Latest Posts by generalelective - Page 8

To risk one’s life, in fact, is to reveal oneself as not-bound to the objective form or to any determined existence — as not-bound to life.

Jean-Paul Sartre, Being and Nothingness (via philosophybits)

Nancy Kwan (1966)

MOTHER De Los Angeles Sweatshirt

Museum Visitors in front of Artwork from Robert Rauschenberg - Tracer, 1963

Robert Rauschenberg, “Recall” (1990), photolithograph, 32 x 22 inches; printed by Universal Limited Art Editions; published by Whitney Museum of American Art; in situ (image courtesy Matt Magee) via Hyperallergic

Nancy Kwan, 1971

Danakil Desert, Ethiopia

John Cage

If Not Now, graduation exhibition of the 2018−2020 MA Fine Art class of HKU University of the Arts Utrecht, Curated by Katia Krupennikova, BAK basis voor actuele kunst, Utrecht, September 30 – October 11, 2020. Designed by Studio Remco van Bladel. Feat. Isshaq Al-Barbary, Charli Herrington, Carina Jansen, Bennet Edwin Kruit, Sinwah Lai, Sol Enae Lee, Winston Nanlohy, Gerardo Gomez Tonda, Gizem Üstüner, M.C. Julie Yu, and Jinxiao Zhou

j.hannah

Suffering itself is a piece of self-knowing. In responding to a loss with anguish, we are grasping our love. The love is not some separate fact about us that is signaled by the impression; the impression reveals the love by constituting it. Love is not a structure in the heart waiting to be discovered; it is embodied in, made up out of, experiences of suffering.

Martha Nussbaum, Love’s Knowledge (via philosophybits)

In the outdoor kitchen

Topanga Canyon

Leon Berkowitz - Source #7 (1976)

Teresa Lanceta, Untitled, 1998 [Museo Nacional Centro de Arte Reina Sofía, Madrid]

Inside the greenhouses in the Botanic Garden in Oxford. If you choose to repost this image credit me using the source in the link here (x).

Mònica Subidé (Spanish, b. 1974), La casa, 2018. Oil, pencil and collage on wood, 36 x 50 cm

Animation test for personal project during the lock down. It is enjoyable to paint frame by frame, stress free. follow my instagram: https://www.instagram.com/elliscky/

Everybody asks this as if it is a taboo to move further than the designated area of the canvas. That says so much about our thinking in strict categories, doesn’t it? In a studio, it’s very normal to sketch on the floor, the wall, a chair or a torn piece of cardboard. It was a very natural move for me. Maybe I didn’t even realize that I began doing it in the first place. I started to observe more closely how my painting behaves differently under changing conditions. Then I started to be intrigued by how color can cause extremely powerful changes to its surroundings.

Katharina Grosse, Katharina Grosse Sticks to Her Guns, by Emily Wasik, Interview Magazine, November 4, 2014 (via inthenoosphere)

Ellsworth Kelly

Mariano Fortuny sage green pleated silk Delphos gown circa 1930

Slim Aarons, 1959

In an experiment, water rose to different levels depending on soil composition. Science Activities 1. 1959.

Internet Archive

janralph_

Lindt Home of Chocolate in Zurich [building] via /r/architecture https://ift.tt/3mRu3JW

little dance finished :)

Photographed by Emmie America for Aleï Journal Fall/Winter 2018