Cinematography by: Dan Laustsen The Shape of Water (2017)* Directed by Guillermo del Toro
“The way I’m shooting movies, it’s 1:1. What you’re shooting on the set is exactly how it’s going to look in the movie. When we did the color-correction, the DI, for this movie, Guillermo said, “I don’t want to make a DI, because I think I like exactly how it looks.” We spent some time on the set to do the right colors, and I think that’s very, very important for me, to shoot the movie exactly as it should look. So when we’re doing the DI, I’m just making a corner a little bit darker or a window a little bit brighter, but we’re not changing the color. So when you see framegrabs from the sets the day we shot it and you see the final movie, it’s exactly the same; we’re not changing colors at all.” — Dan Laustsen on the gap between what’s captured in-camera and the final image
*Academy Award nominee for Best Cinematography in 2018
Judgy dog
(via)
Super blue blood moon rises behind Parthenon, in Athens January 2018
Da qualche anno mi sono accorta che quando qualcosa ricomincia non è bene chiedersi perché. Quando qualcosa ricomincia vuol dire che doveva farlo, semplicemente, perché non ce l'ha fatta a finire per davvero. Però una cosa non l'ho capita, ed è crudele e meravigliosa insieme: come mai la tristezza non si cancella e invece la felicità si dimentica così facilmente? Come mai, se mi sforzo di ricordare, percepisco il dolore e quasi mai la gioia? I giorni tristi non svaniscono, quelli allegri diventano déjà vu e ti ritrovi a pensare “ma io davvero sono stato contento, allora, o era in un'altra vita?”. Che peccato, certo.
Susanna Casciani (via cisiamoincontratisoloameta)
"romeo should have checked" girl she was a corpse. she was a corpse in a crypt. She took a magic "looking like a corpse" potion and then they buried her and then romeo found her fully 100% buried what are you TALKING about
I really want to write a little story...
Like I have a notebook full of ideas but.. That’s it. Ideas.