I Was Made For The Library

Once upon a time I worked in this little burger/coffee/ice cream shop and a lady came in one winter and asked if we had a caramel apple drink and we were like ‘well we have cider’ and she was like ‘no I don’t remember what it’s called but this place made a drink that was chai tea, apple cider, and caramel’ and Breezy offered to try and make something for her but she changed her mind and left so Breezy and I were like ‘alright let’s try this’ because we had chai tea, instant cider mix, a shit ton of caramel, instant hot water from the espresso and too much free time. 

And let me tell you it was delightful. It tastes like watching the leaves changing color and dancing in the wind. It tastes like picking out pumpkins and gourds and fresh apples at the farm up north. It tastes like witches and freedom.

I make it every year now and this year I walked in the house on the morning of October first with all the ingredients and shouted ‘FALL DRINK’ and my roommates were like ‘????’ so I made them Fall Drink and now every time they get home from work they’re like ‘Fall Drink pls?????’

Anyway I remember literally nothing else about that woman but I’m very grateful to her. 

Chapter 6: Lullaby in Frogland

Let’s look back. Way back. Back before the dawn of animation, before the dawn of film, well before Ruby or Spears or Disney or Iwerks or either Fleischer Brother. Back to 1835, in a town named Florida in a state named Missouri when a boy named Samuel was born.

Like Ub Iwerks, Sam was raised in Missouri. And like Max Fleischer, Sam’s family took a financial hit when his father’s work stopped (this time due to a premature death rather than the decline of tailory), giving Sam a practical approach to work. He left school at age eleven to become a printer’s apprentice, then moved to his older brother’s newspaper as a typesetter and occasional columnist, writing humorous articles and drawing cartoons. But unlike Beatrix Potter or the animators we’ve covered, visual art wasn’t in the cards for Sam.

He moved to the East Coast to work for other papers, bouncing between cities before returning to the midwest to embark on a career he’d dreamed of since he was old enough to dream: piloting a steamboat. He thrived on the water, and kept writing about his work along the river, but everything stopped when the Civil War closed off the Mississippi. So Sam headed west to work for the same brother who once ran the newspaper, now a politician in Nevada (I’d be remiss if I didn’t point out that this brother was for some reason named Orion). Sam tried mining, and it didn’t take, but he’d gotten pretty good at writing and set off for San Francisco to get back into his jocular brand of journalism. 

It was here that he had his first success, a short story published in his paper called Jim Smiley and His Jumping Frog. But, like a certain frog we’ve covered in this series, Sam wasn’t huge on permanent names. Within a month, the story was reprinted as The Celebrated Jumping Frog of Calaveras County, and Jim Smiley’s name was changed to Jim Greeley. Until the book version came out, when it was changed back to Jim Smiley. And this whole time, within the story, it’s a mystery whether Jim’s real name is actually Leonidas (it turns out that it isn’t, but it might be). None of this should come as a surprise for Samuel Clemens, who wrote under the names of Josh, Thomas Jefferson Snodgrass, and most famously, Mark Twain.

“I knew you were special.”

Over the Garden Wall is, among other things, a story about the importance of solid communication. After five episodes spent building up our heroes as a group of friends, all it takes is one episode of terrible communication to throw it all away. The specific issues vary, despite leading to a similar result of not verbalizing their thoughts very well: Greg’s youth stops him from articulating his rapidly changing ideas, Wirt’s anxiety leaves him too timid to speak up or too rambling to be clear, Beatrice’s true intentions make her obfuscate the truth, and Jason Funderburker straight-up can’t talk. Or so we think.

This time he’s named for American statesmen George Washington and Benjamin Franklin, which fits the continuing vintage Americana vibe of the series—while I figure it’s a coincidence, it should be noted that Mark Twain’s Jumping Frog was named after American statesman Daniel Webster. Surrounded by other frogs that walk around and wear fancy garb, our frog is more anthropomorphic than ever, standing on his hind legs and dancing along with Greg. But it’s still a shock to hear him open his mouth and sing, a shock that soon cedes to the realization that the frog playing the piano at the beginning of the series is singing the Jack Jones song in the montage that follows.

Lullaby in Frogland is Jason Funderburker’s episode through and through, so much so that it’s the first time we hear of his namesake, Jason Funderberker. This is an episode where Wirt rejects Greg’s assertion that their frog is “our frog,” a plot point that’s paid off in their last conversation in the series. This is an episode where Greg wonders aloud if he can be a hero, sees the frog set off on a diverging path immediately afterwards, and accepts it, because he’s willing to sacrifice his happiness for the good of others. And it’s an episode where the frog returns after a harrowing betrayal, showing that even when all seems lost, there’s still room for hope. Over the Garden Wall (the song) might not sound like a traditional lullaby, but it soothes us into a cold night as the sun sets on the first half of Over the Garden Wall (the show).

Adelaide’s true nature is foreshadowed by Beatrice’s sudden hesitance to bring the brothers to the pasture after several episodes of nagging, but the twist is made tragic by Wirt finally letting his guard down enough to be happy. He sings a completed Adelaide Parade with Greg and joins the dance before collapsing into the most earnest laughter I’ve ever heard in a cartoon. He’s a good enough friend to notice when Beatrice is “uncharacteristically wistful,” and takes a risk by playing the bassoon instead of just giving up. He’s still got growing to do—it’s one thing to blame Greg for getting them in trouble by throwing away the ferry fare and forcing them to sneak aboard, but another thing to literally shout “Take him, not me!” when confronted by the frog fuzz—so it’s clear that his journey isn’t over yet, but he doesn’t even get a full episode of peace before everything blows up.

The whole steamboat sequence flows between simple delights, like saluting the captain mid-chase, the revelation that the frogs love music more than they hate trespassers, and the repeated gags of three gentlemen frogs snatching up flying flies and a frog mother dropping her tadpoles. Everything just feels calm, even when antics are afoot. Wirt gets to save the day with his bassooning, Greg gets to feel rewarded in his knowledge that his frog is special, Jason gets to sing a song after being silent throughout the series, and Beatrice seems, for now, to come to a sort of peace about things after several clear attempts to sidetrack the boys. This is the only episode to feature two major stories instead of one, but the steamer segment is rich enough to feel like a full episode. If only we could’ve stopped here.

All roads lead to Twain when it comes to depictions of steamboats as a go-to American icon, which is why he preceded this discussion of Lullaby in Frogland: I’m not claiming Mickey Mouse wouldn’t have been successful if his first cartoon was about something else, but I’m certainly claiming that we wouldn’t have gotten Steamboat Willie as it was if Ub Iwerks hadn’t grown up in a Missouri whose lore was shaped by Twain’s tales of the river. But while the author’s at the root of the episode’s many influences, I think the most fascinating branch that we borrow from is The Princess and the Frog. 

2009 was a great year for animation, seeing the release of Coraline, Fantastic Mr. Fox, The Secret of Kells, the surprisingly great Cloudy With a Chance of Meatballs, and the first ten minutes of Up (also the rest of Up, if I’m feeling generous). The first two on that list are my favorite of the year, twin stop-motion masterpieces that I’m always in the mood to watch, but The Princess and the Frog is a brilliant last gasp from Disney’s 2D animation studio. It isn’t the final traditionally animated film they made (that would be 2011′s Winnie the Pooh), nor the final fully sincere princess movie they made (that would be 2010′s Tangled), but it marks the beginning of the end for both trends: for better and worse, the modern Disney animation feels the need to loudly subvert old tropes and wouldn’t be caught dead in two dimensions.

Lullaby in Frogland’s connection to The Princess and the Frog is certainly visible on the surface level: both feature a long sequence starring frogs on a steamboat where a lead character must pretend to be another animal and play a woodwind instrument to get out of a jam, and both involve our heroes seeking help from a wise woman far from civilization (even if only one of these women is actually helpful). But it’s the somber nostalgia factor that binds these stories closer than anything, the knowledge that this is the end of the road for this type of tale. The ferry’s gotta land somewhere, and the cold is setting in as the frogs begin hibernating for the winter, but there’s still more story to tell.

The second story of Lullaby in Frogland is scored throughout by a haunting string and piano rendition of Adelaide Parade, and Adelaide herself is immediately captivating. John Cleese returns for the second episode in a row, but as both of these episodes aired the same night, it feels like a consistent through-line: in the first half, he’s an eccentric who might be a deranged maniac but is actually harmless, and now he’s a witch who might be harmless but is actually a deranged maniac.

Adelaide gets a compelling amount of detail for someone who’s barely in the show. We don’t get any explanation about her fatal weakness to…fresh air? Coldness in general? Either way, like the Wicked Witch of the West’s lethal reaction to water, it’s absurd that someone like her has managed to live this long. She never says what she needs a child servant for, why she has scissors that seem custom-made for this specific curse, or what her spider-like deal with yarn and wool is (she has a black widow hourglass on her back, but also reminds me of the Greek Fates with her emphasis on thread). We never find out how she’s connected to the Beast, whose theme bleeds into her music as she proclaims, without much prompting, that she follows his commands; her goal of using children as zombie slaves seems counter to his goal of turning them into trees to fuel his soul lantern. But this blend of unexplained characteristics and seemingly inconsistent motives only makes her more enthralling to me, because she feels like an actual major villain of another story who we only see a glimpse of. 

What makes Adelaide even more compelling on rewatch is that her scissors, despite their gruesome method for curing the curse, actually end up working. Which means she really did mean to help Beatrice out as part of the deal. At no point does Adelaide lie, and given Beatrice knows she’s bad news as she lures the brothers in, it becomes clear that for all her villainy, Adelaide is an honest witch. I’m always down for baddies that tell the truth, but it’s of particular interest when we compare her to the Beast, whose whole deal is lying. 

The only liar in this episode is Beatrice, even if she wanted to set things straight without hurting anyone; she values her friendship with the boys so much now that she’d rather make herself a servant to Adelaide than just tell them she’s dangerous and reveal that she lied. By the time she’s willing to tell the truth, it’s too late, and not even saving Greg and Wirt by killing Adelaide is enough for Wirt to forgive her. Considering he knows in The Unknown that the scissors he uses to escape the yarn can save her family, he was also listening in on the end of the conversation before entering the house, which means he must have heard that she was willing to sacrifice herself, but that doesn’t matter either. Beatrice gave the boys hope, and no matter how badly she tried to stop it, the encounter with Adelaide transforms Wirt. Where he was once nervous and unsure, and was then briefly optimistic, he’s now sullen and untrusting.

But again, in comes Jason Funderburker, croaking and hopping on all fours once more to bring some light to the darkening series. He doesn’t do much for Wirt, but allows Greg to quickly get over whatever trauma he had about getting webbed up in yarn; he’s remarkably quiet about it, but it’s important to remember that he was betrayed, too. Whether he doesn’t understand exactly what happened or is just quicker to forgive, Greg is fine with Beatrice, allowing us to focus harder on Wirt’s reaction from now on.

It’s all rain and winter for Wirt until the end of his adventure. But the show’s not content to leave him even slightly forlorn: when it gets too dark, he has a frog to swallow a lantern to light the way, and when it gets too cold, he has a brother to cover him in leaves, and when he falls, he has Beatrice to help pull him back up. Even the Woodsman tries to save him in his own way (talk about folks who are bad at communication). Bad things happen, and people make mistakes, but the bigger mistake is allowing that to close you off to others, or to never forgive friends that are genuinely sorry. Our heroes have taken the ferry to the other side, and now the story can shift to one about the folly of abandoning all hope.

Where have we come, and where shall we end?

On top of Jason Funderberker, who’s set up as a major rival to make his eventual reveal one of the show’s best jokes, Wirt gives Beatrice a general summary of Into the Unknown three episodes before we see it play out.

In case no one told you growing up

Bras last longer if you let them air dry. Don’t put them in the dryer.

If you have a problem with frizzy hair, don’t dry your hair with a towel. It makes the frizzies worse. (I recently read an article that said to use a t-shirt? I brush mine out and let it air dry.)

Whites wash best in hot water. Everything else can be in cold - save on your electricity bill.

You can kill 99.9% of germs in a sponge by putting it in the dishwasher for a cycle or by microwaving it for 2 min (be sure to make the sponge damp before microwaving and to put a cup half full of water in with it and please DO NOT squeeze the sponge until it has cooled off)

Airing out your room/house and letting sunlight in every so often can decrease the number of household pests like silverfish and ants.

Black underwear is best during your period as stains are less likely to be visible.

To save money, put aside 10% of each paycheck into a savings account. It’ll add up.

Unless your hair has something on/in it (like grease or mud or something), using conditioner first can actually be the better choice. The conditioner holds in the good oils that help you hair look sleek and beautiful, which shampoo would otherwise wash away.

Speaking of shampoo - if you have long hair, washing just the bits that touch your scalp is generally enough. The rest of your hair gets cleaned with just the run off from your scalp.

If you put a tampon in and it’s uncomfortable/you can feel it, you didn’t do it quite right. A properly placed tampon is virtually unnoticeable by the wearer.

Apply deodorant/antiperspirant a couple hours in advance of when you need it. This gives the product the chance to block your sweat glands. Using deodorant just before going somewhere where you’ll sweat (this means walking outside for people in high humidity places) results in your sweat washing the deodorant off and starkly limiting its usefulness.

After running the dryer, use the dryer sheet from that load to brush out the lint catch - it gets everything off in a fraction of the time it’ll take you to get it clean with your bare hands. Paper towels also work well.

Wash your face everyday, or as often as possible. Forget which brand of cleanser is best. Just washing your face everyday will guarantee you clearer skin. And do you best not to pop pimples, as tempting as the urge may be.

Fold laundry asap after taking it from the dryer to avoid wrinkles. This may seem obvious for dress shirts and silly for things like t-shirts, but you’ll notice the difference even then once your shirts stop looking like unfolded paper balls.

OK Tumblr Geriatric Ward, let’s talk about your posture-

there are things you should be doing now to prevent yourself from starting to look like 🥀

Why does it matter? Future you would like to avoid the pain, limited motion, and fall risk that goes along with worsening posture.

What’s the focus?

1. Keep the flexibility in your spine

2. Stretch the muscles in the front

3. Strengthen the muscle in the back

Here are some simple things you can do daily while sitting and when you get up to go into the bathroom or the kitchen

Keep the flexibility by doing these repeated movements: 10 repetitions several times a day

The goal is to give yourself a double or triple chin. Keep your nose pointing forward, don’t let it tip up or down

Thoracic extension- use a chair with a seat back that comes up to the level of your shoulder blades. Try to bend back over the top of the chair without arching away from the seat back and without extending your neck. If the pressure from the top of the chair is uncomfortable you can place a towel there

Stretch the muscles in the front by using a door frame. This one will feel good afterwards

If this isn’t enough of a stretch you can do one side at a time. If you have the right arm up step forward with the right foot and turn slightly to the left. Then do it on the other side.

Strengthen the muscles in the back by squeezing your shoulder blades together for a count of 10 and then repeating 10 times. You can do this several times a day Hint: Don’t lift your shoulder blades up

There are lots more exercises for strengthening your back muscles but this is a good starting point and easy to do. I like doing it while driving

Tips:

Do the best you can

If it hurts stop

Envision future you saying thank you each time you do one of the exercises

Spain, 1492: We are banning all Jews from Castile and Aragon

Sultan Beyzid II: Let me get this straight, you're banning a large population of your empires financiers, lawyers, and doctors? You dumb motherfuckers give them to me. I'm sending the navy to pick them up.

Hi, Sleuth! I've been rereading LS' 13 suspicious incidents, and in Sub file B, there seems to be a side B to every incident. I wonder what do you make of them? Do you think the various reptile mentions are references to the overlying plot that concerns the Bombinating Beast? Or do you think it could have something to do with Monty's reptiles? And what do you think the last, nine-lettered word would be? Thank you so much for your time, keep up the amazing work!

Hi, @illiteraven! So sorry to keep you waiting. My Ebook version of “File Under: 13 Suspicious Incidents” doesn’t feature the “Side B solutions”, so I had to leave your question on the backburner for months. Now that I’ve got a copy in my hands, I’ll elaborate.

At first glance these “solutions” which don’t connect to any mysteries seem to be one of Daniel Handler’s literary experimentations. We are skipping to the endings of stories with no proper context. “All The Wrong Questions” is a series of mystery novels, so this could be a commentary on the temptation to skip ahead to the end in order to read the solution.

Then again, some of the Side-B snippets do seem to connect to the mystery of the Bombinating Beast somehow, and there are recurrent characters and themes from one snippet to the other. So maybe they’re remnants of subplots Daniel Handler considered for “All The Wrong Questions” even though they didn’t make it to the final draft.

Deep Mine:Dagwood is most likely a reference to Dagwood Bumstead, a character from famous comic-strip Blondie (Link), who gave his name to the Dagwood sandwich. As a gourmet, Handler would know that. Dagwood is also a pun on a character from its Side-A story Dagmar. The buzzing sound is reminiscent of the Bombinating Beast, as well as the ondulations of the Great Unknown. The Museum could also be a reference to the Museum of Objects.

Backseat:Please refer to my commentary on “Missing pets”.

Quiet Street:The V.F.D. reference is a reminder of the organization’s interest in Stain’d-by-the-Sea, as evidenced later by Lois Dressing’s observation of Lemony’s progress.

Beneath The Street:Secret underground passageways are a specialty of V.F.D. The mention of buzzing sounds also ties with the “Deep Mine” Side-B story.

Small Courtyard:Another mention of Violetta and Dagwood. Apparently their father feared Stain’d-by-the-Sea ‘s stone buildings would eventually get destroyed by “violent animal life”. It seems like he knew the Bombinating Beast was coming. According to Hangfire in the last ATWQ book, a lot of adults actually knew what he was dying but fled out in terror or were assassinated.

Missing Pets:These tanks were probably the same ones Hangfire used to raise/grow his experiments. It’s possible the reptiles were also used as genetic material to manufacture an imitation of the legendary Bombinating Beast. Mrs Flammarion is likely a member of Inhumane Society, just like her husband, and could have been tasked with providing the fish tanks and reptiles.

Large Meal:The salted meat recalls Qwerty’s and Hangfire’s interest in caviar, which also requires a great deal of salt. The local reptilian delicacies could have been a convenient way to explain the disappearance of reptiles in the area, in order to dispose of their bodies after Hangifre’s experiments.

Other Name:The initials are likely “I.S.” or “A.F.” as Inhumane Society and Armstrong Feint are known to steal honeydew melons from Partial Foods.

Sand And Shore:Apparently the abandonned boats in the empty sea are still good for something. Perhaps Cleo Knight could look into that to save her city from economic disaster.

Poor joke:Pretty much what it says on the tin.

Message recorded:Members of V.F.D. seem to carry evidence in their hats, which ties in with a shady adoption deal Arthur Poe is later guilty of in “A Series Of Unfortunate Events”.

Nervous Wreck:“Mother of Icarus” seems to be a parody of “Icarus’s Mother” by Sam Sherpard (1965). The play concerns two men trying to send a secret message during a picnic so their friends don’t realize they intend to crash a plane. So the fact that Lemony is pressing us not to look for a secret message is ironic.

Last Word:The word uttered by the mysterious figure in “Shouted Word” is commonly theorized to be “Ellington”, which has nine letters, so it would fit. Hangfire was probably looking for his daughter in the city, trying to convince her to follow his orders again in exchange for “sparing” her father’s life.

all of those funeral options like the tree pod or mushroom shroud or urn with seeds that "feeds" the tree are uhhhh, bullshit. unfortunately. if you want to be a tree when you die, be buried in the ground without a francy casket or embalming, and have a tree planted above you. this is the same thing as any of these hypothetical "tree pods" but it's skipping the scammy cash grab companies trying to capitalize on grief with fake ass science.

cremated remains will not "feed" anything, either. they'll probably impede growth, tbh. cremated remains are non-organic. what's left over after a cremation is hollow, dry, brittle bone fragments that someone like me sweeps up and puts in a big metal blender to create the smooth "ashes" one expects. By all means, go ahead and scatter ashes in nature, but don't expect anything to grow from them.

If you want your body to return to nature after death, go for a green burial or an at-sea burial. there are many dedicated green burial sites in the world, and one also has the option of simply being buried in a more traditional cemetery that allows for simple wicker caskets w/o a vault around them, and the body left unembalmed. If the tree thing is really your jam, go for burial in a dedicated green cemetery that allows your family to plant a sapling above you, or if it is available where you live have your body composted and use the soil to grow plants.

tldr; there are options for green funerals out there, and options for "becoming a tree," but I would not recommend going anywhere near products offering this such as tree pods, etc. as they are expensive scams preying on people's grief for their dumb start up. get composted or green buried 💚🌲 source: I'm a mortuary scientist and provider of both traditional funerals/cremations & green burial/at-sea burial.

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