Isn’t It Scary Knowing That Any Time Can Be The Last Time You Talk To Someone? Always Keep That In

Cinematography by: Dan Laustsen The Shape of Water (2017)* Directed by Guillermo del Toro

“The way I’m shooting movies, it’s 1:1. What you’re shooting on the set is exactly how it’s going to look in the movie. When we did the color-correction, the DI, for this movie, Guillermo said, “I don’t want to make a DI, because I think I like exactly how it looks.” We spent some time on the set to do the right colors, and I think that’s very, very important for me, to shoot the movie exactly as it should look. So when we’re doing the DI, I’m just making a corner a little bit darker or a window a little bit brighter, but we’re not changing the color. So when you see framegrabs from the sets the day we shot it and you see the final movie, it’s exactly the same; we’re not changing colors at all.” — Dan Laustsen on the gap between what’s captured in-camera and the final image

*Academy Award nominee for Best Cinematography in 2018

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Silver mounted kindjal from the Caucasus, circa 1900.

from Czerny’s International Auction House

Sto plottando qualsiasi cosa. 

The Archer

A vicious attack

(via)

A happy boy

(via)