All Of Those Funeral Options Like The Tree Pod Or Mushroom Shroud Or Urn With Seeds That "feeds" The

so weird how in english some words are really just used in expressions and not otherwise… like has anyone said “havoc” when not using it in the phrase “wreaking havoc”? same goes for “wreaking” actually…

reply with more, i’m fascinated

What books on the fae would you recommend?

In no particular order:

W.Y. Evans-Wentz,  TheFairy-Faith in Celtic Countries (1911). *

Lady Isabella Augusta Gregory and William Butler Yeats, A Treasury of Irish Myth, Legend & Folklore (Fairy and Folk Tales of the Irish Peasantry / Cuchulain of Muirthemne).

Emma Wilby, Cunning Folk and Familiar Spirits.

Claude Lecouteux, Witches, Werewolves, and Fairies: Shapeshifters and Astral Doubles in the Middle Ages.

Katharine Briggs, The Fairies in Tradition and Literature (Routledge Vol. 30)

Reginald Scot, The Discoverie of Witchcraft (1570). *

Celtic Folklore (free ebooks). *

Robert Kirk w/ Andrew Lang, The Secret Commonwealth of Elves, Fauns and Fairies (1893). *

Lectures & Papers of Note

Dr. Ronald Hutton, Traditional Fairy Beliefs for Manx Heritage. *

Emma Wilby, “Burchard’s strigae, the Witches’ Sabbath,and Shamanistic Cannibalism in Early Modern Europe.” *

Emma Wilby, The Witch’s Familiar and the Fairy in Early Modern England and Scotland. (JSTOR) *

AND, for a good read… this series of articles on British fairy traditions by Dr. Alexander Cummins (@grimoiresontape) is quite good: The Rain Will Make A Door, Part One; Part Two; Part Three. 

* indicates links to public domain / open resource materials

Notes: I didn’t bother listing the few academic texts that may be cost prohibitive. They tend toward having a more specialized focus anyway. Also, my main, personal approach to fairy lore is through the realm of historical witchcraft, which is evident by a number of my selections.

I’m sure you get this question all the time, so I’m really sorry if this is repetitive, but how do you start screenwriting? I’ve been writing fiction pretty much forever, but I’ve recently had a few ideas that would work best as a TV show. How do you actually start? What do I need to know before my first attempt? Do you need any qualifications to become an actual screenwriter? Thank you so much!

Oh that's okay, I'd love to talk screenwriting! Seriously. Come drop in with screenwriting asks whenever you want to.

If the concept of screenwriting is completely new to you, I suggest you start reading screenplays to familiarize yourself with how to properly format and build one. You can find free screenplays to read here and here, or you can search on google for scripts of TV-shows and movies that you like. Watching movies and TV-shows is VITAL.

how many pages should my script be?

A quick guide to screenwriting

Switching from novels to screenwriting

What words in a script should be capitalized?

What is a beat?

The importance of mundane scenes (TV-shows)

Implying tone and using parentheticals

How do you write action lines?

Serialized or episodic TV? (TV-shows)

Tip for writing plot twists

Scripts I read

How to learn screenwriting at home (video format) (with a ghost)

A degree isn't necessary to become a screenwriter (but it's useful in terms of learning the industry and building connections). Most important thing is that you know your terminology, how to structure a script, and how to write a compelling story.

New writing rule: Checkov’s friend

If you introduce a named character with a relationship to a protagonist, their character arc must be resolved in a way that feels reasonable and satisfying

Which is to say: they can’t just dissappear when they’re no longer a convenient plot device

So You've Finally Switched to Firefox: a Brief Guide to a Some Very Useful Add-Ons.

This post is inspired by two things, the first being the announcement by Google that the long delayed Manifest V3 which will kill robust adblocking will finally roll out in June 2024, and the second, a post written by @sexhaver in response to a question as to what adblockers and extensions they use. It's a very good post with some A+ information, worth checking out.

I love Firefox, I love the degree of customization it offers me as a user. I love how it just works. I love the built in security features like DNS over HTTPS, and I love just how many excellent add-ons are available. It is a better browser than Chrome in every respect, and of the many Chromium based browsers out there, only Vivaldi comes close.

There are probably many people out there who are considering switching over to Firefox but are maybe putting it off because they've got Chrome set up the way they like it with the extensions they want, and doing all that again for Firefox seems like a chore. The Firefox Add-on directory is less expansive than the Chrome Web Store (which in recent years has become overrun with garbage extensions that range from useless to active malware), but there is still a lot of stuff to sift through. That's where this short guide comes in.

I'm presently running 33 add-ons for Firefox and have a number of others installed but disabled. I've used many others. These are my picks, the ones that I consider essential, useful, or in some cases just fun.

Adblocking/Privacy/Security:

uBlock Origin: The single best adblocker available. If you're a power user there are custom lists and scripts you can find to augment it.

Privacy Badger: Not strictly necessary if you're also running uBlock, but it does catch a few trackers uBlock doesn't and replaces potentially useful trackers like comment boxes with click-to-activate placeholders.

Decentraleyes: A supplementary tool meant to run alongside uBlock, prevents certain sites from breaking when tracker requests are denied by serving local bundled files as replacement.

NoScript: The nuclear option for blocking trackers, ads, and even individual elements. Operates from a "trust no one" standpoint, you will need to manually enable elements yourself. Not recommended for casual users, but a fantastic tool for the power user.

Webmail Ad Blocker: The first of many webmail related add-ons from Jason Saward I will be recommending. Removes all advertising from webmail services like Gmail or Yahoo Mail.

Popup Blocker (Strict): Strictly blocks ALL pop up/new tab/new window requests from all website by default unless you manually allow it.

SponsorBlock: Not a fan of listening to your favourite YouTuber read advertisements for shitty products like Raycons or BetterHelp? This skips them automatically.

AdNauseam: I don't use this one but some people prefer it. Rather than straight up blocking ads and trackers, it obfuscates data by injecting noise into the tracker surveillance infrastructure. It clicks EVERY ad, making your data profile incomprehensible.

User-Agent Switcher: Allows you to spoof websites attempting to gather information by altering your browser profile. Want to browse mobile sites on desktop? This allows you to do it.

Bitwarden: Bitwarden has been my choice of password manager since LastPass sold out and made their free tier useless. If you're not using a password manager, why not? All of my passwords look like this: $NHhaduC*q3VhuhD&scICLKjvM4rZK5^c7ID%q5HVJ3@gny I don't know a single one of them and I use a passphrase as a master password supplemented by two-factor-authentication. Everything is filled in automatically. It is the only way to live.

Proton Pass: An open source free password manager from the creators of Proton Mail. I've been considering moving over to it from Bitwarden myself.

Webmail/Google Drive:

Checker Plus for Gmail: Provides desktop notifications for Gmail accounts, supports managing multiple accounts, allows you to check your mail, read, mark as read or delete e-mails at a glance in a pop-up window. An absolutely fabulous add-on from Jason Saward.

Checker Plus for Google Drive: Does for your Google Drive what Checker Plus for Gmail does for your Gmail.

Checker Plus for Google Calendar: The same as the above two only this time for your Google Calendar.

Firefox Relay: An add-on that allows you to generate aliases that forward to your real e-mail address.

Accessibility:

Dark Reader: Gives every page on the internet a customizable Dark Mode for easier reading and eye protection.

Read Aloud: A text to speech add-on that reads pages with the press of a button.

Zoom Page WE: Provides the ability to zoom in on pages in multiple ways: text zoom, full page zoom, auto-fit etc.

Mobile Dyslexic: Not one I use, but I know people who swear by it. Replaces all fonts with a dyslexia friendly type face.

Utility:

ClearURLs: Automatically removes tracking data from URLs.

History Cleaner: Automatically deletes browser history older than a set number of days.

Feedbro RSS Feed Reader: A full standalone reader in your browser, take control of your feed and start using RSS feeds again.

Video Download Helper: A great tool for downloading video files from websites.

Snap Link Plus: Fan of Wikipedia binge holes? Snap Link allows to drag select multiple hyperlink and automatically open all of them in new tabs.

Copy PlainText: Copy any text without formatting.

EPUBReader: Read .epub files from within a browser window.

Tab Stash: A no mess, no fuss way to organize groups of tabs as bookmarks. I use it as a temporary bookmark tool, saving sessions or groups of tabs into "to read" folders.

Tampermonkey/Violentmonkey: Managers for installing and running custom user scripts. Find user scripts on OpenUserJS or Greasy Fork, there's an entire galaxy out there of ingenious and weird custom user scripts out there, go discover it.

Browsing & Searching:

Speed Dial 2: A new tab add-on that gives you easy access to your favourite sites.

Unpaywall: Whenever you come across a scholarly article behind a paywall, this add-on will search through all the free databases for an accessible and non-paywalled version of the text.

Web Archives: Come across a dead page? This add-on gives you a quick way to search for cached versions of the page on the Wayback Machine, Google Cache, Archive.is and others.

Bypass Paywalls: Automatically bypasses the paywalls of major websites like those for the New York Times, New Yorker, the Financial Times, Wired, etc.

Simple Translate: Simple one-click translation of web pages powered by Google Translate.

Search by Image: Reverse search any image via several different search engines: Google Image, TinEye, Yandex, Bing, etc.

Website Specific:

PocketTube: Do you subscribe to too many YouTube channels? Would you like a way to organize them? This is your answer.

Enhancer for Youtube: Provides a suite of options that make using YouTube more pleasant: volume boost, theatre mode, forced quality settings, playback speed and mouse wheel volume control.

Augmented Steam: Improves the experience of using Steam in a browser, see price histories of games, take notes on your wishlist, make wish listed games and new DLC for games you own appear more visible, etc.

Return YouTube Dislikes: Does exactly what it says on the package.

BlueBlocker: Hate seeing the absolute dimmest individuals on the planet have their replies catapulted to the top of the feed because they're desperate to suck off daddy Elon sloppy style? This is for you, it automatically blocks all Blue Checks on Twitter. I've used it to block a cumulative 34,000 Blue Checks.

Batchcamp: Allows for batch downloading on Bandcamp.

XKit Rewritten: If you're on Tumblr and you're not using whichever version of XKit is currently available, I honestly don't know what to say to you. This newest version isn't as fully featured as the old XKit of the golden age, but it's been rewritten from the ground up for speed and utility.

Social Fixer for Facebook: I once accidentally visited Facebook without this add-on enabled and was immediately greeted by the worst, mind annihilating content slop I had ever had the misfortune to come across. Videos titled "he wanted her to get lip fillers and she said no so he had bees sting her lips", and AI photos of broccoli Jesus with 6000 comments all saying "wow". Once I turned it on it was just stuff my dad had posted and updates from the Radio War Nerd group.

BetterTTV: Makes Twitch slightly more bearable.

Well I think that's everything. You don't have to install everything here, or even half of it, but there you go, it's a start.

For more information and to support the WGA please:

Follow their official social media on all platforms and only trust statements from the union itself, and articles they promote (be wary of other articles).

Read up on the issues being fought for (there are articles supported by the union in their linktree)

Be vocal in your support and inform others in your communities.

Stop using ChatGPT and other AI tools, even for fun.

Do Hangfire and V.F.D. share a secret criminal past?

An overlooked aspect of “All The Wrong Questions”’s complex plotting is the apparently extensive knowledge Hangfire managed to compile on the V.F.D. organization. It seems that his sinister Inhumane Society acts as an evil (well, slightly more evil) counterpart to the volunteers, copying a number of their most frequent methods: disguises, arson, secret messages, trained animals, etc.

“The jig’s up for Snicket,” Stew sneered. “The boss told me to make sure he suffered. Hangfire has a particular revulsion for members of V.F.D.” [Shouldn’t You Be In School?, Chapter Twelve]

“That’s exactly wrong,” I said. “You’ve concocted a beautiful plan, Hangfire. I’m not going to mangle it.” He turned his mask to me. “But V.F.D. stands for the true human tradition of justice and literature,” he said. “I thought you’d find a lawless world an ugly place.” [Why Is This Night Different From All Other Nights?, Chapter Nine]

But we don’t exactly know HOW and WHY Hangfire got all this information. Dashiell Qwerty is young, but he’s clearly been the librarian of Stain’d-by-the-Sea for quite some time. When did V.F.D. start investigating the secrets of this town? And how does that factor in with the history of Inhumane Society? It seems that Hangfire and V.F.D. are much closer than either cares to admit.

The following article is highly speculative but nevertheless tries to paint a coherent narrative around Armstrong Feint’s start of darkness. Find out how V.F.D. created its own worst enemy after the cut.

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Chapter 6: Lullaby in Frogland

Let’s look back. Way back. Back before the dawn of animation, before the dawn of film, well before Ruby or Spears or Disney or Iwerks or either Fleischer Brother. Back to 1835, in a town named Florida in a state named Missouri when a boy named Samuel was born.

Like Ub Iwerks, Sam was raised in Missouri. And like Max Fleischer, Sam’s family took a financial hit when his father’s work stopped (this time due to a premature death rather than the decline of tailory), giving Sam a practical approach to work. He left school at age eleven to become a printer’s apprentice, then moved to his older brother’s newspaper as a typesetter and occasional columnist, writing humorous articles and drawing cartoons. But unlike Beatrix Potter or the animators we’ve covered, visual art wasn’t in the cards for Sam.

He moved to the East Coast to work for other papers, bouncing between cities before returning to the midwest to embark on a career he’d dreamed of since he was old enough to dream: piloting a steamboat. He thrived on the water, and kept writing about his work along the river, but everything stopped when the Civil War closed off the Mississippi. So Sam headed west to work for the same brother who once ran the newspaper, now a politician in Nevada (I’d be remiss if I didn’t point out that this brother was for some reason named Orion). Sam tried mining, and it didn’t take, but he’d gotten pretty good at writing and set off for San Francisco to get back into his jocular brand of journalism. 

It was here that he had his first success, a short story published in his paper called Jim Smiley and His Jumping Frog. But, like a certain frog we’ve covered in this series, Sam wasn’t huge on permanent names. Within a month, the story was reprinted as The Celebrated Jumping Frog of Calaveras County, and Jim Smiley’s name was changed to Jim Greeley. Until the book version came out, when it was changed back to Jim Smiley. And this whole time, within the story, it’s a mystery whether Jim’s real name is actually Leonidas (it turns out that it isn’t, but it might be). None of this should come as a surprise for Samuel Clemens, who wrote under the names of Josh, Thomas Jefferson Snodgrass, and most famously, Mark Twain.

“I knew you were special.”

Over the Garden Wall is, among other things, a story about the importance of solid communication. After five episodes spent building up our heroes as a group of friends, all it takes is one episode of terrible communication to throw it all away. The specific issues vary, despite leading to a similar result of not verbalizing their thoughts very well: Greg’s youth stops him from articulating his rapidly changing ideas, Wirt’s anxiety leaves him too timid to speak up or too rambling to be clear, Beatrice’s true intentions make her obfuscate the truth, and Jason Funderburker straight-up can’t talk. Or so we think.

This time he’s named for American statesmen George Washington and Benjamin Franklin, which fits the continuing vintage Americana vibe of the series—while I figure it’s a coincidence, it should be noted that Mark Twain’s Jumping Frog was named after American statesman Daniel Webster. Surrounded by other frogs that walk around and wear fancy garb, our frog is more anthropomorphic than ever, standing on his hind legs and dancing along with Greg. But it’s still a shock to hear him open his mouth and sing, a shock that soon cedes to the realization that the frog playing the piano at the beginning of the series is singing the Jack Jones song in the montage that follows.

Lullaby in Frogland is Jason Funderburker’s episode through and through, so much so that it’s the first time we hear of his namesake, Jason Funderberker. This is an episode where Wirt rejects Greg’s assertion that their frog is “our frog,” a plot point that’s paid off in their last conversation in the series. This is an episode where Greg wonders aloud if he can be a hero, sees the frog set off on a diverging path immediately afterwards, and accepts it, because he’s willing to sacrifice his happiness for the good of others. And it’s an episode where the frog returns after a harrowing betrayal, showing that even when all seems lost, there’s still room for hope. Over the Garden Wall (the song) might not sound like a traditional lullaby, but it soothes us into a cold night as the sun sets on the first half of Over the Garden Wall (the show).

Adelaide’s true nature is foreshadowed by Beatrice’s sudden hesitance to bring the brothers to the pasture after several episodes of nagging, but the twist is made tragic by Wirt finally letting his guard down enough to be happy. He sings a completed Adelaide Parade with Greg and joins the dance before collapsing into the most earnest laughter I’ve ever heard in a cartoon. He’s a good enough friend to notice when Beatrice is “uncharacteristically wistful,” and takes a risk by playing the bassoon instead of just giving up. He’s still got growing to do—it’s one thing to blame Greg for getting them in trouble by throwing away the ferry fare and forcing them to sneak aboard, but another thing to literally shout “Take him, not me!” when confronted by the frog fuzz—so it’s clear that his journey isn’t over yet, but he doesn’t even get a full episode of peace before everything blows up.

The whole steamboat sequence flows between simple delights, like saluting the captain mid-chase, the revelation that the frogs love music more than they hate trespassers, and the repeated gags of three gentlemen frogs snatching up flying flies and a frog mother dropping her tadpoles. Everything just feels calm, even when antics are afoot. Wirt gets to save the day with his bassooning, Greg gets to feel rewarded in his knowledge that his frog is special, Jason gets to sing a song after being silent throughout the series, and Beatrice seems, for now, to come to a sort of peace about things after several clear attempts to sidetrack the boys. This is the only episode to feature two major stories instead of one, but the steamer segment is rich enough to feel like a full episode. If only we could’ve stopped here.

All roads lead to Twain when it comes to depictions of steamboats as a go-to American icon, which is why he preceded this discussion of Lullaby in Frogland: I’m not claiming Mickey Mouse wouldn’t have been successful if his first cartoon was about something else, but I’m certainly claiming that we wouldn’t have gotten Steamboat Willie as it was if Ub Iwerks hadn’t grown up in a Missouri whose lore was shaped by Twain’s tales of the river. But while the author’s at the root of the episode’s many influences, I think the most fascinating branch that we borrow from is The Princess and the Frog. 

2009 was a great year for animation, seeing the release of Coraline, Fantastic Mr. Fox, The Secret of Kells, the surprisingly great Cloudy With a Chance of Meatballs, and the first ten minutes of Up (also the rest of Up, if I’m feeling generous). The first two on that list are my favorite of the year, twin stop-motion masterpieces that I’m always in the mood to watch, but The Princess and the Frog is a brilliant last gasp from Disney’s 2D animation studio. It isn’t the final traditionally animated film they made (that would be 2011′s Winnie the Pooh), nor the final fully sincere princess movie they made (that would be 2010′s Tangled), but it marks the beginning of the end for both trends: for better and worse, the modern Disney animation feels the need to loudly subvert old tropes and wouldn’t be caught dead in two dimensions.

Lullaby in Frogland’s connection to The Princess and the Frog is certainly visible on the surface level: both feature a long sequence starring frogs on a steamboat where a lead character must pretend to be another animal and play a woodwind instrument to get out of a jam, and both involve our heroes seeking help from a wise woman far from civilization (even if only one of these women is actually helpful). But it’s the somber nostalgia factor that binds these stories closer than anything, the knowledge that this is the end of the road for this type of tale. The ferry’s gotta land somewhere, and the cold is setting in as the frogs begin hibernating for the winter, but there’s still more story to tell.

The second story of Lullaby in Frogland is scored throughout by a haunting string and piano rendition of Adelaide Parade, and Adelaide herself is immediately captivating. John Cleese returns for the second episode in a row, but as both of these episodes aired the same night, it feels like a consistent through-line: in the first half, he’s an eccentric who might be a deranged maniac but is actually harmless, and now he’s a witch who might be harmless but is actually a deranged maniac.

Adelaide gets a compelling amount of detail for someone who’s barely in the show. We don’t get any explanation about her fatal weakness to…fresh air? Coldness in general? Either way, like the Wicked Witch of the West’s lethal reaction to water, it’s absurd that someone like her has managed to live this long. She never says what she needs a child servant for, why she has scissors that seem custom-made for this specific curse, or what her spider-like deal with yarn and wool is (she has a black widow hourglass on her back, but also reminds me of the Greek Fates with her emphasis on thread). We never find out how she’s connected to the Beast, whose theme bleeds into her music as she proclaims, without much prompting, that she follows his commands; her goal of using children as zombie slaves seems counter to his goal of turning them into trees to fuel his soul lantern. But this blend of unexplained characteristics and seemingly inconsistent motives only makes her more enthralling to me, because she feels like an actual major villain of another story who we only see a glimpse of. 

What makes Adelaide even more compelling on rewatch is that her scissors, despite their gruesome method for curing the curse, actually end up working. Which means she really did mean to help Beatrice out as part of the deal. At no point does Adelaide lie, and given Beatrice knows she’s bad news as she lures the brothers in, it becomes clear that for all her villainy, Adelaide is an honest witch. I’m always down for baddies that tell the truth, but it’s of particular interest when we compare her to the Beast, whose whole deal is lying. 

The only liar in this episode is Beatrice, even if she wanted to set things straight without hurting anyone; she values her friendship with the boys so much now that she’d rather make herself a servant to Adelaide than just tell them she’s dangerous and reveal that she lied. By the time she’s willing to tell the truth, it’s too late, and not even saving Greg and Wirt by killing Adelaide is enough for Wirt to forgive her. Considering he knows in The Unknown that the scissors he uses to escape the yarn can save her family, he was also listening in on the end of the conversation before entering the house, which means he must have heard that she was willing to sacrifice herself, but that doesn’t matter either. Beatrice gave the boys hope, and no matter how badly she tried to stop it, the encounter with Adelaide transforms Wirt. Where he was once nervous and unsure, and was then briefly optimistic, he’s now sullen and untrusting.

But again, in comes Jason Funderburker, croaking and hopping on all fours once more to bring some light to the darkening series. He doesn’t do much for Wirt, but allows Greg to quickly get over whatever trauma he had about getting webbed up in yarn; he’s remarkably quiet about it, but it’s important to remember that he was betrayed, too. Whether he doesn’t understand exactly what happened or is just quicker to forgive, Greg is fine with Beatrice, allowing us to focus harder on Wirt’s reaction from now on.

It’s all rain and winter for Wirt until the end of his adventure. But the show’s not content to leave him even slightly forlorn: when it gets too dark, he has a frog to swallow a lantern to light the way, and when it gets too cold, he has a brother to cover him in leaves, and when he falls, he has Beatrice to help pull him back up. Even the Woodsman tries to save him in his own way (talk about folks who are bad at communication). Bad things happen, and people make mistakes, but the bigger mistake is allowing that to close you off to others, or to never forgive friends that are genuinely sorry. Our heroes have taken the ferry to the other side, and now the story can shift to one about the folly of abandoning all hope.

Where have we come, and where shall we end?

On top of Jason Funderberker, who’s set up as a major rival to make his eventual reveal one of the show’s best jokes, Wirt gives Beatrice a general summary of Into the Unknown three episodes before we see it play out.