Robert Rauschenberg, “Recall” (1990), photolithograph, 32 x 22 inches; printed by Universal Limited Art Editions; published by Whitney Museum of American Art; in situ (image courtesy Matt Magee) via Hyperallergic
Spinning Chirstmas Tree, New York City, 1977
Considering himself as a ‘street photographer’ this piece of work is unusual to be showing up in his collection of photographs. This photo was clearly taken with a slow shutter speed, capturing most of the colourful light but blurring the ornaments and lights. Although Pattern is suppose to create a sense of unity, in this case it opposes that; there are multiple different patterns showing up throughout the photograph, however they are all different. The different patterns are 'fighting’ one another and just create conflict in the photograph. The converging lines of the two walls meeting together draw your eyes straight to the focal point: the tree.
benoit-bodhuin:Joël Sternfeld https://ift.tt/35f1dwm -> Telegram Design Bot
Everyone likes lichen! These stone had a nice variety, and it was interesting to see all those lighter ones had that ring of blue at their edge when none of the others did.
Santa Margherita Ligure, 2019
Amlul Milagritos Dress 100% Italian cotton poplin
Michael Royce “Night Moth” tufted acrylic yarn on monks cloth 2019
Johannes Veldhuizen, The tree people, Korowai, 1986.
“Houses of Irian Jaya’s Kombai and Korowai people are built as high as 150 feet for a reason: to see the birds and the mountains and to keep sorcerers from climbing their stairs. Also, the Korowai live in treehouses because when there is a fight with another clan in the jungle clearing, the young, old and women can quickly escape. It’s also breezier that high up.” https://www.instagram.com/p/CMpvLVDgBW8/?igshid=1pojzq5alskb