Writing Resources - Blog Posts

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Just finished a book in which some characters spent a lot of time on horses, and whenever they dismounted after riding all day, they were described as sinking to the floor because their legs can’t carry them anymore, or hobbling towards the nearest chair and collapsing onto it with their whole body aching. It was so ridiculous it took me out of the story every time. These are characters who live with horses and ride nearly every day. They should be fine. They’re good riders, there’s no reason for their legs to be painfully cramped after a day on the saddle. I feel like the author was trying to add realism but only went riding a few times and felt horribly stiff and sore afterwards and assumed that’s just how you feel after a day’s ride no matter what. I promise it’s not!! Your characters should be the kind of good-tired you feel after any other type of satisfying workout your muscles are used to. Drawing on your own experience to write characters that live very different lives is such a bad bet. Maybe someone did tell her it would no longer be so painful if she just kept practising and she dismissed it as obvious horse propaganda

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LETS TALK ABOUT SPARRING

I’ve read a lot of fics, have seen many shows, and have watched many movies that are completely inaccurate when it comes to sparring. NOW, i know it’s fiction, and I greatly enjoy it nonetheless, but I would like to share a few things with you, as a person who trains in Historical European Martial Arts (HEMA). There are a few general things in this, as well as stuff more focused to a certain european weapon. (this is all Historical European stuff, obviously if you’re writing for a different region, this probably won’t apply that much.)

SPARRING

-you don’t practice with real sharp swords. Never. It’s incredibly dangerous, especially since sparring is trying to practice your killing/injuring skills. In older times, you would use wood, maybe wrapped in leather or canvas to practice. Today, you use weighted nylon swords/weapons, and you usually wear a mask while doing so. Steel is and was an option, but the blade will be completely dull, and the tip will be bent over itself.

-It’s practically impossible to knock someone off their feet while sparring, unless you are hooking your foot or weapon behind their leg. It’s hard to push back and cause someone to fall, since they can just retreat back a bit.

-YOU. DON’T. SPEND. HOURS. SPARRING. ESPECIALLY WITHOUT A BREAK. It’s exhausting, the most people usually go is 10 minutes before they have a break. During Training, you only spar for about 2-5 minutes before stopping and having a rest.

-You try your hardest never to cross your feet. It’s dangerous and it unbalances you. Your opponent can take advantage of you easily.

-Usually, you want to strike your opponent with the last ¼ of your blade, basically just the tip and a little below. That’s the sharpest point, and you get the most force behind it.

-Swords aren’t super heavy. Stop the giant, huge, I-can-barely-lift-this trope. Longswords are usually 3lbs. It’s not heavy when you pick it up. However, it gets heavy when you’re holding it up above your head for a while. Swords were not made to be heavy, especially since you would have to hold them up in battle for sometimes hours.

-It’s incredibly hard to engage in witty banter and such. You are constantly moving and trying to strike your opponent. Since it’s fiction, you can do what you want, but just know that trying to have a conversation while sparring is like trying to have one while running. It tires you out even more, and usually just comes out breathless and wheezy.

-Swords are not lightsabers. You cannot try and hurt someone with just any part of your blade. It will just annoy your opponent. Now, for sparring, you will want to focus on hitting your opponent with the edge of your blade, and you won’t really ever be trying to hit someone with the flat of your blade.

-In sparring, you will get hit. And get bruises. I count five from just 2 days ago. (Also reminder that bruises don’t form for 1-3 days.) If you happened to get a hard thrust to the ribs, they will probably fracture. It happens. I haven’t had it personally, but those who’ve trained longer have. The worst injury I’ve gotten is a bruise on my chest that didn’t fade for nearly a month.

-Grip!!! You don’t clutch your sword super tight. No. It limits movement. My instructor taught me to hold firmly with the thumb, pointer, and middle finger, and use the other two as more guiding fingers. You swing your sword with your wrist, not a big giant arm movement. That is tiring and slow. 

I will be focusing on using a one handed sword in this next bit, specifically a Scottish Regimental Broadsword. A basic sword to build off of.

-FOOTWORK. It’s not a super complicated series of perfectly planned out steps. It just isn’t. With Regimental Broadsword (which is what I will focus on, since it’s what I’ve trained with most), you have to have a good base (rear-weighted stance, front foot pointed at your opponent, back foot turned sideways), and then once you have that, you just have to move around and try not to get hit.

-Slipping. (Continuation of footwork). With a rear-weighted stance, the goal is to be able to move the front foot anywhere. You should actually be able to keep your front foot an inch off the ground without having to adjust your back foot. Slipping is when this comes in handy. If your opponent takes a swing at your front leg, you should be able to just slip it back to go next to your other foot, and swing your sword up to get your opponents head. Slipping is really important.

-Advance and Retreat (other continuation of footwork). While moving forward or back, you always want to feel the ground with a heel-toe movement, so you can tell if there are rocks or branches and such. Advancing, you want to move your front leg first. Retreating, your back leg.

-Traversing (last continuation of footwork)(maybe). Transversing is basically advancing in on your opponent in a circular motion. You’re trying to get close and personal. Reminder to not cross your feet. You will loose balance and probably end up getting whacked with a sword. Traversing is a spiral motion sort of. Your opponent can avoid getting trapped If they do it as well.

I will probably come back and add more soon, because there’s more I know, but can’t remember at the moment.

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Some Things To Consider When Writing Weapons Training

Your character will hurt. Even if they don't get hit, it can be exhausting training, especially if they're just starting. It can be a weird set of muscles to use, and things like their shoulders will hurt if they do what a lot of people do and tense up while holding the weapon.

They will drop the weapon. There are a lot of reasons why people drop weapons--because the weapon is awkward to hold or the person isn't used to holding them, because it gets hit out of the person's hand, because their own hand gets hit, etc--but it happens.

People get hit by accident all the time--including the person holding the weapon. When I've done jō practice, I consider it a success if I don't hit myself with it while I'm practicing. And even when doing controlled sparring or paired katas, people still end up hitting each other, especially on places like the hand.

Practice weapons still hurt. Depending on what you're doing, they're usually made of either wood or rubber rather than metal, but just because they're not metal, it doesn't mean they don't hurt. Bruises are really standard, especially if you're practicing something like knife fighting where you're doing a lot of hand-to-hand blocking.

The goal of training is not to hurt your opponent. People who (intentionally or through carelessness) hurt their sparring partners are bad at training and will probably be kicked out of it or at least get a very strong talking to. Good training will also teach them how to train without getting hurt and strongly discourage doing things in a dangerous way.

What they wear will differ widely depending on the discipline. HEMA and fencing tend to have a fair amount of protective gear (helmet, etc.), as does kendo, while disciplines like aikidō, iaidō, and jūjutsu are more likely to have people wearing a gi or hakama. This will impact how they feel about hitting opponents--it's always riskier to hit someone in a place with no protective gear.

Some weapons' training is primarily defensive, and some is primarily offensive, and some is both. Some training (knife defense, gun defense) is primarily about disarming someone with one of those weapons, where the actual use of the weapon is just as a training tool. In those cases, the specifics of the attack are usually emphasized less than the specifics of the defense. HEMA and fencing are much more offense-focused, with the goal being more about landing a hit. In forms like that (or in a similar fictional form), you'll see the mentality that the best defense is a good offense, as opposed to the mentality that the best defense is a good defense (or the best defense is running away).

Knowing one form of weapons training is (often) helpful in learning another. Even while they differ a fair amount, different weapons styles can often use similar patterns in terms of strikes, blocks, and steps. Part of this is that there are only so many useful places to hit a person and only so many ways to step. There are other things that are fairly universal as well, like awareness of your blade and your opponent's blade, awareness of your body, and awareness of relative distance.

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Yay, unsolicited advice time! Or, not really advice, more like miscellaneous tips and tricks, because if there's one thing eight years of martial arts has equipped me to write, it's fight scenes.

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Fun things to add to a fight scene (hand to hand edition)

It's not uncommon for two people to kick at the same time and smack their shins together, or for one person to block a kick with their shin. This is called a shin lock and it HURTS like a BITCH. You can be limping for the rest of the fight if you do it hard enough.

If your character is mean and short, they can block kicks with the tip of their elbow, which hurts the other guy a lot more and them a lot less

Headbutts are a quick way to give yourself a concussion

If a character has had many concussions, they will be easier to knock out. This is called glass jaw.

Bad places to get hit that aren't the groin: solar plexus, liver, back of the head, side of the thigh (a lot of leg kicks aim for this because if it connects, your opponent will be limping)

Give your character a fighting style. It helps establish their personality and physicality. Are they a grappler? Do they prefer kicks or fighting up close? How well trained are they?

Your scalp bleeds a lot and this can get in your eyes, blinding you

If you get hit in the nose, your eyes water

Adrenaline's a hell of a drug. Most of the time, you're not going to know how badly you've been hurt until after the fact

Even with good technique, it's really easy to break toes and fingers

Blocking hurts, dodging doesn't

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Just thought these might be useful! If you want a more comprehensive guide or a weapons edition, feel free to ask. If you want, write how your characters fight in the comments!

Have a bitchin day <3

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So you want to write about horses.

Or you're writing and horses show up. Or its a pre-industrial fantasy and your characters have to get somewhere. Or you have a faint idea of your MC's love interest showing up on a white stallion.

Whatever the cause, you're writing, and a horse appears. But you know nothing about horses. I can help.

This is a horse. Horses come in many sizes.

^ Big Jake, a Belgian Draft horse, and a roughly 5 foot woman for scale.

1 hand = 4 inches = 10.16 cm

Once a horse is smaller than about 14.2hh, it is generally considered a pony. In the modern day, ponies are not considered suitable for adult riders due to weight and height issues. Some pony breeds, such as Welsh, Fjords, ect. are known for being sturdy, and can more easily carry adult sized humans. Miniature horses should never be ridden by adults.

^The only suitable 'riding' a miniature horse should do

The above graphic mentions that horses are measured from the top of the withers, not the top of the head. But, what are withers?

The withers are where the horse's shoulders meet the spine, and the neck becomes the back. Withers are incredibly important for saddle placement, as a badly placed saddle in this area can prevent a horse from moving its legs properly, cause a large amount of pain, and even damage a horse's spine. Speaking of spines, this is a horse skeleton, with the withers pointed out.

Horses have four legs. Horses cannot have any fewer than four legs. They are obligate quadrupeds. This is, in part, due to their weight, as well as the construction of their legs and hooves. This is to say, that while cats, dogs, and other animals can be amputees, a horse, short of some incredible magic solution, cannot. Even a broken leg bone will cause a huge amount of problems, as all of the weight that leg would usually hold must be shifted to the other feet, and this causes a condition called laminitis, where the tissue that holds together the hoof and the toe bone becomes inflamed, and begins to separate. Once this happens, the hoof tissue dies from lack of blood, and the bone begins to rotate. This is extremely painful for the horse, and so often the best solution for a horse with a broken leg is to be spared that pain. Famous American racehorse Barbaro experienced a complex broken bone, which began to heal fine, but complications from laminitis in two of his other legs caused him to be put down. This is why media will almost always show a horse with a broken or injured leg being 'taken care of'.

^Barbaro, in his prime. Even the best veterinary medicine couldn't save him.

Now, racehorses like Barbaro are moving at the fastest speed and the fastest gait of the horse, the gallop. The patterns that horses move their feet are referred to as gaits, with most horses having four, with some breeds having five or more.

The first gait and the slowest is the walk. In the walk, all four feet move independently, which leads it to be called a four-beat gait, as the footfalls make a sort of drumbeat on the ground.

The next gait is the trot, a two beat gait with diagonal pairs of legs moving together.

^Diagonal pairs marked in red and blue

The trot is a very bouncy experience for the rider, and can be uncomfortable. Some riders will rise and fall with a pair of diagonal legs, called a posting trot, some will stand in their stirrups, called a two-point or jump position, and some will sit the trot, which requires a lot of core strength (seriously, if you want a strong core, screw the gym)

The third gait is the canter, a three-beat gait with a single diagonal pair. This gait is ridden sitting, and feels a lot like going over waves on a jetski. There is a rise, a scoop, and a fall feeling. The canter is also called a lope in Western riding, they are the same gait.

^diagonal pair marked in red

A gallop is sometimes considered a variation on canter, as it is similar save for the legs actually moving in a four-beat pattern. As you can see with the image of Barbaro, all four of his feet are moving in different patterns, at different times, even though the gallop is really a four beat version of the canter. Riders in the gallop rise off the horse's back into a raised position, which allows the horse to use the full length of its spine and musculature to get as much reach and speed as possible. It feels like riding on top of a train barreling down the tracks, at least until your horse takes an unexpected turn and the ground is suddenly the only thing you're riding.

^ I've been there. The trick is to push away and hit the ground rolling, it hurts less that way. And don't land on your head.

That's all for this post. I'll have more when I feel like it, and send me questions if you want to know more about specific things or need a writing question answered

Reblogs welcome and encouraged

@jacqueswriteblrlibrary for wider reach

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I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

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FREE Fantasy Creative Writing Planning Guide

Do you want to write a fantasy story but don't know how to start? Have you already started a fantasy story but hit a snag in the plot?

Well, have I got a PDF for you! Take a look--it's free! ✨WOW✨

(Opens to Kofi--resource is pay what you want).

Okay, marketing aside, I've been sitting on this for a while now. I used to teach a high school class on fantasy literature, and I miss creating stuff for it. I have all these resources and knowledge, and I'm not doing ANYTHING with it. So, I figured I'd put some resources together and make them available to the vast audience of the Internet.

This is the first of the resources I'll be making. It's a 39 page PDF with fillable worksheets and examples, and I threw in a separate black-and-white document for easy printing. It guides users through some basic planning principles that can help any writer, from beginner to expert, get their plot together.

I hope to make more in the future covering character, plot, the Hero's Journey, rhetoric, and maybe even editing and feedback. It takes a while to make these, and some of the future documents may cost money because I'm ✨lacking funds✨ but I do hope to continue with them. I'll also make some resources for constructed languages eventually if that's anyone's cup of tea.

So far, feedback for this resource has been good! Share widely with anyone you know who may be sitting on a fantasy story that needs to see the light of day. Please comment with feedback (I'd love to hear about what you'd like to see in the future or how I can improve documents like these), and leave a tip if you'd like!

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Where to Find Free, Legal Books

If you have access to a public library and/or have college credentials;

Libby - Ebooks, digital audiobooks, and magazines from your public library. Free, but requires a library card. Materials aren't infinite, so popular titles will often have a several week long waitlist. If you're in the US (or sufficiently crafty) you can sign up for a free card from the Queer Liberation Library.

Hoopla - Another service often bundled with a library card. The selection is smaller than Libby, but you have a limited number of instant borrows per month to cash in.

EBSCOhost Research - Ebooks and research materials, usually offered through a college. Where I do most of my reading lately, TBH.

Worldcat - Browse the world’s libraries from one search box. Easiest way to find out where to go to check out a book if you can't find it at your usual spot.

US residents will likely have a public library near them, but if you cannot go in person and sign up, there are a number of public libraries that don't require anything but a local address to get an Ecard. The libraries that offer this change frequently, so ask around.

Also keep in mind that US public libraries don't typically purchase self published material. If you're looking for your favorite tumblr author's book, you might want to try the links below instead.

If you can't get a library card (or couldn't find what you're looking for)

Open Library - Large collection of ebooks. Some materials may not be available currently due to ongoing legal issues.

Project Gutenburg - Another huge collection of ebooks, probably the most well-known option on this list.

Standard Ebooks - Professionally formatted public domain ebooks (sourced from places like Project Gutenburg but then turned into dynamic epubs)

LibriVox - Public Domain Audiobooks. Extremely limited library, but provides a rare service.

Audible Free Trial - Amazon offers a free trial of their service, with one free title on signup. You need a viable payment method to get access, but you keep the book even after you cancel. Don't give Amazon your money, folks.

I'd also recommend trawling youtube and soundcloud for user-made audiobooks. The quality varies, but I've been surprised at the results.

Other cool resources

StoryGraph - A non-Amazon GoodReads alternative, for those who like to challenge themselves to read more or enjoy writing book reviews.

Banned books list - Around since 1994 and currently still updated weekly, this site showcases books that are either banned or have been attempted to have been banned somewhere in the US. Some are available to read for free on site.

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How to improve your writing

(Exerpts from Chuck Palahniuk's article Nuts and Bolts, edited lightly for my own self reference)

From this point forward you may not use “thought” verbs.  These include: 

Thinks

Knows

Understands

Realizes

Believes

Wants

Forgets

Remembers

Imagines

Desires

Loves

Hates

As well as limiting the use of the following;

Is

Had/Have

Are

And many more.

Thinking is abstract.  Knowing and believing are intangible. 

Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing.  And loving and hating.

Instead of characters knowing anything, you must now present the details that allow the reader to know them.  Instead of a character wanting something, you must now describe the thing so that the reader wants it.

Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing.  And loving and hating.

Don’t tell your reader: 

Adam knew Gwen liked him.

Instead, you’ll have to say: 

Between classes, Gwen was always leaned on his locker when he’d go to open it.  She’d roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume.  The combination lock would still be warm from her ass.  And the next break, Gwen would be leaned there, again.

No more shortcuts.

Only specific sensory detail: action, smell, taste, sound, and feeling.

Typically, writers use these “thought” verbs at the beginning of a paragraph  (In this form, you can call them “Thesis Statements” and I’ll rail against those, later)  In a way, they state the intention of the paragraph.  And what follows, illustrates them.

Brenda knew she’d never make the deadline.  Traffic was backed up from the bridge, past the first eight or nine exits.  Her cell phone battery was dead.  At home, the dogs would need to go out, or there would be a mess to clean up.  Plus, she’d promised to water the plants for her neighbor…

Do you see how the opening “thesis statement” steals the thunder of what follows?  Don’t do it.

If nothing else, cut the opening sentence and place it after all the others.  Better yet, transplant it and change it to: 

Brenda would never make the deadline.

Don't leave your characters alone.

One of the most-common mistakes that beginning writers make is leaving their characters alone.  Writing, you may be alone.  Reading, your audience may be alone.  But your character should spend very, very little time alone.  Because a solitary character starts thinking or worrying or wondering.  

A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives. 

Oh, and you can just forget about using the verbs forget and remember. No more transitions such as: 

Wanda remembered how Nelson used to brush her hair.

Instead: 

Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.

Better yet, get your character with another character, fast.  Get them together and get the action started.  Let their actions and words show their thoughts.  You -- stay out of  their heads.

And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.” Instead, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.

The challenge.

In short, no more short-cuts.  Only specific sensory detail: action, smell, taste, sound, and feeling.

Pick through your writing and circle every “thought” verb.  Then, find some way to eliminate it.  Kill it by Un-packing it.

Then, pick through some published fiction and do the same thing.  Be ruthless. Find them.  After that, find a way to re-write them.  Make them stronger.

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You really need to make non-tragic past for your characters, significant people and events that impacted their lives, non-dramatic mundane moments that shaped them, happy memories, bitter memories, embarrassing memories.

Like yes the space princess lost her whole civilization, but did she have friends before that? Favorite place? Does she miss the sound of her favorite music she use to listen to?

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How to improve your writing

(Exerpts from Chuck Palahniuk's article Nuts and Bolts, edited lightly for my own self reference)

From this point forward you may not use “thought” verbs.  These include: 

Thinks

Knows

Understands

Realizes

Believes

Wants

Forgets

Remembers

Imagines

Desires

Loves

Hates

As well as limiting the use of the following;

Is

Had/Have

Are

And many more.

Thinking is abstract.  Knowing and believing are intangible. 

Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing.  And loving and hating.

Instead of characters knowing anything, you must now present the details that allow the reader to know them.  Instead of a character wanting something, you must now describe the thing so that the reader wants it.

Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing.  And loving and hating.

Don’t tell your reader: 

Adam knew Gwen liked him.

Instead, you’ll have to say: 

Between classes, Gwen was always leaned on his locker when he’d go to open it.  She’d roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume.  The combination lock would still be warm from her ass.  And the next break, Gwen would be leaned there, again.

No more shortcuts.

Only specific sensory detail: action, smell, taste, sound, and feeling.

Typically, writers use these “thought” verbs at the beginning of a paragraph  (In this form, you can call them “Thesis Statements” and I’ll rail against those, later)  In a way, they state the intention of the paragraph.  And what follows, illustrates them.

Brenda knew she’d never make the deadline.  Traffic was backed up from the bridge, past the first eight or nine exits.  Her cell phone battery was dead.  At home, the dogs would need to go out, or there would be a mess to clean up.  Plus, she’d promised to water the plants for her neighbor…

Do you see how the opening “thesis statement” steals the thunder of what follows?  Don’t do it.

If nothing else, cut the opening sentence and place it after all the others.  Better yet, transplant it and change it to: 

Brenda would never make the deadline.

Don't leave your characters alone.

One of the most-common mistakes that beginning writers make is leaving their characters alone.  Writing, you may be alone.  Reading, your audience may be alone.  But your character should spend very, very little time alone.  Because a solitary character starts thinking or worrying or wondering.  

A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives. 

Oh, and you can just forget about using the verbs forget and remember. No more transitions such as: 

Wanda remembered how Nelson used to brush her hair.

Instead: 

Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.

Better yet, get your character with another character, fast.  Get them together and get the action started.  Let their actions and words show their thoughts.  You -- stay out of  their heads.

And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.” Instead, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.

The challenge.

In short, no more short-cuts.  Only specific sensory detail: action, smell, taste, sound, and feeling.

Pick through your writing and circle every “thought” verb.  Then, find some way to eliminate it.  Kill it by Un-packing it.

Then, pick through some published fiction and do the same thing.  Be ruthless. Find them.  After that, find a way to re-write them.  Make them stronger.

---

As much as I love Pinterest, I will start replacing my usage of that with these

(source)

Unsplash -  photography, illustration, & art

Pixabay - same as unsplash

Pexels - stock photos and videos

Getty Images - photography & illustration

Veceezy - vectors and clipart

Gumroad - photoshop brushes (and more)

StockSnap.io - stock photos

Canva - needs login but has lots of templates

Library of Congress - historical posters and photos

NASA - you guessed it

Creative Commons - all kinds of stuff, homie

Even Adobe has some free images

There are so many ways to make moodboards, bookcovers, and icons without plagiarizing! As artists, authors, and other creatives, we need to be especially careful not to use someone else’s work and pass it off as our own. 

Please add on if you know any more resources for free images <3

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writers' resources

sick of using "very _____" ? : https://www.losethevery.com/

want to simplify your writing ? : https://hemingwayapp.com/

writing buddies / motivation ? : https://nanowrimo.org

word you're looking for but don't know ? : https://www.onelook.com/thesaurus/

need a fantasy name ? : https://www.fantasynamegenerators.com/

need a fantasy name ? : https://nameberry.com/

want a name with meaning ? : https://www.behindthename.com/

who wants a map maker! : https://inkarnate.com/

story building / dnd ? : https://www.worldanvil.com/

need some minimalistic writing time ? : https://zenpen.io/

running out of ideas ? : https://blog.reedsy.com/creative-writing-prompts/

setting a goal ? how about 3 pages / day ? : https://new.750words.com/

what food did they eat ? : https://www.foodtimeline.org/

questions on diversity within writing ? : https://writingwithcolor.tumblr.com/

now what was that colour called ? : https://ingridsundberg.com/2014/02/04/the-color-thesaurus/

want more? : https://www.tumblr.com/blog/lyralit :]

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words for when your characters ______

Agree

accede, acceptance, accord, acknowledgment, acquiescence, align, avowal, bear, cohere, compromise, consent, contract, draft, enlist, give in/give up, go along/go along with, grant, negotiate, unanimous, yield

Deny

abjure, abuse, affront, attack, backstab, bad-mouth, belie, blacken, blemish, confront, curse, darn, defamation, defile, demur, denigrate, detract, dig, disclaim, discountenance, disgrace, disown, disparagement, downplay, explode, flout, fulminate, gainsay, gird, invective, jeer, lament, lecture, malign, minimize, mouth, needle, oppose, protest, put down, put-down, rebuff, refute, remonstrate, renunciation, run down, satirize, scold, show up, sit-in, slander, smear, snap, snub, squeal, sully, swearing, taunt, tirade, turn, underestimate, vituperation, write off, yammer

Explain

account for, admit, apprise, cite, clarify, come clean, concede, confirm, corroborate, defense, demonstrate, dilate, elucidate, enlighten, evidence, expand, explicate, gloss, illustrate, itemize, let on, palliate, plea, prove, recite, simplify, speak out/speak up, spell out, translator, warrant

Fabricate

aspersion, belie, disprove, profane

Inform

acknowledge, address, advertise, allow, allusion, apprise, bare, betrayal, blab, breathe, briefing, broadcast, chronicle, clue, come out with, confession, convey, debunk, define, detail, dictate, divulge, expose, feature, furnish, give, gossip, hint, intimate, issue, lecture, newscaster, orate, out of the closet, pass, post, proclaim, promulgate, publication, publish, release, reveal, show up, speak, spill, squeal, talk, tip, uncover, unveil, weatherperson, whisper

Instruct

bar, educate, prescribe

Persuade

advance, argument, bend, budge, carry, coerce, convince, discourage, draw, drum up, elicit, entice, forward, goad, hammer away/hammer into, induce, influence, invite, lobby, motivate, negotiation, pitch, prevail upon/prevail on, prompt, reason, spur, sway, urge, win/win over

Promise

assurance, avow, commitment, ensure, go back/go back on, oath, portend, vouch, warrant, word

Suggest

advice, advocate, ask, come up with, connote, drum into, exhort, fish for, get at, guide, imply, insinuate, moralize, move, nomination, pontificate, preach, propose, recommend, urge

Praise

accent, acclamation, accredit, adulation, apotheosis, applause, benediction, bless, champion, citation, commend, compliment, congratulations, credit, dedicate, deify, elevate, endorse, eulogize, exalt, extol, flatter, flattery, glorify, homage, laud, lionize, obsequy, plaudits, puff, salute, thanks, tribute, worship

Warn

admonish, alert, caution, caveat, defy, enjoin, exhortation, foreboding, foretell, page, remind, warning

NOTE

The above are concepts classified according to subject and usage. It not only helps writers and thinkers to organize their ideas but leads them from those very ideas to the words that can best express them.

It was, in part, created to turn an idea into a specific word. By linking together the main entries that share similar concepts, the index makes possible creative semantic connections between words in our language, stimulating thought and broadening vocabulary.

Source ⚜ Writing Basics & Refreshers ⚜ On Vocabulary

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Words to describe blood without saying crimson or blood?

Blood—the fluid that circulates in the heart, arteries, capillaries, and veins of a vertebrate animal carrying nourishment and oxygen to and bringing away waste products from all parts of the body

Arterial - relating to or being the bright red blood present in most arteries that has been oxygenated in lungs or gills

Body fluid - a fluid or fluid secretion (such as blood, lymph, saliva, semen, or urine) of the body

Carmine - a vivid red

Cerise - a moderate red

Claret - a dark purplish red

Clot - a coagulated mass produced by clotting of blood

Cruor - obsolete: the clotted portion of coagulated blood

Ensanguine - to make bloody; crimson

Geranium - a vivid or strong red

Gore - blood, especially: clotted blood

Hematic - of, relating to, or containing blood

Hematoid - resembling blood

Hemoglobin - an iron-containing respiratory pigment of vertebrate red blood cells that consists of a globin composed of four subunits each of which is linked to a heme molecule, that functions in oxygen transport to the tissues after conversion to oxygenated form in the gills or lungs, and that assists in carbon dioxide transport back to the gills or lungs after surrender of its oxygen

Hemoid - resembling blood

Ichor - a thin watery or blood-tinged discharge

Incarnadine - bloodred

Juices - the natural fluids of an animal body

Maroon - a dark red

Plasma - the fluid part of blood, lymph, or milk as distinguished from suspended material

Puce - a dark red

Ruddle - red ocher (i.e., a red earthy hematite used as a pigment)

Russet - a reddish brown

Sanguine - bloodred; consisting of or relating to blood

Scarlet - any of various bright reds

Vermilion - any of various red pigments

More: Word Lists ⚜ Blood ⚜ Exsanguination ⚜ On Blood

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Another Topics List

Word lists may be helpful for some people to overcome writer's block.

PERSONAL FEELINGS, OPINIONS, AND EXPERIENCES (Adjectives)

PLACES: Buildings

PLACES: Countryside

PLACES: Towns & City

WEATHER

Source: Cambridge English: Preliminary and Preliminary for Schools Vocabulary List (2012)

More: Word Lists ⚜ Topics Lists

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This is such a big help omg

Fanfiction help, tips, prompts and ideas

I know how frustrating it is to come here looking for actual advice and the only things you find are inspirational posts that just repeat the same "you can do it" message over and over. So I compiled all the wonderful tips and advice I've seen so far. These posts here have saved me a million times already.

✦ Update -> added tips for Sentence Structure and made this post prettier ✦

Dialogue Prompts

Dialogue Prompts, tips, ideas, everything ->

Angst, Fluff, Smut, Bittersweet:

https://heartofwritiing.tumblr.com/post/703589142626484224

dumplingsjinson's dialogue prompts (They're great and with so many different dynamics):

https://listography.com/dumplingsjinson?m=0580652416

Help with Sentence Structure

I know that feeling when you see your writing and notice how bleak and repetitive it is, these posts can help you <3

A few special rules for dialogue punctuation, paragraphing, and grammar

(Rules you can and should break after learning the basics. Play with those rules to find your style)

https://www.reddit.com/r/FanFiction/comments/15zni42/a_few_special_rules_for_dialogue_punctuation/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

How to make your writing more eloquent

https://pens-swords-stuff.tumblr.com/post/181631690061/how-can-i-make-my-writing-sound-more-eloquent-and

How to know if you're telling too much and what to do

https://www.tumblr.com/iselsis/655030320745332736/writing-tip?source=share

Sentence Structure (LOVE this, it's really useful if you're struggling with making more varied sentences)

https://how-to-fanfic.livejournal.com/4861.html

One Look Thesaurus

If you're having that horrible brain fog moment and can't remember that one word, this can help you!! This saved my hair from being ripped off a lot of times

Tips of all types: pacing/formatting, etc

Read this, it's worth it, I promise

Filter words, words that distance the reader from the writing:

https://www.tumblr.com/daily-writing-tips/174033348563/are-these-filter-words-weakening-your-story?source=share

When nothing is happening in your story or things are going too slow:

https://www.tumblr.com/daily-writing-tips/178617903283/ive-been-writing-a-book-and-the-feedback-ive?source=share

A great discussion about epithets:

https://www.tumblr.com/daily-writing-tips/639487272174141440/undertailsoulsex-cimness?source=share

Abandoning your outline or letting it grow:

https://www.tumblr.com/daily-writing-tips/186443325965/first-of-all-i-love-your-writing-so-much-and-i?source=share

Describing emotions internally and externally:

https://lets-get-fictional.tumblr.com/post/171248036936/resources-for-describing-emotion

General writing tips for structure, formatting etc:

https://www.tumblr.com/kindredcandy/691030138594426880/writing-tips-for-fanfic-writers-a-post-by-someone?source=share

Dialogue tags, sentence structure, adverbs, etc

(these tips are great for those writing their own books and for those writing fics too)

https://www.tumblr.com/dynamicsymmetry/178394340566/good-stuff-guys-i-edit-professionally-this-list?source=share

Tips on writing characters without faces:

Masterlists/Masterposts

agirlnamedjana's master dialogues/scenes/dynamics prompt list:

https://creativepromptsforwriting.tumblr.com/post/642950535717224448/master-prompt-list

And also her masterpost on how to write/motivation/tips:

https://creativepromptsforwriting.tumblr.com/post/633943514155253760/masterpost-how-to-write-a-story

+ Writing Resource masterlist:

https://lets-get-fictional.tumblr.com/post/146261106991/writing-resources-masterlist

Body Language

The Emotion Thesaurus (and all the other ones covering bad traits, settings and more)

Not everyone has the money to buy the book, so I'm going to link down here the place where you can buy it, but if you can't, just look up 'Emotion Thesaurus PDF download' on Google and you can download it for free. I recommend searching for it on VK, it comes with all the other Thesaurus(ses?) too. It's really helpful, especially the examples at the beginning and the notes after each section!

https://www.amazon.com.br/Emotion-Thesaurus-Writers-Character-Expression/dp/1475004958

Body language basics (smiles, eyebrows, head positions)

https://lets-get-fictional.tumblr.com/post/146030452463/writing-tip-june-6th

List of body language phrases (positions, reactions, movements like "he arched his back") divided by body parts:

https://lets-get-fictional.tumblr.com/post/153224282966/writing-tip-june-4th

Body Language sheet

Body Language Master List - Google Sheets

Said — use it, don't use it, alternatives and tips

These alternatives can also help you come up with new ideas for the feelings/reactions of your character ->

Words to replace "said" and some tips

Caitlin McDonald - Words to replace said, except this actually helps (tumblr.com)

Alternatives to "whisper" (except with actual useful tips under those alternatives)

the dextrous, the sinister. — Word List: Alternatives to "Whisper" (tumblr.com)

Words to use instead of “said” organized by emotion/intention part 1&2

https://www.tumblr.com/damselwrites/136952662989/words-to-use-instead-of-said-organized-by?source=share

https://www.tumblr.com/damselwrites/173814509709/words-to-use-instead-of-said-organized-by?source=share

When to include physical gestures, actions, and facial expressions & how often to say he/she said/yelled/whined, etc

https://tmblr.co/ZEsmmh2Ht2qO7

Fights and Battles

Vocabulary list for fight scenes with actions, reactions, effects and more:

https://www.tumblr.com/writers-potion/743977530213679104/vocabulary-list-for-fight-scenes?source=share

Words and phrases to describe characters in pain

https://www.tumblr.com/maccreadysbaby/721518428167536640/some-of-my-favorite-words-and-phrases-to-describe?source=share

Little Tips

Writing tips for authors with ADHD

https://www.reddit.com/r/FanFiction/comments/u3mzd0/writing_tips_for_authors_with_adhd/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

NSK96's Writing Help, divided by sections and covering all parts of writing:

https://www.tumblr.com/nsk96/703138245307924480/writing-help?source=share

Show Don't Tell. Or do a little telling too, it's alright

Writing better descriptions:

Showing what the character is feeling:

Consider checking more of Lyralit's posts, there are more like this one

Writing tips by Mod Joana: Don't like it — change it. The first words. Show don't tell:

https://lets-get-fictional.tumblr.com/post/175250059716/what-are-the-best-3-tips-for-writing-in-your

Writing relationships:

Writing Smut

https://www.tumblr.com/cillmequick/734816830305255424/maam-please-bestow-upon-me-your-amazing-smut?source=share

Writing a relationship your readers will ship

https://www.tumblr.com/daily-writing-tips/174033327753/writing-a-relationship-your-readers-will-ship?source=share

Advice for writing relationships (Big compilation with lots of tips and different types of relationships)

https://www.tumblr.com/creativepromptsforwriting/726838146095087616/advice-for-writing-relationships?source=share

Writing romantic love

https://www.tumblr.com/novlr/713058246667223040/how-to-write-romantic-love?source=share

I'll update when I find more! I hope this helps you <3

---

some fucking resources for all ur writing fuckin needs

* body language masterlist

* a translator that doesn’t eat ass like google translate does

* a reverse dictionary for when ur brain freezes

* 550 words to say instead of fuckin said

* 638 character traits for when ur brain freezes again

* some more body language help

(hope this helps some ppl)

---

I really admire how you've grown your Tumblr. Can you share how you started off on this platform and what advice you would give a new Tumblr use who's a writer who wants to do the same?

Growing on Tumblr...

So You Want To Start A Blog? Here’s a little bit about getting started. Some advice, some resources, some things you may want to keep handy, etc. 

Post consistently and try to keep a comprehensive theme/sensibility to your content and your blog. You want people to visit again and again, and you want them to immediately be interested in whatever you post when it appears on their dashboard. You want to stay in their mental orbit when they’re logged on, and you want to continue capturing their attention by regularly posting things they’d expect based on what they can see on your blog. Do what you have to do to stay motivated and keep that goal in your mind. 

How To Motivate Yourself To Write

Healthy Forms of Motivation

How To Have A Productive Mindset

Why “Burnout” Is Okay - The Creative Cycle

“Does What I’m Writing Matter?”

Taking Writing Seriously For The First Time

Finding Time To Write

Take advice with a grain of salt. A lot of this is luck and algorithms. Do what you can and remember that your speed of growth often has little to do with the quality of your content. The only thing I can guarantee is that if you stop posting and stop producing content, you’ll stop growing. Every like, every reblog, and every follow affects your blog more than you know. 

Tips & Advice for Aspiring Authors, Writers, and Poets

How To Write An Article People Will Read

On Getting Started As A Writer

Tips on Getting Higher Engagement

For Writers Who Want To Become Popular

–

Masterlist

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee, or pledging your support on Patreon, where I offer early access and exclusive benefits for only $5/month.

Shoutout to my $15+ patron, Douglas S.!

---

For later

Words to use instead of ‘said’

**Using the word ‘said’ is absolutely not a bad choice, and in fact, you will want to use it for at least 40% of all your dialogue tags. Using other words can be great, especially for description and showing emotion, but used in excess can take away or distract from the story.

Neutral: acknowledged, added, affirmed, agreed, announced, answered, appealed, articulated, attested, began, bemused, boasted, called, chimed in, claimed, clarified, commented, conceded, confided, confirmed, contended, continued, corrected, decided, declared, deflected, demurred, disclosed, disputed, emphasized, explained, expressed, finished, gloated, greeted, hinted, imitated, imparted, implied, informed, interjected, insinuated, insisted, instructed, lectured, maintained, mouthed, mused, noted, observed, offered, put forth, reassured, recited, remarked, repeated, requested, replied, revealed, shared, spoke up, stated, suggested, uttered, voiced, volunteered, vowed, went on

Persuasive: advised, appealed, asserted, assured, begged, cajoled, claimed, convinced, directed, encouraged, implored, insisted, pleaded, pressed, probed, prodded, prompted, stressed, suggested, urged

Continuously: babbled, chattered, jabbered, rambled, rattled on

Quietly: admitted, breathed, confessed, croaked, crooned, grumbled, hissed, mumbled, murmured, muttered, purred, sighed, whispered

Loudly: bellowed, blurted, boomed, cried, hollered, howled, piped, roared, screamed, screeched, shouted, shrieked, squawked, thundered, wailed, yelled, yelped

Happily/Lovingly: admired, beamed, cackled, cheered, chirped, comforted, consoled, cooed, empathized, flirted, gushed, hummed, invited, praised, proclaimed, professed, reassured, soothed, squealed, whooped

Humour: bantered, chuckled, giggled, guffawed, jested, joked, joshed

Sad: bawled, begged, bemoaned, blubbered, grieved, lamented, mewled, mourned, pleaded, sniffled, sniveled, sobbed, wailed, wept, whimpered

Frustrated: argued, bickered, chastised, complained, exasperated, groaned, huffed, protested, whinged

Anger: accused, bristled, criticized, condemned, cursed, demanded, denounced, erupted, fumed, growled, lied, nagged, ordered, provoked, raged, ranted remonstrated, retorted, scoffed, scolded, scowled, seethed, shot, snapped, snarled, sneered, spat, stormed, swore, taunted, threatened, warned

Disgust: cringed, gagged, groused, griped, grunted, mocked, rasped, sniffed, snorted

Fear: cautioned, faltered, fretted, gasped, quaked, quavered, shuddered, stammered, stuttered, trembled, warned, whimpered, whined

Excited: beamed, cheered, cried out, crowed, exclaimed, gushed, rejoiced, sang, trumpeted

Surprised: blurted, exclaimed, gasped, marveled, sputtered, yelped

Provoked: bragged, dared, gibed, goaded, insulted, jeered, lied, mimicked, nagged, pestered, provoked, quipped, ribbed, ridiculed, sassed, teased

Uncertainty/Questionned: asked, challenged, coaxed, concluded, countered, debated, doubted, entreated, guessed, hesitated, hinted, implored, inquired, objected, persuaded, petitioned, pleaded, pondered, pressed, probed, proposed, queried, questioned, quizzed, reasoned, reiterated, reported, requested, speculated, supposed, surmised, testified, theorized, verified, wondered

This is by no means a full list, but should be more than enough to get you started!

Any more words you favor? Add them in the comments!

Happy Writing :)

---

A list of some of the things I use every day for writing and worldbuilding tasks!

I've been thinking about a post with this info for a few weeks now, so here it is! A note that I am not affiliated with any of these sites or services--I just use them :)

WordHippo

Until late last year, I had been using thesaurus.com to handle my never-ending hunt for the perfect word. I switched to WordHippo because it is much more friendly to searching phrases in addition to just words. It also includes rhymes, translations, word forms, and pronunciations. For non-English speakers, the word forms section could be particularly helpful.

Fantasy Name Generators

This site has just about anything you could need in relation to generators, including ones specific to pop culture and fandoms like Stargate, Star Trek, Harry Potter, and more. There are sections to create simple mockups of character armor, solar systems, languages, and even find some royalty-free music.

PhotoPea

As a graphic designer, I often find myself needing to visualize my characters, environments, and book covers to really immerse myself when I'm trying to write a scene. PhotoPea is a free alternative to Photoshop that even uses many of the same keyboard shortcuts (meaning you can often follow Photoshop tutorials while using PhotoPea). If the Adobe Creative Suite is out of your budget, PhotoPea is, in my opinion, the best free alternative.

Seventh Sanctum

This was the first generator site I used back in my days on FanFiction and FictionPress, and I still like to use it for its slightly less daunting interface when compared to Fantasy Name Generators. I also find it loads faster.

Descriptionary

I stumbled across this site not long ago, and I've become a bit obsessed with it. It's a bit clunky to navigate, but there's a lot of information and helpful tidbits to be found including color symbolism, body language, and words to use/not use and why.

No Man's Sky Photo Galleries

While this isn't a specific site, and the one I've linked here is just one example of many that are out there, I've found No Man's Sky to be one of my biggest inspirations when writing sci-fi and environmentally focused scenes. The sheer scale of No Man's Sky and its procedurally generated worlds make it easy to find inspiration for everything from planets, to fauna, wildlife, ships, and structures.

Inkarnate

This site stands alone if you need something that allows you to build beautiful maps for your stories. It has a free and a paid version, and the free version is fairly robust. If you're someone who writes anything that involves large-scale worlds or anything involving military strategies, it can be really helpful to have the lay of the land right in front of you as you write.

Autocrit

While the free version of this is pretty limited, I've really enjoyed having it accessible for identifying adverbs, story beats, and to compare my original pieces to genres and authors.

Cap That

If you need high resolution screen captures from your favorite shows, this is the place to find them!

---

I stumbled across this site a few weeks ago--lots of useful info for if and when you feel like your descriptions are getting repetitive!

---

Any tips or resources on writing a hitman? I feel lost when I try to search for them by myself.

There are a lot of resources out there.

On Assassin Characters

Resources: Assassins

Assassins and Assassinations 

Clevergirlhelp’s answer

Reference for Writers’ On Assassins

Thewritershelpers’ information on hitman

The life of a hitman

How does one become a hitman if you will?

Interview with a hitman

How to write compelling characters (focus on assassins)

Psychology of Killing

How soldiers deal with the job of killing

The impact of killing

25 methods of killing with your bare hands

Firearms

Gun terms for writers

Getting a handle on guns

Hiding dead bodies

Hope that helps!

---

© (c ) copyright 1990-2011 Rebecca Sinclair

See the original HERE

---

WRITING HELP/CHARACTER

writing a bitchy character (1,2,3,4,5,6,7,8,9,10)

writing a cocky character (1,2,3,4)

writing a emotion character (1,2)

How to play a hippie

Playing the quiet character.

Portraying the shopaholic.

Portraying a mute character.

Portraying a kleptomaniac.

How to play the stalker.

Writing distant, indifferent characters.

How to write a character who stutters.

Writing a character who is sassy.

A guide to playing a southern character.

Portraying characters with crushes.

How to portray a teen mom.

How to play a character who is mean.

How to portray a character high on cocaine.

Writing a character who is high on amphetamines.

Playing an efficient male character.

Portraying the asshole.

Playing a character who suffers from shyness.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a happy character.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to RP a blind character.

Writing a leader.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who is homosexual.

Writing a character with schizophrenia.

Playing a fe/male character.

Writing a character with Nymphomania.

How to write a worry wart.

How to write a character with HPD.

How to write a bad ass character.

Playing a pansexual.

Tips on writing a drug addict.

Tips on writing the pregnant female.

Writing insane characters.

Playing a character under the influence of marijuana.

Portraying a character with diabetes.

How to play a prankster.

Playing a character who has been adopted.

Portraying a vampire.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing a tomboy.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

How to write an asexual character.

How to play a bitchy/vicious character.

How to play a character with HPD.

Playing a pregnant woman.

Playing the burn-out.

Writing a “nice” character.

How to play a gentleman.

How to play a shy/introvert character.

How to play a naive character.

Playing characters with memory loss.

How to write a character who smokes.

How to write pirates.

How to write characters with PTSD.

How to play a character who isn’t ready for sex.

How to play the geek.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to play a swimmer.

Portraying a ballerina.

Playing a promiscuous male.

Playing a character with cancer.

How to portray a bubbly character.

How to portray a power driven character.

How to portray the shy character.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

Portraying a hippie.

Portraying sexually/emotionally abused characters.

Playing a character with asthma.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying a foreigner.

Portraying an emotionally detatched character.

How to play a character with social anxiety.

Portraying a character who is high.

How to play a strong, female character.

Writing a character with a hangover.

Playing angry characters.

Playing a character who is smarter than you.

Playing and writing autistic characters.

Portraying a trans character.

How to portray a dominant character.

Playing a character who is faking a disorder.

Playing a prisoner.

Playing the opposite sex.

Portraying a character who has PTSD.

Playing a character who stutters.

Portraying characters with Aspergers Syndrome.

How to play a depressed character who selfharms.

Portraying the “dumb” character.

How to portray a lesbian.

How to play a blind character.

How to play a sexual assault victim.

Writing a compulsive gambler.

Writing a closeted character.

Playing a werewolf.

Writing a character with an addiction to sex.

Writing a character who is drunk.

Portraying a character who is British.

Playing a Brit.

Portraying a character with amnesia.

Playing heroes.

Portraying a witty character.

How to play an INTJ.

How to play a vampire.

How to play a character who is manipulative.

Portraying the natural born leader.

Portraying the character who is flirtatious.

Writing a nice character.

How to portray a character who has asthma.

Playing a character with ADHD.

Writing characters with anxiety.

Amnesia

Children

A Death Scene

Loosing Someone (2)

Old Persons

Physical Injuries (2, 3)

Sexual Abuse (2)

Fight Scenes (2, 3, 4)

Horror

Torture

How to Describe the Body Shape of Female Characters

Character Apperance Help

Words to Describe Voice

Body Language Cheat Sheet

Character Development Exercises

101 Character Development Questions

Art of Character Development

Introducing Characters

Characters You Need to Reinvent

Making Characters Likeable

Heros and Villains

Describing Clothing

Understanding Body Language

100 Positive Traits

Mental Illness in Writing

Conflicts and Characters

JOBS/HOBBIES

Actors

Ballet Dancer (2)

Christianity

Foreigners

Gamblers

Hinduism

Hitmen

Satanism

Smokers

Stoners

Taoism

Journalists

Vegetarians

LOCATIONS

Australia

Boston

California (2, 3)

England/Britain (2, 3, 4, 5)

New York

Prison

London

The South (2)

GENDERS

Females (2)

Males (2)

Transgender People

NAMES

Female Names (2, 3, 4, 5)

Male Names (2, 3, 4, 5) 

Last Names  (2, 3, 4)

QUOTES

Song Lyrics Masterlist

Songs for Biographies

Favorite Quotes: TV and Movies

Favorite Quotes: Notable Authors

Favorite Quotes: Celebrities

Favorite Quotes: Popular Books (2)

Quotes From Songs

Character Quotes

Masterlist of Bio Lyrics

Masterlist of Bio Quotes

Masterlist of Song Lyrics

Biography Lyrics

A Masterlist of Quotes

+130 Quotes

SMUT

Smut Guide: Casual Sex

Smut Guide: For Beginners

How to: Write a First Time Sex Scene Romantically

How to: Smut - The Bare Bones

How to: Smut (For Virgins)

How to: Write Lesbian Smut

How to: Write Smut (2, 3)

How to: Write a Blowjob/Prepping for Smut

Smut Guides of Tumblr

Tips on Writing Sex Scenes

A Guide to Language in Smut

Domination and Submission

Making Love

A Smut Guide

KISSES

How to: Write a Kiss (2)

Different Types of Kisses

Writing Out the First Kiss

GRAMMAR

Placement of Speech Tags

Grammar and Spelling

Grammar Slammer!

American vs. British Grammar

HyperGrammar

Grammar Girl

Punctuating Dialogue

How to Use the Semicolon

Introduction to the Basic Rules of Punctuation

Comma 101

All About Dialouge

11 Grammar Tips

Comma Usage

Correct Use of Apostrophe

Proofreading

Transition Words

40+ Tips to Improve your Grammar and Punctuation

Better Writing: Grammar & Spelling

Semicolons and Colons

Underlining and Italicizing

Dashes and Parentheses

Hyphens

Apostrophes

The Ellipsis

List of 1000+ Adjectives

ART

painting tutorial

colour palette (1) (2) (3) (4) (5) (6)

drawing clothe folding

avoiding drawing the same face

draw ice

anatomy help

free drawing program (1) (2)

sai brushes (1) (2) (3) (4) (5) (6) (7) (8)

draw hair

drawing ref

dont know what to draw?

draw 3D room tut

drawing eyes

lip tutorial

how to draw jeans

how to draw arms

expression tutorial

drawing hair and fur

drawing cats

pose reference blog [its actually a blog full of references i-]

download photoshop

paint blood

color blender

draw hands

hands 2

photoshop help (1) (2) (3) (4) (5)

remove backgrounds from images online

clouds

brush setting ref (SAI)

kissing ref 

how to draw curls

realistic woman body ref

draw knees

draw feet

shadow help

male body

lips ref

contouring and highlighting

draw wings

change images using blur (PS)

gray

hat ref

glowing stuff

pastel colors

draw grass

eyeliner ref

Painting tutorial

Female/male arms

Kneeling + Sitting ref

Dragon head view tutorial

SAI brushes 86786

Drawing expressions

Sai Brushes 1

NGE colour palette 1

100+ colour palletes

Avoiding same face

Face contours/highlighting

free art MyPaint

Body anatomy help 1

How to shift images using blur in PS

Drawing clothe folding

How to draw ice

Colour palette 1

Colour palette 2

SAI brush settings 2

SAI/PS pixel brushes

Warm/Cool gray

Flower crown tutorial

Skin colour palette

Pink colour sheet

How to draw butts&thighs

The male torso

Drawing glowing stuff in SAI

Drawing horse/animal legs on humans

Drawing clouds

Muscular male with bow stock photos

Pastel colours

Drawing grass fields in SAI

Expressions&Legs

All about the human body

20+ colour palettes 

Colour conversion

Kissing ref

Creature design 

Colour meanings

Creating expression

Tutorial masterpost (100+)

Lineart

Canine

How to colour

Pose studies

Feline comparisons

How to draw penis

Leaf pressing

100+ anatomy references 

How to draw folds

SAI brushes 3

Sitting poses

Colour palette 4

Cloud painting

How to draw 3D rooms

Colour info

Colouring ref

Hair tutorial

Clothing ref

Bodies and poses

SAI brushes 5

Colour scheme designer

Folding ref

Heads&Angles 

Paint tool SAI masterpost

Drawing ref masterpost (10+)

Hair+Fur

How to draw faces

SAI brushes 4

Anatomy of mutant humans

What should I draw?

Free art software

pastel colour ref

Mass art ref

Soft SAI brushes

ways to draw stuff

SAI brush settings

baseball cap ref

Penis ref

Drawing human wings

Cool free art software

Huge art ref

Colour blender

2 SAI brushes

Photoshop for free 

MAKEUP

eyeliner

how to apply blush

how to draw eyebrows

ombre eyeliner

lipstick trick

the kitty eye ^.^

nude lips

smokey eye make up

what you need to know about beauty

5 of the best foundations

best powder foundations

quick foundation tip

how to apply liquid foundation

breaking it down

makeup highlights tutorial

blush for your skin tone

how to apply bronzer

how to contour your face

apply blush like a pro

blush according to your face shape

d.i.y. gel liner

get the perfect winged liner

get winged liner using tape

awesome eyeliner tricks

9 different eyeliner looks

different eyeliner styles

guide to applying eyeshadow

suit your eyeshadow to your eyes

glittery smoky eye

get the perfect smoky eye

a shade for every occasion

kool-aid lip stain

best lipsticks for blondes

hot red lips

how to get gradient lips

lipstick shades for fall

how to make any lipstick look matte

get soft kissable lips

long lasting makeup tricks

victoria’s secret model tips

saving face

beginner’s guide

when will it expire?

10 makeup tips from mac

best tips from professionals

18 beauty essentials

basics you should own

make-up brush tutorial

brush tricks

clean your makeup brushes

make-up brush guide

make up hacks

easy make up tips

BODY CARE

the runaway to gorgeous skin

winter dryness

acne foundation routine

wash your face correctly

how to wash your face 101

HAIR

messy bun tutorial

different ways to braid

three-braid updo

waterfall braid

how to fishtail

romantic curls

braid + bun updo

how to do pastel hair

8 ways to wear a bow

4-strand braid

braided bun

braided headband

dutch braid crown

pin curls!

how to contour

everyday makeup routine

lipstick using crayons

eyeliner ref wow

filling in eyebrows

banana facial mask (moisturizes)

strawberry facial mask (acne prone skin)

avocado facial mask (dry skin)

yogurt facial mask (sensitive skin)

list of oils to add to your face masks

already made masterpost :*

OTHER

sleep calculator

survive nature

rain

tumblr music

calming rain

need a hug?

like the sound of a coffee shop?

can’t remember the name of a song?

the thoughts room

how to love yourself

upload anything from your iPhone etc. to your laptop

learn another language

make HUGE unpoppable bubbles

play some piano

draw a stick man and watch the story!

thousands of stars (you can zoom in/out and learn about them)

check if a username is taken (any site! twitter/tumblr, etc)

draws stuff as you move your curser

tell your thoughts to no one

play with cob web

make music with balloons

learn to play the guitar

learn to build a ship in a bottle

learn origami

learn some yoyo tricks

make your own stuffed animals

how to decorate iphone cases

make a candle

important things you should remember

how to kill your anxiety

how to help someone with their anxiety

look for literally any book you want (free)

waterproof your shoes

know what your emotion is

how to love yourself

ultimate writers resources masterpost

learn how to make punk edits without photoshop

dont know what to read?

learn a new habit

how to answer the top 35 asked questions when applying for a job

want to draw?

The quiet place

MOVIES

Giant Movie masterpost

Disney movies masterpost

Superhero movies masterpost

Movies for when you’re sick

Scary movies masterpost

Tumblr dedicated to finding movie links

When to pee during a movie

---

a massively extended version of ruthlesscalculus’ post

General Tips

Joss Whedon’s Top 10 Writing Tips

Getting Out of Your Comfort Zone

34 Writing Tips that will make you a Better Writer

50 Free resources that will improve your writing skills

5 ways to get out of the comfort zone and become a stronger writer

10 ways to avoid Writing Insecurity

The Writer’s Guide to Overcoming Insecurity

The Difference Between Good Writers and Bad Writers

You’re Not Hemingway - Developing Your Own Style

7 Ways to use Brain Science to Hook Readers and Reel them In

8 Short Story Tips from Kurt Vonnegut

How to Show, Not Tell

5 Essential Story Ingredients

How to Write Fiction that grabs your readers from page one

Why research is important in writing

Make Your Reader Root for Your Main Character

Writing Ergonomics (Staying Comfortable Whilst Writing)

The Importance of Body Language

Character Development

10 days of Character Building

Name Generators

Name Playground

Universal Mary Sue Litmus Test

Seven Common Character Types

Handling a Cast of Thousands Part 1 - Getting To Know Your Characters

Web Resources for Developing Characters

Building Fictional Characters

Fiction Writer’s Character Chart

Character Building Workshop

Tips for Characterization

Character Chart for Fiction Writers

Villains are people too but…

How to Write a Character Bible

Character Development Exercises

All Your Characters Talk the Same - And They’re Not A Hivemind!

Medieval Names Archive

Sympathy Without Saintliness

Family Echo (Family Tree Maker)

Behind The Name

100 Character Development Questions for Writers

Aether’s Character Development Worksheet

The 12 Common Archetypes

Six Types of Courageous Characters

Kazza’s List of Character Secrets - Part 1, Part 2

Creating Believable Characters With Personality

Body Language Cheat Sheet

Creating Fictional Characters Series

Three Ways to Avoid Lazy Character Description

7 Rules for Picking Names for Fictional Characters

Character Development Questionnaire

How to Create Fictional Characters

Character Name Resources

Character Development Template

Character Development Through Hobbies

Character Flaws List

10 Questions for Creating Believable Characters

Ari’s Archetype Series

How to Craft Compelling Characters

List of 200 Character Traits

Writing Characters of the Opposite Sex

Making Your Characters Likable

Do you really know your characters?

Character Development: Virtues

Character Development: Vices

Character Morality Alignment

List of Negative Personality Traits

List of Positive Personality Traits

List of Emotions - Positive

List of Emotions - Negative

Loon’s Character Development Series - Part 1, Part 2, Part 3, Part 4

Phobia List A-L (Part 1), M-Z (Part 2)

30 Day In Depth Character Development Meme

Words for Emotions based on Severity

Eight Bad Characters

High Level Description of the Sixteen Personality Types

Female Characters

How Not to Write Female Characters

Writing Female Characters

How to write empowering female characters

Why I write strong female characters

Red Flags for Female Characters Written by Men

Writing strong female characters

The Female Character Flowchart

Eight Heroine Archetypes

Male Characters

Eight Hero Archetypes

Tips for Specific Characters

Writing A Vampire

Writing Pansexual Characters

Writing Characters on the Police Force

Writing Drunk Characters

Writing A Manipulative Character

Writing A Friends With Benefits Relationship

Writing A Natural Born Leader

Writing A Flirtatious Character

Writing A Nice Character

Fiction Writing Exercises for Creating Villains

Five Traits to Contribute to an Epic Villain

Writing Villains that Rock

Writing British Characters

How To Write A Character With A Baby

On Assassin Characters

Dialogue

It’s Not What They Say…

Top 8 Tips for Writing Dialogue

Speaking of Dialogue

The Great Said Debate

He Said, She Said, Who Said What?

How to Write Dialogue Unique to Your Characters

Writing Dialogue: Go for Realistic, Not Real-Life

Point of View

Establishing The Right Point of View

How to Start Writing in the Third Person

The I Problem

Plot, Conflict, Structure and Outline

Writing A Novel Using the Snowflake Method

Effectively Outlining Your Novel

Conflict and Character Within Story Structure

Outlining Your Plot

Ideas, Plots and Using the Premise Sheets

How To Write A Novel

Creating Conflict and Sustaining Suspense

Plunge Right In…Into Your Story, That Is

Tips for Creating a Compelling Plot

36 (plus one) Dramatic Situations

The Evil Overlord Devises A Plot: Excerpt from Stupid Plot Tricks

Conflict Test

What is Conflict?

Monomyth

The Hero’s Journey: Summary of Steps

Outline Your Novel in Thirty Minutes

Plotting Without Fears

Novel Outlining 101

Writing The Perfect Scene

One-Page Plotting

The Great Swampy Middle

How Can You Know What Belongs In Your Book?

Create A Plot Outline in 8 Easy Steps

How to Organize and Develop Ideas for Your Novel

Create Structure in your novel using index cards

Choosing the best outline method for you

Hatch’s Plot Bank

Setting & Worldbuilding

Magical Word Builder’s Guide

I Love The End Of The World

World Building 101

The Art of Description: Eight Tips to Help Bring Your Settings to Life

Creating the Perfect Setting - Part 1

Creating a Believable World

Setting

Character and Setting Interactions

Maps Workshop - Developing the Fictional World Through Mapping

World Builders Project

How To Create Fantasy Worlds

Creating Fantasy and Science Fiction Worlds

Creativity Boosters* denotes prompts

*Creative Writing Prompts

*Ink Provoking

*Story Starter

*Story Spinner

*Story Kitchen

*Language is a Virus

*The Dabbling Mum

Quick Story Idea Generator

Solve Your Problems By Simply Saying Them Out Loud

Busting Your Writing Rut

Creative Acceleration: 11 Tips To Engineer A Productive Flow

Writing Inspiration, Or Sex on a Bicycle

The Seven Major Beginner Mistakes

Complete Your First Book with these 9 Simple Writing Habits

Free Association, Active Imagination, Twilight Imaging

Random Book Title Generator

Finishing Your Novel

Story Starters & Idea Generators

Words to Use More Often

Revision & Grammar

How To Rewrite

Editing Recipe

Cliche Finder

Revising Your Novel: Read What You’ve Written

Writing 101: Revising A Novel

20 Common Grammar Mistakes That (Almost) Everyone Makes

Synonyms for the Most Commonly Used Words of the English Language

Grammar Urban Legends

Tools & Software

Tip Of My Tongue - Find the word you’re looking for

Write or Die - Stay motivated

Stay Focused - Tool for Chrome, lock yourself out of distracting websites

My Writing Nook - Online Text Editor, Free

Bubbl.us - Online Mind Map Application, Free

Family Echo - Online Family Tree Maker, Free

Freemind - Mind Map Application; Free; Windows, Mac, Linux, Portable

Xmind - Mind Map Application; Free; Windows, Mac, Linux, Portable

Liquid Story Binder - Novel Organization and Writing Application; free trial, $45.95; Windows, Portable

Scrivener - Novel Organization and Writing Application; free trial, $39.95; Mac

SuperNotecard - Novel Organization and Writing Application; free trial, $29; Windows, Mac, Linux, portable

yWriter - Novel Organization and Writing Application; free; Windows, Linux, portable

JDarkRoom - Minimalist Text Editing Application; free; Windows, Mac, Linux, portable

AutoRealm - Map Creation Application; free; Windows, Linux with Wine

Specific Help

Fashion Terminology

All About Kissing

Genre Help: Romance

187 Mental Illnesses

Types of Mental Illness

Eye Color List

Spectral Groupings

---

How do I write a dream sequence that actually feels dreamy and not just confusing or random? I want it to make sense in the story but still have that weird, surreal vibe dreams have.

Before writing a dream sequence, ask yourself: Why is this dream important?

A strong dream sequence serves a narrative purpose. It either reveals something critical about the character or moves the plot forward. For example, it might:

Highlight a character’s inner conflict, such as self-doubt or guilt.

Offer insight into a character’s fears, desires, or memories.

Foreshadow future events.

Explore the story’s themes.

Present an epiphany or realisation that changes the narrative direction.

When you define the purpose of the dream, you give it meaning and ensure it doesn’t feel like a random, disconnected scene.

Vivid imagery and sensory details

Dreams are often hyper-real or surreal. To truly immerse readers, fill your sequences with vivid imagery. Describe not just what the character sees, but also what they hear, smell, and feel. For example:

The air might feel oppressively heavy, as if the character is moving through water.

Colours could be unnaturally bright or pulsing, creating a sense of unease or wonder.

Sounds may echo strangely, or voices may change tones mid-sentence.

Sensory details are your best friend when crafting dreams. They help you draw readers into the scene, making the dream feel almost tangible without being constrained to what is possible.

The power of symbolism

Dreams are often symbolic, reflecting a character’s subconscious thoughts and emotions. A dream sequence offers a fantastic opportunity to use metaphors and symbols to deepen your narrative. For instance:

A crumbling staircase may represent a character’s feelings of insecurity.

A recurring image, like a locked door, could hint at a secret the character is repressing.

Objects or people in the dream might represent aspects of the character’s personality or unresolved relationships.

By embedding symbols, you can subtly communicate deeper layers of meaning to your readers while building suspense without having to state things outright.

Heightened emotion

In dreams, emotions are often exaggerated. A minor embarrassment can swell into overwhelming shame, and a fleeting joy might feel like euphoria. Use this to your advantage to explore your character’s emotional state. For instance:

A character struggling with grief might dream of a loved one, only for them to disappear when approached.

A character racked with guilt could find themselves pursued by shadowy figures.

Striking a balance between disorientation and logic

Dreams are naturally disorienting because they don’t follow the logical flow of reality. You can introduce elements like sudden scene changes, nonsensical dialogue, or impossible physics to create a truly dreamlike experience. For example:

A character might start at a family dinner, only to inexplicably swimming in an ocean of stars.

A trusted friend might appear with the face of a stranger.

Despite the inherent chaos of dreams, your sequence should still have some degree of narrative coherence. A good rule of thumb is to maintain a logical thread that allows the dream to fulfil its narrative purpose, even if the details are illogical.

Establishing atmosphere

The tone and atmosphere of your dream sequence should align with its purpose. Focus on creating a specific emotional response:

For a nightmare, use eerie, oppressive details, like a pulsating fog or distorted, echoing voices.

For a whimsical dream, evoke wonder with surreal and magical details, such as floating landscapes and shimmering light.

Choose your atmosphere carefully to enhance the emotional impact of the scene.

Types of dream sequences to explore

There are many types of dream sequences, and each serves a unique purpose. Here are some of the most common:

Foreshadowing dreams: These hint at future events, creating suspense or intrigue.

Nightmares: These reveal a character’s fears or anxieties.

Fantasy dreams: These involve magical or surreal elements, and are often used to explore themes, symbols, or metaphors.

Recurring dreams: These underscore unresolved issues or patterns in a character’s life.

Lucid dreams: These allow the dreamer to be aware they’re dreaming and possibly influence the dream’s outcome.

Realisation dreams: These provide moments of clarity or epiphany for the character.

Internal conflict dreams: These visually showcase a character’s inner turmoil, providing a unique way to “show, not tell.”

Linked dreams: These connect two or more characters through shared dreamscapes.

Keep it brief and meaningful

Dream sequences should enhance your story, not derail it. While they offer a chance to be wildly creative, keep them concise and focused. Avoid overloading readers with too much detail or overly prolonged scenes. Your audience should leave the dream sequence full or curiosity, not overwhelmed.

Seamlessly transition in and out

Transitions are crucial for dream sequences. Start with subtle hints, like a sound, a sensation, or a surreal visual that cues readers into the shift from reality to dream. Similarly, exit the dream gracefully, creating a smooth return to the waking world. This ensures that readers are not jarred out of the story.

Writing tips for a dreamlike feel

Use narrative distance to create a floaty, disconnected feeling that mirrors the sensation of dreaming.

Experiment with stream-of-consciousness writing for portions of the dream to mimic the fluid and unpredictable nature of thoughts in sleep.

Pay attention to pacing. Dreams often feel both slow and rapid—a contradiction you can reflect by alternating between drawn-out descriptions and sudden, abrupt moments.

Dream sequences are a space where your imagination can truly run free while still serving the story’s deeper purpose. When done well, they are memorable and meaningful, and leave a lasting impact. It’s a technique well worth exploring.

---

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."

---

Pls make a list of books you recommend to aspiring writers<3

Ok. Aspiring/burgeoning writer starter kit:

In writing anything you officially become a writer so that’s step one haha, no need to aspire too much. BUT. I’m going to soapbox for a bit using this ask as an excuse love u kissing u etc. So. This will barely be about books, but sort of the recipe of what I (personally and subjectively) think will help anyone who wants to grow their craft. (I know because I've been writing seriously for 14 years)

The act of writing is the best practice you can get but having a well from which to draw on creatively and skill wise in order to DO that practice is the trickier part. And sometimes we can be found lacking because we’re either NOT refilling that well enough, consciously enough, or only with the same sorts of things so it gets stagnant. This is a long one so I’ll shove it under the cut haha.

The recipe:

Study craft

Broaden horizons 

Diversify consumption

Consume with intention

Apply with reference

1) Study craft: this is the easiest to make sense of, right? I want to get good at writing so I read books about writing yada yada. Whatever you’re writing, it’s made up of a lot of moving parts, and you can dedicate time studying EACH PART, but figure out what you have the least experience with, or the most difficulty with, and start there. Also, before I go on to preach about why you shouldn’t solely stake your growth on some dusty old books, here’s some dusty old books I recommend:

The Elements of Style (strunk/white/kalman) (really quick and abbreviated advice, read every bit of this but remember: rules are important to know so you can decide which are worth following and which are in need of breaking for the pursuit of your goals. And nobodies perfect, or editors wouldn’t have a job)

Bird by Bird (Anne Lamott) (excellent work about fostering a process, important for everyone who finds themselves a little lost on how to just. Start)

Wonderbook (Jeff Vandermeer) (I haven’t read this one but knowing Vandermeers work this is on my TBR and I KNOW it’s going to be enlightening)

How to Read Literature like a Professor (Thomas C. Foster) (perfect for those who can see others stories working but unsure how to make their own work, I personally didn’t read much of this one but this will help people to more critically engage with what they’re consuming)

Save the Cat Writes a Novel/Joseph Campbells Hero’s Journey/On Writing and Worldbuilding/etc (all of these are on structure and craft in a concrete sense), I would recommend either choose one OR getting the abbreviated/digestible versions through YouTube because a lot of these can repeat themselves. I’m working on a playlist of writing craft/structure videos that I found helpful, so keep an eye out for that)

So. Studying craft should be a multidisciplinary process. Articles online, videos on niche media, books on craft or copying things from your favorites, looking for yourself in the movies you watch or fiction you read. Punctuation, prose, structure, rhetoric, character, world building, pacing, etc. Unfortunately, no matter how seasoned you become as a writer, you will always be learning new things about the craft itself.

It should be fun and I honestly feel like an enlightened little scientist when I see something that really cracks the open the magic for me (ex: scenes that serve more than one purpose are OF COURSE going to be more engaging that scenes with only one purpose- duh) (of COURSE magic systems should have a cost) (of COURSE the characters cant always win OR always lose)

2) Broaden horizons: consuming fiction and studying it is key to knowing how to reproduce it. We start with the training wheels of imitation before we ride away full speed into truly unique original storytelling. But the most impactful and thought-provoking stories are more than just fiction, so you need to know more than stories. Science, history, art, craft, math, music, cooking, psychology, religion, whatever!

Everyone always parrots “write what you know”, but what you KNOW can expand to influence what you write- so keep learning new things all the time and for fun, because you never know what could help your story. Your knowledge is not limited to experience alone, and research is your best friend. ASOIAF was so loved because George RR Martin loved not only fantasy, but British history. The Folk of the Air series is so loved because Holly Blacks special interest is faeries.

Note: this does not mean the study of OTHER PEOPLES trauma and experiences in an appropriative way, rather, become worldly. Because sure, knowing what a gunshot feels like adds realism, but I don’t care about realism if I don’t care about your characters or world. Science fiction is the best example of this: so many of those stories stick with us generationally because they’re pointing a lens back at humanity, asking big philosophical questions with science, which is something that touches us all.

But it doesn’t even need to be Big and Thematic like that. My dear friend @chaylattes has a project where she’s applied her love of plants to the world building AND plot, and has INVENTED whole plant species that enriched their work with something so exclusively Chay. No one else could write Andromeda Rogue because Chay, with specific interests and knowledge, put that specificity into the story.

3) Diversify consumption: surrounding yourself with more of the same means you’re going to regurgitate the same, derivatively. To be a hater for a moment: I can tell within the first chapter if someone only reads/watches one kind of media (m*rvel, fairy smut, grim dark nonsense, etc), and it’s distracting. When I read that derivative work, I’m not thinking about THEIR story. All I can think of is the people who did it first, and better.

Alternatively, the best work draws on the unexpected. Fantasy work taking notes from horror, science fiction including humanistic romance, romance with elements of mystery. RF Kuangs work feels so smart because she’s literally a PHD candidate who’s reading of academic writing. Cassandra Clares work is so interpersonally messy and hard to look away from because she watches a lot of reality television. 

Genre is less a set of cages to lock yourself inside of and more so the sections of a great big fictional playground- and you need to start playing. Rules, again, are guidelines that can be bent for the sake of your stories. I predominantly write scifi/fantasy/horror but some of my favorite stuff is literary fiction, historical nonfiction, thrillers, and poetry.

And if you can’t bring yourself to read different genres, it takes significantly less effort to WATCH different genres. Television and film are stories too, and can absolutely be learned from. 

4) Consume with intention: this is easier said than done. I, embarrassingly, admit that I did not have any reading comprehension skills until I was at least 19. I was consuming, but I wasn’t thinking a damn critical thought, just spitting it back out in a way that sounded smart.

Critical thinking skills (I say, on the website that historically lacks such a thing) are a muscle that needs to be exercised just as often as your writing muscle. Reading new work, studying craft, learning new shit- none of it matters if you can’t APPLY it all to a story. One can take a clock apart to learn how exactly it ticks, but it won't tell time like a watch until you put it back together.

The key is asking questions, all of the time about everything. That whole “why the curtains were blue” nonsense comes to mind, but if you want to be a good writer, (edit: a writer that cares about whether or not their work is vapid imitation of better work) learning to ask WHY the curtains are blue really does matters.

Ask why in ALL stories you consume, including your own. Why do Ghibli films make me feel calm? (Motifs of undisturbed nature, low stakes plots and quiet scenes of reprieve between action, characters that care about one another and aren’t afraid to show it) Why do I fly through a Gillian Flynn novel but take 8,000 years to read other books? (Concise descriptions, realistic but evocative premise, witty voice, contained and fast paced plot, an abundance of questions driving the mystery leading up to a satisfying crash of answers at the end) Why were the curtains blue, the coffee cup chipped, and the lipstick stain on the rim red instead of purple or pink? And why did the colors matter at all when the scene is about a father at a kitchen table? (You tell me!) Answers may vary.

You can put the work into learning the answer at the source (ie: listening to authors talk about their own work), or through the external interpretations of a critic (proceed with caution here), sure. These are even good when learning HOW to think critically if you don’t even know where to start. But your growth as a writer depends on your ability to answer your OWN questions. 

(Why do I feel tense in this scene? Is it because the character says they’re sweating and struggling to breathe? Is it because I’ve been told the monsters close? Is it because the sentences are getting shorter and the author keeps repeating descriptions of that monsters massive bloody teeth coming closer? Or is it because I know the gun in her hands has no bullets because another character already tried what she’s about to try?)

(Why do I feel sad in this scene? Is it because the characters mom just died? Is it because the character can’t even verbalize that sadness to others? Is it because none of the other characters seem to care enough to ask? Is it because of the wilted flowers in the corner? Or is it because there are daisies in the bouquet, and those were the moms favorite?)

I can nod and smile at 1000 opinions about “why X did Y and the end of Z” or “why X is Y and not Z” but how I felt when I consume something, how I was affected and how it made ME PERSONALLY answer my critical questions, that’s what’s important. That’s how we manufacture gay subtext in everything, because sometimes gay is a feeling as opposed to a fact.

Also, if those subjective answers are inconsistent among readers/viewers, the writer likely had their own intentions a little muddled. So, and I know I’m getting tangential but stay with me: romance. You know how you’re supposed to feel happy or convinced that the people falling in love are like, in love? And want to put yourself in that position or whatever? I CANNOT consume most romance media because it all comes off as categorically terrifying to me. I ask myself why the characters are doing what they do, reacting the way they react, saying way they say, and none of it feels romantic. I want to file a restraining order, and that’s the failing of the author, who did not make enough conscious choices in their work and accidentally created horror while writing their color by numbers trope slop of a “romance” novel. 

5) Apply with reference: is like taking all your ingredients and finally cooking. You want people to notice and respect when you add certain literary devices, descriptions, character choices, but not to the detriment of your work. Shows like stranger things are popular but divisive because their intertextuality and reliance on nostalgia bolster an otherwise unoriginal idea. They weren’t trying to reinvent the wheel, they were writing a love letter to Stephen Spielberg, and are riding that wave into the ground. But the fairy dick renaissance doesn’t feel nearly as palatable as season one of stranger things did because a lot of times they aren’t using the ingredients in their own way, rather, following the recipe to a T and selling it as new. Food really is the perfect metaphor and sorry in advance because I’m really going to run with it here lol. 

When I eat a meal, first of all I know I'm eating food, so don't try and trick me into thinking otherwise or I'll only get annoyed. I want to be able to taste all of what’s in front of me, spice, salt, sweet, bitter, etc and know what what you said you've fed me is really actually truly what I've eaten. One ingredient, or writing choice, shouldn’t overpower another, or surprise me so much I can’t take another bite. I shouldn’t try something you call “sauced and baked yeast patty garnished with fermented milk and smoked meat” and think “this shits pizza” because you didn’t even try to jazz it up more than what the instructions on the digiorno box said. I also shouldn’t bite into something you call a pizza and only taste bread because you really like bread and forgot that a pizza is more than just bread. 

But inversely, avoiding all ingredients gets you weird, nary inedible shit like charred milk reduction with lamb mist or whatever. Show me you have knowledge in your genre by referencing it AND remixing it, show me that you studied craft by foreshadowing properly or pacing well, show me you’re more than an AI writerbot by deepening your work with your unique and human influence, show me you read broadly by adding surprising ingredients, and show me that you mean every word you write because you made the curtains blue instead of yellow, and topped your pizza with pepperoni instead of pineapple.

Congrats on making it all the way through my rambling, hope I made sense and that this helped!

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