generalelective - GENERAL ELECTIVE
GENERAL ELECTIVE

a docent's visual garage band.

298 posts

Latest Posts by generalelective - Page 9

4 years ago

Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.

Simone Weil, Gravity and Grace (via philosophybits)


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4 years ago
Piet Hein, Cutouts Of The Super-ellipse, 1966

piet hein, cutouts of the super-ellipse, 1966

4 years ago
Akwasí, Wallride

Akwasí, wallride

4 years ago
Lunch Is A Fresh Branzino And Some Odd Veggies

Lunch is a fresh branzino and some odd veggies

4 years ago
Today I Made A Zine, I Cannot Believe It Sold Out Within A Couple Hours. It’s Filled With My Recent

Today I made a zine, I cannot believe it sold out within a couple hours. It’s filled with my recent doodles, scans of pressed flowers, photographs, etc. I hope to continue to make more in the near future again. The cover says:

Swahili proverb: si maua yote yanayotoa matunda. Translation: not all flowers give fruit. Not all beginnings end well.


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4 years ago
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt
Indya Moore Photographed By Agnes Lloyd-Platt

Indya Moore photographed by Agnes Lloyd-Platt

4 years ago
Shimabuku

Shimabuku

4 years ago
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020

Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020

4 years ago
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,
‘Can Ras’, Mallorca, Spain,

‘Can Ras’, Mallorca, Spain,

Fran Silvestre Architects

4 years ago
Hermitage Of Santo Cristo, Coruña Del Conde, Burgos, Castile And León, Spain. VIA.

Hermitage of Santo Cristo, Coruña del Conde, Burgos, Castile and León, Spain. VIA.

4 years ago
Whole Earth Catalog, 1970

whole earth catalog, 1970

4 years ago
Cao Jun: Hymns To Nature

Cao Jun: Hymns to Nature

Golden Autumn 金秋, 2017, ink and watercolor on paper, mounted on board, 108 x 78 cm

fusion of classical Chinese painting with modern abstract forms akin to those of Western art

Courtesy of the artist and McMullen Museum of Art

4 years ago

Like a child, I think if you were here, I should be happy.

Virginia Woolf, a letter to Vita Sackville-West (via nervefood)


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4 years ago
Art News: Heartbreaking Basquiat Drawings Go On View At The Acquavella Galleries
Art News: Heartbreaking Basquiat Drawings Go On View At The Acquavella Galleries
Art News: Heartbreaking Basquiat Drawings Go On View At The Acquavella Galleries

Art News: Heartbreaking Basquiat drawings go on view at the Acquavella Galleries

4 years ago
Everyone Likes Lichen! These Stone Had A Nice Variety, And It Was Interesting To See All Those Lighter

Everyone likes lichen! These stone had a nice variety, and it was interesting to see all those lighter ones had that ring of blue at their edge when none of the others did.

4 years ago
Lindholm Høje, Denmark
Lindholm Høje, Denmark
Lindholm Høje, Denmark

Lindholm Høje, Denmark

Lindholm Høje (Lindholm Hills, from Old Norse haugr, hill or mound) is a major Viking burial site and former settlement situated to the north of and overlooking the city of Aalborg in Denmark.

The southern (lower) part of Lindholm Høje dates to 1000 – 1050 AD, the Viking Age, while the northern (higher) part is significantly earlier, dating back to the 5th century AD in the Nordic Iron Age. An unknown number of rocks have been removed from the site over the centuries, many, for example, being broken up in the 19th century for use in road construction.

Keep reading

4 years ago
Cy Twombly

Cy Twombly

4 years ago
Cy Twombly By Bruce Weber

Cy Twombly by Bruce Weber

4 years ago
Cy Twombly: Grey Paintings, Galerie Art In Progress, München, 1975

Cy Twombly: Grey Paintings, Galerie Art in Progress, München, 1975

/ l’Altissimo /

4 years ago
Vista Parcial Del Salón con Tragaluz Sobre Rocas Cubiertas Vegetales, Casa Juan O'Gorman, Av. San

Vista parcial del salón con tragaluz sobre rocas cubiertas vegetales, Casa Juan O'Gorman, av. San Jerónimo 162, Jardines del Pedregal, San Ángel, Ciudad de México 1952  (demolido)  Arq. Juan O’Gorman

Arq. Juan O'Gorman

Partial view of living room with skylight over plant covered rocks, Juan O’Gorman House, av. San Jeronimo 162, Gardens of Pedregal, San Angel, Mexico City 1952 (demolished)

.

4 years ago
Cy Twombly (American, 1928-2011), Untitled, 1974. Wax Crayon, Watercolor, Paper Collage And Graphite

Cy Twombly (American, 1928-2011), Untitled, 1974. Wax crayon, watercolor, paper collage and graphite on paper.

4 years ago
Cy Twombly, Untitled, 1985

Cy Twombly, Untitled, 1985

4 years ago
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4
Cy Twombly, -   Leda And The Swan (part I), 1980. / Acrylic And Oil On Paper, 47 ¾ X 29 ½ In., 121.4

Cy Twombly, -   Leda and the swan (part i), 1980. / acrylic and oil on paper, 47 ¾ x 29 ½ in., 121.4 x 75 cm. -   Leda and the swan (part ii), 1980. / acrylic and oil on paper, 47 5/8 x 29 ½ in., 121 x 75 cm. -   Leda and the swan (part iii), 1980. / oil on reverse of an artist’s proof on handmade paper, 25 ½ x 19 ¾ in., 64.7 x 50. 3 cm. -   Leda and the swan (part v), 1980. / paper with square printing, 17 1/8 x 13 ½ in., 43.5 x 34.4 cm. -   Leda and the swan (part iv), 1980. / poster with a black and white reproduction of a work dated 1975, folded 14.6 cm from above 17 ¾ x 19 in., 45 x 48.3 cm. -   Leda and the swan (part vi), 1980. / oil on paper with transparent tape in all four corners, 14 1/8 x 13 ¼ in., 35.8 x 33.5 cm.

4 years ago
/ Nous, Les Enfants Du Spectacle / We, The Children Of The Spectacle /

/ nous, les enfants du spectacle / we, the children of the spectacle /

collage,

Brunel Francis

// * incessant technological renewal - fusion of State and economy - generalized secrecy - forgeries without reply - a perpetual present. //

(not bored translation)

instagram

thanks to @carnivalconsciousness for the link

4 years ago

It is an eerie experience to write something into a novel, believing it is pure fiction, and to learn later on — perhaps years later — that it is true.

Philip K. Dick, How to Build a Universe That Doesn’t Fall Apart Two Days Later, 1978 (via inthenoosphere)


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