Imaginary evil is romantic and varied; real evil is gloomy, monotonous, barren, boring. Imaginary good is boring; real good is always new, marvelous, intoxicating.
Simone Weil, Gravity and Grace (via philosophybits)
piet hein, cutouts of the super-ellipse, 1966
Akwasí, wallride
Lunch is a fresh branzino and some odd veggies
Today I made a zine, I cannot believe it sold out within a couple hours. It’s filled with my recent doodles, scans of pressed flowers, photographs, etc. I hope to continue to make more in the near future again. The cover says:
Swahili proverb: si maua yote yanayotoa matunda. Translation: not all flowers give fruit. Not all beginnings end well.
Indya Moore photographed by Agnes Lloyd-Platt
Shimabuku
Malika El Maslouhi By Cedric Bihr For Vogue Ukraine September 2020
‘Can Ras’, Mallorca, Spain,
Fran Silvestre Architects
Hermitage of Santo Cristo, Coruña del Conde, Burgos, Castile and León, Spain. VIA.
whole earth catalog, 1970
Cao Jun: Hymns to Nature
Golden Autumn 金秋, 2017, ink and watercolor on paper, mounted on board, 108 x 78 cm
fusion of classical Chinese painting with modern abstract forms akin to those of Western art
Courtesy of the artist and McMullen Museum of Art
Like a child, I think if you were here, I should be happy.
Virginia Woolf, a letter to Vita Sackville-West (via nervefood)
Art News: Heartbreaking Basquiat drawings go on view at the Acquavella Galleries
Everyone likes lichen! These stone had a nice variety, and it was interesting to see all those lighter ones had that ring of blue at their edge when none of the others did.
Lindholm Høje (Lindholm Hills, from Old Norse haugr, hill or mound) is a major Viking burial site and former settlement situated to the north of and overlooking the city of Aalborg in Denmark.
The southern (lower) part of Lindholm Høje dates to 1000 – 1050 AD, the Viking Age, while the northern (higher) part is significantly earlier, dating back to the 5th century AD in the Nordic Iron Age. An unknown number of rocks have been removed from the site over the centuries, many, for example, being broken up in the 19th century for use in road construction.
Keep reading
Cy Twombly
Cy Twombly by Bruce Weber
Cy Twombly: Grey Paintings, Galerie Art in Progress, München, 1975
/ l’Altissimo /
Vista parcial del salón con tragaluz sobre rocas cubiertas vegetales, Casa Juan O'Gorman, av. San Jerónimo 162, Jardines del Pedregal, San Ángel, Ciudad de México 1952 (demolido) Arq. Juan O’Gorman
Arq. Juan O'Gorman
Partial view of living room with skylight over plant covered rocks, Juan O’Gorman House, av. San Jeronimo 162, Gardens of Pedregal, San Angel, Mexico City 1952 (demolished)
.
Cy Twombly (American, 1928-2011), Untitled, 1974. Wax crayon, watercolor, paper collage and graphite on paper.
Cy Twombly, Untitled, 1985
Cy Twombly, - Leda and the swan (part i), 1980. / acrylic and oil on paper, 47 ¾ x 29 ½ in., 121.4 x 75 cm. - Leda and the swan (part ii), 1980. / acrylic and oil on paper, 47 5/8 x 29 ½ in., 121 x 75 cm. - Leda and the swan (part iii), 1980. / oil on reverse of an artist’s proof on handmade paper, 25 ½ x 19 ¾ in., 64.7 x 50. 3 cm. - Leda and the swan (part v), 1980. / paper with square printing, 17 1/8 x 13 ½ in., 43.5 x 34.4 cm. - Leda and the swan (part iv), 1980. / poster with a black and white reproduction of a work dated 1975, folded 14.6 cm from above 17 ¾ x 19 in., 45 x 48.3 cm. - Leda and the swan (part vi), 1980. / oil on paper with transparent tape in all four corners, 14 1/8 x 13 ¼ in., 35.8 x 33.5 cm.
/ nous, les enfants du spectacle / we, the children of the spectacle /
collage,
Brunel Francis
// * incessant technological renewal - fusion of State and economy - generalized secrecy - forgeries without reply - a perpetual present. //
(not bored translation)
thanks to @carnivalconsciousness for the link
It is an eerie experience to write something into a novel, believing it is pure fiction, and to learn later on — perhaps years later — that it is true.
Philip K. Dick, How to Build a Universe That Doesn’t Fall Apart Two Days Later, 1978 (via inthenoosphere)