known. The Wizard has left Oz, and the people don’t seem to question it because they have Galinda now, and they know Galinda and they love Galinda, while the Wizard was more an idea than a man. He never visited them, he never did what Galinda does for them. No one misses him, why would they? Galinda fills his role, what little of it there was, a thousand times over. The lyric “no one cries they won’t return” fits the Wizard best, not Galinda. People are thrilled to see her, and don’t seem to care that he’s gone, while Galinda cries for Elphaba.
Also “the wicked cry alone” applies to the Wizard too, when he mourns Elphaba. Yes, Galinda technically mourns for her alone too, but at least Galinda has the Animals, the few that can still say some words. The Wizard cries, but Galinda doesn’t cry with him, because the Wizard is crying over his own actions as well as her death, and Galinda has no sympathy for him, no one does, and that’s his own fault for making them hate Elphaba. Also the song says “Nothing grows for the wicked, they reap only what they’ve sown” and the story that Galinda tells during the song isn’t her and Elphaba’s story (that’s later), but Elphaba’s and her father’s story, specifically, how the Wizard brought about Elphaba’s existence and set himself on this path. Galinda asks if people are born wicked or have it thrust upon them, which is ironic because the Wizard is the reason Elphaba was born AND why she was vilified.
Then we have “no one lays a lily on their grave” and “the wicked die alone”. I’ve pointed this out in other posts, but it’s never confirmed in any or at least most versions of Wicked/Wizard of Oz source material that the Wizard makes it home or has any way to do so. I’m not sure what the movie is gonna do about this, or if they’ll attempt to repair the balloon or heavily imply he dies, but the Wizard dying alone in his grief and no one missing him while instrumentals of “no one mourns the wicked” play in the background certainly takes care of that problem.
Also “woe to those who spurn what goodness is, they are shown” also applies to the Wizard. He has a whole song in part 2 about goodness being a matter of perception and rejects Elphaba’s plea to help the Animals. He vilifies her goodness and believes, truly, that he is the hero because he has declared himself so, and that he is a good “father to the nation” because he declared it. He makes himself the subjective decider of goodness. It’s only in the end, when he realizes what he’s done to Elphaba that he has regrets and begins to see and understand the evil he has done. Elphaba is what he “misses when he’s misbehaved” as the song says, and although none of the villagers know that, Galinda witnessed it and knows that the Wizard missed the opportunity to be a father, which was all he claimed to ever want. It’s a missed opportunity, information he would not have been missing and discovered earlier had he acted differently, and “missed” in the sense that he misses the daughter he threw away.
INTP: I put the moron in oxymoron INFP: I put the pain in paintings ISTP: I put the angst in gangster ISFP: I put the rave in graveyard INFJ: I put the sun in misunderstood INTJ: I put the bias in phobias ISTJ: I put the law in flaw ISFJ: I put the harm in harmony ENTP: I put the troll in controller ENFP: I put the fun in dysfunctional ENTJ: I put the sass in assassin ENFJ: I put the fun in fundamental ESTP: I put the ass in classic ESFP: I put the disco in discord ESTJ: I put the hate in whatever ESFJ: I put the table in respectable
ENFP: Can be real scary when serious
ENFJ: Apologizes at the most minimal mistake
INFJ: Can get really obsessed
ISFP: Wants to be babied
INFP: Can be real scary when angry
INTP: A closeted crybaby
INTJ: When their partner goes all cutesy, they go all cutesy
AJRs entire discography is just them being like “growing up was the worst thing i ever did” with a bunch of horn instruments and i eat it up