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Everything Is Meant - Blog Posts

1 year ago

Guys. Let's talk about the Eccles cakes. Shall we?

Guys. Let's Talk About The Eccles Cakes. Shall We?

When Crowley orders six shots of espresso, Aziraphale considerately asks for something that "calms people down". Nina then suggests him to get Eccles cakes.

Now the word, "Eccles" originally means "The church". It foreshadowed the season finale where Aziraphale asks Crowley to join heaven. It is a callback to Crowley being the (sauntered-vaguely-downwards) fallen angel. Crowley was given a choice to join heaven again. To eat the Eccles cake. But he doesn't. He doesn't want to be calmed down and hushed. He has found his voice, his own side. He knows the truth about Heaven and Hell and God.

The Eccles cake is also called the "squashed fly cake' because the inside is filled with black currants. This could be a metaphor for hell. How Crowley was also asked back to hell and he said no.

Aziraphale ordering Eccles cakes shows the inner struggle that he is facing. He cares for Crowley. He wants to be there for him. But at the same time, he believes whole heartedly in heaven. He still thinks of God's plan as ineffable. As indubitable. He believes that Crowley and he will be happier in Heaven. He fails to see that even if heaven seems to be the side of "truth and light", on the inside it's all squashed flies. It's just as bad as hell. That when heaven ends life on earth it will be just as dead as hell ended it.


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1 year ago

RIGHT, Good Omens folks, let’s talk blocking: the art of where you put your actors within the scene, in relation to others.

Season 1, Aziraphale is always on the right side, and Crowley is always on his left side. The only exceptions to this is in the Bentley, because of the steering wheel, and on the park bench during the switch.

Aziraphale expects Crowley to appear on his left too. At the Ark he still turns right when he feels an ethereal presence, only to turn left right away. Present day, when he’s eating sushi and Gabriel appears, he smiles, turns *left*, instantly realises it’s not that kind of ethereal visit, turns right with a bit of a panic.

Aziraphale right, Crowley left. Always. Right?

Season 2 switches this up. By a LOT.

[[MORE]]

It starts moment one in the coffee shop, blink and you’ll miss it: Aziraphale is sitting down, senses Crowley, *turns left*, only for Crowley to walk around the table *right*, and sit down. It’s a tiny moment, but it speaks so loudly on… well, Aziraphale’s assumptions. Which he has a lot of.

Everything is Meant. Douglas is too brilliant for this to be random. And it happens… so often?

RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,
RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,
RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,
RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,

I also find it very interesting that they added moments in history where Crowley is on the right side. Most particularly one where he definitely is *on* the moral right side. (‘Poverty is good actually’, really Aziraphale?)

RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,

Then there’s this scene, which, the Job flashback deserves a whole essay onto its own…

RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,

Then there’s the the fact that Crowley is always on Shax’s right, and she is always on his left.

And then there’s this!

RIGHT, Good Omens Folks, Let’s Talk Blocking: The Art Of Where You Put Your Actors Within The Scene,

Muriel is *always* on Crowley’s left.

It’s almost as if things aren’t as black and white as the system would want you to believe, ey, angel?

Bonus: Gabriel and Beelzebub start off their meetings on opposite sides of the table. They end sitting on the same side.

Anyhoo I love this show a VERY NORMAL AMOUNT please feel free, always, to scream at me about it.


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