I was yapping about register (sociolinguistics) in therapy when my therapist asked if I (as an undiagnosed autistic person) use sociolinguistics to understand other people.
While I have thought about that, I'm not entirely sure that's the case? Sure, linguistics as a whole is a special interest, but where my interest really lies in the whole thing is historical reconstruction of protolanguages.
Like, you're telling me we don't know where the gender system in Indo-European languages came from? Or where Arabic triconsonantal roots came from?
Sociolinguistics, while useful as a field of interest, just isn't quite mine.
Woohoo! I'm at two weeks of consistent progress!
I expanded Part Two to around 7,500 words today, which makes the whole thing around the 19,000 word count. I don't know what my original estimates for this thing were, but my newest estimates for how long this thing will be are between 70,000 and 100,000, since I'm probably only 20% of the way through and I'm already almost breaking 20,000. Definitely not a bad thing, it's just how the story I'm trying to tell is coming out.
Tomorrow will be national Odapir day (I decree it!) because I need to flesh the language and culture out. While there's already a substantial mass to work with, it's not ready to be translating anything, and I need translations.
That's all for now. Stay tuned!
Ok, so, when reconstructing natural proto-languages, those protolanguages are almost never attested. Historical Linguists are basically making educated guesses and throwing darts against a wall when making the Proto-Indo-European hypothesis, it was just that the evidence was so compelling that linguists (and, most humans) believe it. For all intents and purposes, it's a really good guess.
The issue with my conworld? Classical Zispoel and Proto-Ytosi-Itaush are still fully attested languages with exactly 2 and 1 native speakers each, all still technically living.
To make matters worse, Lozerief is kind-of a scientific genius, and Pagjom is the literal Hero of Language. Together, they could reconstruct Proto-Zispoel and see what a god-awful, horrifying shit-show it was.
The idea that my characters could derive my god-awful, good-for-nothing protolanguage is, somehow, deeply disturbing to me. I think they would realize they were in a simulation if they did that.
Specifically those that use a protolanguage... please write down your sound changes before you copy-paste them! I've been struggling for several months to remember which sound changes happened from Old Ipol -> Modern Ipol and I cannot, for the life of me, find the file where I saved them. Please write them down I'm begging you.
Please hold while I consult the Book of Odes. I read a poem about death in there once I think. Lots of Chinese cultural shit going on in it but it was pretty cool though.
Hey, guys, I cometh with a question.
Do you guys know any poetic words, phrases, terms, etc, referring to death? Stuff that's more neutral, or melancholic, something that acknowledges death as a necessity of life and deems it almost beautiful.
It can be from any language, so long as it carries the meaning.
For complete transparency: this is for the name of a faerie character who personifies death.
They describe themself as: "the leaf that is evicted from the tree. {T}he ageing bones of a feeble grandmother. {T}he rot that gathers on a dead animal, the bugs that feed on its carcass, and the entire process of death.
"In short, I am Dying."
But uh—that'd be a temporary name for her. I'm trying to figure out his "real name" so to speak. They're someone who takes joy in their reaper-like role and finds mortality (and mortals' attempts to escape it) entertaining. They find their own domain fascinating, but clearly a cause for others' suffering.
Just not hers.
Anyone have a word/name that carries those kinda connotations? Again: it can be from any language!
(i'd appreciate a reblog for visibility)
Day Three of Writing my Novel, Meiste.
I didn’t write all that much today, due to obligations outside of the screen. However, I let the characters live rent-free in my head, along with letting my brother power-scale them (because he’s a hyper-nerd and it makes him happy.)
Easily the strongest (introduced) character is Dr. Este Luzrij, the Hero of Earth. She can bend space to her will, teleport, and shrink or move objects. I haven’t decided, yet, if she can do time dilation (because gravity is weird) but she’s definitely stronger than Iziser or Hotautebz.
I’ve never read this book, I only watched the series on YouTube. I must read it at some point. David J. Peterson’s content on linguistics is immaculate.
Look what we got from the library!!! Look at it! Look!
Now that we have The Book, there's no stopping us. You will all be drowning in words and grammar and scripts >:D
But seriously. If I had a flappy hands emoji, I'd be using it right now.
I wrote about 2200 words of Meiste today while flying home from Albuquerque. Since I had no wifi to load up my google doc (peak writing setup, I know) I instead began working on Part 2 (out of how many? Not even I know!)
For the most part, I have a vague idea of the main characters, how they grow together, and where they end up, but part of the fun in writing is surprising myself in the moment. Like, today, the two characters who will wind up in a relationship by the end of the book, I wrote their introduction and first outing. It was glorious.
If Tumblr shuts down, we should all move to github. We can make github pages and fork each others' repos as an alternative to reblogging.
Poison is not very relevant in Meiste but this is still a fun/important read!
While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:
Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.
Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.
Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.
Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, blurred vision, dizziness, an increased heart rate, and even death when ingested.
Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.
Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.
Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.
Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.
Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.
Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.
Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.
Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.
When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.
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Yeah ok I abandoned base-30:base-7 in favor of base 7 today because it looks better.
Today was "let's all ask Lozerief about our lore" day for all of my OCs because, by this point in everyone's storylines, it's long overdue. I think Part Four is coming together alright, and I just hope to explore some more concultures here. (Namely: Atepsi, Ytos, and Northern Odapir.)
Usual Suspects: @oldfashionedidiot and @quillswriting
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they/themConlanging, Historical Linguistics, Worldbuilding, Writing, and Music stuffENG/ESP/CMN aka English/Español/中文(普通话)
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