My Faith In These Two #married Dorks Has Been Restored.

i don’t understand why, but i get such a fluffy vibe from 9-1-1 show ,and the angst reality vibe from 9-1-1 lone star

His face literally screams “omg I was so scared to lose you please don’t ever leave me again” I’m not okay

Let me just leave this here before I vanish again. Oh and before I forget don’t be afraid to come say hi or leave requests, I would love to draw out your ideas between Derek and Stiles! :)

walking fast

+bonus 

Shakenado

On their first date, Dean takes Cas to the movies. 

It feels weird and a little awkward; they’ve been friends for so long and even though Dean now knows that Cas is interested in more, he still doesn’t feel like he has permission to touch. 

He wants to hold Cas’ hand in the theater but he spends the entire movie working up the nerve and eventually chickens out. His palms are all sweaty anyway. 

On their second date, Dean takes Cas to a restaurant. 

It isn’t by any means fancy but it’s a lot nicer than the roadside diners they usually frequent. Cas orders some foreign dish with perfect pronunciation and Dean gets so tongue tied, he accidentally orders his steak well done.

Conversation over dinner is stilted. This time, Dean can tell that he isn’t the only one who’s uncomfortable. In a strange way, it makes him less uncomfortable. They’re in this together, testing the waters and trying to work out what their relationship is changing into. 

Dean crosses his legs at one point, bumping his foot into Cas’ underneath the table. Cautiously, he inches it back until they are touching again. Cas smiles at him but otherwise neither one of them acknowledges it. Their conversation starts to run smoother.

On their third date, Dean takes Cas to a museum. 

He isn’t expecting to enjoy it much but Cas’ enthusiasm is catching. They’re nearly halfway through the second floor by the time Dean realizes that at some point Cas grabbed his hand and hasn’t let go. 

They’re still holding hands when they get back to the Impala. It is then that Cas informs Dean solemnly that since their third date just ended they can now have sex. 

Dean laughs and is about to explain that the three date thing is more a guideline than a hard rule, when Cas pins him against the side of the Impala and kisses him breathless. 

Dean goes with it. Who is he to argue with the three date rule?

Chuck and the Multiverse

I’ve been thinking about Chuck’s reappearance and his admission that he moves on from universe to universe willy-nilly, confirming what Michael had posited earlier this season.

I’ve never been a fan of Chuck: in s11 he made me roll my eyes because he felt more like ascended fan theory than actualized character. But 14.20 recontextualizes him in a way that fits surprisingly well for the amount of canon it impacts.

Just as there is only one God, there is only one Darkness; she must be locked away from every new sandbox he creates, or risk its ruin. For that, he always needs his sons. 

He’s not a terribly good father. He’s tried lots of versions of his archangelic children. One of them always must carry the Mark. He always ends up cutting his losses. 

Of course God is absent for most of this universe’s tenure; SPNverse was one of many he discarded long ago, when things went sour with Lucifer. So let this iteration of his warring sons end it as they usually do, he doesn’t care. Maybe he’ll watch the fireworks from a distance. 

His stagnant interest in SPNverse is piqued in 5.22 after Sam changes his stock ending. He even gets invested enough to rapture a poor prophet for a joyride.

He watches SPNverse much more closely now. He intervenes sometimes–but only to give the Winchesters a chance to sacrifice themselves in more interesting ways. He enjoys watching their struggles, their suffering. He even gets a chance to reconnect with his sister.

He loved ~Free Will~ and off script passion when it resulted in the drama and sacrifice of 5.22, but he HATES how a similar act of rebellion leads to all the tension getting limply defused in 14.20. It’s not that he wanted Jack specifically to die–any similar sacrifice would have suited. It’s the anticlimax he loathes. That, and Sam’s temerity. 

{14.20′s anticlimax was an intentional writing choice designed for Chuck to hate. (chuck is me, I am chuck)}