The thing is that getting Palestine free is both very difficult but not as difficult as getting South Africa free. South Africa had more resources than Israel does, it could hold out so much longer and still the apartheid was ended by people working tirelessly and boycotting and pushing for divestment and sanctions. These methods will work for freeing Palestine too.
I know it doesn't feel like there have been many successes, but all the politicians are feeling the pressure. Pressure that we are able to sustain and even increase as we come up with new initiatives and convince new people to join.
One of the reasons they're resisting our pressure so strongly is because they know that when we see gains we will push harder, we will continue to push until the stones falling becomes a rock fall and Palestine's freedom is secured. They know if we get a taste of the power we can wield we'll turn that onto freeing Congo too. They know we're unhappy and have been for a long time and their very secure system starts to look a lot less secure when we start mobilising to change things.
5 simple exercises to awaken dormant muscles
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Teeny tiny🤲
This video was supposedly removed from other platforms. Since I'm only active here and on Reddit, I found it there before it gets taken down from there. I hope it stays up here.
I request you all to keep a copy of the video and upload it if it gets removed. Upload it even if it isn't removed.
Harry, unable to cope with the lack of Voldemort's presence in his life, feels guilt and silently grieves since the absence in his soul became apparent. He hallucinates Voldemort looking half-dead and decomposing, haunting and comforting him at the same time.
I would like to wish everyone an uneventful new year
It's really fucked up when you treat characters like people and people like characters.
just watched a Palestinian baby die in his mother's arms. it was unbearable, scarcely believable, the abject and incessant cruelty they both had been subjected to by the entity and its forces of terror. worse still was the mourning, preserved on tape for a voyeuristic perverse world incapable and inadequate, failing them every step of the way.
i shudder hearing her pleas for her child to wake up. she shook him like a rag doll, begging him. children like Mustafa have been starved, burnt, mutilated, shredded, shot, crushed, tortured, raped, violated infinitely and entirely by the iof and amerikkkan military.
how do you sleep at night, knowing you will live and are perhaps already living among monsters who will return to society after taking pride and delight in the commission of such countless atrocities? how do you look at your own children after condoning all of this? is it because their children are subhuman to you, the superior race?
where do Palestinians take their grief and pain and anger? I am going mad with helplessness and my own inadequacy. Are you not? Are you not?
Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.
3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”
7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!
12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
•toujours debout• 22. really have no clue what the fuck I’m doing
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