Latest Posts by allegedlyiwrite - Page 4

So right now I have 9 wips (well, and 2 other ideas that I’ll come back to eventually).

4 of the wips are fanfiction. Because I don’t always finish things, I haven’t posted them yet, but one is close to posting level, probably in the next few weeks if I have time.

3 of the other wips are all different books in the same series that I know for sure I want to publish one day. (I’m just taking my time with it because I need to sort my life out before I’m able to dedicate time, money, and energy into publication)

1 wip I barely ever touch. It will be a series as well and I’ll get to it after the other series.

The last wip is one I’ve had mixed feelings about since I had the idea.

But today I had another idea, that would involve getting rid of the last wip to use the world building and one of the characters.

My life is still a mess, so publishing won’t happen any time soon, but there’s a part of me that wants to abandon my fanfics and just write original stories. I’ll just have to be okay knowing nobody will read them anytime soon.

I should be able to both read for 8hrs a night and sleep for 8hrs a night. That I cannot is very rude and, frankly, poor design.

my beloved writers,

you need to seriously challenge your mindset of writing for likes and such. You already know you should write for yourself, so do it.

It does not matter. They are numbers.

If your productivity and motivation are tied to how much positive feedback you get, you are killing the artist inside of you. To be an artist means to not be chained down by anything - not opinions, not feedback, not an audience.

It is no complex, hard task to stop caring. Just stop. Stop caring for it. I promise, it will be the most freeing thing you can do for your mind.

Sincerely,

a long recovered Wattpad-Reads-Obsessor.

i think a lot of people (even other autistic people) forget that special interests are listed in the diagnostic criteria as restrictive interests (“Highly restricted, fixated interests that are abnormal in intensity or focus”) that are often very disabling.

for many autistic people, special interests aren’t some fun thing; it’s having no impulse control and spending too much money on things related to our special interest (if we even have control over our own money at all), it’s struggling with or being unable to hold conversations that aren’t related to our special interest, its being unable to do daily activities such as eat or sleep or work because our special interests take up all our time.

idk. i don’t want to come off as gatekeep-y because that’s not my intention but i just think it’s important to make the distinction between a restrictive interest in autistic people vs just being really interested in something.

I find it frustrating and uncomfortable in fiction when children are used as props to make parent characters feel good about themselves, and as a reward for a romantic arc, rather than being characters with their own identity and agency.

And I think I feel that way because so often because in real life, many parents bring a child into the world simply as a reward for feeling successful in their romance, and to be props to make them feel good about themselves, rather than understanding that their children are full people with their own identity and agency that has to be respected.

saying ao3 needs to censor certain content is like saying a museum can't have still life art that includes strawberries because you don't like them.

these are not real strawberries. you do not have to, and in fact cannot, eat them. no one with a strawberry allergy will be harmed by looking at them. no migrant workers were exploited in the picking of these strawberries. there were no questionable farming practices or negative environmental impacts from growing or transporting them.

because - and i cannot stress this enough - they are not real strawberries.

if you don't like strawberries, you don't have to look at the paintings. in fact, you can get a map of the museum that lists what works are in what rooms and just. not go in there. if you see one by mistake, you can look away. just keep walking. there's plenty of other stuff to see.

yes, real strawberries can cause real quantifiable harm to real people.

but again. these are not real strawberries.

you may have whatever feelings you like about strawberries, and so can i. you can draw and write about whatever fruit floats your boat, and so can i, even if that happens to be strawberries. and we can hang our art side by side in the same gallery, provided you understand that my strawberries are not about you (and your kumquats are, shocker, not about me) and that - and this is true - neither are real.

and when the fascists break down the doors and grab all the strawberry paintings and heap them in the street and set them on fire, please know that they are coming for your kumquats next.

so if you want a place where you can show off your beautiful kumquat art safely, you're gonna have to tolerate having some strawberries in the next room.

and that's okay. because the strawberries aren't real.

I've got a lot of respect for smut writers. you write something incredibly sexual, it's probably somewhat of a look into your own soul, and then bitches are too scared to leave kudos of comments half the time, so it looks as though everyone hates your work. And yet yall still do it, and I love that

shipping isn’t about what the writers or actors say is or isn’t romantic. shipping isn’t even about romance a good percentage of the time. shipping is about seeing The Dynamic and going absolutely hog wild in your mind and your friends dms about it.

I opened my asks so if you want to bounce writing thoughts off another person, you can.

But just so you know, my policy in life is that if I don't know what to say, I don't say anything, so I won't have a response for everything. I'm just a guy

Me right now

currently powering through the absolute worst, terribly written, cringe ass fanfic ive ever read in my entire life simply because the concept is too good

Me: "I'm going to keep my plots a secret so they're a surprise."

Also Me to my bestie: "Hey, wanna know what's going to happen with this character?"

Why do I have multiple hobbies and no time for any of them?

if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.

Me when I cannot physically write: *intense daydreaming, the perfect scene plays out, the heavens open, angelic song fills the imaginative space, the plot holes fill in; never has there been a better scene concocted in all of written art*

Me when I write: *head empty, no thoughts* She... smiled... earnestly?? And cool shit happened??? And... uh... this happened... but like in a neat way - right?

Romantic Writing Prompts (++Drama++)

She has two choices... the boy who makes her feel like art, or the man who can give her the world on a silver platter. Both love her. Both will ruin her in different ways. And she has to decide if she wants passion or security, because she cannot have both.

She thought she had found the love of her life on a dreamy vacation. The kind of love that makes you believe in fate. The kind of love that makes your bones hum. And then she comes home, walks into her best friend’s apartment, and sees him, wearing a ring, wrapping his arms around the person who’s been in her life longer than he has.

She’s built her career from nothing. Nothing. And now she’s finally on the verge of making it, rising in the world of high fashion, with a mentor who believes in her more than anyone ever has. But then she finds out the truth about him. And it’s not just bad. It’s the kind of truth that could end everything.

She has a plan. Stay in her tiny hometown. Marry the boy she’s known forever. Live a simple, happy life. But then the new guy moves in, brooding, devastatingly handsome, and everything she’s not supposed to want. Suddenly, her plan feels like a cage. And her childhood sweetheart can see it happening.

She knows he’s a mistake. She knows he’s all sharp edges and empty promises and that he kisses her like he’s daring her to regret it later. And still, she goes back to him. Again and again. Until she either saves him or loses herself completely.

She has a good boyfriend. A stable one. The kind of love that makes sense. Then, she meets him. The kind of love that is a disaster waiting to happen, that keeps her awake at night, that makes her question everything she thought she wanted. And suddenly, safe doesn’t feel so safe anymore.

She’s fine. She swears she is. It’s been years since she lost him. She moved on. She has a job, a life, someone else warming her bed. And then, she sees him again. Older. Wiser. Looking at her like she’s the only thing in the world that ever made sense. And suddenly, every lie she’s told herself comes crashing down.

I have a lot of friends that I share one or two diagnoses with, but they either have better support or just don’t struggle as much with the stuff that makes it hard to work and whatnot. It’s frustrating when I make a small inane comment about what I can and cannot do and they correct me based on their experiences

Disability is such a spectrum and I don't even know if you could truly say two people have the exact same ability level. That's why the whole "I can do this why can't you?" line that a lot of disabled ableists push is so frustrating. Babe, they can't do that because they don't have the exact same set of circumstances in their life and body that allows you to do the thing. There's a lot of varying ability and access within a diagnosis and just because you can do a thing with your diagnosis doesn't mean everyone else with that diagnosis can too.

"Came back wrong" trope but actually the character came back right. A character who, when they were living, hid and changed so many parts of themself around others to appease them and, when they died and came back, they stopped doing so and started living as who they always have been. But everyone thinks they came back wrong because of how different they are

As a writer, words fail me.

Your Protagonist is a Liar. If your story follows only the main character, we see things how they see them. A main character is an unreliable storyteller, if they mean it or not. We, just like the MC, aren't in other characters' minds. So, moments are misinterpreted. Your main character sees the world through their own biases. We only know the main character's impressions of the side characters, and the villains. We read only their perception of these characters.

That doesn't make them a villain, its normal. It's realistic and purely understandable. They can't fill gaps of information simply because they weren't there. So, they make assumptions, they make judgements, they remember things incorrectly. Memory isn't perfect, details are changed or forgotten. It's only natural.

Let your protagonist lie. Maybe they don’t even realize they’re doing it. Maybe they do. See what happens.

Nothing like spending the night somewhere because of the snow, only I can’t sleep and my laptop’s at home so now I’m writing on my phone while my friends cat claws my shoulder

Let's delve into...

Look, I know you don't like to fail. I KNOW. Neither do I. But do you know who will—and should—fail a lot? YES, your characters! Failure does all the nifty things writing teachers promise us will keep the story interesting: raise the stakes, bring emotions to a boil, and keep things from stagnating and/or getting predictable. Triumphs have their place, and should be present (unless you enjoy metaphorically kicking your readers in the shins, which, hey, more power to you!) but your characters can't always win. That's boring, and unfortunately, boring is the biggest noncriminal sin in entertainment. The good news is that, when your character does win, their previous failure is going to make it all the more satisfying. Doesn't that make you want to nail that failure for maximum improvability? (Hey I HEARD YOU rolling your eyes just now. Rhetorical questions are NOT cringe. Rude.)

So, what do I mean by a "good failure"?

Basically, when they mess up naturally, because of their own choices, in a way that reflects their flaws. "But wait," I hear you say, "does that exclude the possibility of an external circumstance making for a good catalysts for failure?" Nope! There are no hard and fast rules in writing, and shit does, indeed, just happen sometimes. Happen poignantly, even. But your character can't be entirely blameless in every scenario because then things get *taps on chalkboard* BORING. Seriously, consequences are so cool, I promise.

Okay then, why do I want a good failure?

Emotional resonance: do you remember that time you studied hard and still failed the test? Betcha that felt real bad. Yeah, it's that, but magnified by however many people died (or were sad about it! The stakes don't always need to be cataclysmic).

Catalyst for organic growth: do you remember how failing that test made you decide never to pull an all-nighter cramming again? Perhaps even reassess your relationship with God, your identity, and your place in the universe? Yep. And it felt earned, too. Huh.

Narrative depth: how mad were your parents about that test? And how much did it suck getting your Nintendo taken away because of it? That was compelling, realistic tension, baby! It put you right on the—unfun, but necessary—path to making that eventual success feel meaningful. Yay.

Relatability: you know, I felt kinda bad writing all that stuff about how failing that test wrecked you. Because I have empathy, certainly, but also because I've been there too! Mistakes are human, and few things are more effective at humanizing someone than making them an honorary cringefail loser. (This holds especially true if they're usually the god king of being hot and correct, btw.)

Fine, so how do I go about writing that?

Foreshadowing: why, yes, everything DOES always come back to foreshadowing. Good catch! See, foreshadowing marks the difference between a failure being contrived and awkward, and landing because it was tragically inevitable. The character has been making bad decisions that will come back to bite them all book, and the time for gleaning lessons from the teeth marks on their ass is now.

Make the failure specific and personal: sure, failing a test is a universal experience, but failing the most important test ever conceived in the history of mankind and if you fail your mom will hate you and your girlfriend will leave you and you'll go bald isn't. Make 'em feel it where it hurts!

Consequences: internal or external, they better be tailormade to catalyze change. Be it damaged interpersonal relationships or crippling self-doubt, they better not walk away from their mess-up willing to do it again. (NOTE: exceptions may apply in negative character arcs, but even then, the next time they make that mistake, it shouldn't be the exact same one again. It should be so, so much worse.)

Redemption: following on from the last point—make it a turning point! Show me how things are fifty kinds of broken now and how your character plans on rebuilding the mess using the tools they just got from chucking the toolbox full-tilt at their lives.

Examples be upon ye:

Simba in The Lion King: hopefully we can all agree that thinking you caused your father's death is a valid reason to crash out. However, the important thing here is that the crash-out was not eternal. It allowed for an emotional development cooldown period, and when it did end, empowered Simba to make his triumphant return all the more triumphant. Do you think smacking his geriatric uncle off a mountain would've been half as hot if his emotional arc and subsequent redemption had been underbaked? No. Literally. C'mon, lock in.

Zuko in Avatar: The Last Airbender: ahh yes, the king of redemption arcs, which kinda also makes him the king of cringefailing (both externally and internally! Very illustrative, thank you, Zuko). But I bet you don't just remember his struggle with capturing Aang. In fact, I'd bet quite a few buckaroos what you most remember is his struggle with honor. Could it be because you're grateful for what each setback did to help him find his? What about how they taught him that true honor was internally cultivated rather than externally conferred? And the fact that he chose to help the person whom he'd vowed to destroy in order to get it, for which he used the tools he painstakingly won throughout his arc? Hmm. Perchance. See what I mean? It just feels right when things come full circle, and boy is a good failure shaped like zero!

Ultimately, I hope you found something useful here and that, the next time you're down in the trenches of narrative predictability and character stagnation, you consider pissing in their metaphorical coffees. Thank you!

Happy writing!

Writing Tips: Character Interactions (First)

Not all characters are going to get along and some are going to get along really well. What’s important is working out their interactions.

Things to think about

1. Where do they first initially meet?

Depending on how they meet it can really alter the characters perception of the other. Between a bar, school, workplace, battlefield, or traveling someplace together. It will impact how they interact. If it’s a casual party then there is a more friendly vibe. If it’s a battlefield, friendliness isn’t exactly the thing to think about.

2. What do the characters first notice about another person?

Do they look at clothes first? Hair? Eyes? And do they acknowledge what they like or dislike in there head? Do they compliment the person on what they find attractive or unique?

3. How do they perceive the other person initially?

Depending on how they interact it can lead someone to have a bad impression or good impression. This is where it can be fun. If character A is pretending to be amiable and kind, does character B fall for it or are they able to see through it. Further more, if character a says something off putting does character b think they’re weird or just awkward.

4. Use internal thoughts or description to show the perceptions they have

Use the description or thoughts to make the first interaction more memorable. If character a is more of a scrutinizing or judgmental type then have them often being far too harsh or vivid in how they describe someone. Juxtapose that different description types too. Imagine if character b then describes the same person in much kinder light. It creates an array of perceptions about a singular person.

5. Attraction

Think about how your character acts when they are attracted to another person. Are they very upfront and honest? Flirtatious? Or are they shy and freeze up when in the face of someone their attracted to? Do they pick on them?

6. What have they heard about the other character before they interact?

Think about what have they heard about them before. If character a is known to be a chauvinist and character b meets them how would that skew their interactions. Would they be more on guard with them or more annoyed with them when they possibly solidify the rumors. Or if character a goes against that thought would character b feel guilty for thinking of them that way.

7. Biases

Everyone has biases whether we want to admit it or not and your characters should have biases as well. This can push your characters to deepen their relationships and also have them grow as characters as well.

8. Have they met prior?

If they’ve met prior how did that go. What all history do they share. This is more for the first on screen interaction. If they are meeting again has the other person changed? Personality wise and physically wise. What was their relationship like before this meeting. If so try to show the distance in time and then trying to re familiarize themselves with each other.

9. What is the purpose of their meeting?

Are they being introduced through a mutual friend or is this a fight? Are they in a bar and they just were dancing with each other. Whatever the context is let that shape how the characters act with each other. The environment and purpose of the meeting is going to greatly alter how they act.

10. Have fun

Just have fun with it. The characters should be written in how they would interact with the person. I’m how they would present themselves and in how they would go about it. They should do it uniquely to. Have their nervous ticks shown.

There are plenty more tips to give but these are things I think about when writing first meetings in stories.

Perhaps if I had written my brilliant idea down when I first had it, instead of waiting to do it later, I wouldn’t be currently struggling to remember that idea

If you’re shrouded in writers block and desperately want to shoo it away to keep going with your WIP, it sometimes helps to delete the last few sentences/paragraph/scene and rewrite it. Sometimes you accidentally build dams in your creative stream and the only way around is to go back and break it down

Conflict Isn’t Just Plot, It’s Identity vs. Identity

The biggest battles don’t happen on battlefields. They happen inside people. The best conflict isn’t just good vs. evil…

it’s who I am vs. who I think I should be.

It’s loyalty vs. self-preservation.

It’s love vs. pride.

Every decision a character makes should be a fight between two parts of themselves. If their choices are too easy, you’re writing a puppet, not a person.

The barista in chapter three? She has a life outside of giving your protagonist coffee. The villain’s henchman? Maybe he’s just trying to pay off his dad’s medical bills. Every character has their own story, their own motivations. The world doesn’t revolve around your protagonist, don’t write like it does.

Okay but also, it’s okay for stuff to be “ooc” sometimes. I know most of what I read is canon divergence or some type of alternate universe situation. The characters in in a different context, often with different backstories and relationships with each other. So duh, they’re gonna do and say shit they wouldn’t in canon.

Especially because most fanfic is some type of romance or erotica, and a lot of popular fandoms are targeted for younger audiences so any romance is the most minor of plot lines, if it even exists at all. Forget sex.

So it’s okay if someone says something that you can’t picture them saying. There in a different genre and maybe even a different world. Plus, just because you couldn’t picture it doesn’t mean the writer and everyone who enjoyed the fic couldn’t.

'he would not fucking say that' maybe he would if he knew he was starring in his very own porn fic for the sole purpose of delighting some freaks on archive of our own dot org. maybe he'd play it up for the cameras. ever consider that

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

PLEASE Write Your Book!

I'm serious. Please write it. If you need a sign to start, continue, or whatever is inbetween, this is it. Go do it.

I spent the past couple weeks indulging myself in some BookTok recommendations. While some were indeed good (Kings of Sin, my beloved), some were just...I don't need to finish my sentence there.

I DNF'd some books for the first time since I read Lord of the Flies (sorry Golding, you put me to sleep with your descriptions) and I powered through others in hopes that they would eventually get better. The general consensus I ended up getting was that I could not understand for the fucking life of me how these books got published. The writing in some of them was no better than that of a 2010s teen writing Maximum Ride fic on Wattpad for the first time, with the characterization abysmal enough to match.

I don't want to knock any specific author or book here, because I will concede one thing: they finished their books. They got them published. They're successful. For that, I commend them, because I'm still on my way there myself and I can't take that away from them. Jolly good show.

But that brings me to my point: if they can do it, YOU absolutely can do it too.

If some of these Amazon and NYT bestsellers can have prose on a Wattpad level with characters that have enough poorly-written cognitive dissonance to make Deadpool or Walter White jealous, your fleshed out, deeply intuitive, and remarkably creative epic can sit right alongside them no problem. Whether you're writing the next GoT or a romantic slice-of-life, there is a not a goddamn thing on this planet stopping you from rolling up with the big dogs.

If these guys can do it, so can you.

So, stop telling yourself you can't. Stop letting other people tell you you can't. Stop comparing yourself to these authors who, respectfully and bluntly, can't write for shit (or at least need to fire their fucking editors, good lord).

WRITE YOUR DAMN BOOK. PLEASE. WE NEED IT.

(If you like my guides, prompts, writing, or art, consider supporting the blog today! All donations help me keep this thing up and running and all are appreciated <3)

"Why didn't they just communicate?? They're so stupid!" Have you considered that communicating with someone you love and value and don't want to hurt is scary and that vulnerability takes practice and that perfect characters with perfect words make the most boring stories of all