A Happy Boy

Collab of my OC Vasil I did with my friend @inkenstabell Go check their stuff out! 

Cinematography by: Dan Laustsen The Shape of Water (2017)* Directed by Guillermo del Toro

“The way I’m shooting movies, it’s 1:1. What you’re shooting on the set is exactly how it’s going to look in the movie. When we did the color-correction, the DI, for this movie, Guillermo said, “I don’t want to make a DI, because I think I like exactly how it looks.” We spent some time on the set to do the right colors, and I think that’s very, very important for me, to shoot the movie exactly as it should look. So when we’re doing the DI, I’m just making a corner a little bit darker or a window a little bit brighter, but we’re not changing the color. So when you see framegrabs from the sets the day we shot it and you see the final movie, it’s exactly the same; we’re not changing colors at all.” — Dan Laustsen on the gap between what’s captured in-camera and the final image

*Academy Award nominee for Best Cinematography in 2018

Already messed up. 2024 will be my year fr

Isn’t it scary knowing that any time can be the last time you talk to someone? Always keep that in mind.

(via leohearts)

Cats cuddling

(via)

Silvia Grav  is a 19 year old photographer from Spain. Currently living in Madrid.

Silvia’s work is best described as “surreal”. Some would classify much of her work as creepy, strange, or scary, but these creations truly takes conceptual photography to new heights. We have seen the technique of combining multiple exposures many times before, however, Grav has a knack at combining elements of nature (waves, stars, clouds) in a way that is just captivating. 

How would you describe your style?

I never quite know how to explain it. Aesthetically, I love analogue photography- dirty, scratched. I’ve been obsessed with the black & White that old photographs possess since I’ve discovered photography, but I don’t know why. I see very clear when I find beautiful imagery, but I ignore why I’ve acquired my style. I think that this is unconscious, a set of many influences that are impossible to differentiate.

By: Angela Butler from phlearn.com

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London Fields ∷ Animated Keyart by Michael Garcia Facebook: @LondonFieldsFilm Twitter: @LondonFields18 Instagram: @londonfieldsfilm In theaters October 26th