Haunting The Narrative - Blog Posts
no yeah it’s totally casual
we fuck at midnite- yk when her ghost can finally escape the realm of purgatory- and then she leaves before the sun rises to serve out the rest of her uncertain afterlife
(´༎ຶོρ༎ຶོ`)
haunting the narrative, but like, in a literal sense.
Torturing the author and existing in the spaces between pages. Breaking the forth wall to call them a cuck for trying to kill me.
Is that anything
When they haunt the narrative:
when i show up to the mothers haunting the narrative competition but padmé amidala and lily evans are there
everywhere i look, i see his face (lestappen)
@partiallyderived this is ur arena i believe. lets discuss accuracy.
where the drivers would be on the periodic table based on their (current) driver numbers
Okay but can we talk about the innate North Starness of ghost coded characters? The presence of an absence that begs to be filled. To even be ghosts at all someone else has to keep getting caught up in their memory, often following the “north” they leave behind, a fixed direction born of narrative death and reconstruction. Of how that character and their impact on the story is understood, what their leaving motivates others to do in their wake. When the memory of a character and their actions becomes this involuntary guiding light, pulling others down a path of revenge, redemption, heroism, living up to impossible standards, etc. They don’t even actually need to be dead either. Ghosts that don’t want to be followed. Ghosts that fought for the exact opposite of what their followers pursue. Ghosts that may be able to be saved. Ghosts that need to be let go. Ghosts afforded freedom by their disappearance. Ghosts that condemn their peers for coming along with them, even if it means being alone. To become direction amid uncertainty by haunting the narrative, whatever they originally wanted.
Anyways.
“Time casts a spell on you, but you won’t forget me, I know I could have loved you but you would not let me” is such a time petals quote.
The doctor fits the whole ‘time casts a spell on you’ because he’s a time lord, he owns a space ship that travels though time, his species are literally the lords of time.
‘I know I could have loved you but you would not let me’ fits rose because while they are clearly inlove with each other, he refuses to admit it in some way. Like how in doomsday, when rose says she loves him, he responds with ‘quite right to’ and ‘rose Tyler I..’. He doesn’t admit it openly till a while later. But it’s so clear he loves her and she loves him, but he’s scared of loosing her, he knows he will outlive her and he’s scared of that. He can’t loose her, she’s so important to him it would destroy him. AND IT DOES!! With Martha, he’s clearly not over her and it shows.
“You’ll never get away from the sound of the woman that loves you” matches with bad wolf, they are destined for each other. She literally finds him in another dimension, trying to save him. She’s mentioned all the time. She’s been haunting the plot since doomsday and hasn’t stopped. They are made for each other and yet they can’t be together. While she gets the metacrisis doctor, he can’t have her in any way. They make me ill!!!
Silver springs by Fleetwood Mac is literally their song
draft dodging via intertwining yourself so heavily with the story that you cannot be removed without fundamentally altering it
stop haunting the narrative we need you in the War