That’s basically how Clue did it’s multiple endings, but each theatre got a different film reel
i see your “goncharov can’t be made into a real movie cause that would ruin it” and raise you; someone does make a real version of goncharov but films 3 or 4 different versions of each scene/plot point, and than mashes them up to create like 30 different versions of the same movie. it’s released in theaters under the guise of being a perfectly normal film, but every person who goes to see it sees a slightly different version, which will just increase the confusion and amount of unconnected lore. is that possible? probably not. but it would be hilarious.
Goncharov (1973) dir. Martin Scorsese
“The greatest mafia movie (n)ever made.”
Raging Bull- 1980- Martin Scorsese
Toro Salvaje una pelicula gloriosa para Scorsese que vino a levantar su carrera filmica, De Niro protagonizando a Jake LaMotta un boxeador que su muayor oponente es el mismo por sus inseguridades y compejos. Scorsese utiliza el recuro de blanco y negro por estetica y narrativa un montaje espectacular que pocas veces hemos vuelto a ver por cierto que lo realizo una mujer Thelma Schoonmaker , tiene una fotografía muy dinamica, envolvente y muy limpia, una buena recomendación para empezar la semana.
Is anyone familiar with the Russian novelist Ivan Goncharov? He's the watered-down ketchup version of Ivan Turgenev, but I digress. In the movie, obviously during the scene where director Martin Scorese is making a cameo appearance during which he intervenes between a sudden dispute between Al Pacino and Goncharov concerning who exactly ate the most cheese, the walls of the Croatian bookstore in which they find themselves should ideally be packed with Goncharov (of not 1973 fame) books.
thinking of this today and wishing i wasn't
GUYS? Martin Scorsese’s daughter Francesca told him about Goncharov and he said he made that film years ago I’m fucking crying.
has this been done?
I made the wonderful decision to doodle Sofia and Katya (Yekaterina) because their dynamic is my favourite by far!
If you haven’t watched Goncharov (1973) yet what are you doing fr
Click on the image for better quality
Edit: credit to @jookpubstock for both poses! thank you!
Fun fact: Goncharov can only be watched on a DVD grown from Martin Scorsese’s hair
I'm telling yall this film was gay-coded😭
Scorsese's really good with dramas no matter if they're criminal or gay
I think the best part of the Goncharov sweep is that people can make gonch ocs and no one can tell them it's not a canon character
Most of the tumblr trends are pretty self contained - I don’t go around telling everyone about horse plinko or referencing the live slug reaction too much, or saying “eeby deeby” or anything like that around non-tumblrinas. So why is it that I keep wanting to turn towards everyone I know and say “hey have you seen the 1973 Martin Scorsese film Goncharov yet”
You think I’m crazy? And if I say I’m not crazy… that hardly helps, does it? That’s the Kafkaesque genius of it.
SHUTTER ISLAND 2010 | dir. Martin Scorsese
...never touching but never far, oh, at the break of day, a summer's ray, a moonlit night that casts away, their love remains, their love remains.
- When The Sun Loves The Moon x Goncharov/Andrey
One of the few things that are gonna keep me going until 2069 (haha funni number), is my burning desire to see what crazy shit happens when Goncharov finally enters the public domain.
Goncharov (1973) dir. Martin Scorsese
“The greatest mafia movie (n)ever made.”
Taxi Driver by Martin Scorsese.
Saw this on Netflix, and I say it's pure art.
A study of masculinity, existentialism, isolation, and delusion.
just finished watching all three hours and thirty minutes of it, if people didn’t understand the true meaning of goncharov idk what else to say
GONCHAROV (1973) dir. Martin Scorsese
“It funny because for many years people thought Goncharov was the main antagonist of the film, after all, he’s the one everyone’s out to get, right? But it seems people are starting to understand that in actual fact, it is time that is the main adversary in this story. There’s never enough of it and that torments a lot of characters, especially Goncharov, because he’s fighting so desperately to find his place in a world that is so keen on keeping him ostracized.”
[template by @bitchronan]
Robert De Niro on the set of “Taxi Driver”, New York, 1975
Martin Scorsese, Joe Pesci, Al Pacino and Robert De Niro. from ART&ART