Crack AU Concept:
Some months after Ben's death, Klaus disappear. Reginald told them he was founded dead. But was really what happened?
After finding out about is father's death, Osamu Dazai decides to go to his funeral for fix is bond with is siblings, that they believed he was dead.
A semi-restored sibling bond, the power of friendship, a bit of Port Mafia skills and a very huge family dinner could save the world from the apocalypse this time?
Or: A "Osamu Dazai as Klaus Hargreaves"crackfic because I'm addicted to gacha reaction videos and I need to cope with the last season of the umbrella academy.
Mori finally bans toys from all mafia meetings after Dazai and Chuuya got bored at a very important negotiation and initiated a water gun fight with each other. Bringing game consoles was already pushing it, but the water guns were the last straw.
This backfires however, when at the next meeting they both attend, Dazai once again gets bored and just pulls out an actual gun and starts shooting at Chuuya. Who catches the bullets with his ability and proceeds to pelt Dazai with them in return.
15 Dazai and Chuuya chibis for an assignment :))
The worst, the absolute worst older brother
I know Soukoku is an overrated ship. But the angst we can create with Dazai and Chuuya is such a specific flavor fucked up but painfully poetic that it’s hard not to at least find them interesting.
Like what about the Soukoku where Chuuya sees Dazai again after several years of separation, and he’s the same.
Chuuya sees Dazai, and sure, on the surface he seems like a changed man. Happier. Better. A person who fights for good.
But Chuuya knows Dazai, and he knows that Dazai is only pretending. He knows Dazai is trying so hard to be this other person. To be what Odasaku wanted. He’s gone and tried to change everything about himself but his name, yet no matter how desperate he is he cannot escape who he once was. Who he was in the Port Mafia. Who Mori trained him to be.
And Dazai knows Chuuya knows, but it’s such an easy comfort. His old habits are down right addictive, after all. Every moment spent with Chuuya, Dazai risks falling into who he used to be.
Neither of them want that, but the idea of the ever looming possibility that everything Dazai worked for could be ruined by the Chuuya’s mere existence and the act of Dazai loving him is so very compelling to me.
Right, I need to say my piece on the recent Asagiri drama.
I wasn’t going to say anything because I try to avoid fandom drama as it only takes away my enjoyment. However, I decided to do so anyway. I know I don’t have a large audience or post very often, but I would really appreciate it if people spread the word.
Do not. Under ANY circumstances, send threats, harass or anything of the sort to Asagiri or anyone involved in the creation of BSD.
It is rude. It is bad internet and fandom etiquette. It ruins the enjoyment for both the creators AND fans alike.
In a worst case scenario, it could lead to the premature end of BSD. (I’ve seen it happen before and it never ends well.)
This sort of thing is becoming a real issue in this fandom, especially as it grows. And I find it to be immature and pathetic behavior.
I understand liking your ships, I too have ships, but we must keep in mind that BSD was never supposed to be about romance or ships. It’s not a romance series.
Be respectful of Asagiri and the creators. Show your support of the series instead of sending hate and negativity when something happens that you don’t like. If you must, use that energy to make meaningful and respectful critique, or simply disengage. This applies with fandom content for the series as well.
It’s the polite and respectful thing to do. And it fosters a better community for everyone involved.
working on this obscure meta post on how people criticise dazai's actions of violence more than that of other PM members (namely akutagawa and Chuuya) because of the relationship between the audience and the weapon of choice, and how dazais lack of a supernatural way to enforce violence makes him more likely to receive criticism. Anyways anyone thats interested lmk???
Skk mermaid AU, where Dazai's the human who meets Chuuya the merman.
Chuuya has this long, almost eel-like tail. He has huge fins and spines reminiscent of the lionfish. In the water he commands so much space, his fins fanning and tail dancing in the current. He rarely rests on land because he struggles to keep his fins from getting everywhere.
Dazai usually takes his boat out to the water to see him, only occasionally will Chuuya come to the shallows, but even then he keeps most of his body in the water. Dazai is used to thinking of Chuuya as this great sea serpent instead of a merperson, because sometimes it looks like Chuuya's tail never ends when he circles around Dazai in the water.
It is a common myth that merfolk can grow legs and walk on land if they wish too and Dazai is always trying to convince Chuuya to come on land, telling him stories of all the things he'll show him beyond the beaches. Chuuya denies this myth adamantly.
But as time goes on, Chuuya's curiosity gets the better of him and he finally agrees.
The next morning Dazai is waiting by the surf, with a towel and clothes, just like they agreed. He's brought wild flowers from the fields, corny, but Chuuya is always so fascinated with the gifts from land that Dazai brings him. Excitement is bubbling in him, despite the long hours he'd told himself to be nonchalant the night before.
And then he sees Chuuya emerging from the water. A little unsteady on his new legs, the gentle waves making him unbalanced as he walks.
Dazai thinks he's further away than he his, but then Chuuya is in front of him far quicker than Dazai expected him to be. And what should have been this magical moment is ruined by Dazai bursting out laughing.
Because his great beast of the sea, his serpent with the tail that goes on forever, is a full head's height shorter than him.
"Dazai is the easily flustered one" "No, Chuuya is"
You fools, its both! They are only ever confident in romantic gestures when they're the one who initiated it!
Everything is a competition with them, they know how to get under each other's skin and that not just for annoying each other. They definitely have a corner in their brains dedicated to things they've said/done that has got the other one flustered!
If you think they don't have a tally chart at home for keeping track of the amount of times they've made each other go beet red in public, you're wrong.
Dazai is not the type of person who likes to go shopping for himself. (Especially not on his own dime.)
So, he doesn’t normally realize he’s out of shampoo until it’s gone.
When that happens, he just steals some from Kunikida, because Kunikida always has an extra bottle lined up for when he runs out.
But Dazai’s done this so many times now that not only does Kunikida know it’s Dazai, he’s also begun to just buy another extra to keep in his cabinet. Except this one is a brand he picked personally for Dazai, suited for his greasy ass hair and everything.
He never said anything about it.
And although Dazai will never say it out loud, he’s just as grateful as he is amused.
Thinking about Tachihara deciding to stay with the Mafia after everything's over.
Thinking about the government refusing to give him his next monthly surgery since he's no longer a Hunting Dog.
Thinking about him accepting and coming to terms with the fact that he's going to die, and even saying his goodbyes to his friends in the mafia.
Thinking about Hirotsu, Gin, Higuchi, Kouyou, Chuuya, all refusing to let him die like this, and scrambling to find a way to save him.
Thinking about Chuuya and Kouyou threatening the hospitals to give him the surgeries, and Gin and Higuchi sneaking around to find something that could help.
And then it hits them. The solution, which now seems so obvious in hindsight.
Thinking about Chuuya on the phone with the Detective Agency, and of course it's Dazai who picks up the other end.
Thinking about him sitting in the office, head in his hands, as he hears Chuuya asking him to let Yosano go to the Mafia base for a while.
Thinking about Dazai, out of genuine concern for her, refusing to let her go back to the Port Mafia.
Thinking about Yosano being out the door before Dazai even puts the phone down, because it's Michizō Tachihara. This is Shunzen's younger brother, of course she has to help him.
Thinking about Yosano, when she arrives at the PM base, not having to hurt him even a little bit to use her ability, because he's already that far gone, that broken.
Thinking about her sitting by his side, wondering if when he wakes up he's going to hate her for using the same ability on him that killed his brother.
But when Tachihara wakes up, all he can say to the doctor is "thank you," because he genuinely means it. Because of Yosano's ability, he's healed completely. He has no commitment to the Hunting dogs now.
(If i end this with "he's free" is that cringe?)
Anything even remotely father shaped in this series must die apparently.
This ^^^
[So a large portion of this is left over from when I was revising sociology for my alevels, which were done over a month ago now (wow). So I hope there's people out there who find this interesting, it's nice to post this since it goes back to my roots of what started me on tumblr in the first place (sociological analysis, but of MTP). Also this has Stormbringer spoilers.]
Sociologists agree that childhood is a social construct (a concept in society with no fixed definition). The definition of childhood changes depending on culture and time, so it is not universal or 'natural'. Bungo Stray Dogs portrays a definition of childhood much different to many of our own cultures, and part of its presentation is something I want to look into.
The main idea to look at is Jane Pilcher's idea of 'separateness' - childhood as a clear and distinct stage of life in which children are considered physically and psychologically incompetent and unable to run their own lives. This idea of separateness often leads to childhood being considered a 'golden age' of play and having a lack of responsibility. In BSD, the idea of childhood as a separate stage is not as clear - many children 16 or under are seen working in (or looking for) employment much like adults would do. For example, in Stormbringer Shirase (who is 16) works in a car factory, Yosano at age 11 is said to work in a confectionery store (we don't know if this was family owned or not though), and Ranpo in Untold Origins (aged 14) looking for a job when he meets Fukuzawa. With this information we can gather that children have to take the responsibility of work from a younger age than many cultures (for instance where I lived children have to be in education until 18) and that from as young as 11 they are able to employment.
Consider the other children present - the Akutagawa siblings living on the streets for many years without parents or financial support, Kyouka and Q (as well as teenagers like Dazai and Chuuya) being part of the mafia from a young age, Kenji in his village, Chuuya and Mary Wollstonecraft in Stormbringer, and Atsushi living in the orphanage. All of these have different notions of childhood attached to them.
The Akutagawa siblings learnt to support themselves from a young age. Their group of fellow homeless children act as proof of a wide child poverty issue, one which represent the effects of a lack of child welfare support by the government or the effects of the many casualties in the Great War (leaving many without parents). The lack of child welfare support may show a general lack of the idea of separateness, since specialist support for children is not available.
The abundance of children in the mafia, especially those who reach the higher ranks of executives like Dazai and Chuuya by the age of 16, show a distinct lack of recognition of childhood as a separate stage. Those who are children don't seem to be treated much differently to the adults, which is especially apparent in Q and Kyouka's missions (where Kyouka in her first mission we see being considered disposable by the mafia).
Kenji's childhood on paper seems the closest to many farming cultures in our world. He works on a farm from a young age, as many people in his village and in real life farming families do. The recruitment of him to the detective agency however, suggests that (despite his youth) his ability makes him fit for the job. This somewhat leads on to the idea that children with abilities are seen as more mature and subjected to more adult activities and topics from a younger age, with their allowance of separateness smaller than that of non-ability user children.
A few other Stormbringer examples - Mary Wollstonecraft is only 10 years old as of Stormbringer, and yet she is working for the European governments and making robot agents for them. Young children working for governments is a clear example of a lack of separation between child and adult. Another, and arguably much worse example, is Chuuya and Verlaine - both experimented on by scientists/the government and infused with singularities via force. Chuuya is also canonically cloned. Verlaine and Chuuya, in their experimentation, are not treated much differently, despite Verlaine being an adult and Chuuya being around 5 at the time of his kidnapping/start of experimentation. This suggests a lack of seperateness yet again. There is a lot more that could be said about the whole 'cloning/made into a weapon' part of their story, but this is not the post for that.
A more recent one - Teruko. Because of her unique ability to change her age means that within the first few months of her life she was forced to fight in war. She's actually forced to bypass her own childhood for the war effort, and therefore her childlike demeanour during the Decay of Angels arc may be to try and harness what she missed out on. Her ability in itself could also play into the 'old age is a social construct' argument too maybe but again, not the post.
Atsushi's childhood in an orphanage at first seems to match the ideas of childhood as a separate stage dependent on others. The purpose of orphanages is to raise children without parents and help them prepare for the world, but Atsushi's experiences of abuse shows that his ability, to the orphanage director, makes him undeserving of this separate stage. Instead he is abused and eventually kicked out with no real support. This being able to go on unchecked alongside the other examples brings me to my conclusion about the definition of childhood in Yokohama/the surrrounding villages/possibly the world are not being considered a separate 'golden age' to the same standards as our world.
As mentioned earlier, children who are ability users are less likely to have this construct of seperateness include them. In sociology, labels and constructs are assigned by people and society, and so in this universe there are many adults who have removed this construct from ability users' lives in their childhood. Yosano is the clearest example of this - Mori takes her away from her experience of childhood and places her in a war zone, where she, despite being 11 years of age, is treated like an adult and (because of her ability) is placed on a pedestal by the solders. She's stripped of her childhood through not only the standards placed upon her, but the trauma she endures in the war zone - leaving her to spend what remained of her childhood in a psych ward until Fukuzawa is able to take her in.
Ability user children, via circumstances or adult intervention, do not get to experience childhood in the way other children do because that label is stripped away from them. This is most usually because they pose some asset to an organisation or campaign - and this can include the ADA too. Just because the ADA offers a more healthy and safer environment for the children than other organisations, it is still putting children into work and treating them the same as adults. How ethical this is, is in itself another question that I don't think I can give an answer to. But I could honestly talk about how ability user children are treated differently in a whole other essay.
[I do not have much else to say now about this specific area but it's probably better to post than just to let sit in the drafts as it has done for a while. So no proper conclusion sorry.]
Maybe I am reading too far into things, but I was just rewatching bsd season 3, and something stood out to me.
In this scene, Chuuya refers to the Sheep as children when telling Dazai not to kill them.
It’s the fact that he calls them children as if he is not a child himself.
Yes, there probably are people younger than him in the Sheep, but he is not exclusively talking about those kids. He is talking about the Sheep as a whole.
He didn’t say, “leave them out of this” or “don’t kill my friends” or even “don’t kill the Sheep” or anything else.
It is straight proof that Chuuya has had to put himself in a role of protecting others. Much like a parent, or older sibling. He’s had to force himself to grow up faster. He doesn’t get to be a kid.
And he’s far from the only one.
Dazai too, calls them kids. Dazai too, when he first meets Chuuya, calls him a kid.
In fact, as far as I know, Dazai is the only one who ever points out how young Chuuya is. (Again, I could be wrong, and if I am, please correct me.)
And Chuuya is the same in return; he also sees Dazai as a kid.
They see each other as kids when they do not see themselves as kids. And that’s probably why they can act like the stupid, petty teens they are when they’re around one another.
When one falls out and tries to act like the other is below them for being a kid, the other simply reminds them (often rather aggressively) that they are also a kid.
It’s a reminder I’m sure they both need.
Sometimes I just think it would be so funny if they actually gave the BSD characters creaky, high pitched teenage voices for the sequences where they are young teens.
Can you imagine Dazai trying to say some edgy shit and he has a voice crack? Or suddenly their voices sound much deeper in one episode?
Honestly I really think it would help hammer home just how young these characters are as well. Like-these children are not okay please get them some help.
Higuchi: I sleep with a gun under my pillow. Gin: I sleep with a knife. Dazai: You two are pathetic. Gin: Oh, yeah? What do you sleep with? Dazai: Chuuya
I never get when people say Soukoku are doomed by the narrative. Like it makes sense in Beast but regular old bsd Soukoku?
The narrative wishes it could doom those idiots but they slot back into place the moment they see each other like no time has passed at all.
If anything the narrative is doomed by them.
I bet he’d blame it on Chuuya’s ability too, knowing full damn well Chuuya cant even use his ability when he’s holding him.
Headcanon that no matter how hard he tries Dazai cannot for the life of him pick up Chuuya
He is simply too twig
Chuuya however, can pick up Dazai with ease and takes it to his full advantage
THIS.
I normally block hate like that out because it’s really not that deep it’s just fictional silly guys, but sometimes it reaches me and it’s so infuriating😭
ESPECIALLY when people say there’s no evidence for it. It’s SKK we are talking about here!
(When did we even need evidence for a ship?)
It could be read as platonic or romantic, and there is evidence for both. If you read the material you’d know that 😭😭😭
half of skk haters say it doesn’t make sense bc they hate each other and the other half say it doesn’t make sense because they’re actually so platonic they couldn’t feel romantic things for each other.
which one is it? do they hate each other or are they besties? 😭
Okay but we could take this further: a whole AU where everyone’s powers are reversed in some way or another.
A Dazai whose ability actually causes others’ abilities to activate when he touches them. (Forever Human)
An Oda whose ability lets him see seconds into the past rather than the future. (Flawed)
A Yosano whose ability kills perfectly healthy people instead of healing those near death. (Thou Shalt Perish)
A Kenji who is strong naturally but his ability makes him become weak but happy. (Defeated by the Sun)
A Fukuzawa whose ability makes the abilities of those in ranks above him near impossible to control. (No Men Are Equal)
A Chuuya whose gravity manipulation is limited only to putting extreme gravity on things he touches, and instead of corruption he gets purification, which actually restores him and limits his gravity ability, allowing him to use it how he would under normal circumstances. (Upon the Holly Smile)
A Bram who isn’t a vampire and can cure vampires instead of creating them. (Vampiris’nt)
A Fyodor who ACTUALLY FUCKING DIES.
Bsd except Atsushi is a reverse Weretiger aka he is a tiger that can transform into a human.
The Orphanage still ended up with him but treated him like a beast, only letting him out on the full moon.
But human Atsushi is rather unhinged and doesn't human well so feral tiger boy it is.
He's not a rampaging tiger, hes a weirdly very behaved random tiger all things considered. But he's still freaking people out and he's a menace on either form.
Atsushi can hold his human form better with All Men Are Equals. But Dazai will boop him and bam giant white tiger that bonks him on the head.
Akutagawa is just screaming insults at a very bewildered and than pissed off tiger. He's roaring and Akutugawa is screaming and they come to a werid agreement.
Atsushi is still a member of the Agency, tiger or human. He's got a lil badge and everything. Dazai is just like nah its cool guys this is our office tiger.
Cut to him getting bonked on the head, again.
wish i could go missing for a little bit and no one would freak out and then i could come back and they'd be like "did you have fun going missing" and i'd be like "yeah, thanks" and then i could do that every couple of months or so and it wouldn't be a big deal
https://archiveofourown.org/works/65076295
self = fyodor self = dazai
therefore, self love would be extremely well written fyozai smut :)
he dazai on my osamu till i no longer human
everything is a reference. and i mean EVERYTHING, so here is a list of everyday things i associate with my favorite charas / ships / fandoms- i want you, YES YOU, to guess what their connection is (keep in mind, some may seem fairly obvious):
rats, snow, russia, ushankas, cellos (string instruments in general), literally anything white or purple, fish (mackerels especially), bandages, trench coats, bolo ties, suicide, slugs, small things, red tattoos, waistcoats, gravity, dress shoes, doughnuts, bicycle wheels (im so sorry if you understand this), glasses, raccoons, dogs, birds (doves), dolls, anything medical . . . .
add your own and i suppose ill guess what your reference is too!
new rentry
cloud themed, blue + white
co / boyflux