Some Advice For When You’re Writing And Find Yourself Stuck In The Middle Of A Scene:

site that you can type in the definition of a word and get the word

site for when you can only remember part of a word/its definition 

site that gives you words that rhyme with a word

site that gives you synonyms and antonyms

Words instead of sighed and frowned?

Sighed - let out a deep audible breath or made a similar sound (such as weariness or relief)

Exhaled - breathed out

Heaved - uttered with obvious effort or with a deep breath

Huffed - emitted puffs (as of breath); usually with indignation or scorn

Insufflated - blew on, into, or in (something)

Puffed - blew in short gusts; exhaled forcibly

Snorted - forced air violently through the nose with a rough harsh sound (to express scorn, anger, indignation, or surprise)

Snuffled - breathed through an obstructed nose with a sniffing sound

Suspired - drew a long deep breath; sighed

Frowned - contracted the brow in displeasure or concentration

Glared - stared angrily or fiercely

Glouted - (archaic) frowned, scowled

Glowered - looked or stared with sullen annoyance or anger

Grimaced - distorted one's face in an expression usually of pain, disgust, or disapproval

Loured - looked sullen; frowned

Moue - a twisting of the facial features in disgust or disapproval

Pouted - showed displeasure by thrusting out the lips or wearing a sullen expression

Scoffed - expressed scorn, derision, or contempt

Scowled - contracted the brow in an expression of displeasure

Sulked - silently went about in a bad mood

Hope this helps. If it inspires your writing in any way, please tag me, or send me a link. I would love to read your work!

More: Word Lists

Writing Advice: it doesn’t matter if an idea has been done before. It’s never been done by you. So long as you do it well, and in your own way, it’s a wonderful contribution.

How to Write Betrayal

Betrayal is a powerful plot element that is represented in countless stories. The gravity of betrayal brings a profound depth to character dynamics, plots, and themes alike, making it an indispensable tool for writers to explore emotions, conflicts, and the complexities of human nature. Let’s explore some quick tips on how to write betrayal!

Behaviour

Secretive actions

Dishonesty

Becoming emotionally distant

A sudden change in routine

Pushing people away

Nervous or fidgety movement

Frequent lying or making up stories

Unexpected aggression or irritability

Unjustified mood swings or emotional outbursts

Increasingly defensive

Interactions

Disturbed interpersonal relationships

Frequent misunderstandings or fights

Withholding information

Avoiding personal discussions

Insincerity in conversations

Frequently cancelling or missing plans

A sudden shift in relationship dynamics

Quick to deflect or place blame

Frequent subject changes

Gradual emotional detachment

Body Language

Avoiding direct eye contact

Defensive stance and crossed arms

Covering mouth or touching face

Shuffling or restless movements

Forcing smiles or laughter

Constantly looking around or at the ground

Stiff, tense posture

Heavy breathing or frequent sighing

Avoiding touch or skin contact

Exaggerated gestures

Attitude

A lack of concern or empathy

Increasingly personal and hurtful arguments

Erratic or unpredictable reactions

Self-centeredness

Insincerity

Dismissive or negative attitude

Callous disregard for other's feelings

A negative or pessimistic outlook

Inability to handle criticism

Withdrawal from relationships

Positive Story Outcomes

In the wake of a betrayal, a story can manifest various positive outcomes that add depth to the plot and its characters. Relationships can be strengthened, showing their resilience. Characters may discover newfound self-reliance and learn valuable lessons about trust and forgiveness, leading to an increase in empathy and understanding, personal growth, and the reinforcement of personal values. These experiences can encourage a clearer understanding of personal boundaries, prompt self-reflection, introspection, and the development of healthier coping mechanisms. Ultimately, these positive outcomes can bring about improved communication and honesty, forming the silver lining in the cloud of betrayal.

Negative Story Outcomes

The aftershocks of betrayal can reverberate throughout your story. This might include an irreparable fracture of trust and damage to relationships. Betrayal can trigger psychological trauma, leading to an increase in suspicion and insecurity. Feelings of inadequacy or self-blame may surface, and characters can experience a heightened sense of isolation. The fear of forming new relationships or trusting others can become overwhelming. There may also be an escalation of conflict or violence and the reinforcement of negative behaviours or patterns. Damaged self-esteem or self-worth may be another repercussion, and this can encourage destructive coping mechanisms.

Helpful Synonyms

Treachery

Deception

Double-crossing

Duplicity

Backstabbing

Two-faced

Disloyalty

Unfaithfulness

Infidelity

Falseness

Perfidy

Treason

Fraud

Deceit

Slander

Misrepresentation

Falsification

Chicanery

Double-dealing

A list of phobias that your OC (original character) can have

Arachnophobia: Fear of spiders.

Acrophobia: Fear of heights.

Claustrophobia: Fear of confined or crowded spaces.

Ophidiophobia: Fear of snakes.

Cynophobia: Fear of dogs.

Trypophobia: Fear of clusters of small holes or bumps.

Social Anxiety Disorder (SAD): Fear of social situations and interactions.

Glossophobia: Fear of public speaking.

Hemophobia: Fear of blood.

Nyctophobia: Fear of darkness or night.

Thanatophobia: Fear of death or dying.

Mysophobia: Fear of germs or dirt.

Entomophobia: Fear of insects.

Aquaphobia: Fear of water.

Astraphobia: Fear of thunder and lightning.

Dentophobia: Fear of dentists or dental procedures.

Selenophobia: Fear of the moon.

Taphophobia: Fear of being buried alive or of cemeteries.

Xenophobia: Fear of strangers or foreigners.

Atychiphobia: Fear of failure or not being good enough.

Consider which phobia fits well with your OC's personality, background, and the story you want to tell. You can also explore how their phobia influences their behavior, relationships, and journey throughout the novel.

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

Tips for writing black characters

Day-to-day practical and minor stuff, specially regarding hair

If you have curly/afro hair then you are only going to need to wash it one or twice a week

But it can take a while. When I had long hair it used to take me 2h in the bathroom to properly wash it. That's why I only did it once a week. But it really will depend of the thickness and lenght of their hair.

It can be a little harder to find products for their hair, because straight/wavy hair products don't work on ours

If you wash curly hair many times a week it will eventually lose its nutrients, differently from straigh hair

If your character originally had curly hair but straightened it, it's probably going to look a little drier than naturally straight hair. it's a case-case scenario, though

If they have a skin care routine or want one they'll also need products made specifically for black skin

Your character is not immune to sunburns. It's harder to see if it gets red depending on how dark their skin is, but it's there. The more melanin they have, the more protected from the sun they are, but it's not gonna 100% prevent them from getting sunburnt.

Oh, and it can be pretty hard to dye it because first, if your hair is very dark, you have to decolor it, and depending on how black it is it can take a while and a few tries to get in a tone good for dying.

If they have long hair they're probably going to take a while combing it because you have to apply the hair cream lock by lock

They may have a haircare routine every month or so. Not everybody does it but if your character is disciplined and wants their hair to be extra healthy and neat they'll probably have one

If they care a lot about their appearence they'll probably have a lot of hair brushes of different types because depending on your brush you can comb it in a variety of ways, making your hair look fuller, making the curls look defined, etc.

128 Words to Use Instead of ‘Very’

One of the best tips for writing descriptions of pain is actually a snippet I remember from a story where a character is given a host of colored pencils and asked to draw an egg.

The character says that there’s no white pencil.  But you don’t need a white pencil to draw a white egg.  We already know the egg is white.  What we need to draw is the luminance of the yellow lamp and the reflection of the blue cloth and the shadows and the shading.

We know a broken bone hurts.  We know a knife wound hurts.  We know grief hurts.  Show us what else it does.

You don’t need to describe the character in pain.  You need to describe how the pain affects the character - how they’re unable to move, how they’re sweating, how they’re cold, how their muscles ache and their fingers tremble and their eyes prickle.

Draw around the egg.  Write around the pain.  And we will all be able to see the finished product.

sometimes you need dialogue tags and don't want to use the same four