When The Fanfic Is Better Than The Show

fluff fic rec

long fics

• the business of caring: a public service announcement: the campus police would like to politely remind all students, well-wishers, and supporters of the university during this time of serial vandalism that painting on buildings without permission is still illegal. this has not changed no matter how ‘cool’ you think it is. vandalism has never been nor will it ever be ‘radical’, ‘sick’, or any version thereof. -supervisor lexa woods

• stronger than we know: Clarke and Lexa meet for the first time on a blind date set up by their friends. They meet for the second time when Clarke takes her son to his first day of school only to find out that Lexa is his teacher. After some awkwardness they agree to just be friends but somehow it’s too much and not enough all at once.

Keep reading

Chapters: 1/1 Fandom: Disney Princesses Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Cinderella/Rapunzel Characters: Cinderella (Disney), Rapunzel (Disney) Summary:

Cinderella finds an alternative to her standard fairy tale ending.

Day 8: favourite trope to read or write and is there a difference in reading or writing that trope.

Hmmm … a very good question! I recently read the Phedre trilogy by Jacqueline Carey. After reading the first book, Kushiel’s Dart, my life and writing has been rendered transformed. The books are written in first person and the detail of the world building and the twists in the plot are exquisite. Reading this trilogy has pushed me to reconsider the roller coaster plot structure and approach my current wip into something more interesting. Hopefully I can be at least a quarter as successful as Carey. If you have not read her stories, I highly recommend them.

In the trilogy, the tropes of “enemies to lovers” and “lovers to enemies” is explored. It is so beautifully done! In my current wip, I’m working on lovers to enemies for my main character. A character who is also a flawed hero with a heart of gold.

Wish me luck!

From Odette Annable’s instagram. Her friend Arielle’s sister JULIA KEBBEL is MISSING from the LOS ANGELES area.

I’m sharing this partly because Odette did and also because I knew Arielle a little bit before she was an actress. We went to middle school together, and although we weren’t exactly friends, she is a human person I had classes with and now her sister’s missing… so I feel compelled to share the info.

Please reblog or repost, I don’t care. Just get the info out there!!!

wanheda every day

That time you start a new job and they ask you what you want to name your new workstation e.g. <whatever>.xyz_domain.com. Looking forward to starting work in a few weeks on wanheda.xyz_domain.com. 

CLEXA FIC RECS (PART I)

living on a fault line by anddirtyrain (WIP) - Lexa and Clarke have been  split up for a year and a half, and they have a daughter named Charlie. Clarke has moved on, but Lexa still loves her. (It’s pretty angsty fic, and we liked it.)

If Love’s So Easy, Why Is It Hard? by CommanderOswald (WIP) - The Griffin-Woods family has a perfect life. They have four kids. It’s the story about Clarke and Lexa deal with the painful aftermath of losing one of their four children. (Warning: It’s so angsty. You will cry so many times. But, sometimes we just want to suffer, right?)

your hand in mine (part I & II) by geralehane (WIP) -  This fic is pretty popular, but if you haven’t read yet, you should. Clarke’s father is put on life support, and becoming Lexa Woods’s girlfriend is her last chance at paying his bills. So she tries to make Lexa fall in love with her because she need money. (The relationship in this fic is toxic, but we believe it will get better. We trust the author)

The Sex Tape by sheisme (WIP) - Lexa is a stunt woman and Clarke is famous actress. However, after one passionate night between the two of them, a sex tape is leaked that sends their lives into a spiral. Will they be able to find their way out of the chaos together? (We fell in love with this fic. You should read it)

She by thefooliam (Completed) - Clarke and Lexa are the roommates. Clarke is pretty angsty in this fic. We bet all of you have already read this. But if there’s anyone who hasn’t read it yet, go and read it. (What are you waiting for?! GO. READ. IT)

I agree with all of the above. There is also a fantastic app for ao3 for Android. If you would like an invite, I also have two available!

ARCHIVE YOUR FIC ON AO3 FOR ETERNAL GLORY

It physically pains me to see people post awesome fanfiction to tumblr and nowhere else. Tumblr moves so fast! By tomorrow people who didn’t look in a tag at the right moment won’t know it existed. By next week even people who did read it won’t be able to find it back to reread. Finding anything on tumblr via search function is practically a fluke. For all intents and purposes, your hard work has a halflife of about a week at most.

PUT YOUR WORK ON AO3 WHERE IT CAN LIVE ETERNALLY, I BEG YOU

People who come into that fandom in a month, a year, even a decade will be able to find your work!

People can bookmark it!

People can rec it to others!

People can reread it into infinity! (and people like me can do that and comment every time!)

You can get comments & kudos until the endtimes because people will keep finding your work! (seriously I still sometimes get new people finding and loving my work from ~2013)

And best of all, people can SUBSCRIBE to your work so they will get email about new chapters and stories! (I’m seeing people do manual ‘Tag you in the next chapter’ lists and seriously, physical pain, this wheel has already been invented and it is rolling beautifully)

PLEASE LET ME BOOKMARK YOUR FIC I BEG YOU

“But I need an invite for AO3!”

Yes, and the waiting list is currently 2-3 days. That’s hardly worth not doing this for, right?

“But I only read fic, I don’t post it”

here is a post on why having an account just to read fic is also very worth it!

Lately I’ve been the tumblr person who jumps onto people who post cool fic to tumblr and going HEY HAVE YOU POSTED THIS TO AO3, YOU REALLY SHOULD, HIT ME UP FOR AN INVITE CODE and I hereby invite all you fellow fic readers and posters to join me into spreading the good word.

Please reblog this and tag your favourite fandoms and pairings! Spread this post to the people who need to see it! Save great fic from the tumblr void!

Day forty-seven

of @the-wip-project‘s challenge.

Q47: What kind is your favorite character to write?

A47: Happy cynic.

“Show, Don’t Tell!”: Using the Five Senses in Writing

This is an extended piece to my ‘Show, Don’t tell’ post. When writing the senses, I like to imagine the scene as if I were watching a movie. It’s the simplest way for me to picture and write when it comes to descriptions. You don’t want to overload the reader, but you do want to paint the picture instead of telling them. Staying aware of the five senses in your writing will dramatically improve your skill. It not only helps the reader be a part of the story but helps the writer set important scenes, without having to outright state what is happening. In this post, I will explain how I use the five senses in my writing. As always, my advice is subjective and only to show what I personally do. Whether you keep the senses in mind as you write, or you edit them in later, making sure you pay attention to keywords will help eliminate the stress of going back later to figure out what (maybe!) went wrong. 

SEE: On Sight

One of the easiest ways to go about elaborating sight is to eliminate words related to vision (look, saw, gazed, peek, etc). It also helps to stay aware of items, colors, sizes, etc. Do the same thing you’d do with words related to sight, eliminate them. Of course, don’t erase every word or phrase, but being proactive, keeping them in mind, and avoiding them will help you avoid overloading your reader with too much purple prose. (Granted, I would die for purple prose, but I understand that’s not everyone’s thing). 

Examples:

Jill saw Jack running. He carried a silver pail. He tripped and fell down the hill. 

 There are a lot of sight-words in this example. As the writer, it is your decision to choose what you want to elaborate on, whether it is one thing, or all of them. How much of the story you want to paint is up to you—

Jack’s feet blurred against the green grass as his toe caught his ankle. He rolled on his side, his silver pail flying into the air and reaching Jill first.

Jill craned her neck to find Jack staggering down the hill. Water sloshed from the sides of the bucket, swinging and glistening in the sunlight. He stumbled and grabbed for the handle with his second hand as the pail threatened to leave his grasp, and then he slipped, toppling down the hill.

In both of these scenarios, the reader can “see” that Jack is running and tripped without specifically stating that Jill saw it. They also “see” he had a silver pail and dropped it. 

Being more visually descriptive is also very important for facial expressions. It takes a simple mood and elevates it. Describing the expression also gives the reader the chance to “feel” that way too, almost like a mimic, which helps them visualize and empathize with the character.

Example:

Maxine made a disgusted face.

Think of what a disgusted reaction looks like; usually, it involves frowning, pinching your nose, sticking out your tongue, etc. Sometimes, it can help to look in a mirror and write what you’re seeing, too.

Maxine flared her nostrils and stuck out her tongue.

In the latter example, the reader is able to infer that Maxine is disgusted by how the writer described her reaction.

HEAR: On Sound

Describing sound can be tricky. It’s also hard to remember when to use it. We tend to think of sound in terms of music or voices—okay, okay, sometimes we sprinkle in animals howling or the wind blowing, too!—but sound can be incredibly important in setting a scene and is often under-utilized. Sounds let the reader know their surroundings without pulling from what is going on and adds intensity!

Examples:

Manuel sat nervously at the coffee table.

Again, as the writer, you can decide where to incorporate the use of sound. Here are a couple of suggestions, based on the above example:

Manuel’s fingers drummed against the table and drowned out the low whistle escaping from between his teeth as he exhaled. All around him, there was cheerful chatter, through which the barista’s loud voice occasionally sliced.

Manuel’s thoughts whirred and hummed, a dull grinding and the clinking of glass broke through the constant thump of his knee against the underside of the table.

In both of these examples, the reader was able to gather that Manuel was nervous (tapping knee, drumming fingers, low whistle). They are also able to gather he is in a coffee shop (or a restaurant of sorts) without explicitly saying so.

TOUCH: On Sensation

The best way to handle touch is by imagining whatever it is you are describing and what it feels like. If you don’t know how something feels, google it. Don’t describe a snake as slimy just because its scales are shiny and gives it a slime-like effect. That said, touch doesn’t just deal with what your character is physically touching. It can also deal with emotions and help to express them without saying outright how your character feels. 

Example:

Opal touched the silk blanket. She felt sleepy and closed her eyes.

Here we can elaborate on what the blanket feels like when Opal touches it and how she feels to indicate she is tired: 

The supple fabric slid between Opal’s fingers like water. Her tired muscles sagged and sharp, tiny pinpricks pressed against her heavy eyelids as she lay back.

The reader knows the blanket was very soft and also that she is tired without specifically stating she was sleepy. 

TASTE: On Flavor

Taste is a fun sense to mess with. It can show the reader so much more than how delicious the bread is (or how gross dirt is). I like to play around with taste in the weather/air, the taste of fear, the taste of cat hair in your mouth because there is always cat hair in your mouth… all right, maybe that’s a personal thing.

Example: 

The sun rose over the city.

What do you use for taste here? A city can’t taste, the sun doesn’t taste, but your character does!

Yellow light spilled over the streets, soaking the grit from the rainbow puddles into the air. The bitter grease lingered and settled in his mouth, strengthening every time he scraped his teeth against his tongue. 

Experiment with taste in your writing. Describe things you wouldn’t normally think to taste, like crude oil*. The internet is a good resource when it’s something you don’t want to try yourself, like crude oil**. Chances are, someone out there has already tried it and explained what it tastes like online.

SCENT: On Smell

Ahhh, smell. Smell lets the reader know so much: they can figure out where a character is, what they’re doing, where they are, etc., just from a few scent-related descriptors thrown around. Smell is also useful in triggering memories or past events.

Danny walked through the forest.

You can use so many of the five senses here! But since we’re focusing on scent, let’s zero in on that:

A crisp hint of pine lingered in the air and blended with the pungent decay of the brown needles underfoot.

Without stating anything about a forest, the reader has an idea of where Danny is. You can also use smell to show emotion! 

Danny was in love.

How do you smell love, K? Well, you’ve got me there: you can’t. But as a writer, you can think of what love means to you and of things you associate with love, and work from there. Personally, I imagine it would have a sweet smell, maybe too sweet.

A rush of flowery sweetness filled his nostrils as the handsome young man walked by.

There you have it. Of course, there’s a lot more to writing the five senses, as there is with anything, but this is to give you a basic idea of what I do when I’m writing. Being proactive and keeping the senses in mind while writing can be tough and exhausting, but the more you do it, the easier it becomes. And you don’t leave it all for editing! Remember: the most important thing is to keep practicing. 

Happy writing!

* Please do not taste crude oil. I can’t believe I have to type this, but some people want to eat Tide Pods, so here I am.

** Do not taste crude oil. You will die.